Ce n'est pas dit aussi crûment, mais ça a au moins le mérite d'être clair. Pour la ministre des Transports, Madame Guilbault, « Gérer le transport collectif et les sociétés de transport, ce n’est pas une mission de l’État ». Et si, au contraire, le transport collectif était bel et bien une mission de l'État?

#Environnement #TransitionEnergetique #Transports #TransportsEnCommun #TransportsCollectifs

Sur le site du gouvernement du Québec, l'État vante le transport collectif à tour de bras.

Le transport collectif comporte de nombreux bénéfices non seulement sur les plans personnel et professionnel, mais aussi sur les plans économique, environnemental et social. Parce que tout le monde peut tirer avantage du transport en commun, c’est le temps de remonter à bord!

Si je fais une simple règle de trois, le transport collectif c'est bénéfique pour l'économie, l'environnement et le bien-être de la société qui sont des missions de l'État, donc le transport collectif fait partie des missions de l'État.

Je ne ferai pas l'injure à la Ministre de lui rappeler que la mobilité durable fait bel et bien partie de la mission de son Ministère.

Favoriser la mobilité durable des personnes et des marchandises par des systèmes de transport sécuritaires et accessibles qui contribuent au développement du Québec.

Je n'ajouterai pas non plus que le ministère de l’Environnement, dans sa mission, dit vouloir «jouer un rôle clé dans la transition climatique, dans une perspective durable, afin de contribuer aux enjeux prioritaires de la société québécoise.»

Le 24 novembre 2021, celui qui était alors ministre des Transports, M. François Bonnardel, et le ministre de l'Environnement et de la Lutte contre les changements climatiques, M. Benoit Charette, faisaient part de la volonté du gouvernement d'augmenter l'usage du transport collectif.

« Une fois de plus, votre gouvernement prouve sa détermination à développer le transport collectif partout au Québec, tant dans les régions que dans les villes. Cette importante hausse du financement à l'exploitation, qui s'ajoute à des investissements records dans les grands projets, soutiendra les organismes municipaux responsables d'offrir les services à la population. »

Dans son Plan directeur en transition énergétique, le gouvernement du Québec dont fait partie le ministère des Transports aux dernières nouvelles, nous incite à passer choisir de se déplacer autrement, tout en réduisant les effets de ses déplacements sur l’environnement.

Se déplacer autrement, précise le Plan, c'est «remplacer l’utilisation de l’auto-solo par celle des transports en commun, des transports actifs ou de l’autopartage, tous les jours ou aussi souvent que possible».

Ça va mal pour la CAQ. Les sondages la place au troisième rang dans les intentions de vote. Dans ces conditions politiques difficiles, on peut comprendre la Ministre de choisir les automobilistes plutôt que les usager·ère·s du transport collectif.

Mais nous le dire aussi directement, ça m'a tout l'air d'une bévue.

Mission de l’État ou pas l'important, comme le disent Samuel Pagé-Plouffe, coordonnateur de l’Alliance TRANSIT et Sarah V. Doyon, directrice générale de Trajectoire Québec, c’est que tous les paliers de gouvernement doivent faire preuve de responsabilité dans la crise du financement des transports collectifs.

S'en laver les mains, ce n'est pas faire preuve de responsabilité.

Blog 35/2024

You May Stare, I Don't F- Care.. But Don't Touch My Hair (Keep Your Dirty Fingers Off Me)

Blog 34/2024

I'm getting the hang of this

Routine, sport, outside air, that's what's gonna get me somewhere

Running running running

Here there

Paris Scotland Tokyo

Everywhere

Vision for the future is already there

Sharp eyes and quick action

No time for bullshit

No kissing asses

Oh no no

I'm gonna find me so worthy

They're gonna need sunglasses

(I'm gonna shine so damn hard that no eclipse'll get me dark)

He helped her navigate the bedroom. Tall brown rug, recently vacuumed, the tracks snaking out into the night, going around the waterbed and between the dresser and end table. A night light in the corner of the room, one in the bathroom shining, bright childish colors.

Thanks August, she slowed and looked at him but he was fixed, concentrating on the destination.

You're welcome, Evelyn

Please, call me Lyn

He smirked and staggered, using the waterbed to steady himself but his hand sank into it.

Woah, what the fuck

Waterbed

Oh wow

She pulled him out of the bed and her back hit the bedroom doorjam, one shoulder in and the other out at the hinges.

He was facing her, she held onto his shoulders and looked him in the eye. Without heels they were the same height.

Let's make out

He smelled her breath and couldn't stifle a disgusted look, brows lowered, eyes squinting, corners of mouth turning down.

Mint

He nodded, face relaxing.

She pulled open the mirrored cabinet on the wall inside the bathroom and produced a bottle of mouthwash, poured a cap full and handed it to him, put it by the sink, then pulled her shorts down and sat on the toilet.

He had been looking at the mouthwash and didn't notice, leaning on the bathroom counter in the light of the nightlight. He tipped his head back and swished the mouthwash, spat it in the sink and noticed he could hear her peeing, shifted to his other arm and looked at her. She was swiping her smart phone.

Good piss

Almost done, she held out a hand and pinched and opened her fingers like a baby bird. He poured a capful of mouthwash and handed it to her. She tossed it back and swished it while she scrolled social media or whatever.

He leaned forward to see what she was doing on her phone and she put the screen to sleep and began gargling and looking at him sideways then spit between her legs into the toilet. She put her hands in the air and he pulled her off the toilet and into the bedroom, they were face to face and she put the balls of her feet onto the tops of his so they stepped together.

He fell backwards onto the waterbed and she straddled him.

Ready

Yeah

•

Condom

What, why

Um disease, hello

He scoffed

She stared into his eyes, stern. His reply was blank. She eventually broke.

Just fuck me

•

He emerged from the bathroom with a towel damp with warm tap water. She used it to clean him off of her, his spit off her face and crotch. He lay on his side watching her, smiling and satisfied.

I needed that

He nodded.

She handed the towel back and he used it to wipe down his crotch then spread it in the wet spot between them and scooched closer to her to cuddle.

Hey what are you doing

Cuddlin? A demure gaze.

Oh no bud, you got a curfew or something.

He laughed, not that young, Lyn.

She pursed her lips and looked straight at him, pleading for him to do anything but this.

Alright, sleep well

He made a big show of fighting with the waterbed to get out then sat on the edge and put on his clothes.

She pulled the covers up over her head and fell asleep.

He stepped into the kitchen, the party was over.

I have a system I've been using since 2019 for taking notes at work.

I use an Arc notebook that I got from Staples that has refillable pages. It's a customizable system, so I can remove pages and insert them elsewhere in the book by simply pulling out the sheet. It’s really nice! I’ve had the same notebook for 5 years now.

I mainly use my notebook for meeting notes, notes from calls and notes about projects I'm working on. I also like to use a Pentel Energel 0.5mm in blue as my default pen.

Everyday I open up my 8-½” x 5-½” arc notebook and insert the day:

And then for every project or meeting that I'm currently working on I add a sequence number and a title/subject and start writing. If I change focus and start working on another subject/project/meeting, I will add a sequence number with the title and continue from there.

Some of those notes will generate new next actions, which I add an asterix or arrow so that I remember to capture those into my Nirvana inbox during my shutdown routine at the end of the day.

The notebook will hold 50 pages at a time, and when they are all filled up, I pull them out, and refill the notebook with new pages that I get from Staples.

I then scan all the written pages into a PDF and save the file. At the end of the year I will have around 350-400 pages scanned. Then I recycle the paper copies.

These are all the notes from 2023:

Thinking about Reusable Notebooks

After 5+ years of doing this, I can see the amount of paper I generate! I feel bad about using that much paper, honestly. That’s not even considering the paper I use for time blocking every day, and personal notes.

I'm curious to try out a reusable notebook, so I ordered a Rocketbook!  I wil try the 6” x 8.8” Fusion (Executive size, like my current notebook) because I'm super curious to see how it works! And to know it I will enjoy writing on it.

It should be delivered later today, so I will write a post about my first impressions once I’ve used it for a while.

P.S.: Wow! This is the 100th post since I started the #100DaysToOffload challenge!! 🥳

—

Post 100/100 of 100DaysToOffload challenge!

#100DaysToOffload #100Days #notes #GTD #Productivity

J’ai découvert Didier Eribon il y a maintenant plusieurs années avec son essai socio-autobiographique Retour à Reims qui m’avait tant plu et marqué. Je ne vais pas revenir sur toutes les raisons qui m’avaient fait aimer ce livre, mais je m’étais retrouvé en partie dans le récit de son parcours et de son rapport à ses parents, tout en appréciant l’analyse sociologique qu’il faisait de la classe ouvrière et de son évolution. Didier Eribon avait commencé l’écriture de Retour à Reims après la mort de son père. L’année dernière, c’est la mort de sa mère qui a provoqué l’écriture de Vie, vieillesse et mort d’une femme du peuple. J’avais repéré la sortie de ce livre mais je ne m’étais pas précipité dessus, peut-être parce que la mort de ma propre mère était encore trop proche pour que je puisse m’y confronter dans un livre que je devinais puissant. J’ai fini par m’y plonger cette semaine.

Il y a quelques années, la mère de Didier Eribon est entrée en maison de retraite. Après plusieurs mois au cours desquels elle a peu à peu perdu son autonomie physique et cognitive, Didier Eribon et ses frères ont dû se résoudre à l’installer, malgré ses réticences, dans un établissement médicalisé. Mais le choc de l’entrée en maison de retraite fut trop brutal et, quelques semaines seulement après son arrivée, elle y est décédée.

Après la mort de sa mère, Didier Eribon reprend le travail d’exploration personnelle et théorique qu’il avait entrepris dans Retour à Reims après la mort de son père. Il analyse le déclin de sa mère, ce qui l’amène à réfléchir sur la vieillesse et la maladie, sur nos rapports aux personnes âgées et à la mort, mais aussi sur l’expérience du vieillissement. Il s’interroge également sur les conditions de l’accueil des personnes dépendantes.

Il montre que si l’expérience du vieillissement nous est très difficile à penser, c’est parce qu’il s’agit d’une expérience-limite dans la philosophie occidentale, dont l’ensemble des concepts semblent se fonder sur une exclusion de la vieillesse.

Eribon reparcourt également la vie de sa mère, et notamment les périodes où elle était femme de ménage, ouvrière puis retraitée, la saisissant dans toute sa complexité, de sa participation aux grèves à son racisme obsessionnel.

Il conclut sa démarche en faisant de la vieillesse le point d’appui d’une réflexion sur la politique : comment pourraient se mobiliser des personnes qui n’ont plus de mobilité ni de capacité à prendre la parole et donc à dire « nous » ? Les personnes âgées peuvent-elles parler si personne ne parle pour elles, pour faire entendre leur voix ?

Didier Eribon mêle à nouveau témoignage personnel – sur la vie de sa mère et de sa relation avec elle – et analyse philosophique et politique sur la vieillesse, la mort, et leur place dans la société. C’est un mélange qui m’avait beaucoup plu dans Retour à Reims, et qui fonctionne à nouveau très bien ici. Il y a beaucoup de passages très forts où l’auteur parle de sa mère et de leur relation, je m’y suis à nouveau partiellement reconnu. Les derniers chapitres, quand l’auteur part dans des considérations philosophiques, m’ont peut-être moins séduit, mais cela n’enlève rien à la qualité de ce livre.

Blog 33/2024

How can I feel so in pain and bleeding one minute

while feeling so empowered and alive the next?

The heart is a strange muscle

No

The heart is the strangest muscle

I don't understand its mystery yet fully, so I run

I train every muscle in my body and I run

I run until I have found my rosegarden home and I can finally die peacefully on my couch on a sunny summerday

You never knew me as he yet you take one look and judge me My hair too short, my chest too small you see one detail instead of them all And if you looked a little higher you'd see the pin that says “she/her” But you don't see me, you see a boy As though trying to strip away my joy For you see, I shed my strife And learned how to love life This is what you'd see If instead of judging, you got to know me

#Poetry #Trans

Aquest treball és fruit del projecte, presentat el seu dia, titulat Art i cultura popular al Puig de Santa Maria, que va resultar guanyador de l’onzena Beca d’Estudis sobre El Puig per un jurat format per: Carlos María Álvarez Bel, doctor enginyer industrial i catedràtic de la Universitat Politècnica de València; Mercè Aznar Alcaina, doctora en Biologia i professora de l’IES de Massamagrell; María Torres Hurtado, mestra, especialista de Filologia i professora de l’IES de Rafelbunyol, i Francesc Orts Hurtado, director-gerent de la Fundació Pública Municipal per a la Cultura i l’Educació, la Joventut i l’Esport, d'El Puig, que hi actuà com a secretari. #CulturaVisualAlPuig #llibre #publicacions

La justificació del projecte presentat es basava en la premissa que la cultura popular, i sobretot els objectes i manifestacions produïts per aquesta, han estat habitualment menyspreats i oblidats pels estudis i investigacions referents a la història de l’art i l’estètica. Tan sols disciplines com ara la història o l’antropologia han dedicat una part important dels seus estudis a aquesta matèria. Pel que fa a la història de l’art, tradicionalment s’ha ocupat de manera preferent només dels grans moviments artístics i dels creadors de renom, és a dir, de la cultura oficial i de l’art institucional, i han oblidat de manera injustificable la quasi totalitat de les manifestacions i objectes artístics, que en la seua major part han estat produïts per ciutadans anònims, i inserits dins altres manifestacions de cultura popular, com la religiositat, les festes, l’oci o el treball artesà.

Una ciutat amb tanta tradició històrica com El Puig, està repleta d’exemples d’aquestes manifestacions artístiques que era necessari valorar amb l’estudi i la investigació seriosa, rigorosa i científica, des dels criteris d’una disciplina com la història de l'art i la investigació estètica. És per això que es va presentar i proposar aquest projecte d’investigació.

El projecte va anar evolucionant amb el temps, i a poc a poc es va configurar cada vegada més com a una investigació inserida dins el camp de l’educació artística i la cultura visual, que constitueixen el centre de les meues investigacions actualment.

A banda de configurar una posició prou innovadora en el camp de la investigació local, acostumat al tractament d’aspectes més testimonials i documentals, aquest treball presenta una proposta d’investigació basada en l’estudi de la imatge, de la cultura visual, des d’una posició reflexiva i crítica. Però es tracta, òbviament, d’imatges i mirades amb una perspectiva local, amb els espais de cultura popular i vida quotidiana dels ciutadans d’El Puig, com a centre de gravetat de les reflexions i propostes.

El treball fa un recorregut per alguns aspectes fonamentals a l’hora d’entendre la cultura visual popular dels seus ciutadans, és a dir, aquella que es troba més inserida dins la vida quotidiana i col·lectiva. Probablement, quedaran moltes coses per tractar, però les necessàries limitacions d’espai i temps han atorgat al treball la seua estructura actual, amb una intencionalitat més educativa, entenent aquesta com un procés d’investigació i redescobriment permanents.

Woke up with mild headache.

It’s gone now.

I have zero interest in snyk kubernetes controllers installed via helm charts.

It’s about as interesting to me as listening to some drunk dude talking about how to breathe through a didgeridoo to make it sound consistently even while you inhale. It’s a special technique he said called ”circular breathing”.

Or as interesting as looking at some sort of sport. I have tried to care about sports, but it doesn’t work. I feel nothing.

Think I’m in the wrong line of work. On the other hand I don’t know what would be the right one.

I just want to be rich without going through so much effort, is that too much to ask for?

Better get started on my new book.

I think it’s a good indication of how I’m able to get over this fairly quickly, I think in the past I would have stewed on this situation way longer than I did. Instead I just reasonably moved on, and lost no time. Today was the last day I told myself I’d be allowed to mope at all, and I didn’t end up needing to at all. Good job me I guess.

No DBT today because it’s super late and I want to sleep. Goodnight!

These are the same as Elf Fighter/Magic-User equipment packs, except they also include, wait for it, thieves' tools! Remember that spellcasting is possible only unarmoured, and thieving skills are possible only in leather or less (no shield either). Spellbook and thieves' tools are “free” during character creation, hence I did not deduce their cost.

30 GP PACK

Armour: None Weapons: 1 × Club (1d4); 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (15 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 4 gp, 8 sp, 3 cp Encumbrance: 48 lbs

40 GP PACK

Armour: None Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Crowbar; 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 2 gp, 1 sp, 3 cp Encumbrance: 29 lbs

50 GP PACK

Armour: 1 × Shield (-1[+1] AC) Weapons: 1 × Axe, hand (1d6; missile ROF 1, range 10’); 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 9 × Dart (1d3, ROF 3, range 15’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Grappling hook; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Fishing net (25 square feet); 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 5 gp, 5 sp, 3 cp Encumbrance: 47 lbs

60 GP PACK

Armour: 1 × Shield (-1[+1] AC) Weapons: 1 × Sword, long (1d8); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Bell; 1 × Chalk, 1 piece; 1 × Crowbar; 1 × Hammer; 1 × Rope, hemp (50 feet); 12 × Spike, iron; 1 × Backpack (30-pound capacity); 2 × Sack (15 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 3 × Wolfsbane; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 4 gp, 2 sp, 3 cp Encumbrance: 56 lbs

70 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Leather (-2[+2] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Sword, short (1d6); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 3 gp, 3 sp, 8 cp Encumbrance: 69 lbs

80 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Leather (-2[+2] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Mace, heavy (1d6); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Block and tackle; 1 × Grappling hook; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (15 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 3 gp, 3 sp, 8 cp Encumbrance: 74 lbs

90 GP PACK

Armour: 1 × Ring (-3[+3] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Sword, bastard (1H 1d8; 2H 1d8+1); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Crowbar; 3 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Fishing net (25 square feet); 1 × Signal whistle; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 6 gp, 7 sp, 3 cp Encumbrance: 79 lbs

100 GP PACK

Armour: 1 × Ring (-3[+3] AC) Weapons: 1 × Axe, hand (1d6; missile ROF 1, range 10’); 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Polearm (2H, 1d8+1); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Block and tackle; 3 × Chalk, 1 piece; 1 × Grappling hook; 3 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 8 gp, 8 sp, 3 cp Encumbrance: 80 lbs

110 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Ring (-3[+3] AC) Weapons: 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Sword, long (1d8); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Crowbar; 1 × Rope, silk (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 4 gp, 1 sp, 8 cp Encumbrance: 87 lbs

120 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Ring (-3[+3] AC) Weapons: 1 × Axe, hand (1d6; missile ROF 1, range 10’); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Sword, long (1d8); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Block and tackle; 3 × Chalk, 1 piece; 1 × Grappling hook; 3 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Mirror, small steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 5 gp, 3 sp, 3 cp Encumbrance: 101 lbs

130 GP PACK

Armour: 1 × Chain (-4[+4] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Polearm (2H, 1d8+1); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Fishing net (25 square feet); 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 3 gp, 3 sp, 3 cp Encumbrance: 84 lbs

140 GP PACK

Armour: 1 × Chain (-4[+4] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Hammer, war (1d4+1); 1 × Sword, bastard (1H 1d8; 2H 1d8+1); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Bell; 3 × Chalk, 1 piece; 1 × Shovel; 12 × Spike, iron; 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Flask, leather; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Signal whistle; 1 × Garlic, charmed; 5 × Wolfsbane; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 5 × Parchment (sheet) Coins: 3 gp, 3 sp, 0 cp Encumbrance: 98 lbs

150 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Chain (-4[+4] AC) Weapons: 1 × Sword, long (1d8); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 9 × Dart (1d3, ROF 3, range 15’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Chalk, 1 piece; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Flask, leather; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Mirror, small steel; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 3 gp, 5 sp, 0 cp Encumbrance: 100 lbs

160 GP PACK

Armour: 1 × Shield (-1[+1] AC); 1 × Chain (-4[+4] AC) Weapons: 1 × Axe, hand (1d6; missile ROF 1, range 10’); 1 × Sword, short (1d6); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Bow, short (2H, ROF 2, range 50’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Block and tackle; 1 × Grappling hook; 1 × Rope, hemp (50 feet); 1 × Backpack (30-pound capacity); 1 × Waterskin; 1 × Flask, leather; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 2 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Fishing net (25 square feet); 1 × Signal whistle; 1 × Garlic, charmed; 5 × Wolfsbane; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 3 × Parchment (sheet) Coins: 3 gp, 3 sp, 5 cp Encumbrance: 97 lbs

170 GP PACK

Armour: 1 × Shield (-1[+1] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Spear (1H 1d6; 2H 1d6+1; missile ROF 1, range 10’); 1 × Sword, long (1d8); 1 × Bow, long (2H, ROF 2, range 70’); 1 × Arrows (20) (1d6) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Bell; 3 × Chalk, 1 piece; 1 × Rope, silk (50 feet); 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Flask, leather; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Chain (10 feet); 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 5 × Parchment (sheet) Coins: 11 gp, 4 sp, 0 cp Encumbrance: 50 lbs

180 GP PACK

Armour: 1 × Plate (-6[+6] AC) Weapons: 1 × Dagger (1d4; missile ROF 1, range 10’); 1 × Sword, two-handed (2H 1d10); 3 × Javelin (1d6, ROF 1, range 20’) Gear: 1 × Spellbook; 1 × Thieves’ tools; 1 × Crowbar; 1 × Hammer; 3 × Rope, hemp (50 feet); 12 × Spike, iron; 1 × Backpack (30-pound capacity); 2 × Sack (30 pounds capacity); 1 × Waterskin; 1 × Flask, leather; 1 × Case (map or scroll); 6 × Candle; 6 × Torch; 6 × Oil, lamp (1 pint); 1 × Flint & steel; 1 × Fishing net (25 square feet); 1 × Garlic, charmed; 5 × Wolfsbane; 5 × Rations, trail (per day); 5 × Rations, dried (per day); 1 × Bedroll; 1 × Ink (1-ounce bottle); 5 × Parchment (sheet) Coins: 5 gp, 2 sp, 5 cp Encumbrance: 113 lbs

#Resource #SW #OSR

Skulle ha gått upp tidigt och tränat. Somnade om. Drömde om ett stort bibliotek eller museum och en uppgift jag fått att skriva något tungt. Jag letade efter en bra plats att sitta på, det var bråttom och jag kände stress. Första meningen jag formulerade var “Poesin vill veta”.