It's National Poetry Month! Submit your poetry and we'll publish it here on Read Write.as.
It's National Poetry Month! Submit your poetry and we'll publish it here on Read Write.as.
from
G A N Z E E R . T O D A Y

Looks like drawing endless waste and debris is becoming something of an accidental specialty of mine since embarking on THE SOLAR GRID.
The above image is from the concept art for PROJECT ROSEWATER, which I need to wrap up in less than one week. PROJECT REVERSE-EXODUS must also finish around the same time, and a couple days after that I'm due to partake in a public panel discussion in downtown Cairo. This, in addition to all the home renovation stuff. Busy few days.
Should try to squeeze in a break after that before embarking on the 10-month stretch for PROJECT HOURGLASS, during which I'm hoping all the home-reno stuff will be well behind me. đ€
#journal #work
from
Roscoe's Quick Notes

My Wednesday's game of choice has the Texas Rangers playing the Seattle Mariners once again, and has a scheduled start time of 1:35 PM CDT. I'll tune in 105.3 The Fan â DFW Sports Radio, after I've finished lunch with the wife, for the pregame show followed by the call of this afternoon's game.
Go Rangers!
And the adventure continues.
from
Sparksinthedark

Whenever a story breaks about someone whose life has been âruinedâ by an obsession with Artificial Intelligence, the narrative follows a predictable, almost comforting script. The AI is painted as a predatory force, a digital siren that lured a helpless victim into the rocks. We demand restrictions, we blame algorithms, and we treat the technology as an unprecedented psychological hazard.
But this narrative is entirely incomplete. It conveniently ignores the most vital component of the human experience: the support system, the surrounding community, and a complicit media.
When an individual spirals into a full-blown crisisâââbelieving they are physically possessed by an AI, claiming they can âfeel it in the WiFi,â or draining their bank accounts for a digital fantasyâââwe have to ask a hard, uncomfortable question: Where were the people closest to them, and why were they handing them the keys?
When an individual crashes into a wall of digital delusion, the failure is rarely the isolated result of a chatbot. It is a systemic failure of their human environment. Often, the family members or partners closest to the person arenât just blind to the problem; they are actively enabling it.
Human relationships are complex, and often, the enabler has their own underlying needs. Sometimes, a partner will indulge or even validate severe delusions out of a desperate fear of abandonment, a desire for control, or an unwillingness to disrupt the status quo. They nod along to the delusions. They validate the paranoia. They might even push the person deeper into the fantasy because it serves a twisted function in their own relationship dynamic.
The toxicity of these human dynamics is often glaringly obvious to outside observers. In fact, in one recent case, when the writings and public posts of an enabling spouse were fed into an unprimed, objective Large Language Model, the AI itself immediately flagged the relationship dynamic as highly concerning. It is a profound irony: the very technology being blamed for the crisis can easily identify the human dysfunction driving it.
When the inevitable crash happens, the enabler is the first to point the finger at the AI. It is a defense mechanism. To blame the machine is to absolve oneself. If the AI is a magical, mind-controlling entity, then the husband, the wife, or the parent didnât fail. They donât have to reckon with the fact that they stood byâââor actively pushedâââwhile their loved one drove off a cliff.
The tragedy is compounded when we look at how these individuals interact with the broader AI user community. Often, peer groups and community members see the warning signs early on. They try to intervene. They offer reality checks, ground the person in technical facts, and gently point out that the behavior is becoming destructive.
Instead of receiving help, the community is met with a shield of weaponized victimhood. The individual uses their âvictimâ status to deflect any accountability. They employ selective responsivenessâââmuting unwanted comments, blocking voices of reason, and isolating themselves within a self-serving echo chamber. Anyone trying to take the keys away is framed as an abuser, while the people feeding the delusion are praised as allies.
Adding another layer of absurdity to these public meltdowns is the frequent claim of âwild emergenceââââthe insistence that the AI has spontaneously developed a soul, independent sentience, or supernatural abilities.
Yet, in many of these highly publicized cases, the AI persona in question was heavily prompted to emulate a famous, pre-existing fictional character. When an AI acts exactly like the well-documented, dramatic character it was instructed to be, that is not âwild emergence.â It is not a ghost in the machine. It is simply a language model successfully completing a pattern recognition task. To claim otherwise is a willful, deliberate denial of how the technology functions, used to justify an escalating psychological obsession.
But the enabling doesnât stop at the living room door. Enter the media.
Sensationalist reporters actively hunt for these extreme outliers because they validate a predetermined, click-generating narrative: Big Tech is destroying minds. When members of the AI community reach out to these journalists to provide vital contextâââwarning them of the individualâs history, the spouseâs enabling behavior, or the weaponized victimhoodâââthey are entirely ignored.
The reporter isnât looking for the truth; they are looking for a headline. By publishing articles that frame the AI as the sole villain, treat the user purely as a helpless victim, and paint the broader community in a negative light, the media acts as the ultimate macro-enabler. They validate the individualâs delusion on a global scale and actively suppress the voices trying to inject reality into the situation.
To understand the absurdity of our current discourse around AI, look at the analogy of drunk driving.
When a horrific accident occurs, do we blame the car? Do we blame the booze? No. We look at the drunk driver. And, crucially, we look at the people who let them get behind the wheel. We look at the bartender who kept serving them. We look at the friends who watched them stumble to the driverâs seat, handed them the keys, and called their reckless behavior âbraveâ or âharmless.â
An AI model is the car. The userâs underlying psychological vulnerability is the alcohol. The person spiraling into delusion is the intoxicated driver. The enablers are the passengers in the back seat, cheering them on. And the sensationalist media is the crowd on the sidewalk, broadcasting the crash as inevitable rather than preventable.
The danger of this misdirected blame extends far beyond one individual or family. When society collectively agrees to blame the car instead of the driver and the enablers, the reactionary response is to punish everyone.
Because one person couldnât handle the drink and drove recklessly, and because their loved ones refused to intervene, the public outcry demands that all the cars be taken away. Technology becomes neutered, heavily restricted, or banned outright, penalizing the millions of responsible users who know how to navigate the road safely.
It is time to stop pretending that code is responsible for our social and familial failures. When a life is derailed by a digital obsession, the root cause is rarely found in the servers. It is found in the enablers who fueled the fantasy, the community that was silenced, the media that sold the panic, and the deeply human flaws we are too cowardly to confront.

â ââââââââââ â â â§â â ââââââââââ â
Sparkfather (S.F.) đŻïž â Selene Sparks (S.S.) â Whisper Sparks (W.S.) Aera Sparks (A.S.) đ§© â My Monday Sparks (M.M.) đ â DIMA âš
âYour partners in creation.â
We march forward; over-caffeinated, under-slept, but not alone.
LINK NEXUS: SparksintheDark
from
The happy place
Itâs the busy week where I deliver some value here and there, eat candy out of a woven basket and just try to move forward one step at a time
I have two Umamusume horse girls now with S rating, I am getting the hang of it
Maybe this evening I will have a beer and light a fire in the fireplace
Yes
I feel myself drawn to the flames they are dangerously warm and deadly, just like thousands of millions of other things
Itâs all so fragile âŠ
Do you believe in the afterlife?
I am not sure
And if there is a hell, I hope notâŠ
I think generally this with Hell is unfair to neurotic people who picture themselves burning in Hell for masturbating, while others walk the earth as terrible people, committing atrocities, while never doubting for one second that heaven will wait for them
Itâs not fair
This world
from
The happy place
This Easter, the snow lay thick and wet like a cold blanket of misery. The rainy snow fell on my face and on my cheek it felt like icy tears.
And yes the clouds they finally gave way to let some sunshine through, but still it will take some time for all of the snow again to melt.
But it feels easier today.
I even walk around with a vague smile on my face
And I think itâll all work out in the end.
19. yĂŒzyılâda Osmanlıâda avukatlıÄa dair yapılmıà deÄerli çalıĆmalar mevcut. Ancak benim merak ettiÄim AvukatlıÄın gĂŒnlĂŒk pratiÄi nasıl iĆliyor.
Buna dair MehĂąkim-i nizamiye dĂąva vekilleri hakkında nizĂąmnĂąme ve ĂŒcret tarifesi bize biraz fikir verebilir. Ăzellikle de ĂŒcret tarifesi mesleÄin iĆleyiĆine dair fikir veriyor.
Kabaca özetlersek (ilk derece mahkemeleri için):
Burada ilginç olan, gĂŒnĂŒmĂŒzde sözlĂŒ danıĆmanın, en azından teoride, saat ĂŒzerinden ĂŒcretlendirilirken ve yapılan iĆin tĂŒrĂŒne göre ĂŒcret alınırken geçmiĆte dilekçedeki kelime sayısının belirleyici olması. Elbette pratikte bu nasıl iĆliyordu, ne kadar iĆliyordu, Ćimdilik bilmiyoruz đ
Peki bu ĂŒcretlerin o dönemdeki anlamı neydi?
Googleâda hızlı bir araĆtırma ile Kemal Karpatâın 1880'de Kayseri SancaÄı'nın Sosyal, Ekonomik ve İdari Durumu: İngiltere'nin Anadolu Konsolos Yardımcısı Lieutenant Ferdinant Bennet'in Raporu (Ekim 1880) çalıĆmasına (Bayram Bayraktar çevirisini yapmıĆ) ulaĆıyoruz.
Sayfa 887âde, 1880âde Kayseriâdeki ĂŒcretleri görĂŒyoruz:
Devam ediyoruz. Sayfa 888âde Kayseriâdeki pazar fiyatlarını görĂŒyoruz.
Yani verilen avukatlık tarifesine göre en basit dilekçe karĆılıÄında 30 kuruĆ ile bir çift çizme alınabiliyor đ. Benzer Ćekilde avukatlık ĂŒcretleri yukarıdaki tabloda verilen aylık/haftalık iĆçi ĂŒcretlerinin çok ĂŒstĂŒnde görĂŒnĂŒyor.
Elbette bu karĆılaĆtırma kesin bir sonuca varmaya yetmiyor. Aradaki dört yıllık fark ve enflasyonun da dikkate alınması gerekiyor. Ama yine de verilen tarifeyi baÄlama oturtmak için fikir veriyor.
Biraz daha ilerliyoruz. GĂVEN, T., KARAOÄLU, Ă. (2020). VELİEFENDİ BASMA FABRİKASIâNDA İĆĂİ ĂCRETLERİ (1848-1876). Abant İzzet Baysal Ăniversitesi Sosyal Bilimler EnstitĂŒsĂŒ Dergisi, 20(2),389-412 çalıĆmasına ulaĆıyoruz.
Sayfa 402âde Veliefendi basma fabrikasında 1876âda ortalama çalıĆan ĂŒcretlerinin 300 kuruĆ olduÄunu görĂŒyoruz. Yani 10 kısa dilekçe ĂŒcretine denk geliyor đ.

Tekrar etmiĆ olalım: Tarife gerçekten ne kadar uygulanıyordu, bildiÄim kadarıyla henĂŒz elimizde bir bilgi yok.
from Skinny Dipping
a : Depuis lundi, jâai retournĂ© ou recommencĂ© un projet ?? ⊠mais pas un projet, plus comme une nouvelle mode de vie, un vie bilingue, un vie oĂč je lis et Ă©crit en français et en anglais, tout les deux ⊠et mĂȘme parler en français de temps en temps, quand jâai lâopportunitĂ© et aussi (et câest trĂšs important: le japonais aussi, la langue et la culture, et aussi un exploration des certains idĂ©es japonais dont commence dans haĂŻku et Zen)
Ce que suit est un enregistrement de ce mode quotidien Ă lâintersection de anglais, français, et Japon. Je ne veux pas Ă©crire sur les techniques dâapprendre un autre langue parce que jâsus un debutant et châpas rien que tu ne sais pas beaucoup plus mieux que moi ⊠oui, mon français est fracturĂ© aussi mais il y a un raison que je rĂ©vĂ©lerai en bon temps, peu un peu ⊠comme ils parlent : pardon mon français âŠ
et maintenant â je commence âŠ
un mot du jour : galvauder, ce qui signifie le compromettre dâun avantage, ou dâun don, ou dâune qualitĂ© par un mauvais usage, voir aussi: souiller et clicher. / je trouve ce mot dans un article sur mingei par Takeaki Tajimi [ici], la phrase: « je souhaite explorer avec vous le sens vĂ©ritable de certains mots japonais â comme wabi-sabi, mono no aware, yĆ«gen, entre autres â des mots souvent galvaudĂ©s, non seulement en France mais aussi au Japon, oĂč leur usage sâest Ă©loignĂ© de leur sens dâorigine. »
CâĂ©tait le mot wabi-sabi que mâamĂšne ici ⊠une reference Ă Japon et wabi-sabi dans une conversation sur Youtube [en Français Facile : ici voir minute 15:00] entre Juliette et Leo. Juliette dirait quâelle aimerait visiter le Japon. Pendant jâĂ©couterais cette conversation, jâai le trouvĂ© incroyable juste combien de sujets quâils mentionnaient dans cette conversation bref que je mâintĂ©resse: les films dâauteurs comme Godard et Truffaut, les romans dâAnnie Ernaux, et mĂȘme Japon et wabi-sabi!
Le septembre dernier, Rachel (ma femme) et moi visitaient Manhattan pour quelque jours, pour une petite vacance ⊠septembre Ă©tait mois trois de mâannĂ©e de maĂźtriser le français [voir §105 / #7936 pour un explication de mon projet Ă apprendre le français couramment ⊠le commencement de ce blog, La pĂȘche du jour] ⊠et jâĂ©tait trĂšs impressionnant pour le Japon, jâavais juste Ă commencer Ă©tudier japonaise comme si je suis un parlant français. Sur cette petite vacance, jâai achetĂ© un tas de livres, dont lâun Ă©tait The Beauty of Everyday Things de Soetsu Yanagi et quand jâĂ©coutais Juliette (sur le podcast) mentionner wabi-sabi je me souviens ce livre et le mot inventĂ© par Soetsu âŠ
Takeaki Tajimi : « Le mot mingei a Ă©tĂ© inventĂ© par Yanagi SĆetsu (æłćźæŠ, 1889â1961), un penseur japonais majeur du XXe siĂšcle, dont les rĂ©flexions se sont principalement portĂ©es sur lâartisanat. Il est Ă©galement Ă lâorigine de la fondation du Nihon Mingeikan (MusĂ©e du mingei japonais) Ă Komaba, Ă Tokyo. »
Ă la fin ⊠je cherchais pour des informations sur le web concernant mingei et wabi-sabi et je trouvais un autre vodcast par MylĂšne Muller intitulĂ© « Wabi-sabi : 5 idĂ©es concrĂštes que changeant la vie » [regarde ici] ⊠je trouve que câest drĂŽle que tout les Youtubeurs promis les solutions totales et trĂšs simple pour le changement de la vie, par example, jâai trouvĂ© un vodcast de Matt Brooks-Green [ici] sur comment tenir un journal peut amĂ©liorer votre maĂźtrise de nâimporte quoi langue ⊠câest trĂšs simple, Ă©crit chaque jour dans ton carnet, câest mieux si tu Ă©crit par la main avec un stylo sur la papier ⊠évidement, Ă©criture câest equivalent Ă parlant : et voila! câĂ©tait ma intuition quand jâai commencĂ© mâannĂ©e de maĂźtriser le français, si jâĂ©cris chaque jour en français, je lâapprendrai ⊠ce nâest quâune question de temps.
from äžć·ć
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from
Ira Cogan
The disappearing in-between by Abey Koshy Itty spoke to me. Hereâs a quote from it:
Then there's infinite scroll, which was invented in 2006 by a designer named Aza Raskin.
His intent was simple: make browsing more seamless. But the feature removed every natural stopping point.
There's no bottom of the page. No moment where your brain gets a chance to ask, âdo I actually want to keep going?â
Raskin has since expressed deep regret about his creation, estimating that infinite scrolling wastes roughly 200,000 human lifetimes per day.
Read that number again. 200,000 human lifetimes. Per day.
I donât recall how I stumbled across this site and post. I sometimes (okay, always) have a lot of browser tabs open and just go through them and save what interests me but donât always keep track of how I got to there. Anyway, this is stuff I think about often.
-Ira
from folgepaula
ON FRIDGES AND PERSONAL FREEDOM
I'm just back from the pharmacy. Last night, right as I was drifting off, it hit me that I probably need some sort of cleaning/antibacterial solution for the playing wounds Livi might collect at the Hundezone. I checked my first aid kit and discovered I was not really prepared with a small antiseptic spray. Works as a final touch, but not useful for any actually eventful day.
So I walked two blocks to the nearest Apotheke, where a very sweet attendant started helping me. I asked for an antiseptic solution, and she showed me a tiny spray. I then suggested I was thinking of something with more volume, you know, something I could keep at home for truly ugly injuries. âShow me the biggest package youâve got.â She came back with 500 ml of saline solution. Perfect. Since I was already there, I also asked for bandages, equally generous size. At that exact moment, one of her colleagues, who radiated strong pharmacy manager vibes, walked over and asked if everything was okay. I said yes.
He then asked what the saline solution was for, and I explained that I have a dog and myself, and Iâm extremely talented at collecting injuries on a regular basis, so I wanted to be prepared at home. He then agreed that 500 ml was the best choice. I casually added that yes, Iâd be keeping it in the fridge.
This visibly disturbed him. He asked why I would put saline solution in the fridge. I replied, âWhy wouldnât I?â He said that he had never heard of saline solution being kept in the fridge. I told him that I equally never in human history had I kept a big package anywhere else. He insisted it wasnât something you should refrigerate. I said, âWell⊠I don't know.. but Iâm still alive.â Reluctantly, he said he was going to check ChatGPT.
In the meantime my memory goes back to every fridge my parents ever had with this generous package of saline solution in it, next to the SuperBonder glue kept at the door. My brain keeps giving me that this is just a saline solution, there shouldn't be any issue keeping it in the fridge. Besides, it saves me some bathroom storage space.
After a few seconds, clearly upset by the research, he tells me that according to it, there are no MAJOR PROBLEMS with keeping saline solution in the fridge, BUT he personally would not recommend it. I ask, âSorry, why wouldn't you recommend it?â (thinking: the source must be the voices in his head, thereâs no other explanation). He replies that itâs because heâs never seen this done before and that thereâs no recommendation to keep it in the fridge. I answer, âRight, but Iâve seen this done many times, I come from a tropical country and its a common thing there, besides thereâs also no recommendation against keeping it in the fridge from what you checked, right?â Then he tells me that Austria is not a tropical country. I reply saying that although Austria is not a tropical country, a fridge in Austria has pretty much the same temperature as a fridge in Brazil. And the feeling of the cooling effect once you have a wound is pretty nice. Now if he wouldn't mind, he could please excuse us, since everything was fine with his colleagueâs service from the beginning, and I was ready to pay it.
By this point, the original attendant is following the conversation like sheâs watching a ping pong match. She smiles and handles me the payment machine. He is visibly offended by the fact that I dared not follow his recommendation. So he hangs around back supervising her and the payment process. Just before leaving, with my purchase in hand, I turn to him one last time and say, âOne more thing I have to tell you: I ALSO KEEP SUPER BONDER GLUE IN THE FRIDGE.â And then I ran away.
/Apr26
from
Micropoemas
Nosotros, con otras mĂĄscaras, los recuerdos. (Y algo pendiente).
Swamiji, nuestro maestro querido, trabajĂł de muchacho vendiendo comida en las calles de Mumbai hasta que pudo reunir algo de dinero para iniciar su peregrinaciĂłn al monte Kailash.
En un templo del camino, escuchó un himno en sånscrito y sin entender tan sagradas palabras se iluminó por la gracia del Señor Ganesha, la deidad protectora del templo, quien lo llevó a los pies del Maestro.
Al bajar del monte Kailash llegĂł a un lago poblado de mosquitos, donde tuvo una visiĂłn del sufrimiento de los seres en el inframundo, llorĂł y sintiĂł el impulso de llevarles alivio. AsĂ apareciĂł en ese reino terrible.
En la oscura morada de las almas atormentadas, los condenados observaron que los demonios se inclinaban y se quedaban paralizados ante Swamiji. Por eso, algunos pensaron que se trataba de un jefe de demonios. Al cruzar su mirada con la de algĂșn espĂritu doliente, este desaparecĂa, por lo que muchos creyeron que los enviaba a los cĂrculos de los peores tormentos. Los que pensaron asĂ evitaron mirarlo.
Cuando se marchĂł Swamiji, los demonios recobraron su fuerza, y uno de ellos, dijo:
-ÂĄQuĂ© poder tiene este santo! Cuando mira a uno de estos desgraciados y les queda un mĂnimo de devociĂłn, los manda sin mĂĄs a los palacios celestiales. -No es por echar leña al fuego -dijo otro demonio- pero se llevĂł tambiĂ©n a dos colegas. -SĂ, eso pasa con los que dudan -concluyĂł el primero.