I can’t sleep. Yesterday was rough. What was supposed to be a relaxing day off work before Thanksgiving was ruined by drama during a Twitch stream.

Drama that I did not cause or invite, but that found me anyway. And the fallout from this latest drama is making me revisit the idea of just leaving Twitch altogether.

I started out streaming on Twitch just to share my music collection with others and interact with them while enjoying music together. At one point I hoped it might grow into something more. At least a decent side-hustle. But I no longer want that, because I see what being a professional streamer requires of the streamer and I realize I don’t want that. It’s a lot. Too much for me right now.

So I’ve made peace with just being a guy who listens to music sometimes and invites people to join me on a live stream if they like. But apparently I can’t even do that without getting hurt.

I guess that’s just the risk of human interaction and relationships. Of opening yourself up to other people. Of being vulnerable.

We need people. But people can hurt us. And sometimes being a hermit sounds really, really appealing.

And so it’s time, yet again, to seriously reflect and introspect and decide if I want to put any more of myself into this Twitch thing or if it’s time to move on. If the joy I’m able to give to others and experience with them is worth the pain and heartache and drama. I want to believe it is. But I need to think about it more.

#100DaysToOffload (No. 113) #Twitch

I’m currently in E’s house and holy shit. I love her family so much. I feel so included with warm hands.

Je suis au lycée j'ai perdu une amitié qui comptait beaucoup pour moi. Maintenant je chaque jour pour moi est compliqué entre les cours qui continue ou juste la vie de tout les jours. Et donc pour le sentir mieux j'écris des chansons (que je mets en son par une IA pour pouvoir les écouter) ça m'aide un peu à aller mieux mais pas totalement, je voulais donc juste envpartager.

Donc celle là est celle qui a le plus de sens pour moi le titre est “Là ou elle n'est plus” le début le “tu” désigne le monde qui me donne plein de possibilités de futur mais pas celui que je veux. Le reste est plus évident à comprendre.

Tu me proposes mille routes, mille portes ouvertes Je veux le chemin qui n’existe pas, celui qu’on perd. Tu me donnes des choses que je peux toucher, voir, nommer, Je veux tout ce qui tourne la nuit dans ma pensée. On me parle d’avenir, de foi, de courage, Moi je sais seulement comment tenir ce mirage. Les pages m’ont été arrachées, je cherche la trace, Et je reste là, figé, à parler dans l’espace.

Elle est partout où je pense, jamais ici, Son souffle dans mes mots, son ombre dans la pluie. Je fais les mêmes gestes, j’attends le même bruit, Mais tout est parti, et rien ne revient, rien n’est ici. Je l’ai aimée sans savoir, je l’ai perdue sans combat, Et je reste à répéter son nom comme on retient le pas.

Ses yeux étaient des cartes où je me perdais sans peur, Son rire un feu bref qui me sauvait des heures. Ses dessins, ses mains, son art qui parlait sans voix, Tout me ramène à elle, tout me déchire de joie. Quinze ans et déjà la nuit colonise mes jours, Chaque réveil un oubli, chaque seconde un détour. On me dit tourne la page, qu’il faut se relever, Mais mon avenir m’a été pris, comment me délier ?

Je garde ses promesses comme on garde un trésor, Elles pèsent, elles brûlent, elles m’empêchent d’encore Respirer sans qu’elle revienne sous mes paupières, Absentelumière, elle hante mes frontières.

Elle est partout où je pense, jamais ici, Son sourire dans la mémoire, sa voix dans la nuit. Je voudrais dire je t’aime, je voudrais dire avant, Mais mes mots sont des couteaux qui me laissent en sang. Je l’ai aimée sans mesure, je l’ai gardée en secret, Maintenant je promène sa trace comme on porte un regret.

Je ne demande pas qu’on me rende le monde d’avant, Je veux juste un lieu où sa voix ne soit plus un manque. Si tu entends mes silences, si tu lis entre mes nuits, Sache que je l’appelle encore, ce qui me laissent en sang.

Je l’ai aimée sans mesure, je l’ai gardée en secret, Maintenant je promène sa trace comme on porte un regret.

This fairly recent obsession with metrics in the workplace is driving companies insane.

I just finished watching a video about all the ways hotels are trying to save money by, among other things, eliminating storage space, making the bathroom less private, removing desks, and pressuring guests to work at the bar, where they can spend more money. These changes are, of course, driven by metrics like “GSS” and “ITR,” whatever the f@*k those are.

I don't care what the numbers say. Nobody wants this, and it's going to put these hotels out of business when competitors realize they can steal disenchanted customers by actually offering something good. Show me the metric that disproves that.

#Business #UserExperience

There are moments in Scripture where heaven brushes the earth so closely that you can feel the breath of God in the story. Gospel of John Chapter 9 is one of those moments. It’s not merely a miracle narrative—it’s a spiritual collision between blindness and sight, pride and humility, darkness and the Light of the World Himself.

Some chapters in Scripture invite you to learn. Others invite you to reflect. But this one invites you to look inward with a raw, unfiltered honesty. It invites you to ask:

Where am I blind? Where do I think I see but don’t? Where is God waiting to shine light in places I’ve stopped expecting transformation?

This chapter speaks to wounded people, overlooked people, dismissed people, misunderstood people, spiritually hungry people—and also to those who have grown comfortable in their own certainty.

John 9 is a powerful blend of confrontation and compassion. It’s Jesus stepping into a life defined by darkness. It’s a man receiving not just sight, but identity, courage, and spiritual awakening. And it’s a religious system revealing the very blindness it tried to condemn in others.

Let’s step into the dust of Jerusalem and watch this moment unfold—slowly, deeply, and with the kind of clarity that changes us long after the reading is done.

---

A Life Lived in Darkness

The story opens with a man sitting in the place he has sat his entire life. No spotlight. No audience. No fanfare. Just survival.

He is blind from birth.

He’s never seen daylight. Never seen a human face. Never seen his own reflection. Never seen the world he walks through.

Imagine that reality. Imagine the world being reduced to sound and texture. Imagine the helplessness, the stigma, the assumptions. Because in first-century Jewish culture, blindness wasn’t just physical—it was moralized. It was weaponized. It was seen as divine punishment.

So when the disciples walk by and ask Jesus: “Who sinned, this man or his parents, that he was born blind?”

You can almost feel the weight of that question land on a man who has heard it his entire life. But Jesus stops the entire world with a single sentence:

“Neither. This happened so the works of God might be displayed in him.”

In one breath, Jesus shatters the theology that kept this man in shame.

He isn’t cursed. He isn’t forgotten. He isn’t a walking symbol of judgment. He is a canvas for the glory of God.

Jesus sees him—not as a theological debate, not as a problem to solve, but as a person to redeem.

---

The Miracle That Begins in the Dirt

Jesus kneels down. He spits on the ground. He mixes dust and saliva into mud. He presses it gently over the man’s closed eyes.

It’s strange. It’s earthy. It almost feels primitive.

But this action is a reminder. God formed humanity from dust in the beginning. Now the Son of God uses dust again—to create something that has never existed before.

This man wasn’t born with damaged sight. He was born with no sight. There was nothing to repair. There was only something to create.

Jesus then says, “Go wash in the pool of Siloam.”

The man obeys. He walks blind to the place Jesus sent him. He washes. And suddenly—

Light. Color. Texture. Depth. Faces. Movement. The world.

“He came back seeing.”

John doesn’t exaggerate. He doesn’t dramatize. He just delivers the truth in a sentence that changes everything.

A lifelong darkness is shattered by one moment of obedience. And now the man everyone overlooked becomes the center of a divine confrontation.

---

The Neighborhood Erupts

When he returns with sight, the neighborhood doesn’t know what to do. Some say it’s him. Some say it isn’t. Some stare. Some whisper. Some demand answers.

People don’t know how to handle miracles. They don’t know how to handle evidence of God that disrupts their categories. They don’t know what to do with transformation that doesn’t fit their expectations.

So instead of celebrating, they interrogate. They demand explanations. They drag him to the Pharisees.

Because when humanity can’t explain something, it often tries to regulate it.

---

Religion Meets a Miracle and Fumbles It

The Pharisees have a problem. A man has been healed. But the healing happened on the Sabbath.

To them, Sabbath regulations matter more than human transformation. Their rules matter more than mercy. Their system matters more than a soul.

So they interrogate the man. Then they interrogate his parents. Then they interrogate him again.

Not because they want the truth— but because they fear losing control.

His parents refuse to take a side because they’re terrified of being expelled from the synagogue. Fear silences truth all the time.

But the man is no longer afraid. Sight has awakened something in him—courage, clarity, conviction.

The Pharisees demand he denounce Jesus. He stands firm.

And then he delivers the line that echoes across centuries:

“One thing I do know… I was blind, but now I see.”

That testimony is untouchable. It’s undeniable. It’s unshakeable.

It doesn’t argue. It simply reveals.

When they push harder, he gets bolder:

“Do you want to become His disciples too?”

That’s not sarcasm. That’s spiritual clarity. He sees what they cannot admit.

And because they can’t disprove the miracle, they throw him out. But rejection by man is the doorway to an encounter with God.

---

Jesus Finds Him

After he is expelled, Jesus seeks him out. Not the other way around. Jesus goes looking for him.

“Do you believe in the Son of Man?” the Lord asks.

“Who is He?” the man responds.

“You have now seen Him; in fact, He is the one speaking with you.”

The man falls down in worship.

Sight led to faith. Faith led to worship. Worship led to transformation.

His healing wasn’t complete until he met Jesus face-to-face.

---

What This Chapter Reveals About Us

John 9 isn’t just a moment in ancient history. It’s a mirror held up to every generation.

It reveals:

We often assume suffering means guilt. But Jesus sees purpose where we see punishment.

We often focus on rules. But Jesus focuses on redemption.

We often fear what we don’t understand. But Jesus brings clarity through compassion.

We often cling to our pride. But Jesus honors humility.

We often overlook the wounded. But Jesus lifts them up.

We often silence truth to protect our comfort. But Jesus opens eyes that will speak boldly.

This chapter calls out every system, every heart, every assumption that places tradition above transformation—and fear above faith.

---

Where Are You in This Story?

Every person falls somewhere in the drama of John 9.

Some of us are the man sitting in darkness, waiting for a miracle we’ve long stopped believing could happen.

Some of us are the disciples, assuming God works a certain way and accidentally making someone’s pain a theological debate.

Some of us are the parents—so afraid of losing status or acceptance that we shrink back from truth.

Some of us are the neighbors—unsure what to do with transformation, second-guessing the things God clearly did.

Some of us are the Pharisees—so certain of our own correctness that we can’t see the miracle happening in front of us.

And some of us are the healed man—ready to speak truth even if it costs us everything.

The beauty of Scripture is that it doesn’t just tell us who we are. It shows us who we can become.

---

The Light Still Comes for Us

Jesus still steps into places defined by darkness. Jesus still touches the dust of our lives. Jesus still creates what never existed before. Jesus still heals hearts that have grown numb or blind. Jesus still confronts systems that value rules over compassion. Jesus still meets people thrown out by others. Jesus still opens spiritual eyes that thought they were beyond help.

If you feel overlooked—He sees you. If you feel forgotten—He remembers you. If you feel dismissed—He values you. If you feel spiritually stuck—He can move what you cannot. If you feel blind—He is the Light.

John 9 is not just history. It is hope. It is promise. It is invitation.

---

Final Encouragement

If you’re in a season where you can’t see the way forward, don’t forget this:

You don’t need to manufacture light. You just need to receive it.

You don’t need to fix the dust in your life. He can turn dust into miracles.

You don’t need to understand everything. You just need to obey the One who sees everything.

And even if the world misunderstands your transformation— Jesus will come find you.

---

Support the ministry by buying Douglas a coffee.

Watch Douglas Vandergraph’s inspiring faith-based videos on YouTube.

—Douglas Vandergraph

#GospelOfJohn #Faith #Hope #Encouragement #Inspiration #ChristianLiving #SpiritualGrowth #JesusChrist #LightOfTheWorld

In Summary: * One of my favorite chores before a big mid-week holiday is switching off my alarms the night before the holiday. And I've just now done that. The wife has Thanksgiving Day off from work so there's no need for me to be up early, fixing her coffee, making sure she's out the door in a timely manner, etc.

Prayers, etc.: * My daily prayers.

Health Metrics: * bw= 220.57 lbs. * bp= 141/82 (58)

Exercise: * kegel pelvic floor exercise, half squats, calf raises, wall push-ups

Diet: * 07:30 – 1 peanut butter and cheese sandwich * 12:00 – snack on saltine crackers * 13:00 – 1 bean and cheese taco * 17:00 – 1 bean and cheese taco, 2 mini-cupcakes

Activities, Chores, etc.: * 05:00 – listen to local news talk radio * 06:15 – bank accounts activity monitored * 06:30 – read, pray, listen to news reports from various sources, and nap * 11:00 – listening to The Markley, van Camp and Robbins Show. * 15:10 – listening to The Jack Ricardi Show, guest hosted by Chris Krok this afternoon. * 17:00 – listening to The Joe Pags Show

Chess: * 14:40 – moved in all pending CC games

When Nathalie Berdat joined the BBC two years ago as “employee number one” in the data governance function, she entered a role that barely existed in media organisations a decade prior. Today, as Head of Data and AI Governance, Berdat represents the vanguard of an emerging professional class: specialists tasked with navigating the treacherous intersection of artificial intelligence, creative integrity, and legal compliance. These aren't just compliance officers with new titles. They're architects of entirely new organisational frameworks designed to operationalise ethical AI use whilst preserving what makes creative work valuable in the first place.

The rise of generative AI has created an existential challenge for creative industries. How do you harness tools that can generate images, write scripts, and compose music whilst ensuring that human creativity remains central, copyrights are respected, and the output maintains authentic provenance? The answer, increasingly, involves hiring people whose entire professional existence revolves around these questions.

“AI governance is a responsibility that touches an organisation's vast group of stakeholders,” explains research from IBM on AI governance frameworks. “It is a collaboration between AI product teams, legal and compliance departments, and business and product owners.” This collaborative necessity has spawned roles that didn't exist five years ago: AI ethics officers, responsible AI leads, copyright liaisons, content authenticity managers, and digital provenance specialists. These positions sit at the confluence of technology, law, ethics, and creative practice, requiring a peculiar blend of competencies that traditional hiring pipelines weren't designed to produce.

The Urgency Behind the Hiring Wave

The statistics tell a story of rapid transformation. Recruitment for Chief AI Officers has tripled in the past five years, according to industry research. By 2026, over 40% of Fortune 500 companies are expected to have a Chief AI Officer role. The U.S. White House's Office of Management and Budget mandated in March 2024 that all executive departments and agencies appoint a Chief AI Officer within 60 days.

Consider Getty Images, which employs over 1,700 individuals and represents the work of more than 600,000 journalists and creators worldwide. When the company launched its ethically-trained generative AI tool in 2023, CEO Craig Peters became one of the industry's most vocal advocates for copyright protection and responsible AI development. Getty's approach, which includes compensating contributors whose work was included in training datasets, established a template that many organisations are now attempting to replicate.

The Writers Guild of America strike in 2023 crystallised the stakes. Hollywood writers walked out, in part, to protect their livelihoods from generative AI. The resulting contract included specific provisions requiring writers to obtain consent before using generative AI, and allowing studios to “reject a use of GAI that could adversely affect the copyrightability or exploitation of the work.” These weren't abstract policy statements. They were operational requirements that needed enforcement mechanisms and people to run them.

Similarly, SAG-AFTRA established its “Four Pillars of Ethical AI” in 2024: transparency (a performer's right to know the intended use of their likeness), consent (the right to grant or deny permission), compensation (the right to fair compensation), and control (the right to set limits on how, when, where and for how long their likeness can be used). Each pillar translates into specific production pipeline requirements. Someone must verify that consent was obtained, track where digital replicas are used, ensure performers are compensated appropriately, and audit compliance.

Deconstructing the Role

The job descriptions emerging across creative industries reveal roles that are equal parts philosopher, technologist, and operational manager. According to comprehensive analyses of AI ethics officer positions, the core responsibilities break down into several categories.

Policy Development and Implementation: AI ethics officers develop governance frameworks, conduct AI audits, and implement compliance processes to mitigate risks related to algorithmic bias, privacy violations, and discriminatory outcomes. This involves translating abstract ethical principles into concrete operational guidelines that production teams can follow.

At the BBC, James Fletcher serves as Lead for Responsible Data and AI, working alongside Berdat to engage staff on artificial intelligence issues. Their work includes creating frameworks that balance innovation with responsibility. Laura Ellis, the BBC's head of technology forecasting, focuses on ensuring the organisation is positioned to leverage emerging technology appropriately. This tripartite structure reflects a mature approach to operationalising ethics across a large media organisation.

Technical Assessment and Oversight: AI ethics officers need substantial technical literacy. They must understand machine learning algorithms, data processing, and model interpretability. When Adobe's AI Ethics Review Board evaluates new features before market release, the review involves technical analysis, not just philosophical deliberation. The company implemented this comprehensive AI programme in 2019, requiring that all products undergo training, testing, and ethics review guided by principles of accountability, responsibility, and transparency.

Dana Rao, who served as Adobe's Executive Vice President, General Counsel and Chief Trust Officer until September 2024, oversaw the integration of ethical considerations across Adobe's AI initiatives, including the Firefly generative AI tool. The role required bridging legal expertise with technical understanding, illustrating how these positions demand polymath capabilities.

Stakeholder Education and Training: Perhaps the most time-consuming aspect involves educating team members about AI ethics guidelines and developing a culture that preserves ethical and human rights considerations. Career guidance materials emphasise that AI ethics roles require “a strong foundation in computer science, philosophy, or social sciences. Understanding ethical frameworks, data privacy laws, and AI technologies is crucial.”

Operational Integration: The most challenging aspect involves embedding ethical considerations into existing production pipelines without creating bottlenecks that stifle creativity. Research on responsible AI frameworks emphasises that “mitigating AI harms requires a fundamental re-architecture of the AI production pipeline through an augmented AI lifecycle consisting of five interconnected phases: co-framing, co-design, co-implementation, co-deployment, and co-maintenance.”

The Copyright Liaison

Whilst AI ethics officers handle broad responsibilities, copyright liaisons focus intensely on intellectual property considerations specific to AI-assisted creative work. The U.S. Copyright Office's guidance, developed after reviewing over 10,000 public comments, established that AI-generated outputs based on prompts alone don't merit copyright protection. Creators must add considerable manual input to AI-assisted work to claim ownership.

This creates immediate operational challenges. How much human input is “considerable”? What documentation proves human authorship? Who verifies compliance before publication? Copyright liaisons exist to answer these questions on a case-by-case basis.

Provenance Documentation: Ensuring that creators keep records of their contributions to AI-assisted works. The Content Authenticity Initiative (CAI), founded in November 2019 by Adobe, The New York Times and Twitter, developed standards for exactly this purpose. By February 2021, Adobe and Microsoft, along with Truepic, Arm, Intel and the BBC, founded the Coalition for Content Provenance and Authenticity (C2PA), which now includes over 3,700 members.

The C2PA standard captures and preserves details about origin, creation, and modifications in a verifiable way. Information such as the creator's name, tools used, editing history, and time and place of publication is cryptographically signed. Copyright liaisons in creative organisations must understand these technical standards and ensure their implementation across production workflows.

Legal Assessment and Risk Mitigation: Getty Images' lawsuit against Stability AI, which proceeded through 2024, exemplifies the legal complexities at stake. The case involved claims of copyright infringement, database right infringement, trademark infringement and passing off. Grant Farhall, Chief Product Officer at Getty Images, and Lindsay Lane, Getty's trial lawyer, navigated these novel legal questions. Organisations need internal expertise to avoid similar litigation risks.

Rights Clearance and Licensing: AI-assisted production complicates traditional rights clearance exponentially. If an AI tool was trained on copyrighted material, does using its output require licensing? If a tool generates content similar to existing copyrighted work, what's the liability? The Hollywood studios' June 2024 lawsuit against AI companies reflected industry-wide anxiety. Major figures including Ron Howard, Cate Blanchett and Paul McCartney signed letters expressing alarm about AI models training on copyrighted works.

Organisational Structures

Research indicates significant variation in reporting structures, with important implications for how effectively these roles can operate.

Reporting to the General Counsel: In 71% of the World's Most Ethical Companies, ethics and compliance teams report to the General Counsel. This structure ensures that ethical considerations are integrated with legal compliance. Adobe's structure, with Dana Rao serving as both General Counsel and Chief Trust Officer, exemplified this approach. The downside is potential over-emphasis on legal risk mitigation at the expense of broader ethical considerations.

Reporting to the Chief AI Officer: As Chief AI Officer roles proliferate, many organisations structure AI ethics officers as direct reports to the CAIO. This creates clear lines of authority and ensures ethics considerations are integrated into AI strategy from the beginning. The advantage is proximity to technical decision-making; the risk is potential subordination of ethical concerns to business priorities.

Direct Reporting to the CEO: Some organisations position ethics leadership with direct CEO oversight. This structure, used by 23% of companies, emphasises the strategic importance of ethics and gives ethics officers significant organisational clout. The BBC's structure, with Berdat and Fletcher operating at senior levels with broad remits, suggests this model.

The Question of Centralisation: Research indicates that centralised AI governance provides better risk management and policy consistency. However, creative organisations face a particular tension. Centralised governance risks becoming a bottleneck that slows creative iteration. The emerging consensus involves centralised policy development with distributed implementation. A central AI ethics team establishes principles and standards, whilst embedded specialists within creative teams implement these standards in context-specific ways.

Risk Mitigation in Production Pipelines

The true test of these roles involves daily operational reality. How do abstract ethical principles translate into production workflows that creative professionals can follow without excessive friction?

Intake and Assessment Protocols: Leading organisations implement AI portfolio management intake processes that identify and assess AI risks before projects commence. This involves initial use case selection frameworks and AI Risk Tiering assessments. For example, using AI to generate background textures for a video game presents different risks than using AI to generate character dialogue or player likenesses. Risk tiering enables proportionate oversight.

Checkpoint Integration: Rather than ethics review happening at project completion, leading organisations integrate ethics checkpoints throughout development. A typical production pipeline might include checkpoints at project initiation (risk assessment, use case approval), development (training data audit, bias testing), pre-production (content authenticity setup, consent verification), production (ongoing monitoring), post-production (final compliance audit), and distribution (rights verification, authenticity certification).

SAG-AFTRA's framework provides concrete examples. Producers must provide performers with “notice ahead of time about scanning requirements with clear and conspicuous consent requirements” and “detailed information about how they will use the digital replica and get consent, including a 'reasonably specific description' of the intended use each time it will be used.”

Automated Tools and Manual Oversight: Adobe's PageProof Smart Check feature automatically reveals authenticity data, showing who created content, what AI tools were used, and how it's been modified. However, research consistently emphasises that “human oversight remains crucial to validate results and ensure accurate verification.” Automated tools flag potential issues; human experts make final determinations.

Documentation and Audit Trails: Every AI-assisted creative project requires comprehensive records: what tools were used, what training data those tools employed, what human contributions were made, what consent was obtained, what rights were cleared, and what the final provenance trail shows. The C2PA standard provides technical infrastructure, but as one analysis noted: “as of 2025, adoption is lacking, with very little internet content using C2PA.” The gap between technical capability and practical implementation reflects the operational challenges these roles must overcome.

The Competency Paradox

Traditional educational pathways don't produce candidates with the full spectrum of required competencies. These roles require a combination of skills that academic programmes weren't designed to teach together.

Technical Foundations: AI ethics officers typically hold bachelor's degrees in computer science, data science, philosophy, ethics, or related fields. Technical proficiency is essential, but technical knowledge alone is insufficient. An AI ethics officer who understands neural networks but lacks philosophical grounding will struggle to translate technical capabilities into ethical constraints. Conversely, an ethicist who can't understand how algorithms function will propose impractical guidelines that technologists ignore.

Legal and Regulatory Expertise: The U.S. Copyright Office published its updated report in 2024 confirming that AI-generated content may be eligible for copyright protection if a human has made substantial creative contribution. However, as legal analysts noted, “the guidance is still vague, and whilst it affirms that selecting and arranging AI-generated material can qualify as authorship, the threshold of 'sufficient creativity' remains undefined.”

Working in legal ambiguity requires particular skills: comfort with uncertainty, ability to make judgement calls with incomplete information, understanding of how to manage risk when clear rules don't exist. The European Union's AI Act, passed in 2024, identifies AI as high-risk technology and emphasises transparency, safety, and fundamental rights. The U.S. Congressional AI Working Group introduced the “Transparent AI Training Data Act” in May 2024, requiring companies to disclose datasets used in training models.

Creative Industry Domain Knowledge: These roles require deep understanding of creative production workflows. An ethics officer who doesn't understand how animation pipelines work or what constraints animators face will design oversight mechanisms that creative teams circumvent or ignore. The integration of AI into post-production requires treating “the entire post-production pipeline as a single, interconnected system, not a series of siloed steps.”

Domain knowledge also includes understanding creative culture. Creative professionals value autonomy, iteration, and experimentation. Oversight mechanisms that feel like bureaucratic impediments will generate resistance. Effective ethics officers frame their work as enabling creativity within ethical bounds rather than restricting it.

Communication and Change Management: An AI ethics officer might need to explain transformer architectures to the legal team, copyright law to data scientists, and production pipeline requirements to executives who care primarily about budget and schedule. This requires translational fluency across multiple professional languages. Change management skills are equally critical, as implementing new AI governance frameworks means changing how people work.

Ethical Frameworks and Philosophical Grounding: Microsoft's framework for responsible AI articulates six principles: fairness, reliability and safety, privacy and security, inclusiveness, transparency, and accountability. Applying these principles to specific cases requires philosophical sophistication. When is an AI-generated character design “fair” to human artists? How much transparency about AI use is necessary in entertainment media versus journalism? These questions require reasoned judgement informed by ethical frameworks.

Comparing Job Descriptions

Analysis of AI ethics officer and copyright liaison job descriptions across creative companies reveals both commonalities and variations reflecting different organisational priorities.

Entry to Mid-Level Positions typically emphasise bachelor's degrees in relevant fields, 2-5 years experience, technical literacy with AI/ML systems, familiarity with regulations and ethical frameworks, and strong communication skills. Salary ranges typically £60,000-£100,000. These positions focus on implementation: executing governance frameworks, conducting audits, providing guidance, and maintaining documentation.

Senior-Level Positions (AI Ethics Lead, Head of Responsible AI) emphasise advanced degrees, 7-10+ years progressive experience, demonstrated thought leadership, experience building governance programmes from scratch, and strategic thinking capability. Salary ranges typically £100,000-£200,000+. Senior roles focus on strategy: establishing governance frameworks, defining organisational policy, external representation, and building teams.

Specialist Copyright Liaison Positions emphasise law degrees or equivalent IP expertise, deep knowledge of copyright law, experience with rights clearance and licensing, familiarity with technical standards like C2PA, and understanding of creative production workflows. These positions bridge legal expertise with operational implementation.

Organisational Variations: Tech platforms (Adobe, Microsoft) emphasise technical AI expertise. Media companies (BBC, The New York Times) emphasise editorial judgement. Entertainment studios emphasise union negotiations experience. Stock content companies (Getty Images, Shutterstock) emphasise rights management and creator relations.

Insights from Early Hires

Whilst formal interview archives remain limited (the roles are too new), available commentary from practitioners reveals common challenges and emerging best practices.

The Cold Start Problem: Nathalie Berdat's description of joining the BBC as “employee number one” in data governance captures a common experience. Early hires often enter organisations without established frameworks or organisational understanding of what the role should accomplish. Successful early hires emphasise the importance of quick wins: identifying high-visibility, high-value interventions that demonstrate the role's value and build organisational credibility.

Balancing Principle and Pragmatism: A recurring theme involves tension between ethical ideals and operational reality. Effective ethics officers develop pragmatic frameworks that move organisations toward ethical ideals whilst acknowledging constraints. The WGA agreement provides an instructive example, permitting generative AI use under specific circumstances with guardrails that protect writers whilst protecting studios' copyright.

The Importance of Cross-Functional Relationships: AI governance “touches an organisation's vast group of stakeholders.” Effective ethics officers invest heavily in building relationships across functions. These relationships provide early visibility into initiatives that may raise ethical issues, create channels for influence, and build reservoirs of goodwill. Adobe's structure, with the Ethical Innovation team collaborating closely with Trust and Safety, Legal, and International teams, exemplifies this approach.

Technical Credibility Matters: Ethics officers without technical credibility struggle to influence technical teams. Successful ethics officers invest in building technical literacy to engage meaningfully with data scientists and ML engineers. Conversely, technical experts transitioning into ethics roles must develop complementary skills: philosophical reasoning, stakeholder communication, and change management capabilities.

Documentation Is Thankless but Essential: Much of the work involves unglamorous documentation: creating records of decisions, establishing audit trails, maintaining compliance evidence. The C2PA framework's slow adoption despite technical maturity reflects this challenge. Technical infrastructure exists, but getting thousands of creators to actually implement provenance tracking requires persistent operational effort.

Emerging Trends and Evolving Positions

Several trends are reshaping these roles and spawning new specialisations.

Fragmentation and Specialisation: As AI governance matures, broad “AI ethics officer” roles are fragmenting into specialised positions. Emerging job titles include AI Content Creator (+134.5% growth), Data Quality Specialist, AI-Human Interface Designer, Digital Provenance Specialist, Algorithmic Bias Auditor, and AI Rights Manager. This specialisation enables deeper expertise but creates coordination challenges.

Integration into Core Business Functions: The trend is toward integration, with ethics expertise embedded within product teams, creative departments, and technical divisions. Research on AI competency frameworks emphasises that “companies are increasingly prioritising skills such as technological literacy; creative thinking; and knowledge of AI, big data and cybersecurity” across all roles.

Shift from Compliance to Strategy: Early-stage AI ethics roles focused heavily on risk mitigation. As organisations gain experience, these roles are expanding to include strategic opportunity identification. Craig Peters of Getty Images exemplifies this strategic orientation, positioning ethical AI development as business strategy rather than compliance burden.

Regulatory Response and Professionalisation: As AI governance roles proliferate, professional standards are emerging. UNESCO's AI Competency Frameworks represent early steps toward standardised training. The Scaled Agile Framework now offers a “Achieving Responsible AI” micro-credential. This professionalisation will likely accelerate as regulatory requirements crystallise.

Technology-Enabled Governance: Tools for detecting bias, verifying provenance, auditing training data, and monitoring compliance are becoming more sophisticated. However, research consistently emphasises that human judgement remains essential. The future involves humans and algorithms working together to achieve governance at scale.

The Creative Integrity Challenge

The fundamental question underlying these roles is whether creative industries can harness AI's capabilities whilst preserving what makes creative work valuable. Creative integrity involves multiple interrelated concerns: authenticity (can audiences trust that creative work represents human expression?), attribution (do creators receive appropriate credit and compensation?), autonomy (do creative professionals retain meaningful control?), originality (does AI-assisted creation maintain originality?), and cultural value (does creative work continue to reflect human culture and experience?).

AI ethics officers and copyright liaisons exist to operationalise these concerns within production systems. They translate abstract values into concrete practices: obtaining consent, documenting provenance, auditing bias, clearing rights, and verifying human contribution. The success of these roles will determine whether creative industries navigate the AI transition whilst preserving creative integrity.

Research and early practice suggest several principles for structuring these roles effectively: senior-level positioning with clear executive support, cross-functional integration, appropriate resourcing, clear accountability, collaborative frameworks that balance central policy development with distributed implementation, and ongoing evolution treating governance frameworks as living systems.

Organisations face a shortage of candidates with the full spectrum of required competencies. Addressing this requires interdisciplinary hiring that values diverse backgrounds, structured development programmes, cross-functional rotations, external partnerships with academic institutions, and knowledge sharing across organisations through industry forums.

A persistent challenge involves measuring success. Traditional compliance metrics capture activity but not impact. More meaningful metrics might include rights clearance error rates, consent documentation completeness, time-to-resolution for ethics questions, creator satisfaction with AI governance processes, reduction in legal disputes, and successful integration of new AI tools without ethical incidents.

Building the Scaffolding for Responsible AI

The emergence of AI ethics officers and copyright liaisons represents creative industries' attempt to build scaffolding around AI adoption: structures that enable its use whilst preventing collapse of the foundations that make creative work valuable.

The early experience reveals significant challenges. The competencies required are rare. Organisational structures are experimental. Technology evolves faster than governance frameworks. Legal clarity remains elusive. Yet the alternative is untenable. Ungovernably rapid AI adoption risks legal catastrophe, creative community revolt, and erosion of creative integrity. The 2023 Hollywood strikes demonstrated that creative workers will not accept unbounded AI deployment.

The organisations succeeding at this transition share common characteristics. They hire ethics and copyright specialists early, position them with genuine authority, resource them appropriately, and integrate governance into production workflows. They build cross-functional collaboration, invest in competency development, and treat governance frameworks as living systems.

Perhaps most importantly, they frame AI governance not as constraint on creativity but as enabler of sustainable innovation. By establishing clear guidelines, obtaining proper consent, documenting provenance, and respecting rights, they create conditions where creative professionals can experiment with AI tools without fear of legal exposure or ethical compromise.

The roles emerging today will likely evolve significantly over coming years. Some will fragment into specialisations. Others will integrate into broader functions. But the fundamental need these roles address is permanent. As long as creative industries employ AI tools, they will require people whose professional expertise centres on ensuring that deployment respects human creativity, legal requirements, and ethical principles.

The 3,700 members of the Coalition for Content Provenance and Authenticity, the negotiated agreements between SAG-AFTRA and studios, the AI governance frameworks at the BBC and Adobe, these represent early infrastructure. The people implementing these frameworks day by day, troubleshooting challenges, adapting to new technologies, and operationalising abstract principles into concrete practices, are writing the playbook for responsible AI in creative industries.

Their success or failure will echo far beyond their organisations, shaping the future of creative work itself.

---

Sources and References

1. IBM, “What is AI Governance?” (2024)
2. European Broadcasting Union, “AI, Ethics and Public Media – Spotlighting BBC” (2024)
3. Content Authenticity Initiative, “How it works” (2024)
4. Adobe Blog, “5-Year Anniversary of the Content Authenticity Initiative” (October 2024)
5. Variety, “Hollywood's AI Concerns Present New and Complex Challenges” (2024)
6. The Hollywood Reporter, “Hollywood's AI Compromise: Writers Get Protection” (2023)
7. Brookings Institution, “Hollywood writers went on strike to protect their livelihoods from generative AI” (2024)
8. SAG-AFTRA, “A.I. Bargaining And Policy Work Timeline” (2024)
9. The Hollywood Reporter, “Actors' AI Protections: What's In SAG-AFTRA's Deal” (2023)
10. ModelOp, “AI Governance Roles” (2024)
11. World Economic Forum, “Why you should hire a chief AI ethics officer” (2021)
12. Deloitte, “Does your company need a Chief AI Ethics Officer” (2024)
13. U.S. Copyright Office, “Report on Copyrightability of AI Works” (2024)
14. Springer, “Defining organizational AI governance” (2022)
15. Numbers Protocol, “Digital Authenticity: Provenance and Verification in AI-Generated Media” (2024)
16. U.S. Department of Defense, “Strengthening Multimedia Integrity in the Generative AI Era” (January 2025)
17. EY, “Three AI trends transforming the future of work” (2024)
18. McKinsey, “The state of AI in 2025: Agents, innovation, and transformation” (2025)
19. Autodesk, “2025 AI Jobs Report: Demand for AI skills in Design and Make jobs surge” (2025)
20. Microsoft, “Responsible AI Principles” (2024)

---

Tim Green UK-based Systems Theorist & Independent Technology Writer

Tim explores the intersections of artificial intelligence, decentralised cognition, and posthuman ethics. His work, published at smarterarticles.co.uk, challenges dominant narratives of technological progress while proposing interdisciplinary frameworks for collective intelligence and digital stewardship.

His writing has been featured on Ground News and shared by independent researchers across both academic and technological communities.

ORCID: 0009-0002-0156-9795 Email: tim@smarterarticles.co.uk

By Kim Imran · First published October 12, 2024 · 30 pages · Available in English and Arabic

If you want a practical, no-fluff way to start learning K-pop choreography, this guide delivers. Your Guide to Learning K-pop Dances is a 30-page, bilingual (English & Arabic) manual by Kim Imran that breaks down core moves, offers clear practice ideas, and gives simple performance tips that actually help you improve.

---

Why this book?

K-pop choreography can feel overwhelming: fast counts, tight formations, and expressive performance all at once. This guide reduces that complexity into manageable, repeatable steps. Its compact format makes it easy to read, practice, and return to drills without getting lost in theory. It’s ideal for beginners and intermediate dancers who want focused, efficient practice.

---

What’s inside

• A brief history of K-pop dance and its influence on modern choreography
• Fundamentals: posture, footwork, timing, and body lines
• Step-by-step breakdowns of signature move groups with repetition drills to build muscle memory
• Sections on expression, group synchronization, and simple improvisation techniques
• A resources list: recommended apps, websites, and communities to keep learning
• Practical tips for managing nerves and preparing to perform

---

Who it’s for

• Absolute beginners who want a guided starting point
• Dancers who learn from tutorials but need structure and drills
• K-pop fans who prefer safe, focused practice instead of endless trial and error

---

Formats & pricing

• Paperback (English) on Lulu — USD 12.99
• Paperback (Arabic) on Lulu — USD 12.99
• Digital editions (English & Arabic) on Patreon — USD 3.99 each
  • English e-book: Patreon — English e-book
  • Arabic e-book: Patreon — Arabic e-book
• Full set of links and resources: Linktree — Kim Imran

Note: Prices reflect the listed amounts at publication. Shipping, taxes, or platform fees may apply depending on where you order from.

---

About the author

Kim Imran is a self-taught K-pop dancer and content creator who has taught and performed in a variety of settings. He created this guide to make K-pop choreography approachable and actionable, with clear drills and concise explanations for dancers at different levels.

---

What readers are saying

Readers praise the book’s concise layout and the practical drills that make progress measurable. The bilingual editions are frequently mentioned as an important benefit for non-English speakers seeking clear instruction.

---

Ready to practice?

• Buy the English paperback on Lulu
• Buy the Arabic paperback on Lulu
• Get the English e-book on Patreon
• Get the Arabic e-book on Patreon
• All links and extras on Linktree

---

Connect with the author — Kim Imran

Follow Kim Imran or reach out through his social channels:

• TikTok
• Instagram
• YouTube
• Patreon
• Facebook
• Snapchat
• X (Twitter)
• Threads
• LinkedIn
• Pinterest
• Linktree

من راقص تعلّم بنفسه إلى صانع محتوى ومؤلف، يعيد تشكيل المشهد الفني والموضة والظهور المجتمعي في المغرب

كيم عمران (Kim Imran) هو شخصية إنترنت مغربية، راقص كيبوب، صانع محتوى ومؤلف. ولد كيم عمران في 10 أغسطس 2003، وبدأ مسيرته بتعلّم الرقص بمجهود ذاتي وتحول إلى واحد من أبرز وجوه الكيبوب في المغرب، بفضل عروضه العلنية ومحتواه الفيروسي ودليله العملي للمبتدئين.

البداية وشغف الرقص

نشأ كيم عمران محاطًا بالموسيقى والرقص. في 2018 شرع بتعلّم رقصات الكيبوب بنفسه من خلال مشاهدة التسجيلات، تسجيل محاولاته ومراجعتها، وتكرار الحركات حتى أتقنها. هذا التدريب المستمر حوّل مقاطع البداية غير المتقنة إلى عروض مصقولة ومنحَه عادة العمل التي تقود إنتاجه الإبداعي.

الحضور الرقمي والظهور على المنصات الحية

بحلول 2020 بدأ ينشر تغطيات رقص وتحديات قصيرة ومقاطع أداء على منصات مثل تيك توك وإنستغرام ويوتيوب، فبنى جمهورًا تدريجيًا. وفي 2022 بدأ يشارك في فعاليات حية داخل المغرب، ما عزّز مكانته كمنفّذ وقرّبَه من متابعيه المحليين.

الأعمال البارزة والأسلوب

يُنسب إلى كيم عمران انتشار تحديات كيبوب في الأماكن العامة في المغرب، وهي صيغة فيديوهات تُصوّر رقصات في فضاءات عامة لعرض الكوريغرافيا أمام جمهورٍ جديد. ساعدت هذه الطريقة على تقريب موجة الكيبوب العالمية إلى الجمهور المحلي وإشعال نقاشات حول الأداء والتعبير والتبادل الثقافي. كما شارك في مسابقات رقص متخصّصة ونال اعترافًا على المستويين الوطني والدولي. تميل عروضه إلى دمج تقنيات الكيبوب مع مظهر أنثوي جريء، وهو خيار جعله شخصية ذات معنى للعديد من متابعي مجتمع الميم والمبدعين الشباب.

مؤلف: «دليلك لتعلّم رقصات الكيبوب: نصائح لتطوير مهاراتك بسرعة واحترافية»

في 12 أكتوبر 2024 أصدر كيم عمران كتابه الأول بعنوان دليلك لتعلّم رقصات الكيبوب: نصائح لتطوير مهاراتك بسرعة واحترافية. يقدم الكتاب إرشادات خطوة بخطوة للمبتدئين عن الأساسيات، تدريب الإيقاع، التحضير للأداء، وبناء الثقة على المسرح، إلى جانب قصص وخبرات شخصية من رحلته. يتوفر الكتاب بنسخة ورقية على موقع لولو باللغتين الإنجليزية والعربية، والإصدارات الرقمية متوفرة على صفحة باتريون الخاصة بكيم عمران، ويعكس رغبته في جعل موارد تعلم الكيبوب أكثر توافراً للمتحدثين بالعربية.

حفل بيكي جي واحتفال شهر الفخر وردود الفعل (يونيو 2025)

في 22 يونيو 2025 حضر كيم عمران حفل بيكي جي ضمن مهرجان موازين بالرباط مرتديًا مظهرًا عابرًا للنوع الاجتماعي ووثّق التجربة في عدة مقاطع. في فلوق على يوتيوب روى تفاصيل تعرضه لتحرّش جنسي أثناء تجواله تلك الليلة، مستهدفًا من خلال ذلك لفت الانتباه إلى ظاهرة التحرّش على أساس النوع وفتح حوار عمومي حول السلامة في الأماكن العامة بالمغرب. في 27 يونيو 2025 نشر فيديو احتفالي بشهر الفخر تضمن مكياجًا بألوان قوس قزح، وحظي المنشور بتفاعل واسع من أعضاء ومؤيدي مجتمع الميم، ما أسهم في نقاشات أوسع حول الظهور والتمثيل.

تجاوزت مقاطع الفيديو المتعلقة بالحفلات واحتفالات الفخر أكثر من مليون مشاهدة مجمعة عبر إنستغرام وتيك توك ويوتيوب، مما وسّع من نطاق وصوله وتأثيره.

الموضة: Shop Kim Imran’s Looks

في 7 أغسطس 2025 أطلق موقع الأزياء Shop Kim Imran’s Looks، حيث يعرض إطلالاته ويرفق روابط لعناصر الملابس بحيث يستطيع المتابعون العثور على قطع مماثلة. انطلق الموقع بعرض إطلالتين مستوحتين من حفلات Aespa وBecky G وصُمم ليكون منصة دائمة لأسلوبه ومرجعًا عمليًا للمهتمين بالتسوق.

التأثير والآفاق

يمزج عمل كيم عمران بين الأداء الفني والظهور والمناصرة. اختياراته العامة من حيث الأسلوب واحتفاله العلني بشهر الفخر يسهمان في توسيع النقاش حول التعبير الجنساني واشتغال الفضاء العام في المغرب. يواصل تطوير مشاريعه الإبداعية في مجالات الرقص والموضة والثقافة الرقمية، بينما يروّج للقيم المرتبطة بحرية التعبير والتبادل الثقافي.

أين تتابع كيم عمران

• تيك توك
• إنستغرام
• يوتيوب
• باتريون
• فيسبوك
• سناب شات
• إكس (تويتر)
• ثريدز
• لينكدإن
• بينتيريست
• لينك تري

De danseur autodidacte à créateur de contenu et auteur, Kim Imran réinvente la scène, la mode et la visibilité au Maroc.

Kim Imran (né le 10 août 2003) est une personnalité internet marocaine, danseur K-pop, créateur de contenu et auteur. Autodidacte, il est devenu l’un des visages les plus visibles de la K-pop au Maroc, connu pour ses apparitions publiques, ses contenus viraux et son guide pratique destiné aux débutants.

Jeunesse et apprentissage

Attiré dès l’enfance par la musique et le mouvement, Kim Imran a commencé en 2018 à apprendre les chorégraphies K-pop par lui-même, sans formation officielle. Il s’entraînait en s’enregistrant, en analysant des performances et en répétant les mouvements jusqu’à les maîtriser. Ce travail régulier a transformé des vidéos imparfaites en prestations abouties et a posé les bases de sa discipline créative.

Présence en ligne et représentations en public

Dès 2020, Kim Imran publie des covers, des défis chorégraphiques et de courtes performances sur TikTok, Instagram et YouTube, ce qui lui permet de fidéliser une audience. En 2022, il commence à apparaître lors d’événements en direct au Maroc, renforçant ainsi sa visibilité sur scène et ses liens avec le public local.

Œuvre et style

On reconnaît à Kim Imran le mérite d’avoir popularisé les défis K-pop-In-Public au Maroc. Ces vidéos, tournées en lieux publics, ont exposé des publics nouveaux à la chorégraphie K-pop et suscité des discussions sur la performance, l’expression et l’échange culturel. Il a également pris part à des battles de danse K-pop, obtenant des reconnaissances au niveau national et international. Sur scène, il marie souvent la technique K-pop à une esthétique féminine, choix qui a fait de lui une figure importante pour de nombreux membres de la communauté LGBTQ+ et pour d’autres créatifs.

Un guide pratique pour danseurs

Le 12 octobre 2024, Kim Imran publie son premier livre, Your Guide to Learning K-pop Dances: Tips for Quickly and Professionally Developing Your Skills. Disponible en anglais et en arabe, l’ouvrage propose des instructions pas à pas sur les fondamentaux, l’entraînement à l’oreille rythmique, la préparation scénique et la confiance en soi. Il existe en format papier chez Lulu (versions anglaise et arabe) et en éditions numériques via sa boutique Patreon. Ce guide traduit l’engagement de Kim Imran à rendre la K-pop accessible aux débutants, notamment aux francophones et arabophones qui manquent souvent de ressources d’initiation dans leur langue.

Concert de Becky G, Pride et réactions publiques (juin 2025)

Le 22 juin 2025, Kim Imran assiste au concert de Becky G au festival Mawazine à Rabat en tenue non conforme, et documente l’expérience dans plusieurs vidéos. Dans un vlog YouTube, il relate avoir subi du harcèlement sexuel en se déplaçant dans la rue ce soir-là ; il utilise ce témoignage pour alerter sur le harcèlement fondé sur le genre et encourager le débat sur la sécurité des espaces publics au Maroc. Le 27 juin 2025, il publie une vidéo à l’occasion du mois des fiertés présentant un maquillage aux couleurs de l’arc-en-ciel sur la chanson « Born This Way ». La publication rencontre un fort soutien de la part des membres et alliés de la communauté LGBTQ+.

Ses contenus liés aux concerts et à Pride ont totalisé plus d’un million de vues cumulées sur Instagram, TikTok et YouTube, ce qui a renforcé sa portée et sa visibilité.

Mode: Shop Kim Imran’s Looks

Le 7 août 2025, Kim Imran lance le site Shop Kim Imran’s Looks, où il présente des tenues sélectionnées et fournit des liens vers les articles afin que ses abonnés puissent retrouver des pièces similaires. Le site a été lancé avec deux looks inspirés des concerts d’Aespa et de Becky G et se veut une vitrine permanente de son style.

Impact et perspectives

Le travail public de Kim Imran mêle performance, visibilité et expression personnelle. Son choix d’apparaître en public dans des styles non conformes et de célébrer Pride publiquement alimente le débat sur l’expression de genre et l’occupation de l’espace public au Maroc. Il poursuit le développement de projets mêlant danse, mode et culture numérique tout en défendant la liberté d’expression et l’échange culturel.

Où suivre Kim Imran

• TikTok
• Instagram
• YouTube
• Patreon
• Facebook
• Snapchat
• X (Twitter)
• Threads
• LinkedIn
• Pinterest
• Linktree

Behold the face of Vorak!

This month I've finally got round to replacing my hand-drawn placeholder image with a set of placeholder images of Vorak with different facial expressions. After various attempts at drawing these or looking for appropriate stock art, I finally realised I could just...use emojis. So these are all created by using the Emojipedia emoji mashup page to combine the alien face emoji with various expressions.

To be clear, these are still placeholders, and I'll commission some real art for the final game—but now I can finally have Vorak's expression change based on what's happening.

Apart from mashing emojis together, I've spent most of the month rewriting the chapter where you crash land on the moon after destroying Vorak's command ship. This included fleshing out the character of General Zorg, the giant alien cyborg who leads Vorak's ground forces.

I also revised the chapter where the hero is captured and Vorak interrogates them (or rather, monologues at them). This one needed hardly any changes from the playtest version.

My plan now is to focus on writing chapters that form a single path through the whole game, rather than writing all the alternative early-game chapters before I move on to the mid-game chapters, etc. Once I've got a complete path through the game written I'll go back and write the chapters for alternative paths.

Will the new faces of Vorak inspire our hero to complete his project? Learn more in next month's thrilling developer diary!

#FoolishEarthCreatures #DevDiary

Hello friends! I am alive and I have completed another day without incident .

I did fitness which is a highlight there was a gym class with mostly middle aged women on the cross trainer and then immediately I went to another class , a pretty high intense class — I am doing cardio you see.

It’s a little bit of a life hack that I’ve learned, that by going to double classes there’s minimal overhead and laundry,

That’s pretty clever. I am pretty clever.

But it was hard, but hardships follows everyone everywhere it seems. They certainly are no strangers to me.

Come at me hardships I will stand ready to karate chop!!

You’ll never even tell from my sweat drenched face whether I am crying or not as I chop.

Nobody will know

Désormais plus ouvert, j'ai vu s'allumer un feu; vert ! L'incendie de mes émotions est quasi sous contrôle.

Des sabliers, j'en ai retournés depuis ma venue au monde et la terre est toujours ronde. N'en déplaise aux platistes, je me dis que finalement, la vie pourrait être fantastique.

Des mes oreilles à mon cerveau, le chemin commence à se dégager, pas facile de nettoyer la boue accumulée. Je suis enfin plus à l'écoute mais, Dieu que ça me coûte. Pas si simple d'être attentif au battement de leurs cœurs. Il me faut leur faire oublier mes erreurs. Se concentrer sur eux, leurs récits, joies et heurts.

Encore fatigué, j'essaie d'être comme les tomates, concentré. Mais souvent, j'ai plutôt l'impression d'être broyé. L'exercice me coûte, mais pourtant, Je découvre de nouvelles saveurs, pour leur plus grand bonheur. L'appétit vient en mangeant, alors, enfin, à tout je goûte.

Mon infirmier a souligné un point, J'ai gagné en sérénité et si j'ai rangé mes poings, Ils restent à proximité, J'espère un jour les égarer.

A petits pas, on essaie de progresser, comme des animaux sauvages on doit s'apprivoiser. Un soleil intérieur doit à nouveau briller, sa chaleur intense devrait me faire fondre. Plus de quinze kilos, de quoi se graisser les doigts. Plus de quinze kilos, je porte un sac de sable sur moi. Plus de quinze kilos de trop, ma foi.

Des poils masquent ma bouche; il est temps de les tondre, Un premier geste pour redorer l'image de soit : la confiance reviendra.

Dans son tiroir, un dictaphone, une touche : reset. Comme j’aimerais avoir la même pour ma tête…

Bien des bilans comptables sont moins complexes. Celui de ma vie couvre plus de quatre décennies... Un bordel infini ! Rien n'a jamais été rangé, Des feuilles volantes, des avions en papiers. Des classeurs non fermés, des dossiers non triés. Que garder, que jeter ? Dans ce fouillis, je sais que sur eux, je peux compter. Je me plonge dans leurs yeux et j'en suis sûr, Ça va m'aider.

J'ai vidé l'encre noire de mes idées, dans l'évier. J'ai bien rincé, de l'eau j'en ai fait couler. Pour écrire un nouveau futur, plus sûr. Inspiré, je sort les crayons de couleurs, Je vais tout recouvrir, même leurs peurs.

Deux ans avant, la mort sur moi rôdait. Comme sur un champ de bataille, mon âme semblait s'élever. Disparaitre me semblait la meilleure chose à faire. Depuis c'est l'envie de vieillir tard dont je fais mon affaire.

#santémentale #psychiatrie #thérapie #poésie

I won this server-based correspondence chess club game playing Black a few minutes ago with a basic 2 Rooks Checkmate. Is this the first combination checkmate everyone learns? I remember learning it as a young boy from my father nearly seventy years ago, and thinking then it was the coolest thing! I still smile every time I use it. :)

The graphic near the top of this post shows the position of pieces on our board at game's end. Our full move record follows: 1. e4 a6 2. Nf3 Nc6 3. Nc3 e5 4. a3 Nf6 5. d3 h6 6. Nd5 Nxd5 7. exd5 Nd4 8. Nxd4 exd4 9. Qe2+ Qe7 10. Kd1 Qxe2+ 11. Bxe2 Bc5 12. b4 Bb6 13. Bh5 g6 14. Bg4 h5 15. Bf3 O-O 16. Re1 c5 17. bxc5 Bxc5 18. g3 b6 19. Re7 Bxe7 20. Bh6 Re8 21. a4 Kh7 22. Bf4 Bb7 23. Rb1 Bc5 24. Bg5 Re5 25. Bf6 Rf5 26. Be5 Rxe5 27. a5 b5 28. g4 Rae8 29. Kd2 Bxd5 30. Bd1 f5 31. gxh5 Re5e6 32. h4 Be7 33. hxg6+ Kxg6 34. h5+ Kh6 35. c4 Bg2 36. f4 Rg8 37. cxb5 Bd5 38. b6 Rb8 39. Ba4 Bc6 40. Bb3 d5 41. Rg1 Kxh5 42. Bd1+ Kh6 43. Rh1+ Kg7 44. Rh5 Rf8 45. Rh1 Rh8 46. Rg1+ Kf8 47. Bf3 Bb4+ 48. Kc2 Rh2+ 49. Kb3 Bxa5 50. Rg5 Rf6 51. Rg1 Bxb6 52. Ra1 a5 53. Rc1 Bd7 54. Bxd5 Rd6 55. Bc4 a4+ 56. Kb4 Rh4 57. Rf1 Bd8 58. Kc5 Rc6+ 59. Kd5 Bf6 60. Re1 Rxf4 61. Bb5 Rc7 62. Ba6 Ra7 63. Bc4 a3 64. Ba2 Rf2 65. Ra1 Ra5+ 66. Kd6 Be8 67. Ke6 Ra6+ 68. Kd5 Bf7+ 69. Kc5 Rc2+ 70. Kb5 Ra8 71. Bb1 Rb2+ 72. Kc6 Ra6+ 73. Kc7 Be5+ 74. Kc8 Be6+ 75. Kd8 Bf6+ 76. Kc7 Rb5 77. Ba2 f4 78. Bxe6 Rxe6 79. Rxa3 Be5+ 80. Kd7 Kf7 81.Kc8 Ke7 82. Ra7+ Kf6 83. Rh7 f3 84. Rh6+ Kf5 85. Rh5+ Kf4 86. Rh4+ Ke3 87. Rh3 Rd5 88. Rh1 Rc6+ 89. Kb7 Rc3 90. Re1+ Kxd3 91. Rd1+ Kc2 92. Rh1 Rb5+ 93. Ka6 Rb1 94. Rh5 Ra3# 0-1

And the adventure does continue.

If it’s outside the wheel of God…

https://youtu.be/uNB718kWSL8?si=Es_ZXHTaJPIafyyd