from AnOublietteofThought

fragrance titillates pierced flesh weeps for feral bite a ripe tart beckons

-—

I was originally writing a long-winded journal entry about writing. Or rather about my passion or lack of passion for writing. I decided to reintroduce grapefruit back into my life. I am hoping that I can have one for a morning jolt of vivaciousness without my body objecting too much. Finally got around to taking a bite of it... it's been a very long time since I have had a fresh ruby red grapefruit. Oh my, my. It looks like I've created an entirely new temptation to test my willpower with. I really want to gorge on a second.

No. Or rather yes. “Gorge” is absolutely the correct word. I do not want to delicately partition every sliver, and immediately eat it from my spoon. I want to section it into larger slivers, and hungrily devour it from equally tasty fingers. Then I want to lick every dripping rivulet of juice from the palm and wrist that has so kindly fed me the rejuvenating ambrosia.

Naughty thoughts. Naughty thoughts. I suppose it beats thinking about politics or taking the trash out.

© 2026 AnOublietteofThought. All rights reserved

 
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from The Marginalia of 𝑺igi

I was exploring, as one does, a workshop; an atelier you might say. When I noticed a length of wood leaning against a wall. It appeared to be just a piece of wood; except that it had been marked carefully along one edge, almost like the Ogham I discovered in the Irish National Library, but in wood not stone.

“That's a rule,” said a voice beside me. It was the sort of statement that attracts trouble. I turned and found myself standing next to a Sorter. A Block Shirt, the ones rarely encountered accidentally. They have a way of appearing whenever a thing approaches a category.

“A rule?” I asked. “Obviously.” The Sorter spoke with the confidence of someone whose shelves are all labelled and nothing is misplaced. I examined the wood. It was fifty centimetres long. “Why is it a rule?” “Because it is used for measuring.” I considered this. “Then surely it is a ruler.”

The Sorter sighed, not unlike the man who ironed his map when it failed to agree with reality. Then attempted to iron reality when the map still refused to comply. “No. A ruler and a rule are different things.”

This may have been true. Many things are. Yet something about the answer unsettled me. I looked at the wood. The measurements upon it referred to a standard elsewhere. The standard itself was invisible. The marks derived their meaning from an agreement beyond the stick. The rule, I thought, was not the wood. The rule was that fifty centimetres should be fifty centimetres. The wood merely carried the rule through the world. I mentioned this. The Sorter reversed his sigh. The intake was sharp enough to shave several splinters from one side of the wood. And immediately produced two boxes: RULE. RULER.

I have learned to be cautious whenever boxes appear unexpectedly. “Which is it?” asked the Sorter, with an insistence that seemed to demand I answer. I became suspicious. Why was the Block Shirt pushing me toward a decision? I looked again at the wood. It seemed an oddly narrowing question.

The object was not the standard itself, yet neither was it merely separate from the standard. Without it, the standard remained distant, silent, waiting but unapplied. Through it, the standard acquired presence in the world. More than that, it acquired meaning. Until then, fifty centimetres was simply an agreement. Here it entered the world of tables and doors and awkwardly cut pieces of timber. The standard did not change. Yet somehow, by being applied, it became more fully itself.

I found myself thinking of the fada. The mark above a vowel whose name is not just fada but “an síneadh fada” – the “long” stretch. The transformation was familiar. The description of the thing, becomes the thing. Long becomes fada. Then fada becomes the mark by which longness appears. A quality acquires form. A notion acquires a body. Perhaps measurements did the same. Perhaps a rule, travelling far enough through the world, eventually became ruler-shaped.

The Sorter shook his head. “You must choose.” The wood remained silent. “If it applies the rule,” I said, “it may be a ruler.” “If it embodies the standard,” said the Sorter, “it is a rule.” The wood appeared equally unconcerned by both possibilities. That struck me as significant.

The Sorter inspected forms. The wood inspected nothing. It merely continued being whatever it was. A carrier of a standard. A body for a measurement. A thing through which an abstraction became visible. The Sorter held open the boxes. RULE. RULER.

I held the wood over one box, then the other. The wood offered no guidance. At last I set it down between them and continued on my way. The Sorter called after me that every object must belong somewhere. I did not turn around. Behind me, the marked length of wood remained precisely where I had left it. Between the boxes. And measuring perfectly. And remaining, like so many questions I encounter, unfinished.

✒️ Sigi

 
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from Noisy Deadlines

I went to the movies with my partner to see the new “Spider-Man: Brand New Day”. Fun movie, btw. More dramatic than what I was expecting. But this is not about the movie itself.

I usually don't like 3D because it gives me a headache, so I was looking at the options on the Cineplex website to get the tickets and I saw “ScreenX” and “Ultra AVX”. I have not been up to date with movie theater technologies, so I just picked the one that had the best time available for us.

And that was the ScreenX one (for some reason this name sounds like a glass cleaner product or something).

ScreenX is described as having:

...270-degree panoramic screen in select scenes that naturally fills your peripheral vision and surrounds you with boundless adventure.

Okay, so it will be like a curved wide screen right?

Wrong.

It was a normal rectangular room, with the main screen located where it usually is, with the side walls having screens as well. So, the lateral screens are situated at almost 90-degrees angle with the big screen. Not really the panoramic view I was expecting.

All of this to say that this experience gave me a major migraine. The “peripheral” screens did not work for me at all. I tried to focus on the main screen anyway, since most of the scene was there, but the glare and brightness of these lateral screens affected me somehow.

I left the movie theater feeling exhausted, with a headache and not wanting to see bright lights. Or the sun, or any lights. I came home and had to lie down in the dark for about an hour to feel better about my vision. I also took Ibuprofen, because it was that bad.

Even after a night's sleep I still had a headache the next day, and I couldn't stare at my computer screen for too long. Even reading was hard because of the headache.

I feel better today, but I'm trying to take computer breaks more frequently at work.

Lesson learned: never go for ScreenX again.

Post 11 of #Blaugust #journal #NoisyMusings

 
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from Blog of Sand

Inbetweeners Part 1- Introduction

This is the beginning of what will most likely be an extensive series looking at a Dungeons and Dragons 5e campaign I've run over the past few years. It started off as more of an experimental, short term project that really spiraled. The series will consist of a few different types of posts:

General Content- This will be general ideas, mechanics or plot details about the campaign, like end of this post.

Spotlights- This will be a spotlight on a particular location, NPC, item, etc.

“Found” Documents- Direct pastes of documents I've used/referenced for the campaign with a brief introduction. These will vary from less than a page to 30+.

We will see how it evolves but that's my general plan for now. I'll try to keep things roughly chronological. The campaign is still ongoing but reaching its end stage, so I'm hoping the post series roughly catches up with the campaign as it is finishing.

Anyway, with that out of the way...


My original goal of the campaign was create it as an alternate to another campaign that was running that I was a player in to give the DM a bit of a break. I structured it to try to get around one of the biggest obstacles in running a successful Dungeons and Dragons campaign: player attendance. In the modern era its really difficult to get a group of adults to show up consistently at a weekly, biweekly or even monthly time. Life gets in the way, and as people get older, work, kids, etc only complicate that effort. It becomes like herding cats. So I thought, why try to fight it? Instead, let me design a campaign around player absences.

The original players started the campaign at level one, but anyone who joined later would just start at the average level of players in the group. They could choose any race and any character class that exists in the base game or official extension. For homebrew I accepted it on a case by case basis, just needed to make sure it wasn't to broken or imbalanced. The players just needed to tell me basic character info and then write a short narrative on how their character died. Once I had that, the campaign started with the characters on their way to the afterlife when their souls were plucked and placed into their bodies which had been reconstituted in liminal space. The characters were ressurected, but by a four-dimensional being called the Interloper. Since he is not quite in phase with reality, that means the players were not either. As a result, they could randomly blink out of existence. This explains player absences, players running late, internet issues (we ran the game over Discord), etc diegetically within the context of the game. Also, the characters moved non-linearly. Whereas a normal three dimensional character would go through a door and end up on the other side of that door, the player characters would go through a door and end up somewhere completely different, like on the top of a mountain. This was explained as a bit of four dimensional nature being forced onto three dimensional beings, creating... unexpected results. Anyway, in summary, players could simply blink out of existence. When they reappeared, it was as if no time passed for them at all. They would reappear wherever the bulk of the players were congregated, and if players were equally split up we'd use dice to determine where they show up.

So we have these disparate players brought together by the fact they have died and been resurrected by an unknown far realm entity, the Interloper. The Interloper introduces himself as a disembodied voice in a liminal space called the Grey Room (I'll get more into the Interloper and Grey Room in future posts). They have been brought back to essentially gather data and samples for the Interloper, and in return he will grant them powers, abilities, magical items, really whatever the players want. Since he's a truly alien being, he has no concept of value and as a result players can end up with access to powers and items far beyond what they would normally have access to at that level. The Interloper just wants things that are novel or “interesting” and rewards accordingly. Bringing him a rabbit wouldn't rate very well on interesting, but kidnapping a mage and bringing him/her would be more interesting. Gods and higher beings rank highest on the interesting scale, and sometimes the Interloper would have specific requests. Otherwise the game was mostly a sandbox at the start.

After the intro, the players were free to explore the world through “rooms” and “doors”. A room is a self-contained area that a player cannot leave unless they go through a door. Otherwise they loop back to the other side. So let's say a “room” is a tennis court. If the players try to leave the tennis court, they will appear on the other side. If they go through a “door”, they appear in a completely different room in a different part of the world or even a different plane of existence. So for example, there is a long hallway that when players reach the other side they find themselves on the beach. Doors have a glow so players are aware that something is a door if they can see it, though they were hidden. I'll have a separate post on the door mechanics. Anyway, some rooms are safe and some are incredibly dangerous, and the further out the players go the more intense the rooms get. From there, the game was mostly just the players dungeon crawling across the planes, fighting enemies and finding loot. Eventually, the story progressed beyond that and in the second phase of the campaign, the players left the rooms behind and headed to Sigil. That wasn't the original plan but it evolved over time.

To keep things from feeling too cozy, because players could simply leave a trouble spot, I did create the ever present threat- The Protectors of the Weave. Based in Mechanus, this organization was dedicated to upholding the integrity of reality, which meant banishing or destroying any Far Realm based creatures and undoing their works. Since the players resurrection and means of conveyance itself was Far Realm tainted, they themselves were targets. The more powers they were granted from the Interloper, the more attention they attract. Also, if players cause a lot of trouble in a room and leave, and return days later, the Protectors may have been drawn to their use of Far Realm powers and set up a trap to catch them. In this way, Mechanus and law are the antagonists and the players and Far Realm corruption are the protagonists, an inversion of a classic Dungeons and Dragons plot.

In total there were roughly fifty rooms created for the campaign before the players grew past that phase. I'll post a document with notes on all of them and then do a deep dive on a few of the rooms that there was more detail to/more plot involved. After that, we will broaden out to the game once the players reached Sigil. The plot really broadens from there, with deities and greater powers like the Lady of Pain and Primus directly involved. The power scaling becomes absurd in the later parts of the game, with the players responsible for breaking up the heavens, wiping out several of the lords of hell, and even spawning new over gods. Very anime, but like one of the darker more gritty anime. A lot of content in store, but I think that gives a rough idea of what's ahead.

 
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from G A N Z E E R . T O D A Y

Koshary's kittens have all scurried off to explore the world, save for Tiger, who has decided to make the garden his domain. Curious, because he was the most avoidant of the lot. Now all of a sudden he's become an immensely affectionate little slut.

Amsterdam-based graphic designer Hans Gremmen has created over 400 books. While making these books, a miscellaneous pile kept growing in his studio: notes, sketches, photos, printed matter, screenshots, ephemera, and other breadcrumbs. ‘In Between’ is an attempt to deconstruct and re-organise this pile. The publication is a scrapbook about a hybrid design practice, but also a plea to consider failure as an option.

I would absolutely love to do something similar. I have an unruly amount of scraps, sketches, notes, process stuff, and photographs that I can absolutely see packaged and preserved in a similar way. Perhaps not in one big phonebook of a publication, but maybe an ongoing zine of sorts. A strange and regular rag that collects this stuff would absolutely work, given that such typically discarded material is likely to continue being a byproduct of the kind of work I do. Problem with that format is that it wouldn't sit on the shelf very well. But if each unit was in the hundred-page-range, you can give it a spine and make it work. A print-on-demand model might be a good option for this sort of thing.

Still, just the time it would take to gather this stuff and package it into a coherent and decent-enough design sounds like enough of a daunting sinkhole that I'm not sure I have the time for.

#journal #radar

 
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from Lastige Gevallen in de Rede

Overdoosis, de nogal vage bron van even schimmige Amazon

Ik heb het gehaald ik haalde het weer en toen nog een keer nu heb ik zoveel meer en ik had er niet een nodig die inspanningen waren allemaal stuk voor stuk overbodig.

 
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from The Lantern Room

Life is a lot like jazz, it's best when you improvise.

Jal and Vim Fading Health Keeping Friends The Interloper PC vs Mac Numbers Night Cake Aftermath and Reckoning


Fading Wonder

The sunflower's glory is beginning to fade.

I noticed it while watching the bees flit back and forth from the hive this morning. I only ever notice them flying south because the sun rises just to the right of the hive and I adore the little dots of light they become as they fly through the morning rays.

My gaze drifting right, I noticed the hedge of either and nine foot tall plants didn't have their usual shock of yellow and green. I thought it was the hazy sunrise at first, but when I walked out, I could see the first hint that in 6 weeks or so, they'll be well on their way way to crumbled husks.

Fall will be here.

Summer's glory is beginning her swan song. The hottest days, the whitest sun. Everything brittle and angry.

The August heat cracked van's windshield nape to navel. It was just a tiny spot, but taking the trash to the curb in the moonlight last night, I noticed a new shape: a six foot long crack going left and right from what was no more than a discoloration.

Yay.

Back to the Top


Jal and Vim

We have two older friends. Well, we have LOTS of older friends. In fact. as we enter our 50's and 60's with gusto and start to see the NEXT decades of our life begin to crest, I am noticing how ancient many of our lifelong friends have become.

It isn't something that is apparent to me. I still see them much as I do myself, the same robust dummy I always was. I think Neo would have called it RSI: Residual Self Image.

Welcome to the Matrix — where daily life is a glitch.

Jal and Vim are new friends. New is, of course, relative. They moved into Dust Meridian during the pandemic. I didn't pay much attention to them at first. I had my head down keeping the congregation running when we were suddenly confronted with needing to become a fully functional remote family.

And there was no shortage of other jobs to do in those days.

In their 80's, they came from the wide empty spaces of eastern Colorado. Land that no one ever talks about. It's so bleak, Dust Meridian caught their eye because of 'how lush and green it is here'.

Their words, not mine.

Eastern Colorado must be come kind of hellscape, is all I can say. But, they also found the people here to be pretty great. I won't argue that Jal, as we are both people here.

Jal is a mother of two, who married Vim 55 years ago after her first marriage fell apart. Vim still looks at her like a fresh apple-blossom. It's really sweet.

He is a farmer from farmers. Which is probably why they have chicken tchotchkes everywhere. A chicken sign greets you in the front yard. A chicken doormat welcomes you to the roost. The kitchen is rife with chicken this and chicken that.

He made his living as a farm hand for decades while he raised his family and sent them into the world. Quiet and sweet, he is a very hard worker. Vim is like many men I know: uncertain of their power and ability. This is one part humility and one part lacking self confidence.

I love his willingness to engage when he's not in the limelight though. Vim is a ditch-digger. Ditch-diggers are my favorite kind of people. They'll work at the worst tasks endlessly as long as they can do it in the shadows. This is as compared to a peacock who loves to strut around the stage. Getting those guys to get into the trenches is, eh... not a fun task.

Ditch-diggers can be trained to put on the head-dress and do the stage dance, but their heart and motive is always in the ditch. The unseen forces that move things forward. My dad is like that. He'd rather grind in the shadows that be the center of attention. My best friends are like this.

I respect the hell out of that.

I like to think I'm a ditch-digger. But, I'm not ignorant to how well I wear those shiny feathers.

Jal, is the opposite of Vim. She's brash, direct, and seems fearless. This, I have learned, is a veneer. I meet two kinds of personalities who are this way. One is arrogant and barely tolerable, the other suffers from deep lack of self-esteem and puts on the mask of certainty to hide trauma, low self-worth and that they secretly hate themselves.

Trauma it sounds like has shaped her. The tell-tale between the two types of extrovert personalities is the deep valley of humility that the latter kind exhibits.

I love this kind of personality. You always know what's on their mind and the communication is robust and direct. My wife has a harder time with the directness. She tends to see plans within plans when others speak and so when there's no secondary or tertiary meaning to what the woman says, it confuses Ng.

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Fading Health

Well into their 80's now, Jal and Vim told us that her recent heart attack was much worst than they publicly admitted.

“The doctor's called it a widow-maker.” Jal told us over ceviche Saturday night.

No one wants to see their mate's health fail, but when you learn that she wasn't just seriously ill, that she should most likely be dead, it doesn't just take the wind out of your sails, it pulls them down, folds them and drops them in the fire.

So, the name of the game for our friends is NO-STRESS!

Not hard, we just avoid difficult topics like their 61 year-old-son's recent marriage to a slightly crazy woman. And any conflict in our own lives.

I find that my current reading of 'The Body Keeps the Score' is handy for skimming how early trauma can manifest at any time, meaning avoiding difficult topics isn't just keeping someone comfortable, it is preventing the the body from unleashing the flood of hormones that come when we are stressed.

We spent an hour talking about hummingbirds. How their fountain brings the most wonderful wildlife. The skunk that wanted to live under the shed. Their first television. How she became an accountant. How they met. The way she learned about the Bible and how infant-baptism was a key hook for her.

Conversation with well-experienced people is shockingly easy.

Especially when you have good conversationalists involved.

“We don't like to have just anyone over. Not everyone is a stress-free conversation.” Jal says.

And I know what she means. It takes some skill to trade speaking roles, not talk too long, add to the index of what's being said and know when to shift topics.

Good conversation is as much fun as any game ever was. Only there's no scoreboard or goal other than to just enjoy each other moment-to-moment.

I don't know how long we'll have Jal. I hope it's forever. She's a good soul and he energy, even diminished is invigorating. I wish I had more people like her in our life, and when we lose her, she won't be replaceable.

Good souls never are. They just leave dotted outlines in your soul where they used to be.

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Keeping Friends

We had a robust conversation yesterday at worship about friendships. How to keep them especially.

A google search says most people have about 4 close friends. Makes me think of 'King of the Hill', the Mike Judge animated television show that ran for 15 seasons about twenty years ago. Want to know what life is like in Texas? King of the Hill nailed it. My dad was Hank Hill, the eponymous lead character of the show. He had 4 close friends.

Checks out.

Dunbar's theory says the human mind can only handle about 150 meaningful relationships. I make a note to add this to my list of things I'd like to learn more about.

If there's true wealth, I think it is the number of people who will answer the phone when you call. Not because they need you or expect something from you, but because they like to hear your voice. They miss whatever adventure you are on. Wanting to be a part of your life. And yes, they'll show up if you need a helping hand and take yours if offered.

True friends aren't just missed. They are remembered. Unforgettable even if they are truly gone. Which means they never really are. True friends live in our hearts.

But, they ain't perfect.

Because WE aren't perfect. In fact, some of us are pretty damned imperfect. But like ink drawings, we are what we are and our friends learn to love the shape of our indelibility. They don't want to change us, just love who and what we are.

But those flaws create conflict. And the hour-long conversation in the congregation was al about how Bible principles can help us put up with one another when we're at our worse.

There's a copy of a poetry collection on my desk: 'Please love me at my worst' by Michaela Angemeer.

You cannot use Someone else's map to find yourself

and

And when the shore seems out of reach don't forget that you can always float a while

It's very mushy stuff. it is romantic love Angemeer writes. Eros.

This is NOT the kind of love we are applying to our friendships. It is what the Bible refers to as agape, or principled love. Meaning: you do the right thing because it's the right thing, not necessarily because you feel like doing it.

Got a friend who's a dummy or aggravating or offensive (or YOU are that person)? Patience, kindness, humility and compassion smooth over the challenging parts in the short term. And over time, we learn that those things weren't as bad as we thought. In fact, we can learn to love the person not just in spite of those 'flaws' but because of them. We begin to see them as God does, for their potential, not necessarily because of their current state.

The illustration of an engine was used. Engine's need oil or they burn up. Our friendships need the oil of God's word or they to will seize.

It's such a terrific illustration because engines have incredibly tight tolerances and it takes a shockingly small amount of oil to keep them running for hundreds of thousands of miles. For instance, the main crankshaft of an engine may have a space half the width of a human hair that allows oil to wash between two pieces of metal spinning thousands of times per minute.

Just a little bit of God's word, His principles, can keep our relationships running smoothly for decades.

But, let that run out and the friction can destroy a perfectly functioning machine in moments.

i have not always been the best friend. It is one of my many regrets. But, my hope continues to be that those failed relationships will teach me something about myself and how to be a better one in the future.

We are all, after all, works in progress.

Me? I'm at that ugly sketch stage where you can start to see the forms and role your eyes and think 'I thought this guy was an artist'.

I have potential. I bet you do to.


The four loves mentioned in the Bible:

Philea: Familial love Eros: Romantic love Storge: Brotherly love Agape: Principled love

English is such an inadequate language for such a deep topic.



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Interloper

After our meeting for worship, I'm feeling mixed feelings on the kind of friend I am and where I've failed in my friendships when another friend (friend, friend, friend, friend, write it enough looks so strange) admits he's struggling to accept a personality associated with the congregation. I understand, because I struggle to accept her too.

However, it's not that i cannot accept her, I have and do. But that doesn't mean I want to be around her. She's a full blown narcissist and manipulator. Which is a terrible combination for my wife. I've experienced the woman pull my wife out of a meeting, drive across town to deliver ice cream because the interloper wasn't feeling good and needed a pick-me-up.

Frequently, if we find ourselves out for a meal with Interloper, she finds a mark to buy her meal. Or she sends it back and then asks for the manager to comp it because something was wrong. Or buys, wears an expensive garment and then returns it after a function.

I've known this woman for forty years. I watched her marry my best friend. Then ruin her marriage to him with a string of men.

I know. I know. I can't hold a persons past against them. I can't freeze them there. However, I counter that it isn't freezing a person in the past if they continue to practice those actions which abuse and current relationships.

If I only show up when I want something from you, am I really your friend? Or are you just an asset? A convenience?

My conclusion was: some personalities require a PHD in acceptance.

If you have to keep someone at arms length to protect your psyche, your sanity and your family, that isn't 'not accepting them'. It is protecting yourself.

I fact, one could argue that by being a stranger, you are showing love. Love to them to yourself and to those you are charged with protecting.

Someday, Interloper will be safe to be around. I hope. And then those safeguards of distance can come down.

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PC vs Mac (This is really about my ego)

New computers and hardware in our house of worship.

the mind is a strange place. I have neither the energy nor the desire to be involved in replacing the hardware in our congregation. I actively choose to not be involved. But for some reason it's bugging me to see these guys wild-west things instead of following published protocols for equipment selection and setup.

WHY am I like this? I don't need the stress. I CAN'T have the stress. But I still find it aggravating to watch my fellows just make it up as they go.

Breath breath breathe.

Not my monkey. Not my circus.

This is mostly related to the argument that 'all our problems are this apple computer! We can't update the OS and so we can't fix the problem.'

The problem is and was a failing mixer. I knew this two years ago and it continues to be the problem today.

This to shall pass. Which is an idiotic thing to write because 'this' isn't even an issue. Maybe it's related to pride? Being 'the guy' for so long was more ego-stroking than i realized?

The ego-keeper. Maybe that should be my moniker. Big fat giant ego. I'm surprised my hats still fit.

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Numbers Night

We spent a couple of hours watching an old tv show called 'Numbers'. It isn't intended as a comedy, but the writing is SO ridiculous.

The premise: Arnie is a math genius who teaches at a university. His brother works for the FBI. The FBI agent calls his brother Arnie to use complex math equations to solve crimes.

Think: Good Will Hunting meets Men in Black.

Those are both great. But so are chocolate cake and sauerkraut.

I spent the time filling sketchbook pages and making pithy remarks on the absurdity of using Brownian motion to solve why a criminal would talk a hostage at FBI headquarters and then extrapolate what his next target will be.

What is so comical is how absolutely serious the show takes itself. HIGH on the high drama. And each episode ends with a 'HEAT' level shootout. Heat as in the 1995 Michael Mann-directed Pachino/Deniro crime thriller famous for its 10m concluding gunfight. Thousands of rounds are fired.

Honestly, a more accurate comparison would be 1988's Naked Gun.

Dumb.

I turn on Psyche. Funny, crime-based and anything but serious.

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Cake

I stopped eating cake several years ago. It was a big choice: I LOVE chocolate cake. It is a food that simply can do no wrong.

Well, it seems that my sabbatical from eating the stuff has created a bit of a problem. I can no longer eat the stuff!

Ng brought home a slice of the choicest, softest, most moist chocolate cake in the universe. and it was delicious. We shared it and licked the frosting out of the container like children.

We laughed and giggled and talked about how much we loved cake and why didn't we eat it more often.

An hour later, after coming out of a sugar coma and taking something to settle my stomach, I admitted that I think I may have to permanently break up with chocolate cake.

It wasn't just a tummy ache either. I was in a FOUL mood. Only after having some fantastic grilled chicken, did the protein and fat offset whatever assault my body and mind were under.

Too bad. Maybe homemade cake will be different. Commercial oils just wreak havoc on my biome!

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Aftermath

So, dear reader, youre all caught up on my adventures. Last week saw the end of my month-long grueling project. I fully expect a call from my client today, shocked at how I can bill him so many hours in such a short period of time. Three hundred hours in 4 weeks.

So it took 5 days to start to feel human again. Friday was billing and vegging. Saturday was Vegging. Sunday we finally started to do human things, like go to worship.

Today... today will be marveling at the heat. Scheduling a windsheild replacement. Preparing for the the weeks's activity. Planning some time on the road. I think a beach trip would be a good reward for weeks of hard work.

Write draw and live.

But first, it's 10am. I've been writing for hours.

Breakfast time.

Back to the Top


Jal and Vim Fading Health Keeping Friends The Interloper PC vs Mac Numbers Night Cake Aftermath

 
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from Lastige Gevallen in de Rede

Ik denk dus jij bestaat ; Imagine's Lament

Ik denk er aan dus het bestaat het is opgekomen maar het lijkt er op dat het niet meer gaat het is als een contact zonder stop het ging er over maar nooit er op nu ik er aan denk is het erg onduidelijk wat het hier doet is het hier voor goed waardoor het ene andere niet wordt ontmoet ik wou dat er wat beters bij me was opgekomen iets dat de rest niet klem zet dan blijft hangen in dit vervalste net vastplakt tussen jou en mij maar het eertijds ontwikkelde vrij en eenvoudig was blijven stromen

 
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from Paolo Amoroso's Journal

My journey to using and programming computers started around 1983 with a Sinclair ZX Spectrum 48K, the very first I owned.

At the time I was clueless. For example, I wondered whether, once I loaded a program from tape, I needed to write it back at the end of the session so that it didn't vanish when turning off the machine.

The Sinclair ZX Spectrum Introduction and the Sinclair ZX Spectrum BASIC programming guides that came with the device were my first learning resources, complemented by the great Italian computer magazine MC-microcomputer. Aside from some books, in that pre-online era technical documentation wasn't easy to come by in Italy, especially foreign works in English.

I pored over the Spectrum manuals, reread them many times, and experimented with the sample code. I've never been into gaming but did run many games to see what the machine could do.

I've come a long way since then, hopefully.

#retrocomputing #personal

 
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from Turbulences

Des millions de vies, animales et végétales, balayées ; Des milliers de vies humaines, prématurément ôtées.

C’est l’été de la mort.

Il n’y a pas si longtemps, l’été rimait avec insouciance, repos, légèreté. Nous en sortons désormais fatigués, stressés et inquiets.

C’est la mort de l’été.

 
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from Lastige Gevallen in de Rede

los gepolst

jij bent zo eentje waarvoor sturen zijn gemaakt borden werden ontwikkeld geboden en wetten moesten worden geregeld verhalen verzonnen voor zingeving jij hebt stekkers nodig om te denken dat je werkt echt hier bent om iets te doen knopjes indrukken, aan hendels trekken kijken naar verbeelding een voorstelling voor oog en oor jij hebt stopcontacten nodig camera beelden microfoons en de gebruikelijke poederdosis voor jou zijn er apparaten, automaten, worden namen pas echt als ze op plastic zitten geplakt en je ze in kunt schrijven bij een kamer je hebt handelingen nodig voor jou moest alles worden omgezet en aan altijd aanzetten is het leven pas echt als het wordt opgemerkt gezien via de middelen waarvan jij afhankelijk bent anders ga je dood als je niet wordt gezien terwijl je iets doet al is het maar kijken naar anderen op een speciaal daar voor gefabriceerd zeteltje je hebt letters nodig voor je lijf instrumenten moeten je omringen anders leef je waarschijnlijk niet jij bent er zo eentje met externe behoeften waaraan anderen moeten voldoen voor jou aan het werk gaan naar je stem luisteren via 1001 via's op grote afstand tussen jou en hun waarvoor wegen moeten worden geasfalteerd, regelmatig hersteld remmen, rem- en stoplichten werden opgetuigd in de voertuigen die je nodig hebt om sneller dan je zelf kan ergens te komen om op knopjes te drukken jij moet een steel in handen hebben een stuk gereedschap een bijl of een boor je moet iets hebben met voorschriften bijwerkingen verplicht gesteld anders heeft het allemaal geen nut jij met je instrumentarium, orkestratie van de omgeving, altijd op een podium acteren om waar ook te kunnen zijn je hebt tubes nodig en kwasten middelen voor zelf expressie boven op anderen je hebt wedstrijden nodig stem rondes om het ego te strelen je eigen belang rijk kunstzinnige successen voor het behalen zodat je heel even tevreden kunt zijn slapen in je nep omgeving zelf ingevuld met spul om naar te kijken zodat je kunt denken dat je ergens bent je hebt lijnen nodig kabels masten torens en natuurlij k namen voor iedereen en alles zodat je kunt zeggen dat alles echt zo is daar voor jou om te benoemen daar bij jou en je machine waardoor je hier bent terecht gekomen in die stroom van rotzooi die nodig is voor jou levenswil of wat daar meer min dan meer voor door gaat

 
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from The happy place

👋

There were nettles and I was running at the edge of the maize field, between the taller maize and the forest. There I could’ve disappeared, but I didn’t

I Emerged instead on the road and finally made it back home to my family including the cats

And yes of course I am thankful

I never pictured I would have any of this

There’s no place on earth I’d rather be and no life I’d rather live either

I didn’t picture anything, to be fair, but still

having all I got fills me with gratitude

And my neutral facial expression: a smile.

 
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from An Open Letter

I had one of those days today where I just didn’t really want to get up off the couch. I had already gone to the gym, but I got pretty bad Tennis elbow and so I ended up taking it kind of easy and I was supposed to hang out with a friend for the first time in a while, but she flaked again. I just didn’t really have any motivation to do anything.

 
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from G A N Z E E R . T O D A Y

Ampersound creates audiovisual non-fiction stories with a particular emphasis on the power of sound. Founded by George Lavender, the company develops all of its material by collaborating with actual human creatives, a quality that became central to the company's graphic identity, which I had the pleasure of designing.

Kamilia is a boutique perfume and jewelry brand named in honor of the client’s mother. From its inception, the design process sought to establish a visual identity that would convey the brand’s deeply personal origins while communicating the refined craftsmanship behind its products.

And here's a little tease of my collab with Dominic Boyer for Elon Mag:

It would seem that being exposed to all those dumb toy ads in comicbooks all my life would eventually come in handy after all.

“He who does not read, at 70 years will have lived only one life, his own! He who reads, will have lived 5000 years: He was there when Cain killed Abel, when Renzo married Lucia, when Leopardi admired infinity... Because 'Reading is backward immortality.'” – Umberto Eco

#work #design #quote

 
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