This morning I’ve been having a flash back to when the Mac + LaserWriter + PostScript + PageMaker combo suddenly put ‘professional grade’ typesetting and layout tools within reach in the mid-1990s.

Non-designers could pick any font, size, and layout, which led to the “ransom note effect”: too many clashing typefaces and chaotic layouts just because the tools made it easy.

Professional designers didn’t disappear; instead, their value shifted to knowing when not to use all the options, enforcing hierarchy, rhythm and restraint.

The result was a huge expansion in volume (newsletters, flyers, zines) plus a visible layer of amateurish work that made good design more distinctive.

Flash forward to today (early 2026) were generative AI assistants now let almost anyone produce syntactically correct, plausibly structured code very fast, massively increasing volume and velocity.

That same ease produces “AI slop” : code that complies and looks fine but is over-verbose, fragile, poorly factored, or subtly wrong, especially when users accept suggestions uncritically.

Experienced engineers end up cleaning up anti-patterns, hidden bugs, and unnecessary complexity, much like seasoned designers had to fix ransom note layout from early desktop publishing.

In both cases you get ‘democratized output’, but also technical debt and a stronger need for people who understand architecture, testing and constraints.

There are important differences as well:

• Stakes: Ugly flyers waste paper; ugly code can create outages, security holes, and compounding technical debt, so the cost curve is steeper for software.
• Opacity: Bad design is visible to lay people; bad architecture in code is invisible until it fails under load or change, which makes slop harder to detect early.
• Feedback loop: AI tools are starting to train on AI-generated content, so slop can reinforce itself; by contrast, fonts and layout tools didn’t '“learn” from user junk.

tl;DR : early Desktop Publishing tricked people into thinking fonts = design; early AI coding is tricking people into thinking “it runs” = engineering.

Lydia's Weekly Lifestyle blog is for today's African girl, so no subject is taboo. My purpose is to share things that may interest today's African girl.

This week's contributors: Lydia, Pépé Pépinière, Titi. This week's subjects: The Bottom Line: Be Ready to Mix Tradition with Innovation!, Fake high end thrift fashion, Black paints black, and Jazz in Accra

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The Bottom Line: Be Ready to Mix Tradition with Innovation! The upcoming corporate fashion trends in West Africa are nothing short of exciting. From Afro-futurism to gender-fluid designs, the corporate world is embracing a more inclusive, sustainable, and creative approach to workwear. It’s about breaking the mould, celebrating culture, and looking to the future with designs that feel both relevant and fresh. As we have stepped into 2026, expect to see these trends popping up everywhere, from boardrooms to coffee shops. Whether you’re looking to revamp your work wardrobe or just keep up with what’s hot, West African fashion is sure to inspire. The Return of Bold Prints & Bright Colours: One of the things we love about West African fashion is its unapologetic use of colour. Bright, bold prints are set to dominate the corporate world in 2026, making your 9-to-5 wardrobe a whole lot more exciting. Think vibrant, eye-catching patterns like tie-dye, floral prints, and of course—Ankara. Whether it's a printed shirt under a structured suit or a bold, patterned dress for those important business meetings, expect to see a lot more vibrancy in your workwear. And let’s not forget those matching accessories—brightly coloured bags, shoes, and scarves will be the perfect finishing touch to any corporate outfit. Fake high end thrift fashion. Fake fashion brands are common here and you can buy a nicely branded handbag for 100 GHC, the real thing would probably cost you 500 USD or more. LVMH, holder of 18000 intellectual property rights (including trademarks, designs, and copyrights) through brands like Louis Vuitton, Christian Dior, Tiffany & Co, Moët & Chandon and Hennessy, fights tooth and nail to make sure no one copies, and has many many court cases simultaneously, sometimes initiated by them, but also initiated by artistes against them, who claim their designs were copied into one of the LVMH items. For some reason they are not doing anything here, maybe the average length of a Ghana court case of 980 days is a deterrent. But careful, don’t carry these things to Europe, it may be taken from you plus a hefty penalty. There is also the thrift market for real luxury branded items, like Birkin bags or Rolex watches. These items are offered on specialized web sites who earn brokerage money. Turnover was 50 billion dollars in 2024, 50 billion US dollar of high end thrift items. Up 7% on the precious year. But is it real? Or fake? So they have experts checking every individual item before it is put up for sale. The leather, the threads, the zip, the lock, every little item is checked. Basic training to become an authentication expert takes about 5 months, after that you specialize in bags, shoes, watches, clothing, jewelry. Fake items offered for sale to these specialized brokers used to be 30%, but now that it's up, half the items offered to the brokers are fake. The broker and the original manufacturer now cooperate, the manufacturer points out the little secret details which few know, and the brokers inform the manufacturers on the latest in fakes. And some don't care to walk around with a fake, like us here.

Black paints black. Paintings of black people have become fashionable of late, and as a serious art collector you better have at least one painting of a black person in your collection. It may be worth while, some paintings go for several hundreds of thousands of dollars, sometimes millions. Will it last? I doubt it, because everybody is now producing the same fashionable things. Examples are Emy Sherald, a black American who became fashionable after painting Michelle Obama and Ghanaian Amoako Boafo who was a forerunner here in Ghana. Emy Sherald's painting of Michelle Obama Amoako Boafo

Jazz in Accra. About 12 years ago Dr Adrian Odoi of Akai House Clinic and Co (some family, some friends) started the +233 Jazz Club and Grill at Dr. Isert Street in North Ridge, Accra, at the former Bass Line Jazz Club with the motto “keeping music alive”. The name +233 was a genius, Ghana's international dialing code, and also the addition of “grill” was clever, they took a very good kebab griller from Zorzor bar, a popular bar in Osu, (now closed) and that alone brought customers. From a small inside stage which soon could not hold enough public the band slowly moved outside, then that stage was enlarged, then the platform for the customers was enlarged twice and now there are even 3 upstairs, 2 facing the stage. The sound system is absolutely tops, and indeed Odoi and Co have kept music alive, ayeeko. Though it is called a jazz Club there is also evergreens, highlife, local Ga and others. Except Mondays there is something going on every night, Tuesday being for the Ghana Jazz Ensemble. Some foreign artistes like Joss Stone – Grammy-winning English singer-songwriter known globally for soul, R&B and pop, Milena Casado – American jazz trumpeter and composer, Jackie Ribas – Brazilian-American jazz vocalist, Native Vibe with Jeff Kashiwa & Kevin Flournoy – U.S.-based jazz fusion band and their special guests (including saxophonist Jeff Kashiwa), and Alune Wade – and Senegalese bassist and bandleader have performed at the +233 Jazz and Grill bar. Food is not too bad, though pricy, the kebabs are still mostly very good, a beef kebab goes for 65 GHC but looking at what you get it is worthwhile. Though sometimes they are out of beef. Yam chips are often nicely crispy. They sell local and foreign draft beers but often run out of the foreign ones and then it is back to the bottle And no hot dogs. Sunday is mainly football but without the sound, rather a DJ with nice music. They have a large vodka list but in reality only have a few. Grilled chicken and jollof go for 140 GHC, meat samosa 65, soda water 25.

Lydia...

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I have received requests about leaving comments/replies. For security and privacy reasons my blog is not associated with major media giants like Facebook or Twitter. I am talking with the host about a solution. for the time being, you can mail me at wunimi@proton.me

I accept invitations and payments to write about certain products or events, things, and people, but I may refuse to accept and if my comments are negative then that's what I will publish, despite your payment. This is not a political newsletter. I do not discriminate on any basis whatsoever.

Today, when I publish this, was a day full of sleep and dreams. In one, I was late for a meet-up that was supposed to happen at 5pm IRL, but in my dream I woke up at 7pm and was late to meet my friend. Thankfully, because of that…I ended up waking/getting up out of bed and arriving at the meeting-point right on time. These anxiety-filled dreams feel directly linked to the precarity of my current living situation. I’m living a different sort of life and it’s not for the faint of heart. Because of this non-mainstream choice, I think it’s natural to have anxiety and fear come up. This life is a matter of great faith and hope, that everything will be okay.

I am definitely remembering my dreams more vividly, and I am dreaming more than I used to compared to when I was overworked. My dreams are bizarre, but I haven’t been disciplined enough to meditate regularly and write about them as soon as I wake.

I’ve also resurrected this Swedish deck, called the Outgrow Yourself Tarot and Oracle deck, which was originally in Swedish. It’s been lovely to spend the afternoon with it and studying it.

Rangers vs Rockies.

The second game I plan to follow today is an MLB Spring Training Game featuring my Texas Rangers vs the Colorado Rockies. Opening pitch is scheduled for 3:10 PM Central Time this afternoon, and the call of the game will be provided by Colorado's KOA 850 AM. Go Rangers!

And the adventure continues.

Kama

11:53 pm | Biyernes

there are things i really want to say to you, but i’ll just let you live

Friday finds me targeting two games to follow. First up will be a men's college basketball game from the Big Ten Conference Tournament: the Ohio St. Buckeyes playing the Michigan Wolverines. This is an early game. I'm currently following the pregame broadcast from the Ohio State Sports Network. Opening tip is scheduled for 11:00 AM Central Time.

More about today's second game I plan to follow later.

And the adventure continues.

Jumping the Fence of the Walled Garden

There's a version of freedom that looks a lot like a prison cell. The walls are clean. The lighting is warm. Everything has its place and works exactly as it should. Inside you're safe, protected, and sheltered from any outside threats. It's so comfortable, you didn't notice the door lock behind you while you were admiring the edgy yet industrial finish on your new laptop.

That's Apple's walled garden.

The “garden” metaphor is amazing marketing on Apple's part — gardens are cultivated, beautiful, safe. You're not trapped; you're tended to. But spend enough time inside and the metaphor starts to crack. Try to leave and you'll find your photos are in a proprietary format (HEIC format anyone?), your messages won't port cleanly (iMessage plays nice with no one), your music library is leased not owned, and every subscription you added for convenience has quietly become load-bearing infrastructure in your daily life. The garden was never really yours. You weren't invited to enjoy the luscious greenery or experience the calm of walking through a beautiful botanical garden barefoot. No, my friend, you are a crop.

Apple has spent decades building the most elegant extraction machine in consumer technology. Not through surveillance dashboards or creepy ad targeting — that's Google's aesthetic. Apple's method is subtler: make the cage beautiful, make the lock feel like a feature, and charge a premium for the privilege of staying in. While everyone was watching Google and Meta, Apple quietly pockets $18 billion a year from Google to remain the default search engine on every iPhone — meaning every Apple device is, functionally, a Google search terminal with better margins and a cleaner logo.

I spent years rationalizing how staying in the walled garden was the best choice for my wallet, my data, and my family's digital safety. But the rationalizations were just the cage talking. You're not a customer in this ecosystem. You're inventory.

So I decided to leave.

The Enshittification of Cool

In 2022, writer and activist Cory Doctorow coined a term that instantly explained something millions of people had felt but couldn't name: enshittification. The enshittification process looks like this — a platform first makes itself useful to attract users, then it leverages those users to attract business customers, then it squeezes both to extract maximum value for shareholders. You've watched it happen to Facebook, Amazon, Uber, and Google in real time. The feeds got worse. Prices went up while quality went down. The search results filled with ads. The recommendations became indistinguishable from paid placements. Features that were once part of the service were turned off and paywalled as an 'upgrade.'

But Apple? Apple gets a pass. Apple is supposed to be different.

The problem is, it isn't.

Apple's enshittification just wears better clothes. The process is the same, the aesthetic is different. Where Google's extraction is loud and obvious — your Gmail is read, your searches are profiled, your location is sold — Apple's is architectural. The extraction isn't in what they read. It's in what they've built around you.

Consider the trajectory. In the early 2000s Apple genuinely was the scrappy alternative. The “Think Different” campaigns weren't just marketing, they reflected a real product philosophy — elegant hardware, open file formats, interoperability. iTunes could sync with non-Apple devices. The ecosystem was porous by design. Apple needed users and users needed Apple.

Then came the iPhone, and the calculus changed permanently.

With a captive mobile platform came the App Store — a 30% tax on every digital transaction run through it, enforced by the only company with the keys to the store. Then came iCloud, which made your data convenient to access and inconvenient to move. Then came Apple One, a bundle so frictionless it practically subscribes itself, tying music, storage, news, fitness, and television into a single monthly charge that feels reasonable right up until you try to cancel any piece of it and realize how much of your digital life has been quietly load-bearing on Apple's infrastructure.

And then there's the Google deal.

Every year Apple accepts somewhere between $18 to $20 billion from Google to remain the default search engine across all Apple devices. Cory Doctorow explains;

“Apple's single largest source of revenue is a check for more than $20 billion that Google writes it every year to buy the default search box in Safari and on the iPhone. That $20+ billion check is also Google's single largest expenditure.” (Enshittification: Why Everything Suddenly Got Worse and What to Do About it, p. 81)

That's not a partnership. That's Apple selling its users' attention and search behavior to the largest surveillance capitalist on the planet — and pocketing the check while marketing itself as the privacy-first alternative. Apple's App Tracking Transparency framework, which made headlines for cracking down on Meta's ad targeting, didn't eliminate surveillance capitalism from the iPhone. It consolidated it. Third-party trackers got squeezed while Apple's own ad business quietly grew.

This is the genius and the con of Apple's brand. The cage is presented as protection. The lock is marketed as privacy. And the premium you pay for the hardware is framed as a values statement — I care enough about my data to pay more — when the reality is: I paid Apple more to make me feel better while they extracted from me more elegantly.

Doctorow's enshittification framework names what's happening, but Apple adds a layer that makes it particularly insidious: the process is slow, tasteful, and wrapped in the language of user empowerment. You don't notice the squeeze because the squeeze comes with a premium price tag, liquid glass, and 'cult of mac' aura.

Pulling Out the Hook: How I Escaped Apple One

Before we get practical, we need to name the mechanism that makes leaving any Big Tech ecosystem feel impossible: switching costs. Again, Cory Doctorow explains;

“Switching costs are everything you have to give up when you switch from one product or service to another.” (Enshittification: Why Everything Suddenly Got Worse and What to Do About it, p.13)

Tech companies know switching costs are a pain in the ass, that's how they've designed it to work. It's not a bug, it's the business model. Apple didn't design HEIC photo formats, iMessage lock-in, and iCloud's proprietary sync because they were the best technical solutions. They designed them because every hour you spend dreading the migration is another month of subscription revenue. Big Tech doesn't need to build a better product forever — they just need leaving to feel harder than staying. Once you name switching costs for what they are — a retention strategy dressed up as an ecosystem — the intimidation starts to dissolve. Yes, there's work involved in leaving. But it's a finite amount of work that purchases an indefinite amount of freedom. Here's how I did it.

iCloud → MEGA

iCloud is the connective tissue of the Apple ecosystem — it's in your photos, your documents, your device backups, your passwords. Apple knows this, which is why 5GB of free storage is a cruel joke designed to funnel you into a paid plan as fast as possible. The switching cost here is psychological more than technical: your stuff feels safe in iCloud because Apple has spent billions making sure it feels that way.

MEGA offers 20GB of free encrypted cloud storage with end-to-end encryption baked in by default — not as a premium feature, not as a marketing claim, but as the architectural foundation of how the service works. Your files are encrypted before they leave your device, meaning MEGA can't read them even if they wanted to. For documents, backups, and general file storage, it does everything iCloud does without the Apple tax or the surveillance architecture underneath.

Cost: Free

Apple Photos → Ente

Photos are the highest-stakes switching cost in the Apple ecosystem. Years of memories, locked in HEIC format, organized in Apple's proprietary library structure. The thought of migrating them feels like moving a house one brick at a time. But Ente makes the process manageable — and the peace of mind on the other side is worth every minute of it.

Ente is open-source, end-to-end encrypted, and built specifically to be the privacy-respecting alternative to iCloud Photos and Google Photos. There are no algorithms scanning your family photos to serve you better ads. There's no facial recognition data being harvested. Your photos are yours — fully, actually, not just in the terms of service fine print.

Cost: $119.88/year (1TB family plan)

Apple Music → Tidal + Physical Media

Apple Music is a masterclass in the leased life. You pay monthly for access to music you don't own, on a platform you don't control, through an app Apple can revoke access to at any time. The moment you stop paying, the library goes dark. That's not a music collection. That's a rental agreement dressed up as a lifestyle.

We switched to Tidal for our streaming needs — lossless audio quality, a better royalty model for artists, and no Apple infrastructure required. But streaming alone still felt like renting, so we've also started doing something that felt almost countercultural at first: buying physical media.

At least once a month my family jumps in our SUV and makes an adventure out of looking for vinyl records, CDs, and Blu-rays of our favorite bands and movies. We also take our time to peruse, compare prices, and find the best deals before making a purchase. When you own a record, no corporation can revoke your license to it. No subscription lapses. No platform shutdowns.

The music is yours in the most literal sense — it exists as a physical object in your home that will outlast any streaming service's terms of service. In a culture that has normalized renting everything from movies to music to software, choosing to own the art you love is a quiet but meaningful act of resistance.

Tidal cost: $16.99/month

Apple Notes → Craft

Apple Notes is the stickiest switching cost most people don't see coming. Notes accumulates years of thinking — meeting notes, journal entries, half-finished ideas, grocery lists that somehow became important. It's invisible infrastructure. And because it syncs so seamlessly across Apple devices, you never feel the lock-in until you try to leave.

Craft is a genuinely excellent notes and document app that puts Apple Notes to shame on nearly every dimension that matters. It's fast, beautifully designed, works offline by default, and doesn't treat your notes as data to be mined. The family plan means everyone in the house gets access, and the export options are robust enough that your notes will never be held hostage to Craft's continued existence either.

Cost: $108/year (family plan)

Apple Mail → HEY

Email is perhaps the most loaded switching cost in the entire digital ecosystem — not because the migration is technically hard, but because your email address is your digital identity. It's on your business cards, your accounts, your decade-old forum registrations. Changing it feels like changing your name. (I should know — I've changed mine more than once)

HEY reframes what email can be. Built by 37Signals, it has no ad model, no data harvesting, and no interest in monetizing your inbox. The screening features alone — where you approve who gets to email you in the first place — make it feel like a fundamentally different relationship with a medium that has spent twenty years becoming unusable. The cost is real, but so is the relief.

Cost: $179/year

Apple News → MeansTV

Apple News is the most ideologically compromised service in the Apple One bundle — a corporate-curated feed of corporate-owned media, optimized for engagement and ad revenue, dressed up as staying informed. It is surveillance capitalism's delivery mechanism for the news.

MeansTV is its structural opposite. Worker-owned, cooperatively run, and explicitly anti-capitalist in its editorial mission. For $10 a month you get access to independent documentaries, news, and original programming made by people who aren't beholden to shareholders or ad buyers. It won't replace every media habit, but as a deliberate alternative to algorithmically curated corporate news, it's exactly what it claims to be.

Cost: $10/month

The Real Cost Comparison

When I added it up, the switch wasn't the financial sacrifice I'd been telling myself it would be. Apple One's Premier plan runs $37.95/month — $455.40 per year — for a bundle of services engineered to deepen your dependency on a single corporate ecosystem.

My current stack runs roughly $65/month when averaged across annual plans. The difference is real but not budget breaking for my family. What isn't modest is the difference in what that money funds, who controls my data, and how much friction now stands between me and leaving any single service if it stops serving my values.

You're not saving money by staying in the walled garden. You're paying a premium for the privilege of being harder to move.

Your Money is Your Power

Here's something the financial services industry accidentally got right: every dollar you spend is a vote for the kind of world you want to live in. They meant it as an argument for ethical investing. I mean it as something sharper. It's the power every individual has to stand up to tech oligarchs and say, “I'm tired of this exploitative bullshit.”

When you pay Apple, Google, Meta, Amazon, or Microsoft every month, you are actively funding the infrastructure of techno-feudalism. You are bankrolling the lobbying that fights right-to-repair legislation. You are subsidizing the App Store taxes that strangle independent developers. You are paying for the surveillance architecture that profiles your children. You are financing the concentration of wealth and power into five companies that have more economic influence than most nation-states outside of China and the US. Every subscription renewal is a quarterly earnings beat for a company that has explicitly decided your dependency is more valuable than your freedom.

This isn't an accident. It's the model.

Cory Doctorow calls it techno-feudalism — a system where the platforms own the land, set the rules, collect the rent, and evict you if you cause trouble. You don't own your digital life. You lease it, on terms you didn't negotiate, from landlords who can change the lease whenever they feel like it. In the digital enshittification world we are all techno-sharecroppers. It's how the system was designed. And the system runs on your money.

The greatest asset any individual holds in a capitalist society isn't their labor, their credit score, or their network. It's their capital — however modest — and the daily decisions about where it flows. Choosing not to give your money to the five companies most aggressively extracting value from your life is not a consumer preference. It's a revolutionary act. It's a refusal. It's a small, daily declaration that the exploitation, enshittification, and techno-feudalism are not okay! It's a middle finger letting the oligarchy know you will not fund them quietly while telling yourself you have no choice.

You have a choice. It comes with switching costs, some monetary, some Saturday afternoons migrating data, and some adjustment to new tools. But it is finite work that purchases indefinite freedom.

In the 2014 film World War Z, Brad Pitt's character watches a family freeze in their apartment, surrounded on all sides by zombies, paralyzed by the scale of what they're facing. He turns to them and says simply: “Movimiento es vida.” Movement is life.

In a zombie apocalypse, or any apocalypse for that matter, comfort is a death sentence. Those who stay put, waiting for someone else to fix it, don't make it. Those who move — even imperfectly, even scared, even without a complete plan — do.

We are in a digital zombie apocalypse. Just look at Elon Musk's acquisition of Twitter, now 'X.' Twitter is now a an endless stream of lies, supported by a neo-Nazi empathizer who has given that movement a global voice via the platform. Again Doctorow shares;

“Twitter is a cautionary tale. It tells us that the “market forces” that we'd expect to kill off services that turn into piles of shit have been neutralized. We are living in an age of zombie platforms: platforms that shamble on long after they should have been double-tapped and stuffed in a shallow grave.” (Enshittification: Why Everything Suddenly Got Worse and What to Do About it, p.51-52)

We are in a moment where the platforms that mediate nearly every dimension of our lives are accelerating their extraction, tightening their grip, and betting that the switching costs will keep us frozen. The Big Five are counting on your inertia. They have engineered your dependency and they are waiting for you to decide that leaving is too hard.

It isn't.

Move.

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In Part Two of Breaking Up with Big Tech, I'll walk through how I broke away from big social media and the surveillance capitalism economy — and what I replaced it with.

Hey Rebel is supported by mutual aid sustainers, not paywalls. If you have the means and want to keep this work accessible for everyone, consider contributing on Ko-fi. Solidarity means no one gets left behind.

#Microsoft #Teams

Recently, a user received the following error message in Teams when trying to schedule a webinar and send email notifications:

Editing isn't available because your org hasn't finished setting up your email domain for M365 notifications yet. Contact your admin for help.

From what I could see, the user was licensed correctly and they have the permissions they need in the Teams Events settings. I searched for the text of the error message, but couldn't find any results on Google.

Here are the steps for how I got it working.

After some looking around, I found that Microsoft changed the requirements on February 1, 2026 to require additional setup in M365.

Starting February 1, 2026, organizations using premium custom HTML templates for Teams Events email notifications must set up and verify their sending domain in Microsoft 365. Without this, custom templates can't be used, and event emails must originate from an authenticated, customer-owned domain.

After reading this note, I was able to find the option in the M365 Admin center.

Before getting started, you must have the Global Administrator role in Entra ID/M365, or a custom role with the MSGraph permission microsoft.directory/organization/allProperties/allTasks

The user will need an M365 license with Teams (any Business or Enterprise license: Business Standard, E3, etc.) and a Teams Premium license.

Also, make sure that you have allowed Teams Webinars for the user from the Event settings page: https://admin.teams.microsoft.com/one-policy/settings/events

1. Navigate to the M365 Admin center: https://admin.cmd.ms/ and click Settings > Org settings
2. Search for “Teams”
3. Click on the “Send email notifications from your domain” option.
4. In the configuration pane, enable the “Use a custom send-from domain address” and add something like “noreply” and select your primary domain.
5. Click the Save button.

After changing this option, it can take about an hour for the changes to take effect. The user may need to restart Teams and/or log out and back in for the policies to refresh.

Additional information

• https://learn.microsoft.com/en-us/microsoftteams/manage-email-communications
• https://learn.microsoft.com/en-us/microsoft-365/admin/email/select-domain-to-use-for-email-from-microsoft-365-products?view=o365-worldwide

Les už pomalu tmavnul. Večerní vzduch byl těžký, tichý a trochu vlhký, jak to v Dědolesu bývá, když se den ukládá ke spánku.

Na malém pařezu uprostřed paseky seděl dědek. Lokl si piva a chvíli jen poslouchal les. Někde v dálce šustila tráva, nad hlavou zakřupal strom a mezi větvemi seděli dva ptáci — kos a drozd.

Dědek se zamyslel, nadechl se… a pak si jen tak tiše prdnul.

Prd se pomalu rozplynul mezi stromy.

Kos zaklonil hlavu.

„To byl klidný prd,“ řekl uznale.

Drozd se přisunul o kousek blíž na větvi. Nad nimi seděla sova, která se do rozhovorů nehrnula, ale všechno sledovala. Sovy to tak mají — mlčí, dokud není potřeba něco opravdu důležitého říct.

Kousek od pařezu se vynořil jelen. Přilákal ho ten pach.

Chvíli stál, poslouchal a pak řekl:

„Víš, dědku… prdy mají někdy zvláštní sílu.“

Dědek se na něj podíval.

„Jakou?“

Jelen přešlápl.

„Když běžím a prdnu přesně ve skoku… doskočím dál.“

Kos se zamyslel.

„To je zajímavé. Já zase zjistil, že když prdnu ve vzduchu, trochu se stočím doleva.“

Drozd zakýval hlavou.

„Takže prd není jen smrad. Je to… nástroj.“

Sova konečně promluvila.

„Je to otázka rovnováhy.“

Chvíli bylo ticho.

Noc pomalu houstla a les kolem nich šuměl. Dědek si loknul piva a poslouchal ty zvláštní řeči o prdech, skocích a letu. Bylo na tom něco uklidňujícího.

Pak dědek řekl:

„Já jsem jednou viděl jelena, co skákal jen po prdeli.“

Jelen se usmál.

„To byl starý akrobat Prdec.“

Kos si načechral peří. Drozd se pousmál.

A tak tam seděli — dědek na pařezu, jelen v trávě, ptáci na větvích a sova trochu výš. Nikdo nikam nespěchal. Les pomalu tmavnul a mezi větami občas zazněl tichý prd.

Postupně si začali vyprávět další historky.

O kanci Prdévu, kterého přeprdelil medvěd. O kosovi, kterého jednou vítr zanesl do medvědí prdele. O jezevcích, kteří koušou do prdelí, když je někdo pošlape.

Sova nakonec řekla:

„Je zvláštní, že tu spolu sedíme.“

Dědek přikývl.

Kos se rozhlédl po ostatních.

Drozd dodal:

„Ale je to docela dobré.“

Jelen pak pomalu řekl:

„Možná jsme prostě… pět tvorů, kteří vydrží stejný smrad.“

Dědek se zasmál.

„Takže jsme vlastně…“

Kos ho doplnil:

„Pět smradlavých.“

Nad pasekou se rozhostilo ticho.

Jen někde v dálce zahoukala jiná sova a dědek si ještě jednou klidně prdnul.

A tak v tichém večerním lese vzniklo přátelství, které nedokázal vysvětlit ani Prdeush.

Protože někdy se přátelství rodí ne z rozumu, ale z toho, že někdo vedle tebe sedí, poslouchá les… a vydrží s tebou i prd.

Too few good options for distraction-free writing

I've done most of my video production on Linux for a while. Lately, I've had issues with Audacity crashing or refusing playback during editing projects. So, with my latest project, I switched to using my Mac but using the same FLOSS software for the production.

Image by Clker-Free-Vector-Images from Pixabay

For unrelated reasons, I connected my MBA to my keyboard, mouse, and monitor at my normal desk. Having a 27 inch screen to do video editing is going to be a huge benefit.

Sometimes I write on my Mac. Sometimes I write on my main computer (Linux). Since setting up the typewriter (which is where I'm typing this from), I do the greatest amount of word count from a several-years-old, underpowered since the day before it came off the production line, Dell laptop.

I've got no GUI running on it. Despite the fact that the “refurbisher” sent me a unit with a practically dead battery, the laptop can get from 100% charge to low 70s in 5 hours of typing.

There are a lot of solutions out there for low-distraction writing. Most of them are more expensive than a $100 (or, occasionally cheaper) educational laptop running Linux.

That's not a solution for everyone. Especially not Alpine Linux. I can't get a USB drive to map on this thing. The only way I'm getting my writing off of it and onto the rest of my network is my existing NAS and a Unison profile.

It doesn't have constant nagging from Microsoft or Apple. There are no applications begging for or demanding my attention.

With the caveat that it requires a significant amount of technical knowledge to make it work in the first place, this is the cheapest and most effective way for me to do distraction-free writing.

Using this method, I was able to write just shy of 60K in the month of February. Most of that on this computer. In the shortest month of the year, without trying to, I completed a novel's worth of writing by February 22.

That's the power of cutting out distractions.

The options we as writers have for off the shelf devices to accomplish similar goals are expensive, inflexible products. I think we deserve options that aren't expensive or inflexible and don't require my level of Linux expertise to set up and maintain.

#Technology #PersonalEssay

JOURNAL 13 mars 2026

C'était très sympa ce pot. Le chef du service de A a fait un discours très élogieux et très mérité, ses collègues et même des étudiants ont dit quelques mots très gentils, il y a eu plein de saluts, pleins de remerciements, même des petits cadeaux un stylo Montblanc offert par une collecte c'est drôlement bien. Puis on a bu et porté des toasts à son travail, au ministère, et voilà c’est fini, derniers saluts et au revoir tôdai. On va manger un morceau toutes les deux maintenant, puis love hotel demain matin, comme ça on se réveillera plus tard.

Upon reading what I felt was an absolute throwaway book—THE COMMONSENSE OF NUDITY—an idea for a most unusual sort-of sequel to THE SOLAR GRID made its way into my mind. Now, THE SOLAR GRID actually already ends in a way that kind of invites a sequel (though unnecessary, it's completely self-contained), but that sequel would be too expected, I think. This other sort-of sequel I can't stop thinking about, wouldn't at all be expected and would likely come off as highly peculiar (apparently, I can't help myself). But it would also be so perfect in a way. It wouldn't feature any of the characters from the original THE SOLAR GRID (itself surprising, given how many characters there are in the book—it'd be so easy to pluck any one of those and do something entirely focused on them), but would instead feature a new cast of characters and how they get on in the aftermath of THE SOLAR GRID's destruction. Fertile ground for social friction, and the rise of new ideas and ways of being despite most people at large holding onto the old. Even if the very environment that created the logic and reasoning of the old has clearly disintegrated before your eyes.

To be clear, THE COMMONSENSE OF NUDITY is a shit book. Published in 1934, it's filled with much quackery, false arguments, and casual racism, but it's sprinkled with a kernel of interesting enough reason throughout, and a handful of passages that are kind-of historically overlooked—like how Hitler cracked down on the rising nudist movement in 1930s Germany.

Obviously, I will refrain from engaging with this sequel idea or any other ideas concerned with graphic-noveling unless I'm able to land a good enough publishing deal for THE SOLAR GRID. Can't be placing the cart in front of the horse.

#storycab

Our Father Who art in heaven Hallowed be Thy name Thy Kingdom come Thy will be done on Earth as it is in heaven Give us this day our daily Bread And forgive us our trespasses As we forgive those who trespass against us And lead us not into temptation But deliver us from evil

Amen

Jesus is Lord! Come Lord Jesus!

Come Lord Jesus! Christ is Lord!

Persons of War

And in the lighthouse square A sympathy of wonder For each to dramatize What Rome must be feeling To this Earth- A column but when In strange and weary apart The Victory knows And at bay- And the time of battle And at two-fold Blessing the speed of light For an oxymoron An eternity of forgiveness And the focus lore Let sympathy beget At chrism get Hang the distance trying In all forts blue A merit of all this day And merry waking At Christmas and the Church For heights to see them on A Will for all who keep.

What's Wrong With My Cannabis Plant? A Visual Diagnosis Guide

Start Here

Something looks wrong. Maybe the bottom leaves are yellowing. Maybe the tips are curling. Maybe you walked into your tent and something just looked off in a way you can't articulate but your gut knows isn't right.

So you did what every grower does: you took a photo, posted it online, and got twelve different answers. Someone said CalMag. Someone said flush. Someone said “two more weeks.” None of them agreed on what the actual problem is.

This guide won't do that. It walks through a systematic process: look at where the damage is, what it looks like, and narrow it down to a specific cause. No guessing, no bro science, no “could be anything, hard to tell from the photo.”

Step 1: Where Are the Symptoms?

Look at where the damage is happening. Location tells you more than color does.

Symptom Location	Most Likely Causes
Bottom/older leaves first	Nitrogen deficiency, magnesium deficiency, potassium deficiency
Top/new growth first	Iron deficiency, calcium deficiency, light burn, heat stress
Entire plant	Overwatering, underwatering, pH lockout, root problems
Leaf surfaces (spots/patches)	Pests (spider mites, thrips), diseases (septoria, powdery mildew)
Buds/flowers	Bud rot, caterpillars, light burn
Stems/branches	Phosphorus deficiency, fusarium, root rot

Here's the rule that eliminates half the guesswork: mobile nutrients (nitrogen, magnesium, potassium, phosphorus) move from old leaves to new ones. When they run low, old growth sacrifices itself first. Immobile nutrients (iron, calcium) stay put – so deficiency shows up on new growth first.

Bottom-up damage? Mobile nutrient problem. Top-down damage? Immobile nutrient or environmental. That single distinction saves you from chasing the wrong diagnosis for a week.

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Step 2: What Do the Leaves Look Like?

Yellow Leaves

Ah, yellow leaves. The “check engine light” of cannabis growing. Universally alarming, completely nonspecific. Seven different things cause yellowing, and the forum advice for all of them is “probably CalMag.” The pattern of yellowing is what actually matters.

Yellow Pattern	Condition	How to Tell
Uniform yellowing, bottom leaves, veins included	Nitrogen deficiency	The whole leaf goes pale – veins too. Oldest leaves die first while new growth stays green. The classic.
Yellow between veins, bottom leaves, veins stay green	Magnesium deficiency	The leaf looks striped – green veins on yellow background. Often appears mid-to-late flower. This is the one where CalMag actually might be the answer.
Yellow between veins, top/new leaves, veins stay green	Iron deficiency	Identical pattern to magnesium, but on new growth instead of old. Easy to confuse the two if you're not paying attention to which leaves are affected.
Yellow leaf edges progressing inward	Potassium deficiency	Starts as yellow margins, turns brown and crispy. Sometimes mistaken for nute burn but the pattern is too consistent and progressive.
Yellow spots with brown centers	Calcium deficiency	Irregular brown/bronze splotches on newer growth in veg, but can appear on lower fan leaves during flower. Leaves may also twist or distort.
Uniform pale yellow, all over	pH lockout	Every nutrient is present in the soil. The plant just can't access any of it because pH is off. Fix pH first, wait 5 days, then reassess.
Yellow and drooping	Overwatering	The leaves feel heavy and waterlogged, not crispy and dry. The soil is still wet. You watered it because you were worried about it and now it's worse. We've all been there.

Bottom-up yellowing with veins turning yellow? That's nitrogen deficiency – the single most common issue for cannabis growers. See our complete nitrogen deficiency guide.

Yellow leaves but genuinely can't tell which deficiency? You're not alone – even experienced growers get these confused. PlantLab's AI was specifically trained to distinguish between 7 nutrient deficiencies that look nearly identical to the human eye. It's more reliable than asking strangers on Reddit, and faster than waiting three days for the wrong treatment to not work.

Brown Spots and Edges

Brown Pattern	Condition	How to Tell
Brown crispy edges, leaf margins	Potassium deficiency	Edges burn inward from the margins. Bottom leaves first. Often shows up in flower when K demand spikes.
Brown/bronze spots expanding over time	Calcium deficiency	Newer growth in veg, lower fan leaves in flower. Spots are irregular with browning edges, not perfectly round.
Brown spots with target-like pattern	Leaf septoria	Dark center ringed by lighter brown and a yellow halo – a bullseye pattern. Shape is roughly circular to irregular. Lower canopy in humid conditions.
Brown/gray mush inside buds	Bud rot (Botrytis)	The one that keeps growers up at night. Internal mold that starts inside your densest colas. By the time you see it on the outside, the inside is already gone.
Brown/rust colored bumps	Rust fungus	Raised bumps on leaf undersides, like tiny blisters. Often overlooked until it's widespread.

Curling Leaves

Curl Direction	Condition	How to Tell
Curling UP (taco-ing)	Heat stress, light stress	The plant is folding its leaves to reduce the surface area exposed to your too-close light. Top canopy affected most.
Curling DOWN (the claw)	Nitrogen toxicity	Dark green, glossy, tips hooking downward. The plant equivalent of drinking too much coffee. You overfed it.
Edges curling up	Potassium deficiency, heat	If the edges are also brown and crispy, it's K. If just curling, it's heat.
New growth twisted/distorted	Calcium deficiency	New leaves come in looking wrong – twisted, cupped, malformed. Not just curling, actually misshapen.

White or Discolored Patches

Appearance	Condition	How to Tell
White powdery coating	Powdery mildew	On fan leaves: wipes off with your finger, leaving clean green underneath. On sugar leaves near buds where trichomes are dense, the wipe test is unreliable – use a 10x loupe instead. PM looks flat and dusty; trichomes are three-dimensional with visible stalks and mushroom-shaped caps.

| White webbing between leaves | Spider mites | Fine webs between branches. Flip a leaf over – if you see tiny moving dots, you have a serious problem. | | Bleached/white tips | Light burn | Primarily on the top canopy, closest leaves to your light. Move the light up. | | Purple/red stems and undersides | Phosphorus deficiency, cold, or genetics | Three common causes: (1) genetics – many strains naturally run purple stems, (2) cold temperatures below 60F/15C trigger anthocyanin production independently of nutrition, (3) actual P deficiency, which also causes dark leaves, slow growth, and stiff/brittle foliage. If purple stems are the only symptom, it's almost certainly not phosphorus. |

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Step 3: Check for Pests

Pests leave evidence. Nutrient deficiencies create patterns. Knowing the difference matters – treating the wrong cause wastes time and can make things worse.

A jeweler's loupe is the single best diagnostic tool you can own. A 10x loupe ($8) catches most pests; a 60x pocket microscope ($15) is needed for broad mites and russet mites, which are invisible at lower magnification.

Pest	What You See	Where to Look
Spider mites	Fine webbing, tiny dots on leaves, stippling damage	Leaf undersides, near veins. By the time you see webs, the colony is already massive.

| Thrips | Silver/bronze streaks, tiny elongated insects | Upper leaf surfaces, inside new growth. The streaks are where they've been feeding. | | Aphids | Clusters of small bugs, sticky residue (honeydew) | Stems, new growth tips. They reproduce fast – a few today, hundreds next week. | | Broad mites / Russet mites | Twisted, distorted new growth; glossy or plastic-looking leaves; stunted tops | Invisible to the naked eye (need 60x+ magnification). Often misdiagnosed as heat stress, pH problems, or calcium deficiency. One of the most devastating cannabis pests because they're identified too late. | | Fungus gnats | Small flies near soil surface | Topsoil, especially in chronically overwatered pots. Adults are harmless; larvae feed on root hairs and create entry points for pathogens like Fusarium and Pythium. Dangerous for seedlings, less so for established plants unless the infestation is heavy. | | Whiteflies | Cloud of tiny white insects when plant is disturbed | Leaf undersides. Shake the plant gently – if a cloud of tiny white things takes off, you know. | | Caterpillars | Frass on/near buds, unexplained cola browning, holes in leaves | Inside buds, under leaves, along stems. Outdoor grows especially. The real threat is budworms boring into dense colas – the frass they leave behind promotes bud rot, which is often worse than the direct feeding damage. |

The key distinction: Pest damage is random and localized – wherever the pest fed. Nutrient deficiencies are systematic – they follow predictable patterns based on nutrient mobility. If the damage pattern doesn't make sense for any deficiency, get the loupe out.

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Step 4: Rule Out the Usual Suspects First

Before you diagnose a deficiency and start adjusting nutrients, check the three things that cause most of the problems most of the time. Boring advice, but it would prevent about 60% of the “what's wrong with my plant” posts on every growing forum.

pH (The Actual Answer to Most Problems)

Here's the uncomfortable truth: the majority of “deficiency” symptoms in cannabis are actually pH lockout. Every nutrient is sitting right there in the soil. The plant just can't absorb any of it because the pH is wrong.

Medium	Ideal pH Range
Soil	6.0 – 7.0
Coco coir	5.5 – 6.5
Hydro/DWC	5.5 – 6.0

Check your pH before you diagnose anything. If it's off, fix it, wait 3-5 days, then see if the symptoms are still progressing. This is less exciting than diagnosing a rare micronutrient deficiency, but it's correct far more often. “pH your water bro” is the one piece of forum advice that's right almost every time.

Watering (The Other Usual Suspect)

Symptom	Overwatering	Underwatering
Leaves	Drooping, heavy, plump	Drooping, dry, thin
Soil	Wet, slow to dry	Dry, pulling from pot edges
Recovery time	Slow (2-3 days)	Fast (hours after watering)
Pot weight	Heavy	Light

The “lift the pot” test is free and takes one second. If the pot is heavy, stop watering. If it's light, water it. More sophisticated than most diagnostic protocols, honestly.

New growers overwater because they're paying too much attention. The plant doesn't need water every day. If the soil is still moist 2 inches down, walk away. Watering your plant because you're anxious about it is the gardening equivalent of refreshing your email.

Light and Heat

• Light burn: Bleached/white leaf tips closest to light. Your light is too close. Move it up.
• Heat stress: Leaves taco upward, fox-tailing in flower. If your hand is uncomfortable at canopy height for 30 seconds, the plant is uncomfortable all day.
• Light deficiency: Stretching, thin stems, pale color. The plant is reaching for something that isn't there.

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The Cannabis Deficiency Quick-Reference Chart

For when you've checked pH, watering, and environment and the problem is still getting worse:

Nutrient	Mobile?	Where It Shows	Primary Symptom	Secondary Symptom
Nitrogen (N)	Yes	Old/bottom	Uniform yellowing	Leaves cup upward, fall off
Phosphorus (P)	Yes	Old/bottom	Dark leaves, slow growth	Purple stems (also genetics/cold)
Potassium (K)	Yes	Old/bottom	Brown crispy edges	Yellow margins
Calcium (Ca)	No	New/top (veg), lower leaves (flower)	Brown/bronze spots	Distorted new growth
Magnesium (Mg)	Yes	Old/bottom	Interveinal yellowing	Green veins on yellow leaf
Iron (Fe)	No	New/top	Interveinal yellowing	Same as Mg but on new leaves
Nitrogen tox.	-	All	Dark green, “the claw”	Tips hook down, glossy

The mobile/immobile rule is worth memorizing. It's the difference between diagnosing in 10 seconds and spending a week on GrowWeedEasy trying to match photos.

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When Eyeballing It Isn't Enough

Visual diagnosis works when symptoms are textbook. In reality, symptoms are rarely textbook. They're a blurry phone photo of a leaf under a purple blurple light, and three different conditions look identical at that resolution.

It breaks down especially when:

• Multiple problems overlap – spider mites AND potassium deficiency at the same time. Treat one, miss the other, wonder why the plant isn't recovering.
• Early symptoms are subtle – the difference between “early nitrogen deficiency” and “normal bottom leaf aging” is obvious in a textbook photo and invisible in your tent at 6 AM.
• Similar conditions need distinguishing – potassium vs magnesium deficiency requires comparing leaf position, vein color, edge pattern, and progression simultaneously. This is where “add CalMag and see what happens” comes from – it's not laziness, it's that telling the two apart with your eyes is genuinely hard.

PlantLab's AI was trained specifically on these ambiguities. It analyzes 31 cannabis conditions and can distinguish between 7 nutrient deficiencies that experienced growers regularly confuse. Not because it's smarter than a grower with 20 years of experience – but because it's been trained on 200,000+ images and doesn't get fooled by blurple lighting.

Try it free at plantlab.ai – 3 diagnoses per day, no credit card.

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FAQ

What is the most common cannabis plant problem? Nitrogen deficiency, by a wide margin. It's the most common real deficiency, and pH lockout causing symptoms that look like nitrogen deficiency is even more common. If you can only learn to identify one thing, learn what nitrogen deficiency looks like. Then learn to check your pH so you can rule out the fake version.

Why are my weed plant's leaves turning yellow? It depends. (Sorry. But it really does.) Start with where: bottom leaves = nitrogen, magnesium, or potassium. Top leaves = iron or calcium. Everywhere at once = pH lockout or root problems. The answer to “why are my leaves yellow” is always another question: “which leaves, and what does the yellowing pattern look like?” The table in Step 2 above will narrow it down.

How do I tell if my cannabis plant is overwatered or underwatered? Both cause drooping, which is unhelpful. The difference is in the leaves: overwatered leaves feel heavy, plump, and the soil is still wet. Underwatered leaves are papery thin and the plant perks up within hours of getting water. The pot-lift test works: heavy pot = too wet, light pot = too dry. Overwatering is far more common than underwatering, because new growers hover.

Can a cannabis plant have multiple problems at once? Frequently. Stressed plants attract pests, incorrect pH causes cascading lockouts across multiple nutrients, and a spider mite colony feasting on a plant that's already potassium-deficient produces a confusing mess of symptoms. Prioritize the most severe issue first. Fix that, stabilize, then address the next one. Trying to treat everything simultaneously usually means treating nothing effectively.

Should I remove yellow or damaged leaves? If a leaf is mostly brown and crispy, remove it – it's done photosynthesizing and it's just attracting pests. If it's partially yellow, leave it alone. It's still working. The plant will drop it when it's done with it. Never remove more than 20% of foliage at once, or you'll trade a nutrient deficiency for light stress from suddenly exposed lower growth.

What does it mean when my marijuana plant leaves curl up? Usually heat or light stress. The plant is doing what you'd do if someone held a heat lamp over your head – curling up to reduce its exposure. Move the light higher, improve airflow, or reduce intensity. If the curling comes with brown crispy edges, that's potassium deficiency instead. If the leaves are dark green and curling down (the claw), that's nitrogen toxicity – you overfed it.

How do I know if it's a nutrient deficiency or a pest problem? Deficiencies are systematic: they affect leaves in predictable order (old-to-new or new-to-old), create consistent patterns (interveinal, marginal, uniform), and progress gradually. Pest damage is chaotic: random holes, stippling in patches, silvery streaks where something was feeding, and actual visible bugs if you flip leaves over and look. When in doubt, get a 10x loupe and inspect the undersides. If nothing is moving and nothing is webbed, it's probably not pests.

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Detailed guides: – Nitrogen Deficiency: Complete Visual Guide – How AI Diagnoses 31 Cannabis Conditions in 18ms – 7 Nutrient Deficiencies: How PlantLab Tells Them Apart – Nutrient Antagonism: When Adding More Makes It Worse – Why I Built PlantLab

TNA Thursday Night Impact results from Atlanta, Georgia, USA at Gateway Center airing on AMC, AMC+, and TNA + on Thursday, March 12, 2026. This show was taped on Friday, March 6, 2026:

Tom Hannifan and Matthew Rehwoldt were the broadcast team. McKenzie Mitchell was the ring announcer. Gia Miller was the backstage interviewer.

TNA World Tag Team Champions Matt Hardy and Jeff Hardy defeated Sinner & Saint (Judas Icarus and Travis Williams) when Jeff submitted Icarus just as Matt gave Williams a Twist Of Fate to stop Williams from breaking up the hold in 5:09. This was a non-title match. Jeff gave Williams a Swanton Bomb after the match but then both teams shook hands in sportsmanship.

Gia Miller interviewed The Elegance Brand backstage. The heels ranted about ODB and Mickie James “sticking their nose into their business.” They said Mr. Elegance would finally be in action next week. They wondered what Knockouts Legends would show up next and sarcastically asked Miller if she thinks it’s cool so many people from the past are coming back. Goldy Locks literally entered the picture and said she was tired of them disrespecting Miller and everyone else. The heels laughed at her. Goldy Locks told them to step off before she calls in more of her “old friends” to deal with them. Mr. Elegance stepped closer to her to tried to intimidate her. He said she was first in TNA when he was 4 years old. She said, “Sit down kid because the adults are talking.” The heels all walked away looking insulted.

Indi Hartwell pinned Kelsey Heather after the Hurts Donut in 2:50. This was a pretty good match for the amount of time they were given. Heather got in decent offense and some good taunts. She missed a second rope Moonsault which allowed Hartwell to go in for the finish. Heather is a regular in SHINE Wrestling and the former SHINE Nova Champion. She was in WOW- Women Of Wrestling more than a few years ago now in this decade as the character Randi Rah Rah. After the match, Hartwell got on the mic and said she’s here to be Knockouts Champion and Arianna Grace doesn’t deserve the title. She said she is not asking but telling Grace that she wants a title shot. Grace came out to the stage with Stacks and she laughed at Hartwell. She said Hartwell needs to get in line because most of the rest of the division wants title matches too.

The Righteous were talking to The Hardys backstage. They warned them that The System is coming for the TNA World Tag Team Titles. Nic Nemeth and Ryan Nemeth overheard the conversion and they will face The Righteous next week.

Trey Miguel, Rich Swann, and BDE defeated Order 4 (Mustafa Ali, Jason Hotch, and John Skyler accompanied by Tasha Steelz and Special Agent 0) when Miguel pinned Skyler after a spiral in 8:00. Steelz tried to interfere by getting up on the ring but Jada Stone ran out and pulled her off. Steelz tried to run away back to the locker room by going through the crowd but Stone jumped off the ramp with a very impressive leaping dive on top of her. Special Agent 0 left ringside to try to pull them apart.

Daria Rae confronted TNA World Champion Mike Santana backstage. She said he would be stripped of the title if he even lays a hand on Steve Maclin before their title match at TNA Sacrifice on 3/27/26 live on TNA+. Santino Marella walked up and said he has some stipulations too. If Maclin puts his hands on Santana he will be fired for good and have all of his matches removed from the TNA video archives. Maclin walked into the building and he tried to provoke Santana by saying “What’s up champ?” up in his face. Santana didn’t react. Maclin confidently walked away with Daria Rae and a couple security guards following behind him.

Arianna Grace was complaining to Stacks backstage about how many upcoming title defense possibilities are being lined up against her. She said she just won it so she should get time to enjoy it and have more celebrations. Stacks told her that’s not how it works because everyone wants to be a champion. They saw Indi Hartwell around a hallway corner talking to a member of the production team. Stacks whispered a plan into Grace’s ear. Stack then walked up to Hartwell to distract her. He yelled at her about calling Grace out tonight. Grace jumped Hartwell and gave a cheap shot from behind hitting her in the leg with the title belt to knock her down and followed up with kicks to her arm. Santino Marella quickly ran over and shielded Hartwell. He ordered Grace and Stacks to leave the building immediately.

Steve Maclin came out to the ring to talk to the crowd. He said as part of his TNA reinstatement he had to apologize for beating up Tom Hannifan. He read a sarcastic statement sucking up to Daria Rae and blamed Hannifan for not being a man. He said Hannifan was weak and bragged that he will be TNA World Champion for a second time very soon. Mike Santana was watching him from the crowd. Maclin saw Santana and tried to provoke him more but Santana just watched and listened.

Cash Flo and other supporting cast stars of the popular show “Tulsa King” were shown in the front row.

Frankie Kazarian joined the broadcast to do guest commentary for the next match.

AJ Francis pinned Elijah after the chokeslam in 5:58. The finish was set up by Elijah throwing a drink in Kazarian’s face over at the broadcast table. Kazarian got mad and quickly ran to the ring to give Elijah a hot shot while Francis distracted the referee in the ring. The heels continued to beat up Elijah after the match but The Home Town Man made the save.

Eric Young did another video from somewhere in the venue and continued to talk about wanting to take the X-Division Title away from Leon Slater.

A segment with Johnny Swinger was shown. He was hosting a gambling party in the locker room. Rosemary magically popped in and made some sort of a wicked handshake deal with him but he was too clueless to care. Rosemary then started talking to someone out of camera view as a person in a bunny costume walked by. Next we saw the return of Allie The Bunny in TNA for the first time since 2019. Allie was all excited and said she will soon be able to talk to real people once again. TNA did the infamous supernatural storyline years ago to write Allie off when she joined AEW. She “died” and went to another dimension and now Rosemary is collecting these deals to bring her back.

Ricky Sosa pinned Brad Attitude with the Blue Thunder Bang in 3:32. This was Sosa’s TNA Impact debut but he wrestled on TNA Xplosion against Jason Hotch taped on 3/5/26.

Moose (with Alisha Edwards) pinned Cedric Alexander after a spear into a table set up in the ring in an Atlanta Street Fight in 12:10.