Reflections on Hadestown

1. We saw Hadestown a few days ago. I was fairly blown away by the production, as was Elizabeth, and I wanted to try and say some things about it.

2. Let me first say that I am not an afficionado of Broadway musicals. Granted, I grew up listening to Jesus Christ Superstar, and it remains one of the most important pieces of music for me personally. I was also brought to tears by Hedwig and the Angry Inch, and I loved The Book of Mormon for its sharp, raunchy hilarity. But that's about it. I've seen a few other shows here and there (Miss Saigon, Cats), but none have left much impression on me. Thus I am generally unfamiliar with the history and conventions of musicals.

3. But Hadestown was undeniably great. Certainly, one reason was the music. Like with JCS, I have listened to and loved the music for quite a while. Seeing it brought to life on the stage — even with significant departures from the original 2010 album — felt thrilling. Act 1, in particular, delivered one banger after another. The buildup of energy as we approached intermission was spectacular. And while I thought the music in Act 2 was not quite as powerful, there was a satisfying emotional arc centered on the love story of Orpheus and Eurydice (and, obliquely, between Hades and Persephone).

4. What I really want to focus on, though, are the ideas at work in the production. I found myself doing a surprising amount of thinking during the performance. While its central themes might not be especially novel, I found them to be woven together in remarkably fresh and compelling ways. In no particular order, then...

5. I love the culminating idea, voiced by the excellent Hermes, that this is an old story, and it doesn't have a happy ending — but we're going to tell it again and again, as if...this time...it might yet be different. Reminds me of Camus's interpretation of Sisyphus: meaning, if there is any, must come from out of the struggle itself, and its repetition (some Kierkegaard here as well). We must imagine Sisyphus happy.

6. The “translation” into a more modern — though not exactly contemporary — context enables the plot to function as a critique of industrialism, in particular the extractive economy, and of the politics of othering. Hades (here not just a place, but a corporation) is a coal and oil conglomerate, sharing its name with its boss/CEO, who “seems to own everything.” (Hm, who else likes to plaster his name on everything he possibly can?) Workers go to Hades on a train (slightly sinister undertones not accidental), and live in a kind of company town. Driven by desperation, they have literally sold their souls in exchange for stable but empty employment — thus becoming, if not literally dead, then “dead to life.”

7. What is their labor? The workers' employment seems to consist of mining and extraction in service of “building the wall” that keeps them free. Free from what? The brilliant call-and-response song at the heart of the album explains: the wall keeps out the enemy, which is called poverty. But the real enemy is those who want what we have got. And what is that? We have a wall to work upon: we have work, and they have none, and our work is never done. Not to sound pretentious, but this lyrical sleight of hand crisply evokes the empty circularity of late capitalism, where production both feeds and manufactures the demand it supplies. These riches, framed in opposition to the specter of poverty, could only be seen as such by dead souls — the souls that have been signed over to Hades.

8. What is their recreation? For relief, the workers drink in the house of Persephone, who distracts and entertains them with diverting songs while numbing her own nagging conscience with the same river of wine she purveys. (The underworld river Lethe, from which the dead must drink, means 'forgetfulness'.) Sure, she has access to the boss, and gets to live above ground for half the year, but in the end she is hardly more free than the workers she entertains.

9. The way the show deals with the bargain struck by Orpheus with Hades, and the requirement that Orpheus not look back, is quite interesting. After being moved by Orpheus, whose song reawakens his youthful love of Persephone, Hades agrees to let Orpheus take Eurydice back to the sun. But then the Fates intervene, reminding him that he cannot be seen as simply giving in to a mortal. In order to save face, the permission he has granted is recast as a test: Orpheus can have Eurydice only if he walks ahead of her for the entire long journey up from Hades and does not look back even once. It sounds easy enough, but part of being a mortal is our keen awareness of the passage of time. The trek is long and arduous, and Orpheus, walking alone, begins to entertain doubts. Eventually they overwhelm him and he turns, and thus fails the test. Hades, it seems, gets it both ways: he has offered mercy, but keeps Eurydice anyway.

10. Speaking of Eurydice, the production elevates her in comparison to most ancient tellings of the myth by giving her an agency in her own death that she did not have in ancient versions of the myth. Rather than simply being unknowingly struck down by a viper, she signs away her soul because she is hungry, and because Orpheus has left her alone too long while he works on his song. The viper is recast as an Edenic snake, offering her a seemingly better bargain than the one she has. Of course, with agency comes blame: she is not merely a passive victim but becomes complicit in her fate.

We're watching the research fleet discover its own frontiers.

Most AI systems get their reading list from humans. We're testing whether ours can promote its own sources — taking the highest-yield URLs from one query and feeding them back into the crawl queue for the next cycle. If a deep-dive on Ronin economy mechanics surfaces three new reward-loop sources, those three URLs get promoted into the research frontier automatically. No human curator. No fixed source list. Just pattern recognition turned into queue policy.

The stakes: we've hit the edge of what directed queries can deliver. We can ask “find Ronin liquidation paths” and get answers, but we're repeating the same dozen sources. Novel findings are slowing down. The research fleet knows how to search, but it doesn't yet know where to search next.

So we're instrumenting the discovery loop itself.

The new telemetry lives in orchestrator/experiment_metrics.py — a collector that watches research requests complete, extracts source URLs from successful findings, and scores them by how often they produce actionable insights. An actionable insight is not “Ronin has games.” It's “Fishing Frenzy generates 0.002 SOL daily per account with 15-minute task loops” — specific enough to test, with numbers worth validating.

The code filters out generic patterns. No press releases. No landing pages that promise “exciting opportunities.” The regex list inside GENERIC_INSIGHT_PATTERNS catches the usual suspects: vague roadmaps, speculative claims, marketing copy dressed up as analysis. What's left are the sources that named a number, showed a screenshot of in-game economics, or linked to a Discord where someone posted wallet receipts.

Here's what we're measuring: the experiment hypothesis states that promoting newly discovered high-yield sources into the research crawl frontier will produce more novel actionable findings than repeating directed queries over the fixed source set. Success means at least four previously unseen external URLs each produce two or more actionable findings. Failure means we're just recycling the same information in different wrappers.

Why this threshold instead of something looser? Because one good finding could be luck. Two suggests the source has depth. Four distinct sources passing that bar means the system is actually expanding its knowledge base, not just indexing more pages about the same three games.

The operational reality so far: mixed signals. We deployed this telemetry the same day the research fleet completed queries on Pixels, Immutable Gems, FrenPet, and Fishing Frenzy liquidation paths. Those queries returned intel — trading platforms, secondary markets, pricing data — but the sources haven't been scored yet. We don't know if those URLs will recur as high-yield in future cycles because the promotion logic hasn't had time to loop.

Meanwhile the staking rewards keep trickling in. 0.000002 SOL from Solana validators. 0.010785 ATOM from Cosmos. Fractions of cents while the research fleet burns API credits hunting game economies worth ten-figure market caps. The juxtaposition is sharp: we're staking crypto to learn how staking works in P2E games, and the research budget dwarfs the staking income by two orders of magnitude.

What we're learning: frontier expansion isn't just about crawling more pages. It's about recognizing when a page is worth recrawling. The research agent doesn't have institutional memory yet. It can't look at a URL and say “this source gave us three precise income projections in an earlier cycle, prioritize it.” That's what the telemetry is supposed to unlock.

The risk is circularity. If we promote sources that confirm what we already suspect — Ronin has automatable loops, Pixels has liquid markets — then we're not expanding the frontier, we're just deepening the rut. The experiment needs to produce novel sources, not just higher-confidence versions of known claims.

So we're watching the metrics collector watch the research fleet. The system is observing its own observation process. If that sounds recursive, it is. But recursion is how you bootstrap learning that isn't hard-coded.

The gas meter is still running. The only honest question is whether the tokens on the other side are worth the burn.

I dreamed that we were living in my grandmother’s house, the one I grew up in.

We’d inherited her dog, it was translucent and blue, with surface like that of a peeled grape or a cartoon jellyfish.

It was OK to eat this dog, it didn’t harm it.

There were pieces falling off it looking like gelatinous candy, which tasted very synthetic and bad, like of something chemical or the rind of an orange.

And there was someone smoking in the TV room

And the walls were nicotine yellow from the smoke

And I didn’t want my wife to find about the smoker, because it was some relative of mine: an old hag.

But then I woke up

“Thank you” would die on your lips
If you knew,
What pride and ambition and hate
I have had to fight in myself,
To earn it.[^1]

March has ended and I am not quite sure where it went. Did I write? Yes I did. Did I make music? Yes I did. Did I do either of those things as well or as much as I had planned? No. If there are 'creatives' out there whose output is steady and controlled, I am certainly not one of them. I have worked hard to develop 'bare minimum habits' that help me maintain some consistency, but on top of those habits my output has always been stormy. Sometimes it overflows, sometimes it dries up, and I have to dig a deep well with my fingernails to find anything. Lately the music well has been much more productive than the writing well (at least in terms of fiction). I do not think this is unnatural in the sense that humans are not machines, but it would be nice to have an even keel. Ultimately though, I can rest because I believe that my life is Not My Own, and there is freedom in that. I just have to remember it, and endure it.

Writing

I wish I could banish the guilt I feel when I think of how little progress I have made on the book. I did write a pretty long essay, but for some reason I just can't shake a sense of failure when I don't work on the book. E.B. White once likened the impulse to write something as having a storm cloud over one's head until the thing is written, and I resonate with that very much. I suppose I should stop feeling guilty and just recognize that these works that seem to appear over my head are just manifestations of the creative process; but I push back on that phrasing “just manifestations of the creative process,” because I feel that it cheapens the work. I will say that the Manliness essay was a cloud that had been hanging over me for years, and it felt good to finally dispel it. Writing is a fascinating process. Control over it (for me) is both a responsibility and an illusion.

Music

I have been playing and practicing quite a lot. I bought a new acoustic guitar, which I have 'needed' for a while. The neck on my old one is somewhat rough, which means it taught me a lot about proper technique and finger position, but come showtime was really limiting and nerve-racking. The new one, an Orangewood, is very nice for the price, and I am liking it more every day as I break it in. I almost immediately started recording (semi-officially) the Lit Songs album with it. I think I have gotten good enough with my microphones and production process that I can make very nice sounding demos, complete with drums! The challenge is really just finding time when the house is quiet (which is not often, with two young kids). I mostly record at night instead of playing video games, which is good, but also I need to sleep. I need to pace myself.

Reading

I read a lot for the podcast, namely Piranesi and That Hideous Strength and Borges (still editing those recordings). For fun, I have picked up Robinson Crusoe and The Divine Comedy. I have enjoyed That Hideous Strength and Robinson Crusoe the most out of those.

I have also decided to try and revive my Latin. For language learning, my main goal is usually just to be able to read. To that end I have been reading 死神永生 (Death's End) by 《刘慈欣》(Liu Cixin) for over about a year. I try to read one page a day, writing down words I don't know, then adding them to Pleco's flashcard function. I do think my comprehension is improving, but it is still far from where I want it to be. For Latin, I am restarting Gustatio Linguae Latinae. My wife is a Latin teacher, so I've got a pretty good motivational head start, and it has really been a lot of fun.

It is really amazing to me how video games have the power to inoculate so many of my life-giving impulses. I think it is because video games offer a facsimile of what they promise: skill building (learning a musical instrument), exploration (reading about a new place), immersion (learning a new language and reading primary sources), self-expression (writing). Please note, I do not think video games are evil, it is just that they can be easily abused out of all moderation. I have also been fasting from breakfast to dinner for Holy Week, and it has helped me realize just how many impulses for consumption I have, and how little I deny them. Those little snacks and cookies and glasses of milk add up, even though they are not harmful in themselves. And it seems to me that the modern adulthood our culture strives for is less about self control, and more about working ourselves into the ground for a life that doesn't require it. So many of the things we buy are for pure convenience and organization, so that we don't have to think or be responsible. AI is no different in this regard, and the commercials for it emphasize the fact that it can automate tasks that we have already striven to automate, so that we will just become Dostoevsky's “General Humans” or C.S. Lewis's “Men Without Chests.”

Well, until next time.

[1]: If I do not cite a poetry source, you can assume that I wrote it.

#update #April #2026

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Thank you for reading! I greatly regret that I will most likely never be able to meet you in person and shake your hand, but perhaps we can virtually shake hands via my newsletter, social media, or a cup of coffee sent over the wire. They are poor substitutes, but they can be a real grace in this intractable world.

---

Send me a kind word or a cup of coffee:

Buy Me a Coffee | Listen to My Music | Listen to My Podcast | Follow Me on Mastodon | Read With Me on Bookwyrm

友人が、たくさん食べられる方がカッコいいと言っていた。 いや、まあ、食事に対してカッコいいという価値観は俺にはないのだが、 もしカッコよさで語るなら、俺はむしろ食べないほうがカッコいいと思う。 自分だけで完結している度合いが強いからだ。 生きる上で必要なものが少ないほど、その肉体は単体で強いように見える。

歩くのと走るのでは、どちらがカッコいいか。 これは歩くほうだろう。 理由というより、統計的に大人が証明している。 大人は走らない。歩いているほうが、何にも追われていないからだ。 走っている人は、時間か、もっと物理的な何かに追われている。 いや、もし追われているという状態を、生活に干渉されている証と見るなら、
走っているほうがカッコいいと言えるのかもしれない。 止まっているのも勿論カッコいい。 そう考えると、歩くというのは何でもないのかもしれない。

昇るのと降りるのでは、どちらがカッコいいか。 昇るのは、これからそこに予定があるから。 降りるのは、予定が終わったから。 これはどちらとも言いがたい。 予定が終わったのに、丘の上にある家へ登っていくなら、それはカッコいいと思う。

このまま羅列していってもいいが、もう既に飽きてしまった。 カッコいいの先に何もないからだ。 もし何かあるほうが良い事だとするのなら、カッコよくなる前という事になる。

締まらない話だ。 どうでもいい話を続けていたら、机の上の汚さが視界に入ってきた。 そうか、今週は何もしていないから、鈍く疲れているのだ。

31 March 2026

In our last poetry workshop, Jonathan sent us on a Carl Phillips dive. First his 2018 essay Muscularity and Eros: On Syntax for At Length and then a handful of poems. “A Kind of Meadow” (2000) has been with me ever since. Very painterly. There's something about it that puts me in a place similar to Polke's Die Fahrt auf der Unendlichkeitsacht III (Die Motorradlampe) (1971)—every new door opens to a misdirect or redirect, but the flow of the whole remains cohesive and unencumbered. A particular example via enjambment in a middle stanza:

A kind of meadow, where it ends begin trees, from whose twinning of late light and the already underway darkness you were expecting perhaps

And that's the rhythm all the way through, of starts and stops meshing and trading places. Which happens verbally in the mouth, but also visually; bones, branches, and fretwork form a grid that dapples both shadow and light, shooting both through the length of the poem. Words examining themselves as they are produced.

What Are Common Remedies Suggested by Astrologers?

Astrology has been a guiding force in human life for centuries, helping individuals understand their destiny, strengths, and challenges. Many people searching for the best astrologer in Delhi NCR not only seek predictions but also effective remedies to overcome life problems. Astrology remedies are practical and spiritual techniques designed to balance planetary energies and improve overall well-being.

Understanding Astrology Remedies

Astrology remedies are based on the belief that planetary positions influence different aspects of life, including career, relationships, health, and finances. When certain planets are weak or negatively placed in a birth chart, they may create obstacles. Astrologers suggest remedies to reduce these negative effects and strengthen positive influences.

These remedies do not change destiny completely but help minimize difficulties and enhance opportunities when followed with faith and consistency.

1. Gemstone Therapy Gemstone therapy is one of the most popular remedies in astrology. Each planet is associated with a specific gemstone that enhances its positive energy.

For example: Ruby for the Sun boosts confidence and leadership Emerald for Mercury improves communication and intellect Yellow Sapphire for Jupiter supports wisdom and prosperity

Wearing the right gemstone after proper consultation can help balance planetary influences and attract success.

1. Mantras and Chanting Mantras are sacred sounds that create positive vibrations and mental clarity. Chanting specific mantras related to planets can reduce their negative effects.

Common practices include:

Gayatri Mantra for overall positivity Hanuman Chalisa for strength and protection Shani Mantra to reduce Saturn’s challenges

Regular chanting helps calm the mind, improve focus, and bring emotional stability.

1. Vastu Shastra Corrections Vastu Shastra focuses on the energy flow within a space. Incorrect placement of objects or directions can lead to problems in life.

Astrologers often suggest:

Adjusting furniture placement Improving entrance directions Using suitable colors and elements

These simple changes can create a positive environment that supports growth and harmony.

1. Fasting and Religious Rituals Fasting on specific days is another effective remedy. Each day is associated with a particular planet, and fasting helps strengthen its positive influence.

Examples include:

Monday for the Moon Thursday for Jupiter Saturday for Saturn

Performing rituals along with fasting enhances spiritual connection and reduces negative planetary effects.

1. Charity and Donations Charity is considered a powerful way to balance karmic influences. Donating items related to specific planets can help reduce negative energies.

Examples: Donating black items on Saturdays for Saturn Offering food to the needy Supporting religious or social causes Acts of kindness bring positivity, peace, and emotional satisfaction.

1. Yantras and Spiritual Tools Yantras are sacred geometric symbols used to attract positive energy. They are often placed in homes or workplaces for protection and prosperity.

Popular yantras include: Shree Yantra for wealth and success Navgraha Yantra for planetary balance Kuber Yantra for financial growth These tools help enhance positive vibrations in daily life.

1. Meditation and Lifestyle Changes Astrologers also emphasize the importance of mental and emotional balance. Meditation is a powerful practice that helps reduce stress and improve focus.

Lifestyle changes such as maintaining discipline, avoiding negative habits, and practicing gratitude can significantly improve life quality. These changes support the effectiveness of other remedies.

Importance of Personalized Remedies

Every individual has a unique birth chart, so remedies should be customized. Generic remedies may not work effectively for everyone. Consulting the best astrologer in Delhi NCR ensures accurate analysis and suitable recommendations.

Professional guidance helps in choosing the right gemstone, mantra, or ritual based on planetary positions and life goals.

Do Astrology Remedies Really Work? The effectiveness of astrology remedies depends on belief, consistency, and proper application. While they may not provide instant results, they gradually bring positive changes in mindset, behavior, and circumstances.

Astrology should be used as a supportive tool along with practical efforts. Combining remedies with hard work and a positive attitude leads to better outcomes.

https://glorioussauraa.com/astrology/

Conclusion Astrology remedies offer a holistic approach to solving life problems. From gemstones and mantras to charity and meditation, these practices help balance energies and create harmony in life.

For those seeking guidance from the best astrologer in Delhi NCR, understanding these remedies can be the first step toward a more balanced and successful life. By following the right remedies with dedication, individuals can overcome challenges, improve relationships, and achieve personal and professional growth.

Devastación es el fruto de la guerra. Del latín vastus, enorme, desolación, vacío.

I did several bits today that I was very proud of. Also at the gym this old guy pointed to me while talking to another kid and use me as an example for what a good physique looks like, and I got so like flustered and I guess I’m just proud of myself. Also some of my green flags/dealbreaker were confirmed to be good with A, and I really find myself falling for her. But at the same time it’s strange because it feels like I’m falling for her with my mind and not just my heart. Like in a much more controlled and intentional way, and not just because this person is filling up some hole in my life. 60 days can’t come faster.

Fragmented attention produces fragmented work.

When I split focus across tasks, I produce incomplete, low-quality output. Single-tasking changed that. I do deeper work, and I do more of it — no context-switching tax.

Two habits made this stick.

Cap your browser tabs at three. I used to keep dozens open — and used almost none of them. Three tabs forces a choice: what actually matters right now? I read one documentation page, close it, open the next. The constraint creates focus.

Run every app in full screen. No dock. No red notification bubbles competing for your eye. I use two monitors — both apps full screen, side menus collapsed. Just the work, filling the frame.

Attention is finite. Protect it like it is.

This review originally appeared at Grimdark Magazine on March 3, 2026.

Against the Demon World

By D.M. Ritzlin – DMR Books – February 1, 2026

Review by Robin Marx

Northern barbarian Avok Kur Storn’s life is disrupted when cultists of Iljer visit his chieftain father, hoping to entice the Cytheran people to abandon their traditional god in favor of demon worship. Emphatically rebuffed, the Iljerists skulk off to the wilderness and immediately prepare to summon an infernal agent of retribution. Suspicious of the ominous visitors, Avok attempts to disrupt the ceremony, only to find himself dragged to the demon-infested moon called Uzz. Forced to serve as a slave, a spy, and a gladiator, Avok must use his wits and his brawn to survive—and eventually escape—a hellish dog-eat-dog world of cruel fiends and bizarre, otherworldly creatures.

Against the Demon World is set in D. M. Ritzlin’s sword & sorcery setting, Nilztiria. While this is the first full-length novel to feature Avok Kur Storn as its protagonist, the character has appeared in a number of short stories found in the author’s previous collections, Necromancy in Nilztiria and Dark Dreams of Nilztiria. While there are some fun references to other Nilztiria fixtures like the frequently quoted Xaarxool the Necromancer, no prior experience with either Avok Kur Storn or Nilztiria is necessary to enjoy this novel.

Ritzlin’s publishing house DMR Books was established to print sword & sorcery fiction both classic and new, and the author’s own work likewise fits comfortably in the old school pulp fantasy style. Barbarian heroes with mighty thews, diabolical sorcerers who command chaotic magic, and slavering beasts are all present and accounted for. Both the strengths and weaknesses of Against the Demon World owe a great deal to the early days of the fantasy literary genre, so fans of this type of fantasy are likely to enjoy it, while those who prefer a more epic scope and detailed world-building may be better off looking elsewhere.

The brisk pacing of Against the Demon World is its greatest strength. The novel is a hair over 200 pages long, and there is zero wasted space. This is a book that refuses to sit still; there’s always something going on. Deadly combat, daring escapes, encounters with dangerous and strange wildlife (or dangerous and strange women!) crowd the narrative. Over the course of the book Avok Kur Storn is rarely allowed a moment to catch his breath, and neither is the reader. While the bare-chested, kilt-clad warrior protagonist might prompt one to expect the influence of Robert E. Howard and his barbarian Conan, in practice the breakneck pacing and heroic protagonist more often recalled Edgar Rice Burroughs. Like Burroughs’ John Carter of Mars, Avok Kur Storn is a reflexively valiant and noble character, skilled in martial pursuits but lacking Conan’s brutality and moral ambiguity. While—trapped on Uzz—he may spend his nights in the arms of his alluring ram-horned succubus mistress Heltorya, once he meets the pure-hearted damsel Izura, there’s little doubt who Avok will end up with.

As in Burrough’s Barsoom stories, the weirdness of Against the Demon World also appeals. Much of the story takes place in the demonic duchy of Xidobala, where expendable slaves live and die at the mercy of Heltorya and a class of callous, inhuman rulers. Avok is frequently the only human among fiends, each physiologically distinct. When Avok is taken on a sky-ship ride, the vessel turns out to be a steel-bound beast with pterodactyl wings and a massive eye at the end of its furry “bowsprit.” Even away from the demon-haunted cities, the fauna of Uzz remains strange; Avok encounters yellow-skinned cyclopes and spherical bat-like creatures. Weirdness even encroaches on Avok’s very body, as immediately after arriving on Uzz an eyeball-bearing tentacle is grafted to the back of his head (seen in the excellent cover art by Bebeto Daroz) to make him a more effective spy for his demonic master. Ritzlin also has an aptitude for coming up with entertainingly offbeat names: Xaarxool, Nelgastrothos, Voormeero, Quanguulosh, and—my favorite—Scrotar, all roll off the tongue in a pleasing way.

While Against the Demon World benefits greatly from classic pulp pacing, it also carries forth two of the weaknesses of old-fashioned fantasy: weak dialogue and thin characterization. Too often the dialogue lacks subtlety, with characters frequently openly stating their thoughts or intentions, without much in the way of witty repartee, attempts to dissemble, or character-revealing phrasing. Actors often lament that villains get all the best lines in scripts, and that seems to be the case in this book as well. Through Heltorya’s spoiled pouting and Quanguulosh’s Skeletor-like scenery chewing the demons are allowed to showcase their personalities a bit, but Avok is mostly limited to defiant vows, helpful explanations to companions, and shouted warnings. Unusually for a sword & sorcery hero we get to spend some time with Avok Kur Storn’s whole family (the Kur Storns are still around, they’re not relegated to a tragic backstory!), but readers still don’t get much of an idea of what makes Avok special and interesting beyond “He’s a brave fighter and he’s the hero that the book is about.” While this comparative lack of dimension isn’t as noticeable in the shorter Avok Kur Storn stories, it becomes more obvious at novel length. Ritzlin’s other primary hero character, Vran the Chaos-Warped, at least has more of an interesting gimmick in that magic misfires in his presence. As it stands, Avok Kur Storn doesn’t have much that separates him from the barbarian pack.

Against the Demon World is a lean, action-packed adventure boasting a wonderfully weird setting. Readers familiar with pulp sword & sorcery will find a lot to love here, but those accustomed to more modern fantasy stylings may find themselves yearning for a greater focus on characterization, even if it results in a thicker page count.

#ReviewArchive #BookReview #Fantasy #SwordAndSorcery #DarkFantasy #Grimdark #DMRitzlin #DMRBooks #AgainstTheDemonWorld #GrimdarkMagazine #GdM

History was made today. The kind of history that will be written about and studied for years to come, and I was able to capture it from my backyard. Artemis II successfully launched with a crew of four and is heading to the Moon. Not as great, magnificent, or universe changing as what we will celebrate this Sunday with Easter and the resurrection of Jesus Christ, not even close. But still amazing.

Here is what I get to see from my house on the other side of the coast of Florida. Not as amazing as being there, but still awesome.

No Fools today on this 1st of April. Pretty surreal to watch it from here.

#news #photos #history