from Roscoe's Story

In Summary: * And another fine day in the Roscoe-verse winds down. There was much good food eaten today, a great visit had with the daughter-in-law and her fiance, and some excellent college football games followed. As bedtime approaches I greet it with a satisfied smile.

Prayers, etc.: My daily prayers

Health Metrics: * bw= 220.02 lbs. * bp= 141/85 (70)

Exercise: * kegel pelvic floor exercise, half squats, calf raises, wall push-ups

Diet: * 06:30 – 1 peanut butter sandwich * 06:50 – suman * 10:30 – red velvet cake * 12:00 – rambutan * 12:30 – bbq short ribs * 14:45 – cheese enchilada plate at Las Palapas Mexican restaurant

Activities, Chores, etc.: * 05:00 – listen to local news talk radio * 06:00 – bank accounts activity monitored * 06:30 – read, pray, follow news reports from various sources, surf the socials, nap * 12:00 – tuned into the Lokheed Martin Armed Forces Bowl: Rice vs Texas State * 14:15 – DIL and her fiance stopped by for a visit on their way to the airport, we took them out for a meal as their flight was delayed * 16:40 – back home now, tuned into the Auto Zone Liberty Bowl, Navy vs Cincinnati, score is tied, 7 to 7, nearly halftime. * 18:58 – ... and the Navy Midshipmen with the Liberty Bowl, final score 35 to 13. * 19:00 – now tuning into the Duke's Mayo Bowl, Wake Forest Demon Deacons vs. Mississippi St. Bulldogs.

Chess: * 17:40 – moved in all pending CC games.

 
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from Douglas Vandergraph

Acts 14 is one of those chapters that refuses to let Christianity be reduced to comfort, applause, or social approval. It pulls the curtain back on the cost of conviction and shows us something deeper than success stories or smooth ministry moments. This chapter lives in the tension between faithfulness and fallout, between divine power and human volatility, between the miracle that lifts someone up and the stone that knocks them down. It is not a chapter about momentum in the way modern culture defines it. It is a chapter about endurance, about continuing forward when logic says retreat would be safer, smarter, and more reasonable.

When I sit with Acts 14, what strikes me most is not the miracles themselves, as astonishing as they are. What grips me is the emotional whiplash. One moment Paul and Barnabas are welcomed. The next moment they are hunted. One moment crowds want to worship them as gods. The next moment those same crowds are throwing stones hard enough to leave Paul for dead. Acts 14 is honest about how quickly public opinion shifts and how fragile human approval truly is. It exposes the danger of anchoring your identity, your calling, or your obedience to how people respond to you.

This chapter opens with Paul and Barnabas in Iconium, speaking boldly in the synagogue. The text tells us that a great number of both Jews and Greeks believed. That alone would be enough for many people to conclude that the mission was succeeding exactly as planned. But immediately, resistance rises. Unbelieving Jews stir up the Gentiles and poison their minds. The language is telling. It is not simply disagreement; it is deliberate distortion. Minds are poisoned before truth can even be weighed. That detail matters because it reminds us that opposition to the gospel is not always intellectual. Often it is emotional, political, or rooted in fear of losing influence.

Despite this growing hostility, Paul and Barnabas do not leave right away. They remain for a long time, speaking boldly for the Lord. This is not stubbornness. This is discernment. There is a difference between reckless persistence and Spirit-led endurance. Acts 14 shows us leaders who know when to stay and when to move, but who are never driven by fear. The Lord confirms their message with signs and wonders, not to elevate the messengers, but to validate the message. Even so, the city becomes divided. Some side with the apostles, others with their opponents. Truth divides. It always has. Not because truth is cruel, but because it demands a response.

Eventually, a plot forms to mistreat and stone them. Only then do Paul and Barnabas flee to Lystra and Derbe. This is important. Leaving is not failure. Leaving is sometimes obedience. Acts 14 quietly dismantles the false idea that faithfulness always means staying until something works. Sometimes faithfulness means knowing when the season has shifted and when your presence is no longer productive. The gospel continues, not because Paul and Barnabas force outcomes, but because they remain attentive to the Spirit’s leading.

When they arrive in Lystra, something extraordinary happens. Paul sees a man who has been crippled from birth, a man who had never walked. The text says Paul looked directly at him and saw that he had faith to be healed. That detail matters more than we often realize. Healing in Acts is not mechanical. It is relational. It involves perception, attention, and spiritual discernment. Paul speaks, the man leaps up, and the crowd explodes. But the crowd’s response reveals how easily divine power can be misunderstood when filtered through cultural assumptions.

The people of Lystra cry out in their own language that the gods have come down in human form. They call Barnabas Zeus and Paul Hermes. The priest of Zeus even brings oxen and garlands to offer sacrifices to them. This is not mockery. This is sincere devotion misdirected. That makes it more dangerous, not less. When people misunderstand God’s work, they do not respond with neutrality. They respond with misplaced worship.

Paul and Barnabas are horrified. They tear their garments, a sign of deep distress and rejection of blasphemy. They rush into the crowd and cry out that they are merely human, just like everyone else. They redirect attention away from themselves and toward the living God, the Creator of heaven and earth, the One who gives rain, fruitful seasons, and joy. Their response is not defensive. It is clarifying. They do not leverage the moment for influence. They dismantle it. That alone tells us something profound about authentic leadership. True servants of God do not build platforms on misunderstanding. They would rather lose attention than allow false worship to continue.

Even with this explanation, the crowd can barely be restrained from offering sacrifices. The human heart longs to worship something tangible, something visible, something it can elevate and control. Acts 14 exposes how quickly people can confuse power with divinity and charisma with calling. It also reveals how exhausting it can be to constantly redirect people away from you and toward God. That kind of humility is not passive. It is active, intentional, and costly.

Then, without warning, the mood shifts again. Jews arrive from Antioch and Iconium. They persuade the crowds. The same people who wanted to worship Paul now stone him. Let that sink in. The distance between idolization and violence is not as wide as we think. When people place you on a pedestal, they do not see you clearly. And when the illusion breaks, the fall is brutal. Paul is stoned and dragged out of the city, presumed dead. There is no dramatic speech recorded. No prayer circle. No immediate miracle. Just silence, dust, and a broken body.

But then something astonishing happens. The disciples gather around him, and Paul gets up. He does not retreat to a safer city. He does not take time to explain himself or defend his ministry. He goes back into Lystra. This is not recklessness. This is resurrection-shaped courage. Acts 14 is not glorifying suffering for its own sake. It is revealing a kind of faith that refuses to be defined by pain. Paul’s willingness to return to the very place where he was nearly killed is not about proving toughness. It is about finishing what obedience requires, even when the cost is high.

From there, Paul and Barnabas travel to Derbe, where they preach the gospel and make many disciples. Notice the pattern. No city is written off because of trauma. No mission is abandoned because of hostility. The work continues, not because circumstances improve, but because calling remains. When they return through Lystra, Iconium, and Antioch, they strengthen the disciples and encourage them to remain true to the faith. And then comes one of the most honest lines in all of Scripture: “We must go through many hardships to enter the kingdom of God.”

This is not pessimism. It is preparation. Acts 14 does not sell a sanitized version of faith. It tells the truth upfront. Following Jesus does not exempt you from hardship. It often guarantees it. But hardship is not the final word. It is the pathway through which endurance, maturity, and deep-rooted faith are formed. Paul and Barnabas appoint elders in each church, praying and fasting, committing them to the Lord. They do not create dependency. They cultivate leadership. They trust God to sustain what they cannot supervise forever.

As they return to Antioch, they report all that God had done and how He had opened a door of faith to the Gentiles. Notice what they celebrate. Not their survival. Not their miracles. Not their resilience. They celebrate what God did. Acts 14 quietly teaches us how to tell our stories without centering ourselves. The chapter ends not with triumphalism, but with rest. They stay there a long time with the disciples. After all the chaos, there is community. After all the danger, there is stillness. After all the noise, there is presence.

Acts 14 speaks directly to anyone who has ever felt misunderstood, falsely praised, harshly criticized, or abruptly abandoned. It speaks to anyone who has watched crowds change their minds, leaders lose favor, and truth become inconvenient. It reminds us that faithfulness is not measured by applause or safety, but by obedience sustained over time. It tells us that endurance is not about gritting your teeth through suffering, but about trusting God deeply enough to keep going, even when outcomes are uncertain.

This chapter does not promise ease. It promises meaning. It does not offer control. It offers companionship with God in the middle of instability. Acts 14 insists that the gospel is not fragile, even when its messengers are. And that truth alone is enough to steady us when everything else feels like it is shifting beneath our feet.

Acts 14 does not merely recount events; it reshapes how we understand rejection, resilience, leadership, and the hidden strength required to stay faithful when the emotional cost is high. This chapter refuses to let us romanticize ministry, obedience, or calling. Instead, it grounds faith in reality—the kind of reality where courage is bruised, motives are misunderstood, and perseverance is forged not in moments of applause, but in moments of silence when no one is clapping and the path ahead still demands movement.

One of the most uncomfortable truths Acts 14 exposes is how unpredictable people can be. The crowds in Lystra did not slowly drift from admiration to hostility. They pivoted. One moment Paul is treated like a god; the next moment he is treated like garbage. This sharp reversal forces us to confront something many of us would rather avoid: people’s reactions are not a reliable indicator of God’s approval. If your sense of calling rises and falls with public opinion, Acts 14 will unsettle you—in the best possible way.

There is a quiet warning embedded here. When people elevate you beyond what is true, they are not honoring you; they are misunderstanding you. And misunderstanding, when corrected or challenged, often turns into anger. Paul and Barnabas did not seek worship, but even unwanted admiration came with consequences. This tells us that visibility itself carries risk. Being seen does not automatically mean being understood. Being praised does not mean being protected. Acts 14 insists that we disentangle our obedience from how others respond to us, because the same voices that cheer today may condemn tomorrow.

Paul’s stoning is not only a physical event; it is a theological one. It confronts our assumptions about how God works in the lives of faithful people. Paul had just participated in a genuine miracle. God’s power was undeniably present. And yet, suffering followed almost immediately. Acts 14 dismantles the idea that divine power and human pain are mutually exclusive. God did not abandon Paul. God did not miscalculate. God did not lose control. The stoning does not represent failure; it represents the collision between truth and resistance.

What matters most is what happens next. Paul gets up. That single action carries enormous weight. He does not deliver a speech. He does not dramatize his pain. He simply stands and walks back into the city. Acts 14 is teaching us that resilience is often quiet. It does not always look like defiance. Sometimes it looks like choosing to continue without explaining yourself, without demanding vindication, without waiting for conditions to improve. Getting up does not mean you are unhurt. It means you are unwilling to let pain have the final word.

Returning to Lystra is especially significant. Paul could have justified avoiding that city forever. No one would have blamed him. But Acts 14 shows us that obedience sometimes requires revisiting places associated with trauma—not to relive it, but to redeem it. Paul’s return was not about bravado; it was about strengthening the believers who remained there. He understood that leadership is not self-protective. It is others-centered. Even when your own wounds are fresh, the needs of the community still matter.

When Paul and Barnabas retrace their steps through Lystra, Iconium, and Antioch, they do not pretend the journey will be easy for new believers. They tell them plainly that hardship is part of the path. This honesty is one of the most compassionate acts in the entire chapter. False optimism may attract people initially, but it leaves them unprepared when reality arrives. Acts 14 models leadership that equips rather than deceives, that strengthens rather than shields people from the truth. Faith grows best when it is rooted in honesty.

The phrase “We must go through many hardships to enter the kingdom of God” is not a threat. It is an invitation to realism. It reframes hardship not as a sign of abandonment, but as part of the formation process. Acts 14 does not glorify suffering, but it refuses to deny its role. Hardship strips away shallow faith. It exposes motives. It forces dependence. And when endured with trust, it deepens spiritual maturity in ways comfort never could.

Another often-overlooked aspect of Acts 14 is how Paul and Barnabas handle leadership development. They appoint elders in each church, pray and fast, and commit them to the Lord. They do not hover. They do not centralize authority. They do not create systems that depend on their constant presence. Acts 14 shows us leadership that multiplies rather than controls. True spiritual leadership prepares others to stand, not to cling. It trusts God to sustain what human hands cannot constantly manage.

This approach challenges modern instincts. We are often tempted to measure success by how indispensable we are. Acts 14 offers a different metric. Success looks like communities that can endure even after the original leaders move on. It looks like faith that does not collapse when the messenger is absent. Paul and Barnabas understood that the gospel is not bound to their personalities. It belongs to God, and God is capable of preserving it long after they leave.

Acts 14 also teaches us something crucial about storytelling. When Paul and Barnabas return to Antioch, they gather the church and report all that God had done. They emphasize how God opened a door of faith to the Gentiles. They do not center the stoning. They do not dramatize the danger. They do not use their suffering as a credential. Their story is framed around God’s activity, not their endurance. This is a subtle but powerful lesson. How we tell our stories reveals where we locate meaning.

It is tempting to highlight our resilience as proof of our strength. Acts 14 redirects that impulse. Endurance is not the headline; faithfulness is. God’s work is the focus, not human survival. This does not minimize pain. It places pain in its proper context. The chapter ends with Paul and Barnabas staying in Antioch for a long time. After movement comes rest. After danger comes stillness. Acts 14 reminds us that seasons of intensity are often followed by seasons of quiet, and both are part of the journey.

For anyone who feels worn down by inconsistency, Acts 14 offers perspective. People may misunderstand you. They may overestimate you one day and discard you the next. But God’s call does not fluctuate with public opinion. Faithfulness is not fragile, even when circumstances are. Acts 14 invites us to anchor ourselves not in outcomes, but in obedience. Not in comfort, but in calling.

This chapter also speaks to those who have been wounded by religious spaces. Paul was harmed not by outsiders alone, but by people who believed they were defending truth. Acts 14 does not deny that religious hostility exists. It acknowledges it honestly. But it also shows us that pain inflicted by others does not invalidate the mission. God continues working even when His messengers are mistreated. That does not excuse abuse. It contextualizes it. God’s purposes are not derailed by human cruelty.

Acts 14 is a chapter for those who feel exhausted by leadership, ministry, parenting, service, or faith itself. It does not promise relief through escape. It offers renewal through endurance. Not endurance fueled by stubbornness, but endurance sustained by trust. Paul did not keep going because he was immune to pain. He kept going because he believed God was still present in it.

There is also something deeply human about the way Acts 14 unfolds. There are no perfect victories. No tidy conclusions. No sense that everything is resolved neatly. Instead, there is movement, resistance, growth, pain, and persistence. Faith unfolds in real time, with real consequences. That realism makes Acts 14 profoundly comforting. It tells us that messiness is not a disqualification. It is often the environment in which faith matures.

Perhaps the most enduring lesson of Acts 14 is this: obedience is not validated by ease. It is validated by faithfulness over time. Paul’s willingness to continue after being stoned is not about heroism. It is about trust. Trust that God’s presence does not disappear when things go wrong. Trust that calling does not evaporate when circumstances turn hostile. Trust that even when the crowd turns, God remains.

Acts 14 challenges us to ask difficult questions. Are we prepared to follow truth when it costs us approval? Are we willing to be misunderstood without becoming bitter? Can we keep going without applause? Can we tell the truth about hardship without losing hope? This chapter does not answer these questions for us. It places them in front of us and invites us to wrestle honestly.

In a culture obsessed with visibility, Acts 14 elevates endurance. In a world that rewards immediacy, it honors perseverance. In a time when faith is often packaged as a pathway to comfort, Acts 14 insists that faith is a pathway to depth. And depth, though costly, is where lasting transformation occurs.

Acts 14 does not promise that the stones will stop flying. It promises that getting back up is possible. It does not guarantee safety. It guarantees meaning. It does not offer control. It offers companionship with God in the midst of uncertainty. That is not a small promise. It is a sustaining one.

If you are in a season where obedience feels heavy, where misunderstanding has left you bruised, or where faith feels more demanding than rewarding, Acts 14 stands quietly beside you. It does not rush you. It does not shame you. It simply reminds you that endurance is not the absence of pain, but the decision to keep walking with God anyway. And sometimes, that decision is the most faithful act of all.

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from Coffee, Cats, & Sarcasm

So, we have come to that time again, the time when our Facebook feeds are full of the various accomplishments of friends and family as they look back on the past year and welcome the next. I scroll through my feed and celebrate with my friends who have run marathons. Who have been promoted. Who have gotten married. Gotten pregnant. Lost weight. Friends who have moved. Friends who have traveled. Bought houses. Sold houses. Built houses.

When I look back on the past year, it is hard not to see overwhelming failure. Sure, there were many good days, but on the billboard of my 2025, they are small font compared to the shouty capital letters jeering at me like middle school playground bullies:

YOU LOST YOUR JOB.

YOU GAINED WEIGHT.

YOU FOUGHT WITH YOUR HUSBAND.

YOU FOUGHT WITH YOURSELF.

YOU LET DEPRESSION WIN AGAIN.

YOU CRIED…A LOT. LIKE, AN EMBARRASSING AMOUNT.

DID WE MENTION YOU LOST YOUR JOB???

My predominant emotion stepping into 2026 is fear. When it comes right down to it, I am a coward. I know this year will bring terrifying things, even if most of them are good, and while I should be full of optimism, I confess I am finding myself ill-equipped to face the days and months ahead. My instinct the past few weeks has been to hide, not leaving my house for days at a time, barely able to summon the strength to get out of bed.

I don’t feel worthy of the world right now, but I know that can change. So, if there is one request I have for whomever or whatever is listening out there in the universe, it is this:

Help me be brave again. Help me find the courage I will need to face the year ahead. The courage to put myself forward in the job market. The courage to suck at something new. The courage to speak up, to lead, even if I don’t know what the hell I’m doing.

At the very least, help me find the courage to stop hiding.

 
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from SmarterArticles

When you ask an AI image generator to show you a celebrity, something peculiar happens. Instead of retrieving an actual photograph, the system conjures a synthetic variant, a digital approximation that might look startlingly realistic yet never quite matches any real moment captured on camera. The technology doesn't remember faces the way humans do. It reconstructs them from statistical patterns learned across millions of images, creating what researchers describe as an “average” version that appears more trustworthy than the distinctive, imperfect reality of actual human features.

This isn't a bug. It's how the systems are designed to work. Yet the consequences ripple far beyond technical curiosity. In the first quarter of 2025 alone, celebrities were targeted by deepfakes 47 times, an 81% increase compared to the whole of 2024. Elon Musk accounted for 24% of celebrity-related incidents with 20 separate targeting events, whilst Taylor Swift suffered 11 such attacks. In 38% of cases, these celebrity deepfakes were weaponised for fraud.

The question isn't whether AI can generate convincing synthetic celebrity faces. It demonstrably can, and does so with alarming frequency and sophistication. The more pressing question is why these systems produce synthetic variants rather than authentic images, and what technical, legal, and policy frameworks might reduce the confusion and harm that follows.

The Architecture of Synthetic Celebrity Faces

To understand why conversational image systems generate celebrity variants instead of retrieving authentic photographs, one must grasp how generative adversarial networks (GANs) and diffusion models actually function. These aren't search engines trawling databases for matching images. They're statistical reconstruction engines that learn probabilistic patterns from training data.

GANs employ two neural networks locked in competitive feedback. The generator creates plausible synthetic images whilst the discriminator attempts distinguishing real photographs from fabricated ones. Through iterative cycles, the generator improves until it produces images the discriminator cannot reliably identify as synthetic. On each iteration, the discriminator learns to distinguish the synthesised face from a corpus of real faces. If the synthesised face is distinguishable from the real faces, then the discriminator penalises the generator. Over multiple iterations, the generator learns to synthesise increasingly more realistic faces until the discriminator is unable to distinguish it from real faces.

Crucially, GANs and diffusion models don't memorise specific images. They learn compressed representations of visual patterns. When prompted to generate a celebrity face, the model reconstructs features based on these learned patterns rather than retrieving a stored photograph. The output might appear photorealistic, yet it represents a novel synthesis, not a reproduction of any actual moment.

This technical architecture explains a counterintuitive research finding. Studies using ChatGPT and DALL-E to create images of both fictional and famous faces discovered that participants were unable to reliably distinguish synthetic celebrity images from authentic photographs, even when familiar with the person's appearance. Research published in the Proceedings of the National Academy of Sciences found that AI-synthesised faces are not only indistinguishable from real faces but are actually perceived as more trustworthy. Synthetic faces, being algorithmically averaged, lack the asymmetries and peculiarities that characterise real human features. Paradoxically, this very lack of distinguishing characteristics makes them appear more credible to human observers.

The implications extend beyond mere deception. Synthetic faces were rated as more real than photographs of actual faces, researchers found. This might be because these fake faces often look a little more average or typical than real ones, which tend to be a bit more distinctive, as a result of the generator learning that such faces are better at fooling the discriminator. Synthetically generated faces are consequently deemed more trustworthy precisely because they lack the imperfections that characterise actual human beings.

Dataset Curation and the Celebrity Image Problem

The training datasets that inform AI image generation systems pose their own complex challenges. LAION-5B, one of the largest publicly documented datasets used to train models like Stable Diffusion, contains billions of image-text pairs scraped from the internet. This dataset inevitably includes celebrity photographs, raising immediate questions about consent, copyright, and appropriate use.

The landmark German case of Kneschke v. LAION illuminates the legal tensions. Photographer Robert Kneschke sued LAION after the organisation automatically downloaded his copyrighted image in 2021 and incorporated it into the LAION-5B dataset. The Higher Regional Court of Hamburg ruled in 2025 that LAION's actions, whilst involving copyright-related copying, were permissible under Section 60d of the German Copyright Act for non-commercial scientific research purposes, specifically text and data mining. Critically, the court held that LAION's non-commercial status remained intact even though commercial entities later used the open-source dataset.

LAION itself acknowledges significant limitations in its dataset curation practices. According to the organisation's own statements, LAION does not consider the content, copyright, or privacy of images when collecting, evaluating, and sorting image links. This hands-off approach means celebrity photographs, private medical images, and copyrighted works flow freely into datasets that power commercial AI systems.

The “Have I Been Trained” database emerged as a response to these concerns, allowing artists and creators to check whether their images appear in major publicly documented AI training datasets like LAION-5B and LAION-400M. Users can search by uploading images, entering artist names, or providing URLs to discover if their work has been included in training data. This tool offers transparency but limited remediation, as removal mechanisms remain constrained once images have been incorporated into widely distributed datasets.

Regulatory developments in 2025 began addressing these dataset curation challenges more directly. The EU AI Code of Practice's “good faith” protection period ended in August 2025, meaning AI companies now face immediate regulatory enforcement for non-compliance. Companies can no longer rely on collaborative improvement periods with the AI Office and may face direct penalties for using prohibited training data.

California's AB 412, enacted in 2025, requires developers of generative AI models to document copyrighted materials used in training and provide a public mechanism for rights holders to request this information, with mandatory 30-day response requirements. This represents a significant shift toward transparency and rights holder empowerment, though enforcement mechanisms and practical effectiveness remain to be tested at scale.

Commercial AI platforms have responded by implementing content policy restrictions. ChatGPT refuses to generate images of named celebrities when explicitly requested, citing “content policy restrictions around realistic depictions of celebrities.” Yet these restrictions prove inconsistent and easily circumvented through descriptive prompts that avoid naming specific individuals whilst requesting their distinctive characteristics. MidJourney blocks celebrity names but allows workarounds using descriptive prompts like “50-year-old male actor in a tuxedo.” DALL-E maintains stricter celebrity likeness policies, though users attempt “celebrity lookalike” prompts with varying success.

These policy-based restrictions acknowledge that generating synthetic celebrity images poses legal and ethical risks, but they don't fundamentally address the underlying technical capability or dataset composition. The competitive advantage of commercial deepfake detection models, research suggests, derives primarily from training dataset curation rather than algorithmic innovation. This means detection systems trained on one type of celebrity deepfake may fail when confronted with different manipulation approaches or unfamiliar faces.

Provenance Metadata and Content Credentials

If the technical architecture of generative AI and the composition of training datasets create conditions for synthetic celebrity proliferation, provenance metadata represents the most ambitious technical remedy. The Coalition for Content Provenance and Authenticity (C2PA) emerged in 2021 as a collaborative effort bringing together major technology companies, media organisations, and camera manufacturers to develop what's been described as “a nutrition label for digital content.”

At the heart of the C2PA specification lies the Content Credential, a cryptographically bound structure that records an asset's provenance. Content Credentials contain assertions about the asset, such as its origin including when and where it was created, modifications detailing what happened using what tools, and use of AI documenting how it was authored. Each asset is cryptographically hashed and signed to capture a verifiable, tamper-evident record that enables exposure of any changes to the asset or its metadata.

Through the first half of 2025, Google collaborated on Content Credentials 2.1, offering enhanced security against a wider range of tampering attacks due to stricter technical requirements for validating the history of the content's provenance. The specification expects to achieve ISO international standard status by 2025 and is under examination by the W3C for browser-level adoption, developments that would significantly expand interoperability and adoption.

Major technology platforms have begun implementing C2PA support, though adoption remains far from universal. OpenAI began adding C2PA metadata to all images created and edited by DALL-E 3 in ChatGPT and the OpenAI API earlier in 2025. The company joined the Steering Committee of C2PA, signalling institutional commitment to provenance standards. Google announced plans bringing Content Credentials to several key products, including Search. If an image contains C2PA metadata, people using the “About this image” feature can see if content was created or edited with AI tools. This integration into discovery and distribution infrastructure represents crucial progress toward making provenance metadata actionable for ordinary users rather than merely technically available.

Adobe introduced Content Authenticity for Enterprise, bringing the power of Content Credentials to products and platforms that drive creative production and marketing at scale. The C2PA reached a new level of maturity with the launch of its Conformance Program in 2025, ensuring secure and interoperable implementations. For the first time, organisations can certify that their products meet the highest standards of authenticity and trust.

Hardware integration offers another promising frontier. Sony announced in June 2025 the release of its Camera Verify system for press photographers, embedding provenance data at the moment of capture. Google's Pixel 10 smartphone achieved the Conformance Program's top tier of security compliance, demonstrating that consumer devices can implement robust content credentials without compromising usability or performance.

Yet significant limitations temper this optimism. OpenAI itself acknowledged that metadata “is not a silver bullet” and can be easily removed either accidentally or intentionally. This candid admission undermines confidence in technical labelling solutions as comprehensive remedies. Security researchers have documented methods for bypassing C2PA safeguards by altering provenance metadata, removing or forging watermarks, and mimicking digital fingerprints.

Most fundamentally, adoption remains minimal as of 2025. Very little internet content currently employs C2PA markers, limiting practical utility. The methods proposed by C2PA do not allow for statements about whether content is “true.” Instead, C2PA-compliant metadata only offers reliable information about the origin of a piece of information, not its veracity. A synthetic celebrity image could carry perfect provenance metadata documenting its AI generation whilst still deceiving viewers who don't check or understand the credentials.

Privacy concerns add another layer of complexity. The World Privacy Forum's technical review of C2PA noted that the standard can compromise privacy through extensive metadata collection. Detailed provenance records might reveal information about creators, editing workflows, and tools used that individuals or organisations prefer to keep confidential. Balancing transparency about synthetic content against privacy rights for creators remains an unresolved tension within the C2PA framework.

User Controls and Transparency Features

Beyond provenance metadata embedded in content files, platforms have begun implementing user-facing controls and transparency features intended to help individuals identify and manage synthetic content. The European Union's AI Act, entering force on 1 August 2024 with full enforcement beginning 2 August 2026, mandates that providers of AI systems generating synthetic audio, image, video, or text ensure outputs are marked in machine-readable format and detectable as artificially generated.

Under the Act, where an AI system is used to create or manipulate images, audio, or video content that bears a perceptible resemblance to authentic content, it is mandatory to disclose that the content was created by automated means. Non-compliance can result in administrative fines up to €15 million or 3% of worldwide annual turnover, whichever is higher. The AI Act requires technical solutions be “effective, interoperable, robust and reliable as far as technically feasible,” whilst acknowledging “specificities and limitations of various content types, implementation costs and generally acknowledged state of the art.”

Meta announced in February 2024 plans to label AI-generated images on Facebook, Instagram, and Threads by detecting invisible markers using C2PA and IPTC standards. The company rolled out “Made with AI” labels in May 2024. During 1 to 29 October 2024, Facebook recorded over 380 billion user label views on AI-labelled organic content, whilst Instagram tallied over 1 trillion. The scale reveals both the prevalence of AI-generated content and the potential reach of transparency interventions.

Yet critics note significant gaps. Policies focus primarily on images and video, largely overlooking AI-generated text. Meta places substantial disclosure burden on users and AI tool creators rather than implementing comprehensive proactive detection. From July 2024, Meta shifted towards “more labels, less takedowns,” ceasing removal of AI-generated content solely based on manipulated video policy unless violating other standards.

YouTube implemented similar requirements on 18 March 2024, mandating creator disclosure when realistic content uses altered or synthetic media. The platform applies “Altered or synthetic content” labels to flagged material. Yet YouTube's system relies heavily on creator self-reporting, creating obvious enforcement gaps when creators have incentives to obscure synthetic origins.

Different platforms implement content moderation and user controls in varying ways. Some use classifier-based blocks that stop image generation at the model level, others filter outputs after generation, and some combine automated filters with human review for edge cases. Microsoft's Phi Silica moderation allows users to adjust sensitivity filters, ensuring that AI-generated content for applications adheres to ethical standards and avoids harmful or inappropriate outputs whilst keeping users in control.

User research reveals strong demand for these transparency features but significant scepticism about their reliability. Getty Images' 2024 research covering over 30,000 adults across 25 countries found almost 90% want to know whether images are AI-created. More troubling, whilst 98% agree authentic images and videos are pivotal for trust, 72% believe AI makes determining authenticity difficult. YouGov's UK survey of over 2,000 adults found nearly half, 48%, distrust AI-generated content labelling accuracy, compared to just one-fifth, 19%, trusting such labels.

A 2025 study by iProov found that only 0.1% of participants correctly identified all fake and real media shown, underscoring how poorly even motivated users perform at distinguishing synthetic from authentic content without reliable technical assistance. This research confirms that human perception alone cannot reliably identify AI-generated voices, with participants often perceiving synthetic voices as identical to real people.

The proliferation of AI-generated celebrity images collides directly with publicity rights, a complex area of law that varies dramatically across jurisdictions. Personality rights, also known as the right of publicity, encompass the bundle of personal, reputational, and economic interests a person holds in their identity. The right of publicity can protect individuals from deepfakes and limit the posthumous use of their name, image, and likeness as digital versions.

In the United States, the answers to questions about the right of publicity vary significantly from one state to another, making it difficult to establish a uniform standard. Certain states limit the right of publicity to celebrities and the exploitation of the commercial value of their likeness, whilst others allow ordinary individuals to prove the commercial value of their image. In California, there is both a statutory and common law right of publicity where an individual must prove they have a commercially valuable identity. This fragmentation creates compliance challenges for platforms operating nationally or globally.

The year 2025 began with celebrities and digital creators increasingly knocking on courtroom doors to protect their identity. A Delhi High Court ruling in favour of entrepreneur and podcaster Raj Shamani became a watershed moment, underscoring how personality rights are no longer limited to film stars but extend firmly into the creator economy. The ruling represents a broader trend of courts recognising that publicity rights protect economic interests in one's identity regardless of traditional celebrity status.

Federal legislative efforts have attempted creating national standards. In July 2024, Senators Marsha Blackburn, Amy Klobuchar, and Thom Tillis introduced the “NO FAKES Act” to protect “voice and visual likeness of all individuals from unauthorised computer-generated recreations from generative artificial intelligence and other technologies.” The bill was reintroduced in April 2025, earning support from Google and the Recording Industry Association of America. The NO FAKES Act establishes a national digital replication right, with violations including public display, distribution, transmission, and communication of a person's digitally simulated identity.

State-level protections have proliferated in the absence of federal standards. SAG-AFTRA, the labour union representing actors and singers, advocated for stronger contractual protections to prevent AI-generated likenesses from being exploited. Two California laws, AB 2602 and AB 1836, codified SAG-AFTRA's demands by requiring explicit consent from artists before their digital likeness can be used and by mandating clear markings on work that includes AI-generated replicas.

Available legal remedies for celebrity deepfakes draw on multiple doctrinal sources. Publicity law, as applied to deepfakes, offers protections against unauthorised commercial exploitation, particularly when deepfakes are used in advertising or endorsements. Key precedents, such as Midler v. Ford and Carson v. Here's Johnny Portable Toilets, illustrate how courts have recognised the right to prevent the commercial use of an individual's identity. This framework appears well-suited to combat the rise of deepfake technology in commercial contexts.

Trademark claims for false endorsement may be utilised by celebrities if a deepfake could lead viewers to think that an individual endorses a certain product or service. Section 43(a)(1)(A) of the Lanham Act has been interpreted by courts to limit the nonconsensual use of one's “persona” and “voice” that leads consumers to mistakenly believe that an individual supports a certain service or good. These trademark-based remedies offer additional tools beyond publicity rights alone.

Courts must now adapt to these novel challenges. Judges are publicly acknowledging the risks posed by generative AI and pushing for changes to how courts evaluate evidence. The risk extends beyond civil disputes to criminal proceedings, where synthetic evidence might be introduced to mislead fact-finders or where authentic evidence might be dismissed as deepfakes. The global nature of AI-generated content complicates jurisdictional questions. A synthetic celebrity image might be generated in one country, shared via servers in another, and viewed globally, implicating multiple legal frameworks simultaneously.

Misinformation Vectors and Deepfake Harms

The capacity to generate convincing synthetic celebrity images creates multiple vectors for misinformation and harm. In the first quarter of 2025 alone, there were 179 deepfake incidents, surpassing the total for all of 2024 by 19%. Deepfake files surged from 500,000 in 2023 to a projected 8 million in 2025, representing a 680% rise in deepfake activity year-over-year. This exponential growth pattern suggests the challenge will intensify as tools become more accessible and sophisticated.

Celebrity targeting serves multiple malicious purposes. In 38% of documented cases, celebrity deepfakes were weaponised for fraud. Fraudsters create synthetic videos showing celebrities endorsing cryptocurrency schemes, investment opportunities, or fraudulent products. An 82-year-old retiree lost 690,000 euros to a deepfake video of Elon Musk promoting a cryptocurrency scheme, illustrating how even motivated individuals struggle to identify sophisticated deepfakes, particularly when targeting vulnerable populations.

Non-consensual synthetic intimate imagery represents another serious harm vector. In 2024, AI-generated explicit images of Taylor Swift appeared on X, Reddit, and other platforms, completely fabricated without consent. Some posts received millions of views before removal, sparking renewed debate about platform moderation responsibilities and stronger protections. The psychological harm to victims is substantial, whilst perpetrators often face minimal consequences given jurisdictional complexities and enforcement challenges.

Political manipulation through celebrity deepfakes poses democratic risks. Analysis of 187,778 posts from X, Bluesky, and Reddit during the 2025 Canadian federal election found that 5.86% of election-related images were deepfakes. Right-leaning accounts shared them more frequently, with 8.66% of their posted images flagged compared to 4.42% for left-leaning users. However, harmful deepfakes drew little attention, accounting for only 0.12% of all views on X, suggesting that whilst deepfakes proliferate, their actual influence varies significantly.

Research confirms that deepfakes present a new form of content creation for spreading misinformation that can potentially cause extensive issues, such as political intrusion, spreading propaganda, committing fraud, and reputational harm. Deepfake technology is reshaping the media and entertainment industry, posing serious risks to content authenticity, brand reputation, and audience trust. With deepfake-related losses projected to reach $40 billion globally by 2027, media companies face urgent pressure to develop and deploy countermeasures.

The “liar's dividend” compounds these direct harms. As deepfake prevalence increases, bad actors can dismiss authentic evidence as fabricated. This threatens not just media credibility but evidentiary foundations of democratic accountability. When genuine recordings of misconduct can be plausibly denied as deepfakes, accountability mechanisms erode.

Detection challenges intensify these risks. Advancements in AI image generation and real-time face-swapping tools have made manipulated videos almost indistinguishable from real footage. In 2025, AI-created images and deepfake videos blended so seamlessly into political debates and celebrity scandals that spotting what was fake often required forensic analysis, not intuition. Research confirms humans cannot consistently identify AI-generated voices, often perceiving them as identical to real people.

According to recent studies, existing detection methods may not accurately identify deepfakes in real-world scenarios. Accuracy may be reduced if lighting conditions, facial expressions, or video and audio quality differ from the data used to train the detection model. No commercial models evaluated had accuracy of 90% or above, suggesting that commercial detection systems still need substantial improvement to reach the accuracy of human deepfake forensic analysts.

The Arup deepfake fraud represents perhaps the most sophisticated financial crime leveraging this technology. A finance employee joined what appeared to be a routine video conference with the company's CFO and colleagues. Every participant except the victim was an AI-generated simulacrum, convincing enough to survive live video call scrutiny. The employee authorised 15 transfers totalling £25.6 million before discovering the fraud. This incident reveals traditional verification method inadequacy in the deepfake age.

Industry Responses and Technical Remedies

The technology industry's response to AI-generated celebrity image proliferation has been halting and uneven, characterised by reactive policy adjustments rather than proactive systemic design. Figures from the entertainment industry, including the late Fred Rogers, Tupac Shakur, and Robin Williams, have been digitally recreated using OpenAI's Sora technology, leaving many in the industry deeply concerned about the ease with which AI can resurrect deceased performers without estate consent.

OpenAI released new policies for its Sora 2 AI video tool in response to concerns from Hollywood studios, unions, and talent agencies. The company announced an “opt-in” policy allowing all artists, performers, and individuals the right to determine how and whether they can be simulated. OpenAI stated it will block the generation of well-known characters on its public feed and will take down any existing material not in compliance. The company agreed to take down fabricated videos of Martin Luther King Jr. after his estate complained about the “disrespectful depictions” of the late civil rights leader. These policy adjustments represent acknowledgement of potential harms, though enforcement mechanisms remain largely reactive.

Meta faced legal and regulatory backlash after reports revealed its AI chatbots impersonated celebrities like Taylor Swift and generated explicit deepfakes. In an attempt to capture market share from OpenAI, Meta reportedly rushed out chatbots with a poorly-thought-through set of celebrity personas. Internal reports suggested that Mark Zuckerberg personally scolded his team for being too cautious in chatbot rollout, with the team subsequently greenlighting content risk standards that critics characterised as dangerously permissive. This incident underscores the tension between competitive pressure to deploy AI capabilities quickly and responsible development requiring extensive safety testing and rights clearance.

Major media companies have responded with litigation. Disney accused Google of copyright infringement on a “massive scale” using AI models and services to “commercially exploit and distribute” infringing images and videos. Disney also sent cease-and-desist letters to Meta and Character.AI, and filed litigation together with NBCUniversal and Warner Bros. Discovery against AI companies MidJourney and Minimax alleging copyright infringement. These legal actions signal that major rights holders will not accept unauthorised use of protected content for AI training or generation.

SAG-AFTRA's national executive director Duncan Crabtree-Ireland stated that it wasn't feasible for rights holders to find every possible use of their material, calling the situation “a moment of real concern and danger for everyone in the entertainment industry, and it should be for all Americans, all of us, really.” The talent agencies and SAG-AFTRA announced they are supporting federal legislation called the “NO FAKES” Act, representing a united industry front seeking legal protections.

Technical remedies under development focus on multiple intervention points. Detection technologies aim to identify fake media without needing to compare it to the original, typically using forms of machine learning. Within the detection category, there are two basic approaches. Learning-based methods involve features that distinguish real from synthetic content being explicitly learned by machine-learning techniques. Artifact-based methods involve low-level to high-level features explicitly designed to distinguish between real and synthetic content.

Yet this creates an escalating technological arms race where detection and generation capabilities advance in tandem, with no guarantee detection will keep pace. Economic incentives largely favour generation over detection, as companies profit from selling generative AI tools and advertising on platforms hosting synthetic content, whilst detection tools generate limited revenue absent regulatory mandates or public sector support.

Industry collaboration through initiatives like C2PA represents a more promising approach than isolated platform policies. When major technology companies, media organisations, and hardware manufacturers align on common provenance standards, interoperability becomes possible. Content carrying C2PA credentials can be verified across multiple platforms and applications rather than requiring platform-specific solutions. Yet voluntary industry collaboration faces free-rider problems. Platforms that invest heavily in content authentication bear costs without excluding competitors who don't make similar investments, suggesting regulatory mandates may be necessary to ensure universal adoption of provenance standards and transparency measures.

The challenge of AI-generated celebrity images illuminates broader tensions in the governance of generative AI. The same technical capabilities enabling creativity, education, and entertainment also facilitate fraud, harassment, and misinformation. Simple prohibition appears neither feasible nor desirable given legitimate uses, yet unrestricted deployment creates serious harms requiring intervention.

Dataset curation offers one intervention point. If training datasets excluded celebrity images entirely, models couldn't generate convincing celebrity likenesses. Yet comprehensive filtering would require reliable celebrity image identification at massive scale, potentially millions or billions of images. False positives might exclude legitimate content whilst false negatives allow prohibited material through. The Kneschke v. LAION ruling suggests that, at least in Germany, using copyrighted images including celebrity photographs for non-commercial research purposes in dataset creation may be permissible under text and data mining exceptions, though whether this precedent extends to commercial AI development or other jurisdictions remains contested.

Provenance metadata and content credentials represent complementary interventions. If synthetic celebrity images carry cryptographically signed metadata documenting their AI generation, informed users could verify authenticity before relying on questionable content. Yet adoption gaps, technical vulnerabilities, and user comprehension challenges limit effectiveness. Metadata can be stripped, forged, or simply ignored by viewers who lack technical literacy or awareness.

User controls and transparency features address information asymmetries, giving individuals tools to identify and manage synthetic content. Platform-level labelling, sensitivity filters, and disclosure requirements shift the default from opaque to transparent. But implementation varies widely, enforcement proves difficult, and sophisticated users can circumvent restrictions designed for general audiences.

Celebrity rights frameworks offer legal recourse after harms occur but struggle with prevention. Publicity rights, trademark claims, and copyright protections can produce civil damages and injunctive relief, yet enforcement requires identifying violations, establishing jurisdiction, and litigating against potentially judgement-proof defendants. Deterrent effects remain uncertain, particularly for international actors beyond domestic legal reach.

Misinformation harms call for societal resilience-building beyond technical and legal fixes. Media literacy education teaching critical evaluation of digital content, verification techniques, and healthy scepticism can reduce vulnerability to synthetic deception. Investments in quality journalism with robust fact-checking capabilities maintain authoritative information sources that counterbalance misinformation proliferation.

The path forward likely involves layered interventions across multiple domains. Dataset curation practices that respect publicity rights and implement opt-out mechanisms. Mandatory provenance metadata for AI-generated content with cryptographic verification. Platform transparency requirements with proactive detection and labelling. Legal frameworks balancing innovation against personality rights protection. Public investment in media literacy and quality journalism. Industry collaboration on interoperable standards and best practices.

No single intervention suffices because the challenge operates across technical, legal, economic, and social dimensions simultaneously. The urgency intensifies as capabilities advance. Multimodal AI systems generating coordinated synthetic video, audio, and text create more convincing fabrications than single-modality deepfakes. Real-time generation capabilities enable live deepfakes rather than pre-recorded content, complicating detection and response. Adversarial techniques designed to evade detection algorithms ensure that synthetic media creation and detection remain locked in perpetual competition.

Yet pessimism isn't warranted. The same AI capabilities creating synthetic celebrity images might, if properly governed and deployed, help verify authenticity. Provenance standards, detection algorithms, and verification tools offer partial technical solutions. Legal frameworks establishing transparency obligations and accountability mechanisms provide structural incentives. Professional standards and ethical commitments offer normative guidance. Educational initiatives build societal capacity for critical evaluation.

What's required is collective recognition that ungovernanced synthetic media proliferation threatens foundations of trust on which democratic discourse depends. When anyone can generate convincing synthetic media depicting anyone saying anything, evidence loses its power to persuade. Accountability mechanisms erode. Information environments become toxic with uncertainty.

The alternative is a world where transparency, verification, and accountability become embedded expectations rather than afterthoughts. Where synthetic content carries clear provenance markers and platforms proactively detect and label AI-generated material. Where publicity rights are respected and enforced. Where media literacy enables critical evaluation. Where journalism maintains verification standards. Where technology serves human flourishing rather than undermining epistemic foundations of collective self-governance.

The challenge of AI-generated celebrity images isn't primarily about technology. It's about whether society can develop institutions, norms, and practices preserving the possibility of shared reality in an age of synthetic abundance. The answer will emerge not from any single intervention but from sustained commitment across multiple domains to transparency, accountability, and truth.


References and Sources

Research Studies and Academic Publications

“AI-generated images of familiar faces are indistinguishable from real photographs.” Cognitive Research: Principles and Implications (2025). https://link.springer.com/article/10.1186/s41235-025-00683-w

“AI-synthesized faces are indistinguishable from real faces and more trustworthy.” Proceedings of the National Academy of Sciences (2022). https://www.pnas.org/doi/10.1073/pnas.2120481119

“Deepfakes in the 2025 Canadian Election: Prevalence, Partisanship, and Platform Dynamics.” arXiv (2025). https://arxiv.org/html/2512.13915

“Copyright in AI Pre-Training Data Filtering: Regulatory Landscape and Mitigation Strategies.” arXiv (2025). https://arxiv.org/html/2512.02047

“Fair human-centric image dataset for ethical AI benchmarking.” Nature (2025). https://www.nature.com/articles/s41586-025-09716-2

“Detection of AI generated images using combined uncertainty measures.” Scientific Reports (2025). https://www.nature.com/articles/s41598-025-28572-8

“Higher Regional Court Hamburg Confirms AI Training was Permitted (Kneschke v. LAION).” Bird & Bird (2025). https://www.twobirds.com/en/insights/2025/germany/higher-regional-court-hamburg-confirms-ai-training-was-permitted-(kneschke-v,-d-,-laion)

“A landmark copyright case with implications for AI and text and data mining: Kneschke v. LAION.” Trademark Lawyer Magazine (2025). https://trademarklawyermagazine.com/a-landmark-copyright-case-with-implications-for-ai-and-text-and-data-mining-kneschke-v-laion/

“Breaking Down the Intersection of Right-of-Publicity Law, AI.” Blank Rome LLP. https://www.blankrome.com/publications/breaking-down-intersection-right-publicity-law-ai

“Rethinking the Right of Publicity in Deepfake Age.” Michigan Technology Law Review (2025). https://mttlr.org/2025/09/rethinking-the-right-of-publicity-in-deepfake-age/

“From Deepfakes to Deepfame: The Complexities of the Right of Publicity in an AI World.” American Bar Association. https://www.americanbar.org/groups/intellectual_property_law/resources/landslide/archive/deepfakes-deepfame-complexities-right-publicity-ai-world/

Technical Standards and Industry Initiatives

“C2PA and Content Credentials Explainer 2.2, 2025-04-22: Release.” Coalition for Content Provenance and Authenticity. https://spec.c2pa.org/specifications/specifications/2.2/explainer/_attachments/Explainer.pdf

“C2PA in ChatGPT Images.” OpenAI Help Centre. https://help.openai.com/en/articles/8912793-c2pa-in-chatgpt-images

“How Google and the C2PA are increasing transparency for gen AI content.” Google Official Blog (2025). https://blog.google/technology/ai/google-gen-ai-content-transparency-c2pa/

“Understanding the source of what we see and hear online.” OpenAI (2024). https://openai.com/index/understanding-the-source-of-what-we-see-and-hear-online/

“Privacy, Identity and Trust in C2PA: A Technical Review and Analysis.” World Privacy Forum (2025). https://worldprivacyforum.org/posts/privacy-identity-and-trust-in-c2pa/

Industry Reports and Statistics

“State of Deepfakes 2025: Key Insights.” Mirage. https://mirage.app/blog/state-of-deepfakes-2025

“Deepfake Statistics & Trends 2025: Key Data & Insights.” Keepnet (2025). https://keepnetlabs.com/blog/deepfake-statistics-and-trends

“How AI made deepfakes harder to detect in 2025.” FactCheckHub (2025). https://factcheckhub.com/how-ai-made-deepfakes-harder-to-detect-in-2025/

“Why Media and Entertainment Companies Need Deepfake Detection in 2025.” Deep Media (2025). https://deepmedia.ai/blog/media-2025

Platform Policies and Corporate Responses

“Hollywood pushes OpenAI for consent.” NPR (2025). https://www.houstonpublicmedia.org/npr/2025/10/20/nx-s1-5567119/hollywood-pushes-openai-for-consent/

“Meta Under Fire for Unauthorised AI Celebrity Chatbots Generating Explicit Images.” WinBuzzer (2025). https://winbuzzer.com/2025/08/31/meta-under-fire-for-unauthorized-ai-celebrity-chatbots-generating-explicit-images-xcxwbn/

“Disney Accuses Google of Using AI to Engage in Copyright Infringement on 'Massive Scale'.” Variety (2025). https://variety.com/2025/digital/news/disney-google-ai-copyright-infringement-cease-and-desist-letter-1236606429/

“Experts React to Reuters Reports on Meta's AI Chatbot Policies.” TechPolicy.Press (2025). https://www.techpolicy.press/experts-react-to-reuters-reports-on-metas-ai-chatbot-policies/

Transparency and Content Moderation

“Content Moderation in a New Era for AI and Automation.” Oversight Board (2025). https://www.oversightboard.com/news/content-moderation-in-a-new-era-for-ai-and-automation/

“Transparency & content moderation.” OpenAI. https://openai.com/transparency-and-content-moderation/

“AI Moderation Needs Transparency & Context.” Medium (2025). https://medium.com/@rahulmitra3485/ai-moderation-needs-transparency-context-7c0a534ff27a

Detection and Verification

“Deepfakes and the crisis of knowing.” UNESCO. https://www.unesco.org/en/articles/deepfakes-and-crisis-knowing

“Science & Tech Spotlight: Combating Deepfakes.” U.S. Government Accountability Office (2024). https://www.gao.gov/products/gao-24-107292

“Mitigating the harms of manipulated media: Confronting deepfakes and digital deception.” PMC (2025). https://pmc.ncbi.nlm.nih.gov/articles/PMC12305536/

Dataset and Training Data Issues

“LAION-5B: A NEW ERA OF OPEN LARGE-SCALE MULTI-MODAL DATASETS.” LAION. https://laion.ai/blog/laion-5b/

“FAQ.” LAION. https://laion.ai/faq/

“Patient images in LAION datasets are only a sample of a larger issue.” The Decoder. https://the-decoder.com/patient-images-in-laion-datasets-are-only-a-sample-of-a-larger-issue/

Consumer Research and Public Opinion

“Nearly 90% of Consumers Want Transparency on AI Images finds Getty Images Report.” Getty Images (2024). https://newsroom.gettyimages.com/en/getty-images/nearly-90-of-consumers-want-transparency-on-ai-images-finds-getty-images-report

“Can you trust your social media feed? UK public concerned about AI content and misinformation.” YouGov (2024). https://business.yougov.com/content/49550-labelling-ai-generated-digitally-altered-content-misinformation-2024-research


Tim Green

Tim Green UK-based Systems Theorist & Independent Technology Writer

Tim explores the intersections of artificial intelligence, decentralised cognition, and posthuman ethics. His work, published at smarterarticles.co.uk, challenges dominant narratives of technological progress while proposing interdisciplinary frameworks for collective intelligence and digital stewardship.

His writing has been featured on Ground News and shared by independent researchers across both academic and technological communities.

ORCID: 0009-0002-0156-9795 Email: tim@smarterarticles.co.uk

 
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from Hunter Dansin

“We'll take a cup o' kindness yet, For Auld Lang Syne.”

“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!”

— Ebenezer Scrooge

Another year has gone, and as I look back I wish I had a Ghost to show me the significant moments. As I learned from Neal Postman in Technopoly, every technology carries an agenda, and our phones, in offering the ability to document every moment, seem to assert that memory is irrelevant; that the human mind is too fallible to be trusted with something as important as what has happened and is happening and will happen. Well, I reject that with every force of my being. For who can tell the self what is happening to it, other than itself? Even (or especially) those of us who believe in an Authority who can supersede the self, must yet work to distinguish between those words the self wishes to hear from the Word and the words the self needs to hear from the Word. Technology ought to be a tool, and nothing more. Those spectres of Ignorance and Want, which have haunted mankind since before Dickens named them in A Christmas Carol, have not been driven away by the information age. So take a cup of kindness (and I mean actual kindness) this year, for old time's sake, and pass it on. God knows we need it.

Writing

Drafting continues on my new novel. I am going to try and up my daily word goal to 500 from 250. I suppose that might seem low, but it's about all I can manage as a full time parent. If I keep to it I should have a book's draft done within a year. I've also had an essay in my head for awhile, so I've got to try and get that out there.

Music

I guess I should set some sort of New Year's goal, so here it is: Record demos for all of my Lit Songs by the end of the year. I've decided to try and get into a studio at some point, but I could probably only get one or two down, especially ones that require a band. But if I accept that my demo recordings aren't going to be studio recordings I think I can get the album done, as a sort of trial run that I can show people. First on the list is the Tess song that I did for Tiny Desk last year. Ugh, 'last year.'

Reading

My wife and I read Pride and Prejudice and it was lovely. It was my first time reading it since seventh grade, so it was very refreshing. It was also refreshing because Jane Austen is, to me, the Shakespeare of novelists. Her style is so drained of frivolity and bitterness that it could almost be accused of vacuity were it not so very essential. There will, of course, be words and constructions that will puzzle a modern reader because of semantic drift, but once you get used to it is is very rewarding, and her books are not long. Like Shakespeare, they continue when you put them down and recur to you throughout your life. I am also jealous that she lived at a time when people communicated with letters. They are the perfect literary device because you can quote them wholesale, and the reader can imagine themselves in the mind of the protagonist who is reading the letter. Instant immersion, even when you close the book, because you, along with Elizabeth, will be thinking about Mr. Darcy's letter as you go about your life.

It really is a lovely story about the value of true connubial felicity, and I think I will be saying more about it in my next essay. So stay tuned. I'll have it by the end of the month? 🤞.

I'll let Elizabeth round this one out:

“The more I see of the world, the more I am dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on either merit or sense.” (130).

Later on, on learning from the past:

“How despicably have I acted! ... I, who have prided myself on my discernment! — I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity, in useless or blameable distrust! — How humiliating is this discovery! — Yet, how just a humiliation! — Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. — Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment, I never knew myself.” (193).

To knowing oneself in the Past, Present, and Future.

“What are men to rocks and mountains?” (147).

Works Cited

Burns, Robert. “Auld Lang Syne.” 1788.

Dickens, Charles. A Christmas Carol. Chapman and Hall, 1843.

Austen, Jane. Pride and Prejudice. Aucturus Publishing Limited, 2011 (1813).


Thank you for reading! I greatly regret that I will most likely never be able to meet you in person and shake your hand, but perhaps we can virtually shake hands via my newsletter, social media, or a cup of coffee sent over the wire. They are poor substitutes, but they can be a real grace in this intractable world.


Send me a kind word or a cup of coffee:

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from A 'Good Enough' Reader

The problem with the HBO series Heated Rivalry and the Game Changers book series it’s based on—and with M/M literature in general—is not a problem of representation. In many ways, arguments about representation among gay/bi men* boil down to us arguing with each other from our varied individual experiences of surviving heteronormative and homophobic environments and trying to form our own gay/bi identities. In my research on gay/bi men of the 1950s and 60s, I found out just how old these kinds of arguments are—at least as old as the end of World War II. But in those years, representation was a simpler problem, because representations of gay/bi men were nearly exclusively from the perspective of a disapproving and inevitably disgusted hetero world. When gay/bi men argue with each other over representations, we are often still working through our own internalization of the very heteronormativity and homophobia we have been trying to escape our whole lives. And in so doing, we are participating in an ongoing, interactive experience of making our gayness meaningful to ourselves and each other.

In many ways, the first season of Heated Rivalry represents well a few relatively expected experiences of how homophobia functions to constrain and contain queer men’s emotional, relational, expressive, and behavioral lives (with some differences among Scott, Ilya, and Shane). Colton Underwood, for example, has written eloquently about how the show’s representation of the closet mirrored his own experience as a closeted football player.

I do not mean to say that there aren’t problems with the representations we got in the books and the show. My own experience of reading the book Heated Rivalry was like being trapped in an abusive relationship between two people who hate themselves so much that they hate and torture each other for years. The closet is always controlled from the outside by the heteronormative world, and queers have long known that it has the power to distort and twist us in disturbing ways—and it was unbearable to read. Both the book and the show made this experience doubly distasteful for me, because the intention was clearly that I find this fucked up relationship hot. I wanted them to work through their own internalized hatred and move on from each other. But that would break the romance enemy-to-lovers trope.

Equally clearly, if social media is any indication, thousands upon thousands of gay/bi men disagree with me completely and vehemently, loving and rooting for Shane and Ilya. For me, gay men arguing about whether or not Ilya and Shane’s representations are authentic, real, identifiable, positive, helpful, or joyful, is the exact kind of arguments and conversations gay/bi men ought to be having with each other about representation. That kind of discussion and disagreement can be fruitful and meaning-building, and it’s one of the things that art, especially popular art, is for.

The problems with the book series (and M/M lit) and the show is a larger structural issue within the culture industry and with the minority groups it seeks to represent: Who gets to tell gay/bi men’s stories, who profits from them, and what impact does it have when gay/bi men themselves aren’t the ones telling, creating, and profiting from their own stories? At least as early as Showtime’s version of Queer as Folk, the North American culture industry realized that there was money to be made by (re)shaping gay/bi content to the cis-het women who made up the overwhelming majority of viewers (compare the UK and North American versions of QAF to get a taste of what I mean). As if to underscore this discovery, HBO’s series Looking failed to garner a similar viewership; it was produced, directed, and written by, for, and about gay men. Again, representation isn’t the problem: gay men have had and will continue to have heated disagreements about the quality and authenticity of the representation of gay/bi men in both of these series.** But one thing that is hard to deny is that the art created by, for, and about gay/bi men themselves can be quite different from art that is about gay/bi men created by, for, and about cis-het women.

To understand why I think the issue of who gets to tell gay/bi men’s stories is of vital importance, I need to go back in time a few decades. As I was researching the emergence of what we might today think of as “gay men’s culture” in the 1960s, something that became undeniable was how central the process of meaning-making among gay/bi men was, more so, I would argue, than political organizing and activism (although the two were very difficult to tease apart in this period). As I combed through gay publications and ephemera from the end of World War II to the early 1960s, I confirmed what scholars before me had found, that nascent gay organizations grew out of and combined with the existing underground communities of the bars and clubs and bathhouses. But for me, what was more significantly was how this created an emergent kind of gay public that existed both as actual social spaces that gay/bi men could move in and out of, as well as political spaces, communal spaces, and more abstract cultural spaces in the form of local gay periodicals, which serving as means to communicate and organize as well as for debate and struggle over values, meanings, feelings, behaviors, etc. In short, over gay/bi men’s culture. You’ll notice here that I do not think of culture as a fixed, unified thing; but rather, culture is an ongoing, emergent effect of a group’s interactions with each other and with and among other groups. In this case, in the 1950s and 60s, gay/bi men worked out what they wanted their gayness to mean and what they wanted their relationship to the larger (homophobic) culture to be with each other.

I would argue that it was the growth of gay/bi men’s ability to create meaning in direct interaction with each other in public spaces that created the necessary foundation for and, indeed, a sine qua non of the full range of gay liberation/freedom/pride movements from World War II through the first years of the 21st century. That’s when we get what Lisa Duggan called the rise of homonormativity, when same-sex love and relationships were brought under the heteronormative umbrella, with the strict requirement that LGBs look, act, feel, express, and live their lives in ways that are virtually indistinguishable from cis-het lives, except that one little thing (the genitals involved, which should always remain discretely hidden).

By the late twenty-aughts, homonormativity supplied the political direction for the entire LGBT political apparatus and its campaign slogans. “Same love” and “love is love” drove the struggle for the acceptance and legalization of same-sex marriage and, as I’ve argued elsewhere, in many ways “same love” short-circuited and transformed the ongoing intra-communal dialogues and arguments about the meaning of gayness. In other words, homonormativity functioned either by intention or effect as a means to contain and control the range of meanings that gay/bi men (and lesbian/bi women) could make of their gayness. [As a vitally important aside, the consequences of reducing LGBT politics to “same love” has had dire and deadly consequences for our trans siblings and served to separate them further from LGBs, both a moral and cultural failure.]

Homonormativity and its concomitant cultures has brought with it the dissolution of gay neighborhoods and LGBT social and cultural spaces and the marketing of LGB cultures to cis-het people in ways that wrest control of the meanings of gayness (and transness) from LGBTs, forestalling or distorting the kinds of intra-communal meaning-making. Because LGBTs by definition do not inherit our LGBT cultures, we do not and cannot inherit them, rather we have to create and recreate our own cultures and social spaces over time or accept the mass-produced meanings fed to us by the cultural industry (including most especially the high-tech industry and all the problems that received culture delivered through hyper-mediated means entails).

I actually think there is much to be said and analyzed about cis-het women’s use of gay/bi men’s lives, bodies, and cultures for their own erotic and cultural pleasure—and this could be its own really interesting line of inquiry. But that is not really my point here. (And in fact, if two guys fucking turns a straight woman on, gurl, I feel you!) Rather, the problem here is larger and structural, beyond the women who have RuPaul viewing parties or who read their M/M lit on the subway or write and share their slashy fanfiction on internet fora.

Given the fragmentation and hyper “customization” of mass culture in our times, I conceive of the culture industry in broad terms, comprising everything from “indie” M/M presses and Amazon’s “self” publishing racket, more mainstream romance publishers (particularly those of YA fiction (side-eye Heartstoppers), as well as film and tv producers and writers. This culture industry has placed cis-het women at the center of both sides of the gay/bi men’s cultural equation: they both produce and profit from it, as well as consume and take pleasure in it. That both cis-het women and gay/bi men are caught up in patriarchal systems of misogyny (homophobia is in fact a subspecies of misogyny) makes the relationships and dynamics particularly tricky to untangle. Is Heated Rivalry a fair, authentic, good representation of gay/men’s lives? I think the show (produced by a gay man and acted by at least one bi man) is an infinitely better representation of gay/bi men’s experience than the book, which was clearly following women’s romance conventions and which treated the trauma of the closet as an erotic fetish.***

If what I discovered in gay/bi men’s culture making in the 1960s remains true, then a world in which gay/bi men’s meaning-making happens primarily in cis-het women’s art, profit, desires, tastes, and consumerism is to deny gay/bi men’s vital power to make our own lives meaningful, to decide for ourselves what love, sex, relationships, friendships, masculinity, femininity, gender, aging, emotional well-being, etc., mean to us, and for us, as gay/bi men. Although sexuality and gender are not the same as race and ethnicity, bringing to mind an analogous situation in which representations of, say, indigenous people have been controlled by settlers can help really emphasize the point I’m making. The quality of this kind of gay/bi art made by/for/of cis-het women — be it M/M romance or of gay porn — and whether or not it is actually good for gay/bi men is not an easy or obvious question. Yet not to ask the question is to concede the battle for the meaning of gayness to people who can be and often are oppressors. What does gayness mean to, say, a young gay/bi boy who when, because of the fragmentation of community, the rise of social media and hook-up apps, and the omnipresence of popular culture, the only meanings of gay/bi men’s lives available to him are not even made by or for gay/bi men?

Of course, in reality, we still do have the remnants of neighborhoods and some LGBT social spaces survive and there are LGBT art and cultural spaces and producers. But they are demonstrably fewer, and less powerful. Also many thousands of gay/bi men continue to participate in those cultures, in opposition to the dominating culture industry. And as I’ve already described above, one of the complexities of mass-produced culture is that gay/men continue to argue about its meaning among ourselves. But in the world created by homonormativity, with the social fragmentation created by social media, and with our sex and relational lives reduced to hook-up app algorithms, the questions feel all the more urgent: Who gets to tell our stories? Who gets to create the representations of our lives and loves? And who gets to profit from them?

Notes and Bibliographic Do-Dads

* Naming and language are always tricky with us queers. For my purposes here, I chose to stick with gay/bi because I think they are more specifically what I’m talking about; that is, I’m not talking about a generalized queerness here. And I use the word men, here, to denote all male/masc-identified folks who love and fuck other male/masc-identified folks.

** Ru Paul’s drag race underwent a similar transformation when it made the jump to VH-1. And over the last 15-20 years, as women have become a larger and larger portion of the consumers of porn, something related is also happening within the gay porn industry.

*** There is some online chatter about Rachel Reid identifying as bisexual. If that is the case, we are into a new but related morass: How much ownership and right do queers have to each others’ lives and stories? This gets particularly dicey with cis-hets who identify as queer.

Duggan, Lisa. The twilight of equality? Neoliberalism, cultural politics, and the attack on democracy (Boston, Mass.: Beacon Press, 2014). See especially

Ormsbee, J. Todd. The Meaning of Gay: Interaction, Community and Publicity among Homosexual Men in 1960s San Francisco (Lanham, Md.: Lexington Books, 2010).

——— “The Tragedy and Hope of Love between Gay Men: Boys in the Band and the Emotionality of Gay Love in the 1960s and 1970s,” in Matthew Bell, editor, The Boys in the Band: Flashpoints of Cinema, History, and Queer Politics (Detroit: Wayne State University Press, 2016): 266-291.

 
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from 💚

Our Father Who art in heaven Hallowed be Thy name Thy Kingdom come Thy will be done on Earth as it is in heaven Give us this day our daily Bread And forgive us our trespasses As we forgive those who trespass against us And lead us not into temptation But deliver us from evil

Amen

Jesus is Lord! Come Lord Jesus!

Come Lord Jesus! Christ is Lord!

 
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from 💚

🇨🇦

Of Great Exclaim

The way war was an abuse And hearing sirens’ call I must have been alone And felt true But buy this coal Claimed a piece of Andrew And surely felt well Upon this day But these fears The way of time, In just a mouse And had left me here, Inept, For just a minute

🌨️

 
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from 💚

North

I can’t understand Why Wisdom blue And Earth’s time Upon and edge The stellar plane Appears and whistles For conduct court But you a day In this great white ambulance Out of my way With flowers in hand For the USA Its day of forgiving From way up North In Heaven games C++ and lonely dreams To bless the ones Who dial as such And maybe two Accept this missile For the mausoleum Of freeborn men

In Sparrow’s view A gentle castle Protecting cats And difference made The early Brit Who headed West And one aseated Upon the desk

We come across an urgent land But five is plenty In fires of Rome And we sign peace Unto the moon But on this Earth We march within- And not against- As men in Rome Who hold the cares Of sovereign Man- And rain, and due course- And figures of eight And God blessed Trudeau In subsequent tales For peace within respect And not some reason- Unseen

We pray for peace Within toward The President on time To rectify this fear Who runs astray- Generally not far But placing days On heads of steel Fortune plaid In sixty seek

We’ll run this test And talk to Rome About within That Heaven’s departure For dolphins hear This express tune And know the weary Live at one

 
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from rereading Project Blog

It's 2026 already, and not even the first day of the new year. For the rereading Project, that means a chance to share some of the exciting things we're looking forward to in 2026!

Committee Nominations

Governance continues to be the highest priority for the rereading Project. To kick that off, we'll shortly open a Community Forum post where you can nominate yourself or others to be inaugural members of the Steering, Partnerships, and Ethics Committees. We hope to shortly have all three Committees up and running, and to fully shift decision making into formal governance.

Expanding Arcalibre

We'll have more to say soon, but in parallel with starting up formal governance, we're also expanding our goals for Arcalibre, our AI-free fork of Calibre. Arcalibre was started with the idea of producing an “archival” version of Calibre with all AI antifeatures removed, serving as a basis for other forks in the future.

Since then, there's been a lot of excitement for continued development of an AI-free e-book manager, as well as new opportunities to streamline the Calibre build process. Meeting that excitement and taking advantage of those opportunities means treating Arcalibre as a living body of software, and expanding beyond an archival fork.

Pre-alpha Arcalibre Builds

Recently, two contributors were able to each build and run Arcalibre tests on their own machines (thank you @cthos@mastodon.cthos.dev and @SnoopJ@hachyderm.io!). That's a long way from having downloadable releases that can be easily tested, but we're excited to get Arcalibre into a pre-alpha state early in 2026, so that there's plenty of time to kick the tires and see where we still need to improve.

More Posting

Governance requires transparency, and that means a chance to write more about what's going on at the rereading Project. Writing is good and fun, anyway, so let's do more of that in 2026!


There's a lot wrong in the world, but there's also books, people who love reading books, people who love writing books, and the whole community of people sharing that love. That's the love and excitement that we're looking to bring into 2026 with the rereading Project. Thanks for being with us on that journey!

 
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from Lastige Gevallen in de Rede

Schermziekte

“Meneer Voorbijgaande Aard u lijdt aan schermziekte” dat zei de arts tegen mij, amechtig hangend in onzekerheid aan de dunne scheidslijn. Voor ze deze diagnose konden stellen hadden ze een data onderzoek nodig van maar liefst zes weken, vijf dagen, drie uur, twee minuten en dertig seconden zei een zeer net sprekende robotstem aan de ene, verre kant van de telefoon. Schermziekte kende ik niet maar ik was heel ontdaan toen ik het te horen kreeg. Ik moest meteen janken, hoelang heb ik nog vroeg ik als eerste, het moest namelijk wel terminal zijn. De arts zei dat ik nog niet in levensgevaar verkeerde tenminste niet meteen, daar was wel wat meer voor nodig dan dit, en omdat ik er zo vroeg bij was kon ik dat vroegtijdig uitloggen eenvoudig voorkomen door toepassing van zeer hardnekkige uitstel want ik verkeerde nog maar in de eerste fase van dit plots opgekomen kwalijke, zeer ongezonde nieuwe euvel.

Ik vroeg dan maar een andere wel bekende vraag voor artsen, welke pillen moest ik waar in pluggen zodat ik hiermee beperkt levend verder kon leven met van al wat is en kan zijn een stuk minder natuurlijk. De man sprak over vijfmaal daags een USB stick en drie keer per week een aangelijnde upgrade van dokter Mirco Google verder moest ik vaker dagen zonder scherm leven om de voortslepende afhankelijksproblematiek danig te verminderen. Die uitspraak deed pas echt pijn, er zijn zoveel dingen die ik moet volgen, de koersen, het veldrijden, de aandelen, de geweldige films op net flix, sky home video en prime video, echt ongelooflijk goed, daar een dag zonder zitten is als een dag niet ademen. Vreselijk moeilijk. De arts begreep dit allemaal heel goed, hij had er vaak mee te maken gehad, ook persoonlijk, nog altijd moest hij het volgen van zijn eigen aandelen en bijbehorende koersen overlaten aan bevriende bankiers. Het was echter een noodzakelijke ingreep om stukken langer gelukkiger te leven. Ik moest het maar zien als een oplossing voor een probleem en niet als een ziekte ook al noemde hij het dus zelf wel zo. Hij had net zo goed kunnen zeggen dat ik leed aan het zelf probleem oplossend vermogen door mijn geheel eigen persoonlijke werkomgeving, het persoonsgebonden lijf.

Ik kon dit niet rijmen met het missen van schermtijd, een intens verlangen daaraan vulde hele dagen, vooral de lange, bij het opstaan dacht ik aan alles wat ik later zou gaan beleven al zittende turend naar het leven van anderen op geruime afstand van mijn werkelijkheid, mensen laverend door een grote variatie aan bedenkelijke landschappen, teksten van anderen declamerend alsof ze het zelf zo wouden zeggen, rond banjeren met schietwapens, in het kader van een of 't andere boodschap mensen zogenaamd vermoorden voor een vrij vaag goed bedoeld doel, de boodschap van de predikant regisseur overhevelen van grote grauwe grijze hersenmassa in iets minder grijze massa, ik hier zij heel ergens anders, driftig bezig met overleggen en sponsor gelden optrommelen via een tam tam voor een nieuw vers komend film met serie potentieel project, iets over verraderlijke lege machten die een heel land meeslepen naar een hel van ongekende proportie en een stel helden met enorm geweldige krachten, ogenschijnlijk heel normale acteurs maar dan opeens zetten ze zichzelf om in meneer en mevrouw blockbuster, die met raket aangedreven anus, vuurspuwende oren en ongekend harde scheldwoorden de aarde redden van een andere serie van oorzaken en gevolgen, en dan later na de basis film volgt cultuurlijk een hele serie waarin Blok en Buster vrienden maken, verliezen in de bikkelharde strijd tegen de oerlelijke maar uiterst pientere vijand, gemaakt uit een combinatie van natuur en ai (marimba) door een zootje waanzinnige wetenschappers, biologen en micro computer biologen of zo en ik dat dan moeten missen omdat ik lijd aan schermziekte dat zou te erg zijn, erger dan dood gaan denk ik. Daar hoor ik namelijk nooit goede verhalen over van die arme mensen die daar eenmaal over lijden. Als er een god en hemel is of duivel met hel dan beschikken die vast en zeker over alles bedwingende zwijgcontracten.

De dokter zei dat ik misschien moest overwegen om ergens anders naar te turen. Hij noemde geen voorbeelden daarom vroeg ik, de vers bakken patiënt inmiddels in onzekerheid verkerend, door, over en weer door. Waar dan naar? Wie, wanneer, met welke ogen en hoe laat? Ik bedoel die schermen zijn er toch voor, ze zijn speciaal gemaakt voor langdurig turen, de programmatuur er op aangepast, leuk gemaakt voor dat ene doel, kijken en soms een beetje luisteren, mijn hersenen vinden dat enorm leuk, mijn ogen hebben geen enkele moeite met kijken naar ingebeelde verhalen, ook al zijn ze in principe niet van mij afkomstig toch maak ik ze mij meteen eigen. Geef me alsjeblieft werkzame, schermziekte genezende tips geneesheer! De dokter zei dat ik naar bladzijden kon kijken. Ja, nou, alsof die zo vreedzaam en goed zijn, daar zitten dezelfde predikanten aan het taal spinnewiel, makers en herhalers van dezelfde soort verhalen, waarin mensen die doen alsof met elkaar praten alsof ze echt zijn daar zijn en doen alsof ze ergens zijn waar ze nooit waren, zullen zijn, alsof ze zo willen wezen, ze zijn er misschien ooit geweest maar nooit niet op die ene dag en dat ene moment en al helemaal niet dachten ze wat ze volgens de auteur van het vehikel moesten denken en meestal ook niet deden zoals wel wordt beschreven, fake!!! riep ik, dit is van het zwart en de pot met de ketel gerukt, trouwens aan iedere episode op een scherm gaat zo'n boekwerk vooraf. Dit is meer van hetzelfde maar misschien nog wel ernstiger. Het lijkt op wel zeer gerichte marketing, direct contact met de hersencellen van mij, een onschuldig heerschap, oog in oog met een hoop donkere lettergrepen in conclaaf met klemtonen figurerend op een bleke achtergrond, ik in onmacht gezeteld op een zetel voor zitten lijden aan het einde maken der tijden gemaakt, mijn tijd aan het verdoen en dat nog wel op advies van u een heerschap die ik zeer hoog acht, enorm, een ongelooflijk geweldig en zeer kunstig en kundig mediageniek persoon. Kom bedenk iets beters ter verbetering, verheffing van mijn volkse en slaafse kijk aard, u zit toch ook niet dag in dag uit te turen naar schermen en blaadjes niet wiegend in de wind, waar kijkt u zo al naar als u ogen voorwaarts zijn gericht?

De arts zei dat ik misschien wegkijken moest overwegen dat als er iets was dat heel erg dringend aanwezig is, zo goed als zeurt om aandacht, gewoon door daar te zijn met een optie voor aanzetten dat ik dan kijk naar een plek op de muur, plafond of de vloer, en daar dan niks van noch over denk. Dat is onmogelijk dokter, dat kan ik niet, ik ben geen god, ik ben een eenvoudig heerschap maar dan met terminale schermziekte, ik moet ergens heen kijken waar anderen iets doen, bewegen van a naar b, springen, draaien, praten, geluid maken, iets laten waaien in de wind, met een pijl gooien op een klein rond rood oogje schijnbaar residerend in de ogen van een stier, al heeft niemand die stier ooit gezien, en dan een ander aan de zijkant van het spektakel, opgetogen in een zwart pak heel overdreven roepen one hunderd and eighty !!! of een man in een hele dure auto die dan zo snel mogelijk rondjes rijdt op een afgebakend parkoers met een aantal vijanden die hij moet verslaan door sneller over rechte stukken en door bochten te gaan, en dan daar tot hij over dat vooraf bepaalde finishpunt heen gaat met het jammerlijke volk achter hem of erger als die ene rijder mijn voorkeur heeft omdat hij of zij dezelfde taal spreekt en dingen zegt als “het is..” dat ik dan in mineur ben omdat die ene die in een andere auto rijdt en in een andere taal over dezelfde dingen praat voor mijn favoriet eindigt.. daar moet een echt deugdelijk mens naar kijken en het later over hebben tijdens een nabespreking, er iets aan vinden of juist niet, of niet dan. De dokter klonk bij het aandragen van andere opties steeds minder zeker, absoluut niet vol overtuiging van het eigen gelijk, je kon hem al sprekende horen piekeren over eigen gedrag en dat van zijn soortgenoten. Waar kun je zoal naar kijken op een dag, dus alles behalve naar een scherm maar wat is een scherm anders dan een façade, een spiegelbeeld van de geest waarin het leven zich lijkt af te spelen maar waarin eigenlijk niets gebeurt. Dat je als mens je hele leven waarschijnlijk alleen nog maar bij jezelf naar binnen kijkt, je eigen immobiliteit dan voorziet van een aangeleerde geluidsband, een script vol spanning, avontuur en ogenschijnlijke diepgang maar er gebeurt daadwerkelijk niks, helemaal niks, en toch en toch.

De arts wees me er op dat er mensen zaten te wachten op zijn woorden, dat ook zij moesten horen wat er niet aan het lijf en en of geest deugde, op welke wijze ze ongezond waren of juist verkeerden in blakende gezondheid, ze eigenlijk hadden moeten dartelen in de weide in plaats van zitten sippen in zijn preekkamer, mensen vol verlangen en energie in de zenuwen verkerend over een kluwen wrikkende cellen, een wel of niet spoedig naderend einde, een pijntje, een lichte irritatie of meer, helse pijnen! Dus...

En ik dan? U belt mij op na zes weken waarop ik in de zenuwen zat over mijn eigen naderend einde, ik heb me dingen voorgesteld, onvoorstelbare zaken, ik ben al meermaals begraven en weder opgestaan omdat ik er niet hard genoeg in geloofde, het verhaal niet voldeed, ik wil een fatsoenlijke kwaal met een degelijke oplossing, desnoods lange, zware kuren en diverse vormen van therapie, gymnastiek en zware oefeningen waarin ik weer leer denken en of praten misschien die beide wel een keer tegelijkertijd, iets met een doel waar ik naar toe kan werken zodat ik mijn over over over klein kinderen kan zien opgroeien en horen hoe goed ze tv kijken en computer taal leren beheren, het rij bewijs halen of beter het vaar bewijs, dat lijkt me in de toekomende tijd een stuk handiger. Iets waaraan gezonde mensen lijden in plaats van zo'n nieuwerwetse kwaal net gekomen uit de koker van de afdeling medicijnman fictie. Dit is helemaal niks, ik voel me volkomen verloren zeker in dit bedrijvig heden waarin geen mens meer zonder een verbeeldend scherm kan optreden. Heeft u niet iets in de aanbieding waarvoor ik pijnstillers kan slikken en dan tegen beter weten in van de beter wetenschap beter worden dan ik ooit was?

Piep tjielp tjielp piep tjielp piep

U luistert nu naar Bennie, de AI assistent van dokter Kolder, Uw geliefde huisarts heeft eigenhandig de verbinding met u verbroken, hij heeft het zo drug, drug, drug. U kunt echter wel via het economisch efficiënte telefoon menu iedere maand de aan u voorgeschreven zo goed als verplichte medicijnen bestellen om u schermziekte te bestrijden. Wij hebben alle informatie daarover alvast doorgespeeld naar alle daarin belanghebbende derden, vierden en vijfden, partijen die economisch belang hebben bij u in samenwerking met u vele kwalen, de vele bij werkenden van de geneesmiddelen u tijdens het leven voorbeschreven, met onze kennis van zaken hebben we onder andere de volgende partijen ingelicht, publieke en commerciële omroepen, de schrijvende pers, de orerende pers, alle mogelijke internet diensten, data leverancier(s), de leveranciers van de gebrandmerkte schermmiddelen zodat ook zij weten waar op ze moeten letten als u toch erg lang naar het u door eigen toedoen ziekmakende apparaat kijkt, de overheid om u als een simpel statistisch gegeven toe te voegen in hun data bestand over het aantal schermziekte lijders, tevens hebben wij contact opgenomen met een aantal therapeutisch directe belanghebbenden dit aangaande de te volgen therapie om u kwaal in goede beperkte banen en aan goede koper lijnen of glazen vezels te leiden speciaal voor bijzondere mensen zoals u die lijden aan deze ernstige ongeneeslijke terminal kwaal. Wij hopen dat u dit niet bezwaarlijk vindt indien wel, jammer dan. Wij zullen u voortgang blijven monitoren. Dank u voor u bereidwilligheid om door ons gediagnosticeerd te worden, wij wensen u een zo goed als gelukkig mogelijk nieuwjaar en veel progressie bij u [online] therapie.

 
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from Ernest Ortiz Writes Now

If you’re ever on Facebook or any other social media platform and have your phone’s microphone on, you’ll always see ads tailored specifically to your wants and desires. For me, it’s always backpacks, notebooks, pencils, and saxophones. It’s a love/hate thing.

Every time I go on Facebook (love Marketplace by the way), I always see some company I’ve never heard of selling genuine leather notebooks, the best journal carrying system, or the newest electronic gadget that supposedly helps you write with few distractions. The Shiny Object Syndrome (SOS) always rears its ugly head and takes your precious time and hard earned money.

Influencers praise these products and services and offer their discount codes to make sure you enjoy them as much as they do (until they move onto the next best thing). What ever happened to grabbing a simple notebook and pen/pencil and just write? Why is writing getting more complicated?

Do we really need devices with e-ink screens to help us write? Or an expensive journaling system forcing us to buy more replacement notebooks and accessories to make us look cool while we write? And do we really need an app just to time us when to start and stop writing?

I know I sound like the old man yelling at the clouds. So let’s just focus on the simple act of writing itself: paper and pen/pencil. And let’s deal with the more complicated stuff, such as publishing your manuscript and the online posts, later when the time comes.

#writing #simple #shinyobjectsyndrome

 
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from Prov

Gratitude

Manifesting and gratitude are not as simple as they sound. Many of us are living in the storm season of our lives, and when you are in it, it can be hard to see the sunshine at all.

I want to briefly share my 2025 the year manifesting finally clicked for me and I learned how to flow with the universe instead of fighting it.

Due to my disability, I rely on a van service to get to and from destinations. For several years, I spent 2–6 hours a day just commuting because it is a ride-share system. All of that time and energy was simply to get to work and rebuild my life.

At the same time, I had real concerns about healthcare costs. I made good money in my career, but not enough to comfortably cover nursing expenses.

Moving back closer to my job in the city a place I had already claimed as home despite the cost...it felt necessary. Still, money was a real concern.

But I knew the move had to happen. The long rides were exhausting me, and I was not getting enough rest to function properly.

So I made a decision: I was moving, and my needs would be met.

I focused my energy on exactly how I wanted my life to feel. I did not just think about it—I felt it. I lived as if doors were already opening and I was simply walking through them. I did not obsessively check outcomes. I only took action where it was required of me.

Here is what happened.

I was connected with an advocate who helped me secure full healthcare coverage. There was no lying, exaggerating, or manipulating the system. I stayed honest and transparent, and accommodations were made. She still jokes about invoicing me and never sent one, which tells you everything about her heart.

Over ten years ago, I said I would live where I live now because it spoke to my spirit. I would have preferred not to be wheelchair-bound, yet I was still able to secure the apartment. Management ensures my needs are met, and I have never had a complaint.

My nurses and caregivers slowly but surely fell into place. Issues are rare. One even buys groceries and cooks for me, which saves me a significant amount of money.

I also needed new medical equipment and searched everywhere for suppliers willing to help. Nothing worked until I finally found one. My insurance covered everything in full, even though other suppliers could not make it happen. I do not know what occurred behind the scenes, and honestly, I do not care.

Everything worked out because I aligned myself with the abundance already present in my life. Doors open for me because I believe they will.

You may be someone, like I once was, who overthinks this process and fixates on variables such as timing, location, or practical limitations.

Here is another perspective.

A friend of mine, who was previously my nurse, wanted to leave nursing to pursue her passion for music and transition into music therapy. She was struggling financially and has a special-needs child. She aligned herself with purpose and trust.

When we last spoke, she had quit nursing and was working in music full-time. Her external circumstances had not magically changed, yet she had not experienced a single financial crisis. More importantly, she felt fulfilled and aligned with her reason for being here.

Here is what I want you to do.

Something tells me some of you reading this do not need to start small. You need something to shift.

Let us use getting a job as an example.

You know you do not want to remain unemployed. What you do want is a career that pays the bills, allows you to live comfortably, and maybe even take time off to rest.

Close your eyes. Do not focus on desperation. Do not replay how hard life feels right now. Instead, feel what it would be like to already have the job.

Close your eyes. Imagine this.

You enjoy getting up in the morning and going to work. You feel accomplished when you complete your tasks. You are surrounded by coworkers who respect you. You made a difference today. You feel at ease when your paycheck comes in. You are grateful for the person who opened the door for you. You feel valued by your supervisor and respected for your ideas.

Notice the difference. There is no focus on what you do not want. The universe responds to frequency, not resistance.

Allow the opportunity to come to you, but still do your part. Update your résumé. Apply for jobs. Attend conferences if you can. Take advantage of free events. Meet people.

Do not dwell on rejection. You do not know what you were being protected from.

Stay aligned. Trust the timing. The doors will open, and the signs will be clear.

Lastly, be grateful. Being where you are right now is a privilege not granted to everyone.

This is just the beginning..

Prov

 
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from Douglas Vandergraph

Acts 13 is one of those chapters that quietly changes everything. Not because of a miracle that makes headlines or a confrontation that grabs attention, but because something subtle and irreversible happens beneath the surface. This is the moment when the church stops orbiting around its own center and begins to move outward with intention. It is the chapter where Christianity becomes decisively outward-facing, not as an idea, but as a lived mission that will not be contained by geography, culture, or comfort.

Up until this point in Acts, the story has been unfolding in expanding circles, but still largely reactive. Persecution scatters believers. Circumstances push the gospel forward. God uses disruption to advance His purposes. But Acts 13 marks a shift from reaction to obedience. The church in Antioch does not move because it is forced to. It moves because it listens. That distinction matters more than we often realize.

Antioch itself is already a signal that something new is happening. This is not Jerusalem, with its deep religious roots and sacred memory. Antioch is diverse, busy, Roman, multilingual, and unapologetically Gentile. It is a city built on trade routes and cultural collision. The gospel has taken root here not as an extension of Jewish identity but as a living, breathing message that speaks across boundaries. The church in Antioch is a picture of what happens when faith grows in the middle of the real world rather than the safety of religious tradition.

Luke is careful to name the leaders of this church, and their diversity is impossible to miss. Barnabas, the encourager from Cyprus. Simeon called Niger, likely a Black African believer. Lucius of Cyrene, from North Africa. Manaen, who grew up in proximity to political power alongside Herod the tetrarch. And Saul, the former persecutor turned relentless witness. This is not a uniform leadership team. It is a mosaic. Different backgrounds, different life stories, different social locations, all worshiping together and listening for the same Spirit.

That detail alone deserves lingering reflection. Before the Spirit speaks about mission, Luke tells us what the church is doing. They are worshiping and fasting. Not strategizing. Not planning expansion. Not arguing theology. They are seeking God together. Their unity is not based on sameness but on shared surrender. This is one of the quiet truths of Acts 13: mission clarity grows best in communities that prioritize God’s presence over their own agendas.

The Spirit’s instruction is strikingly simple and deeply disruptive. “Set apart for me Barnabas and Saul for the work to which I have called them.” The Spirit does not explain the full plan. There is no map, no timeline, no guarantee of safety or success. The calling is clear, but the outcome is not. And the church responds not with hesitation, but with obedience. They fast again. They pray. They lay hands on them. And then they let them go.

Letting go is often the most costly act of faith. Barnabas and Saul are not expendable leaders. They are central figures. Sending them means the church will feel their absence. It means releasing control. It means trusting that God’s work does not depend on proximity or familiarity. Acts 13 teaches us that a church that refuses to send will eventually stop growing, even if it continues gathering.

Barnabas and Saul do not go alone in spirit, even though they physically depart. The church sends them, and in doing so, participates in their mission. This is not a story about lone heroes. It is about shared obedience. The Spirit sends, the church affirms, and the mission unfolds through human steps taken in trust.

Their journey begins in Cyprus, Barnabas’s home region, which already hints at God’s redemptive pattern. God often begins new chapters in familiar places, but never stays there. In Salamis, they proclaim the word of God in synagogues, starting where there is at least some shared framework. This has been Paul’s pattern and will continue to be. He does not reject Jewish heritage; he builds upon it. Yet Acts 13 will make clear that the gospel cannot be confined to any single audience.

As they move across the island to Paphos, the narrative introduces a confrontation that is more than personal conflict. Sergius Paulus, a Roman proconsul, is described as an intelligent man who wants to hear the word of God. This detail matters. He is not hostile. He is curious. He is open. But standing in the way is Elymas, also called Bar-Jesus, a sorcerer and false prophet. The irony of that name is not accidental. A man whose name means “son of Jesus” actively opposes the message of Jesus.

This is one of the recurring tensions in Acts: opposition does not always come from open enemies. Sometimes it comes from those who trade in spiritual language but resist truth. Elymas attempts to turn the proconsul away from the faith, and for the first time in Acts, Saul is explicitly called Paul. The shift in name aligns with a shift in role. Paul steps forward with authority, not his own, but Spirit-filled.

Paul’s rebuke is sharp, direct, and unsettling to modern ears. He calls Elymas a child of the devil, an enemy of righteousness, one who distorts the straight paths of the Lord. Then, under the Spirit’s power, Elymas is struck temporarily blind. This moment forces us to wrestle with a dimension of God we sometimes prefer to avoid. Grace does not eliminate judgment. Mercy does not negate truth. Acts 13 shows that the same Spirit who comforts also confronts.

The result is not fear but belief. Sergius Paulus comes to faith, astonished not merely by the miracle but by the teaching about the Lord. That phrase is important. The miracle points to the message, not the other way around. Power serves truth. Signs serve substance. The gospel does not rely on spectacle but on the revelation of who Jesus is.

From this point on, the narrative momentum accelerates. Paul emerges as the primary voice. The mission expands beyond Cyprus into Asia Minor. But not everyone who begins the journey finishes it. John Mark, who had accompanied them, leaves and returns to Jerusalem. Luke does not give us his reasons, and that ambiguity is intentional. Faith journeys include moments of withdrawal, confusion, and unmet expectations. Acts does not hide this reality. It records it without commentary, trusting readers to understand that not all calling looks the same at the same time.

When Paul and Barnabas arrive in Pisidian Antioch, Paul delivers one of the most significant sermons in Acts. It is a sweeping retelling of Israel’s history, not as nostalgia, but as revelation. Paul does not discard the story of Israel. He reframes it. God chose the ancestors. God delivered them from Egypt. God sustained them in the wilderness. God gave them judges and kings. And then, from David’s line, God brought Jesus.

This sermon is not a history lesson for its own sake. It is a theological argument rooted in continuity. Paul is saying, in effect, this is not a new religion. This is the fulfillment of an old promise. Jesus is not an interruption of God’s plan but its culmination. Forgiveness of sins and justification, Paul proclaims, come through Jesus in a way the law of Moses could never fully accomplish.

This is one of the most radical claims in the New Testament, and it is delivered inside a synagogue. Paul is not attacking Judaism; he is announcing completion. The law pointed forward. Jesus finishes the story. The warning Paul issues at the end of his sermon is sobering. Do not scoff. Do not dismiss what God is doing now. Familiarity with Scripture does not guarantee openness to fulfillment.

The response is mixed, as it often is. Some are intrigued and want to hear more. The following Sabbath, nearly the whole city gathers to hear the word of the Lord. This is where tension rises. The Jewish leaders see the crowds and become jealous. Opposition intensifies. The same message that draws outsiders unsettles insiders. Acts 13 does not sugarcoat this dynamic. When God’s grace expands, it often threatens existing power structures.

Paul and Barnabas respond with clarity and courage. They state plainly that the word of God had to be spoken first to the Jews. But since it is rejected, they turn to the Gentiles. This is not retaliation. It is obedience. They quote Scripture to justify this shift, declaring that God has made them a light to the Gentiles, bringing salvation to the ends of the earth.

The Gentiles rejoice. They glorify the word of the Lord. And Luke records one of the most hope-filled lines in Acts: all who were appointed for eternal life believed. The gospel spreads throughout the region, not because it is fashionable, but because it is true. Yet persecution follows. Paul and Barnabas are expelled from the region, and they respond not with bitterness, but by shaking the dust from their feet and moving on.

This action is not petty. It is prophetic. It signals accountability without hostility. It entrusts judgment to God and frees the messengers to continue their work. Acts 13 ends with the disciples filled with joy and with the Holy Spirit, even as opposition remains. That combination is one of the clearest signs of authentic faith. Joy that does not depend on comfort. Fulfillment that does not require acceptance.

Acts 13 teaches us that obedience is rarely safe, often misunderstood, and always transformative. It shows us a church that listens before it acts, leaders who submit before they speak, and a gospel that refuses to be contained by tradition or fear. This chapter is not merely historical. It is instructive. It asks uncomfortable questions of every generation of believers.

Are we willing to be a sending church, even when it costs us our best people? Are we willing to let the Spirit interrupt our routines? Are we willing to speak truth when it unsettles, and extend grace when it surprises? Acts 13 does not offer easy answers, but it does offer a clear invitation. Follow the Spirit. Trust the mission. Let go when God says send.

The story does not end here. It cannot. Once the church learns to release rather than retain, to obey rather than control, the gospel becomes unstoppable. Acts 13 is the moment when the church steps fully into that reality, and nothing is ever the same again.

Acts 13 does not simply describe the beginning of missionary journeys; it exposes the inner posture required to carry the gospel forward without distorting it. What emerges as the chapter continues is not a triumphalist narrative of unstoppable heroes, but a deeply human story of obedience marked by tension, rejection, resilience, and joy that does not depend on outcomes.

One of the most striking undercurrents in Acts 13 is how deliberately God disrupts expectations. The church in Antioch likely assumed that its future depended on keeping its strongest leaders close. Paul and Barnabas were teachers, anchors, stabilizers. Yet the Spirit insists on movement. This reveals a truth that challenges nearly every institutional instinct: God’s work expands through release, not retention. What feels like loss to us often becomes multiplication in God’s economy.

The sending of Paul and Barnabas also redefines what leadership looks like in the kingdom of God. They are not commissioned because they have mastered technique or strategy, but because they are already living lives of worship, fasting, and attentiveness. In Acts 13, calling does not precede faithfulness; it flows from it. The Spirit speaks into an already surrendered environment. That pattern has not changed. God still entrusts outward mission to those who have learned inward humility.

As Paul’s role becomes more prominent, Acts 13 subtly reframes authority. Paul does not seize leadership; it emerges as he responds faithfully to each situation. His confrontation with Elymas is not driven by ego or impatience but by discernment. His sermon in Pisidian Antioch is not rhetorical performance but theological clarity rooted in Scripture. His turning toward the Gentiles is not emotional retaliation but prophetic obedience. Authority in Acts is never self-generated. It is recognized through alignment with God’s purposes.

The sermon in Pisidian Antioch deserves further reflection because it reveals how Paul understands God’s story. Paul does not treat Israel’s history as a relic of the past or a burden to escape. He treats it as sacred groundwork. God chose. God led. God sustained. God promised. And God fulfilled. Jesus is not presented as an alternative to Israel’s story but as its climax. This approach honors God’s faithfulness across generations while refusing to freeze faith in a previous era.

Paul’s emphasis on forgiveness and justification is especially significant. He does not merely proclaim that sins are forgiven; he insists that through Jesus, believers are justified in a way the law could never accomplish. This is not an attack on the law but an honest assessment of its limits. The law reveals righteousness; it cannot create it. Acts 13 articulates one of the clearest transitions from covenantal obligation to covenantal grace, without dismissing either.

The mixed response to Paul’s message exposes another enduring reality: the gospel does not fail when it divides opinion. In fact, division often reveals where hearts truly stand. The jealousy of the religious leaders is not framed as theological disagreement but as resistance to losing control. The gospel threatens systems built on exclusivity. When grace expands beyond familiar boundaries, it unsettles those who have benefited from keeping it contained.

Paul and Barnabas respond to rejection with clarity rather than cruelty. Their declaration that they are turning to the Gentiles is not a rejection of Israel but an affirmation of God’s global promise. Scripture itself supports their move. God always intended His salvation to reach the nations. Acts 13 simply marks the moment when that intention becomes unmistakably central.

The joy of the Gentile believers stands in stark contrast to the hostility of those who oppose the message. Luke’s description is brief but powerful. They rejoice. They glorify the word of the Lord. Faith spreads. This joy is not shallow enthusiasm; it is the deep relief of people who finally hear that they are included in God’s story. Acts 13 reminds us that the gospel’s power is often most visible among those who never expected to be welcomed.

Persecution follows swiftly, as it often does when the gospel disrupts entrenched interests. Paul and Barnabas are expelled, not because they failed, but because their message succeeded. This inversion of success and rejection is one of the most challenging lessons in Acts. Faithfulness does not guarantee acceptance. Obedience does not ensure safety. But neither rejection nor suffering signals God’s absence.

The act of shaking the dust from their feet is a quiet act of trust. It releases resentment. It acknowledges responsibility without obsession. It leaves space for God to continue working beyond the missionaries’ presence. Acts 13 models a faith that knows when to stay and when to move on, when to speak and when to entrust the outcome to God.

The chapter ends with a phrase that deserves to linger in the soul: the disciples were filled with joy and with the Holy Spirit. This joy exists alongside opposition, not after its removal. It is the joy of alignment, the peace of obedience, the quiet confidence that God’s purposes are advancing even when circumstances suggest otherwise.

Acts 13 reshapes how we understand success in the life of faith. Success is not measured by comfort, applause, or permanence. It is measured by obedience, clarity, and willingness to be sent. The church in Antioch succeeds not because it grows larger, but because it listens better. Paul and Barnabas succeed not because they avoid hardship, but because they follow the Spirit step by step.

This chapter also speaks directly to modern faith communities that wrestle with identity, relevance, and mission. Acts 13 does not call the church to chase culture or retreat from it. It calls the church to listen deeply, obey courageously, and trust that God is already at work beyond familiar boundaries. The gospel does not need protection; it needs witnesses who are willing to move.

At a personal level, Acts 13 confronts the question of surrender. What would it mean to let go of roles, routines, or relationships when the Spirit calls? What if faithfulness requires movement rather than stability? What if obedience means stepping into uncertainty without guarantees? Acts 13 does not promise clarity about outcomes, but it does promise the presence of the Holy Spirit along the way.

The courage to be sent is not reserved for apostles. It is a posture available to every believer. Sometimes being sent means crossing oceans. Sometimes it means crossing assumptions. Sometimes it means speaking truth in familiar spaces where it may no longer be welcomed. Acts 13 reminds us that God’s mission is not constrained by geography. It advances wherever obedience meets opportunity.

The story that begins in Antioch does not end there, and neither does its relevance. Acts 13 stands as a turning point not only in Scripture but in the ongoing life of the church. It marks the moment when faith decisively steps beyond its birthplace and into the world. That step required listening, releasing, confronting, enduring, and rejoicing all at once.

In every generation, the church must decide whether it will be a holding place or a sending place, a gatekeeper or a witness, a preserver of comfort or a participant in mission. Acts 13 offers no middle ground. The Spirit speaks. The church responds. The gospel moves. And the world is never the same.

That same invitation remains. Listen. Obey. Let go. And trust that God is already ahead of you.

Your friend, Douglas Vandergraph

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from The happy place

👋 👀👂✌️

👄

Hello hello

I have got a big heart and it’s not made of steel, like in this expertly written track by Manowar, named ”Heart of Steel“,

I listen to that one a lot, when facing hardships, I too feel like a comet. I too burn the bridge behind me, because there are things worse than death.

I think.

Always one more try!

And the falling snow, indeed will always melt, even though sometimes it takes a long time,

This song lyrics are very accessible for youth and adults alike, indeed the old sometimes forget that they have strayed from their paths somewhere long ago,

And sometimes some of them don’t remember who they once were meant to be.

But that’s not passing judgement, life can grind HARD! Sometimes a battery of circumstances can propel anyone into space or down into a very deep well, so much that the exit seems smaller than a star. And that’s not something I can judge people for, laying as I do, on the yellow sofa.

However, it’s never to late to do the right thing. Even Jesus says so.

Like in this text, it’s not about succeeding, it’s about perseverance. To not give up! It’s all we got?!

But yes! Staying true to the ideal is no easy task.

It requires a heart of steel

I think I have such a heart after all

I must believe I do

 
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from Douglas Vandergraph

When the disciples finally asked Jesus to teach them how to pray, they were not asking out of curiosity. They were asking out of necessity. They had been with Him long enough to recognize a pattern that could not be ignored. Every time Jesus prayed, something shifted. Not just circumstances, but atmosphere. Not just outcomes, but people. There was a steadiness to Him that did not come from temperament or training. There was a clarity in Him that did not come from education alone. And the disciples, many of whom had spent their lives around religious activity, realized they were watching something altogether different. This was not prayer as performance. This was prayer as oxygen.

They did not ask Him how to preach. They did not ask Him how to heal or teach or draw crowds. They asked Him how to pray, because they understood instinctively that prayer was the source. Everything else flowed from that place. They had watched Him withdraw from noise and return with authority. They had watched Him step away from chaos and come back centered. They had watched Him pray before the hardest moments and endure them without losing Himself. And so they asked the most honest question a human being can ask another: how do You stay connected like that?

The Lord’s Prayer was His answer, but it was not a script meant to be memorized and repeated without thought. It was a window into how Jesus Himself related to God. To understand why Jesus taught prayer this way, we have to ask a deeper question first. Where did He learn to pray like this?

Jesus was born into a world already saturated with prayer. He grew up hearing Scripture read aloud. He learned the Psalms not as poetry but as survival language. He knew the ancient prayers of Israel, the blessings spoken over bread, the words whispered at sunrise and sunset. He knew the language of reverence, of awe, of dependence. But Jesus did not merely inherit a prayer tradition. He inhabited it. And then He transformed it.

The prayers of Israel were rich, expansive, and deeply reverent, but for many people they had also become distant. Formal. Carefully measured. Prayer could feel like something you offered upward rather than something you entered into. Jesus did not discard those prayers. He fulfilled them. He drew them inward. He stripped them down to their essential truth and rebuilt them around relationship.

That is why the Lord’s Prayer begins where it does. Not with demand. Not with confession. Not even with need. It begins with identity.

“Our Father.”

Those two words alone reveal more about the heart of Jesus than volumes of theology. Jesus does not begin prayer by reminding us how small we are. He begins by reminding us how held we are. He does not ask us to approach God as beggars hoping to be tolerated. He invites us to approach God as children who belong.

This was not common language. It was not casual or careless. It was intimate in a way that unsettled people. Jesus spoke to God with the closeness of a son who trusted completely, and He invited His followers into that same relationship. Prayer, He taught, begins not with fear but with trust. Not with distance but with closeness.

Jesus learned this posture not from books alone, but from lived communion. Again and again, the Gospels tell us that He withdrew to lonely places to pray. Not because He was weak, but because He understood that intimacy with God was not automatic. It was cultivated. Prayer was where He aligned Himself with the Father before He engaged the world.

When Jesus taught His disciples to pray “Our Father,” He was teaching them where to stand. He was giving them a starting place that would anchor them no matter what came next. Because if prayer does not begin with relationship, it quickly turns into transaction. And Jesus refused to teach prayer as a transaction.

He continues, “who is in heaven.” This is not about distance. It is about perspective. Jesus reminds us that God is not trapped inside our circumstances. Heaven is not a far-off place so much as a higher vantage point. Prayer begins when we lift our eyes beyond what is immediately visible and remember that God sees more than we do.

Then Jesus says, “Hallowed be Your name.”

This is not flattery. It is recalibration. To hallow something is to recognize its weight, its holiness, its significance. Jesus teaches us to pause before we ask for anything and remember who God is. In a world that constantly pulls our attention toward ourselves, this line gently but firmly reorients us. Prayer is not about enlarging our desires; it is about realigning them.

Jesus knew how quickly fear can take over when life feels uncertain. He knew how easily we reduce God to the size of our problems. So He teaches us to begin prayer by lifting God back to His rightful place. Not because God needs the reminder, but because we do.

Only after establishing identity and perspective does Jesus move into purpose. “Your kingdom come. Your will be done, on earth as it is in heaven.”

This is one of the most misunderstood lines in prayer. Many hear it as passive resignation, as though we are asking God to override our lives. But Jesus is doing something far more profound. He is inviting us to participate in God’s work. This is not about surrendering agency. It is about aligning it.

Jesus lived His entire life under this prayer. Every choice He made flowed from a desire to bring heaven’s values into earthly reality. Compassion where there was exclusion. Mercy where there was judgment. Truth where there was hypocrisy. When He teaches us to pray for God’s kingdom to come, He is teaching us to become people through whom that kingdom is expressed.

Prayer, in this sense, is not escape. It is engagement. It is not about withdrawing from the world; it is about being transformed so that we can live in it differently. Jesus chose this structure because He understood that prayer shapes vision before it shapes outcomes.

Then He brings the prayer into the most ordinary territory imaginable. “Give us this day our daily bread.”

This line is deceptively simple. It is also deeply challenging. Jesus does not teach us to pray for abundance or security or certainty. He teaches us to pray for enough. Enough for today. Enough to keep going. Enough to trust that tomorrow will also be met.

Jesus knew the human tendency to live either in regret over yesterday or fear of tomorrow. Daily bread pulls us back into the present. It teaches us that faith is lived one day at a time. Dependence is not a failure of spirituality; it is the foundation of it.

In teaching this line, Jesus echoes the story of manna in the wilderness, where God provided daily provision that could not be stored or controlled. The lesson was not about scarcity. It was about trust. Jesus chose this imagery because He knew that learning to rely on God daily reshapes the soul.

Prayer, He teaches, is not about securing guarantees. It is about cultivating trust.

As the prayer continues, Jesus turns toward the inner life. “Forgive us our debts, as we also have forgiven our debtors.”

This is not a casual addition. It is central. Jesus understood that unresolved guilt and unhealed resentment distort everything. They cloud our relationship with God and fracture our relationships with others. Forgiveness, in the teaching of Jesus, is not a spiritual add-on. It is a necessity.

By linking our reception of forgiveness with our extension of it, Jesus reveals a hard truth: grace is meant to move. When it stagnates, it becomes corrosive. Prayer is not only about being cleansed; it is about being released. Released from what we have done, and from what has been done to us.

Jesus knew that many people would try to pray while carrying bitterness. He knew how heavy that weight becomes over time. So He placed forgiveness at the heart of prayer, not to burden us, but to free us.

Then, finally, Jesus acknowledges what so many prayers avoid. “Lead us not into temptation, but deliver us from evil.”

This is not pessimism. It is realism. Jesus does not pretend that life is safe or that faith removes struggle. He teaches us to ask for guidance before we wander, strength before we fall, and rescue before darkness overwhelms us.

Jesus Himself prayed this way. In moments of pressure and pain, He did not deny fear. He entrusted it to the Father. And in teaching His disciples to pray this line, He gives them permission to be honest. Honest about weakness. Honest about danger. Honest about their need for help.

The Lord’s Prayer, taken as a whole, is not a formula for religious success. It is a map for a grounded life. It moves from relationship to reverence, from alignment to dependence, from forgiveness to protection. It reflects the way Jesus Himself lived.

And that is why He taught it this way.

In the next part, we will step deeper into how this prayer reshapes the inner life over time, why it has endured across centuries, and what happens when we stop reciting it and begin living it.

If the Lord’s Prayer were only meant to be recited, it would not have survived the centuries the way it has. Words alone do not endure like this. What lasts is formation. What lasts is truth that reshapes the inner life slowly, quietly, faithfully. Jesus did not give His disciples a prayer to admire. He gave them a prayer to inhabit. And when this prayer is lived rather than rushed, it begins to do something subtle but profound to the person who prays it.

The Lord’s Prayer trains the soul to move in a certain direction. Over time, it teaches us how to stand in the world without being consumed by it. It reorders priorities. It softens hard places. It builds steadiness where anxiety once lived. This is why Jesus chose to teach prayer this way. He knew that what we repeat regularly does not just pass through us; it forms us.

One of the quiet powers of this prayer is its balance. It holds together both intimacy and awe. It reminds us that God is close enough to call Father, but holy enough to be revered. Many people lose one side or the other. Some approach God casually but lose reverence. Others approach God with reverence but lose closeness. Jesus refuses to let us choose. He teaches a prayer that holds both at once. Relationship without reverence becomes shallow. Reverence without relationship becomes cold. Prayer, Jesus teaches, must contain both if it is to sustain us.

Over time, praying this way retrains how we see ourselves. Beginning with “Our Father” slowly loosens the grip of isolation. You are reminded again and again that you are not alone. That your life is not carried by your own strength alone. That you belong to something larger than your fear or your failure. This is not emotional comfort; it is spiritual grounding. The world tells us we must earn belonging. Jesus teaches us to begin prayer from a place of already being claimed.

As the prayer moves into “Your kingdom come, Your will be done,” something else begins to happen internally. We start to loosen our grip on control. This does not happen all at once. It happens through repetition, through daily surrender, through the quiet reorientation of the heart. Over time, the prayer teaches us to ask a different question. Instead of “How can I make this work?” we begin to ask, “What is God already doing here?” That shift changes how we face decisions, conflict, and uncertainty.

Living this prayer does not make life easier. It makes it clearer. It teaches us to recognize where we are resisting God’s work and where we are invited to participate in it. It forms humility, not as weakness, but as strength grounded in trust.

The daily bread portion of the prayer continues this reshaping. When prayed honestly, it confronts our obsession with security. It calls out our tendency to live five steps ahead of the present moment. Over time, it teaches us how to live within the limits of today without fear. This does not mean ignoring responsibility or planning. It means learning to trust that God meets us in the ordinary rhythms of life, not just in extraordinary moments.

Many people struggle with faith not because they lack belief, but because they are exhausted from trying to manage everything themselves. Daily bread prayer gently dismantles that burden. It reminds us that provision is relational, not transactional. That trust grows through consistency, not control.

Forgiveness, placed where it is in the prayer, continues the inner work. It exposes the places we hold onto resentment because letting go feels risky. Over time, praying forgiveness reshapes our understanding of justice and mercy. We begin to see how deeply connected our inner freedom is to our willingness to release others. Jesus did not include this line to shame us. He included it because He knew that unforgiveness chains us to the past.

Living this prayer teaches us that forgiveness is not denial of harm, but refusal to let harm define us. It becomes an ongoing practice rather than a one-time decision. And slowly, often without fanfare, the heart begins to lighten.

The final line about temptation and deliverance completes the formation. It teaches vigilance without paranoia. Dependence without fear. Honesty without despair. When we pray this regularly, we learn to recognize our limits without shame. We learn that asking for help is not spiritual failure. It is spiritual maturity.

Jesus chose to teach prayer this way because He knew that life would test His followers. They would face fear, confusion, persecution, disappointment, and doubt. He did not promise them an escape. He gave them a way to remain anchored. The Lord’s Prayer is not protection from hardship; it is preparation for it.

And perhaps most importantly, this prayer teaches us to pray together. The language is communal from beginning to end. Our Father. Give us. Forgive us. Lead us. Deliver us. Jesus never frames prayer as a solitary self-improvement exercise. Even when prayed alone, it reminds us that faith is lived in community. That our lives are intertwined. That what shapes us individually also shapes the people around us.

This is why the Lord’s Prayer has endured across cultures, languages, and centuries. It speaks to something universal in the human experience: the need for belonging, meaning, forgiveness, provision, guidance, and hope. It is not bound to a single moment in history because it addresses what it means to be human in every age.

When Jesus taught this prayer, He was not only responding to a question. He was passing on a way of life. He was inviting His disciples into the same rhythm that sustained Him. A rhythm of trust. Of surrender. Of daily return to God.

When we pray this prayer slowly, thoughtfully, honestly, we begin to notice something subtle. We become calmer. More patient. Less reactive. More aware of God’s presence in ordinary moments. This is not because the words are magical. It is because the prayer is formative. It trains us to live from a different center.

Jesus learned prayer through communion with the Father, through Scripture, through solitude, and through obedience. He taught it through simplicity, not because it was shallow, but because it was deep enough to carry a lifetime. The Lord’s Prayer does not give us everything we want. It gives us what we need to remain faithful.

And that is why Jesus chose this prayer. Not to impress us. Not to overwhelm us. But to steady us. To remind us who God is. To remind us who we are. And to teach us how to live between heaven and earth without losing our way.

When you pray the way Jesus taught, you are not merely repeating ancient words. You are stepping into a rhythm that has carried countless lives through joy and grief, certainty and doubt, peace and struggle. You are learning to live grounded in trust rather than fear.

This is why the prayer still works.

This is why it still speaks.

And this is why Jesus taught it—not as something to memorize, but as something to become.

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