Want to join in? Respond to our weekly writing prompts, open to everyone.
Want to join in? Respond to our weekly writing prompts, open to everyone.
from Sprachabenteuer
Arbeiten im Hotel: 24. Juni
Obwohl die Hitze noch nicht ihren Höhepunkt erreicht hatte, fühlte sich mein Mann nach dem Tag draußen ziemlich schlecht. Ich wollte ihn ein wenig schonen, deshalb entschied ich, an diesem Tag im Hotel zu arbeiten. Meine Chefin war damit völlig einverstanden.
Ein weiterer Grund waren meine noch unerledigten Aufgaben für die Universität. In diesem Berliner Leben hatte ich völlig vergessen, dass ich auch dort noch Verpflichtungen habe! Einen Teil meiner Abschlussarbeit musste ich bis zum 26. Juni einreichen. Natürlich war ich darauf noch überhaupt nicht vorbereitet. Deshalb wollte ich diesen Tag nutzen, um endlich einige meiner alten „Schulden“ abzuarbeiten.
Leider konnte ich mich nicht nur auf mein Studium konzentrieren. Zuerst wollte ich die Reportage „Mit Kai“ fertigstellen und außerdem noch ein paar Tagebucheinträge schreiben. Natürlich ist auch meine Chefin der Meinung, dass ich mich etwas mehr um meine Grammatik kümmern sollte. Und da stimme ich ihr vollkommen zu. Deshalb wollte ich mir auch dafür etwas Zeit nehmen.
Eigentlich bin ich genau so ein Mensch. Fast immer schiebe ich alles bis zum letzten Moment auf und fange erst dann richtig an zu arbeiten. Während meines Praktikums mache ich das allerdings nicht. Dafür fehlt mir im Deutschen noch das nötige Selbstvertrauen. Ich weiß nie, wie lange ich für eine Aufgabe brauchen werde, wie gut ich alles verstehen werde und wie schnell mir die richtigen Ideen einfallen. Deshalb erledige ich alles möglichst sofort, auch wenn ich meine Lieblingsaufgaben natürlich zuerst machen würde. Sonst wäre ich am Ende wahrscheinlich doch zu spät dran. Mit meiner Masterarbeit läuft es allerdings genau umgekehrt. Ehrlich gesagt habe ich schon meine Bachelorarbeit erst in den letzten zwei Wochen geschrieben. Einfach deshalb, weil mir vorher jede Inspiration fehlte. Doch im letzten Moment kommt die Inspiration plötzlich – wie eine verspätete Studentin –, setzt sich neben mich und hilft mir dann, alles perfekt zu machen. Auf diese Gewohnheit bin ich allerdings überhaupt nicht stolz und versuche schon lange, sie zu ändern. Bisher sind meine Bemühungen allerdings noch nicht besonders erfolgreich.
Außerdem trainiere ich hier in Deutschland gerade mein „Disziplin-Organ“. Ich möchte einfach alles möglichst ordentlich und regelmäßig machen.
Nicht nur die Universität belastet allerdings mein schlechtes Gewissen! Im Idealfall würde ich jeden Morgen schon um fünf Uhr aufstehen, um meine Yogaeinheit zu machen. Offensichtlich ist mir das bisher noch nicht gelungen – obwohl die Yogamatte schon fertig neben der Tür liegt!
Also gibt es hier viele Pläne: regelmäßig Yoga machen, an meiner Abschlussarbeit schreiben, Deutsch üben, alle Aufgaben im Praktikum erledigen und irgendwann endlich auch meinen Videoblog auf Deutsch beginnen.
Das klingt eigentlich nach einem guten Plan. Mal sehen, wie viel davon am Ende wirklich gelingt.
from Tuesdays in Autumn
On-line the other week I happened to hear Jon & Vangelis’ original rendition of the song ‘State of Independence’, which reminded me how much I’d always liked Donna Summer’s cover version of the song. On Saturday in Chepstow what should I find, but a vinyl copy of her 1982 self-titled album, on which ‘State of Independence’ is the closing number on the first side. I bought the record along with two others for £6.
I enjoyed the song as much as ever, buoyed up as it is by Summer’s commanding lead vocal, backed by an all-star choir including the likes of Michael Jackson, Lionel Richie, Dionne Warwick and Stevie Wonder. Alas there wasn’t anything else on the record that pleased me as much, with ‘Love Is in Control’ in my estimation a distant second-best of the rest. I'd been interested to hear the version of Billy Strayhorn's ‘Lush Life’ which closes the album: but to my ears its being dressed up in ‘80s garb didn’t suit the song well at all.
Six pounds seemed cheap but proved not to be much of a bargain when I didn’t love any of the three records, pleasant enough as it was to give them a hearing. The other two were Bonaparte’s Retreat by The Chieftains (1976) and Shelter by Lone Justice (1986), both interesting in their own ways though neither one a keeper. The latter record was somewhat marred for me by that awful ‘80s drum sound that I didn’t like then & still don’t like now. Even so, I did quite like the opening track ‘I Found Love’, which I think I must have heard on the radio back in the day. And the penultimate number, ‘Inspiration’, while unfamiliar, was even more to my taste.
Last week’s heatwave peaked on Thursday afternoon with maximum temperatures of 38C hereabouts: as hot as it’s ever been; not as hot as it will be.
In my twenties I had a taste for some of the symbolist & decadent literature from the French fin de siècle. It's a taste that has faded over the years, though now & again curiosity will lead me to read something more in that vein. Most recently that involved Remy de Gourmont’s From a Faraway Land (1898), in Brian Stableford's translation. This is a collection of short sketches and fables, in three loosely themed sections. The writing is elegant, ironic, and not too often overwrought. As was commonplace for that literary milieu, the artificiality and misogyny is plentiful to the point of being hard to stomach; though thankfully, in de Gourmont’s hands it's not unremitting, and there are also some more naturalistic interludes, and some female characters who aren't only stereotypes.
The other book I finished this week was a non-fiction volume – Ancestors by Alice Roberts It’s an overview of British prehistory through the lens of human osteoarchaeology. As befits an author who’s a ‘Professor of Public Engagement with Science’ — and an alumnus of Time Team — it’s squarely a work of popular science, all very accessibly written. I felt there were some chapters where a pursuit of immediacy risked slightly impeding the narrative, but overall I found it absorbing and very interesting. Notable discoveries of human remains from the palaeolithic to the iron age are described, as meanwhile the history of archaeological practice is examined, from 19th-century gentleman scholars to the present-day study of genetic material salvaged from ancient bones. While not averse to the occasional bout of speculation, Roberts takes pains throughout to emphasise just how much of what we know about the distant human past remains open to diverse interpretations; and how much else remains unknown, or unknowable.
from What Inspired Me
Both of these videos come from Jana Horn's third album, Jana Horn — a title that is simply her own name. As I'll lay out below, the songs on this record are consistently first-person, closer to monologue than performance. Naming the album after herself already lines up with the way she sings.
The video for “Go on, move your body” opens with her asleep, draped over a man's shoulders, and stays there as she's carried through the subway and the streets. No one around her so much as glances over. “Come On,” by contrast, finds her completely alone — first in a wind-farm-dotted prairie, then at the foot of a New York bridge — repeating the same strange dance with no one watching. What either video is actually saying isn't clear. But that strangeness seems to quietly echo the story of loneliness in New York that the songs themselves go on to tell.
Horn released this album in January 2026. Most of its songs were written during her first year in New York, after finishing her MFA. Of the move itself, she's said it “felt almost too right, like an arranged marriage.” But she was unhappy for a while — her life was still back in Virginia with her friends, and in Texas with her mother, who was relearning how to live after years of being shuttled between hospitals. She drifted through the city in her pajamas at midday.
What waited at the end of the “right” path was a city's indifference to a loneliness no one could see. That dissonance sits at the core of the opening track, “Go on, move your body.” The lyric reaches for “follow your bliss” — that self-help mantra — only to ask what you're supposed to follow when you can't even catch its scent. No answer arrives. She hears an apocalypse stir and asks, simply, is this all there is? What comes back isn't a resolution. It's a single instruction.
Go on, move your body.
“Come On” offers the counter-gesture. Take my hand, if you want to. Not a demand, but a murmur that still reaches for connection while checking, first, whether the other person wants it too. Moving, and reaching for a hand — these two gestures run through the whole record.
Horn picked up the guitar at sixteen, playing alongside her older brother Shawn. Her writing method is still distinctive: she works almost entirely on the top two strings, composing the way a bassist would. Her bandmate Jade Guterman does the opposite, often playing melodic, lead-style lines on bass. As Horn has put it, the two of them interlock as “bass flourishes, guitar static.”
Which is to say, the flatness of her guitar isn't a limitation — it's closer to a deliberate compositional choice, sustaining a low drone rather than chasing chord changes. The chords barely move because the guitar's role has been narrowed, on purpose, to a foundation for the voice. That's precisely what frees the bass to roam, while her guitar stays fixed, holding the song up from underneath.
Against that unmoving guitar, what stands out is the way she sings. She doesn't raise her voice toward a listener; she sings the way you'd talk to yourself, half under your breath. Even a command like “move your body” doesn't read as a rallying cry — it sounds more like a small incantation aimed at herself, on a morning she can't quite get out of bed.
That inwardness is sharpened, not muted, by the flatness of the music. With no dramatic swells or chord changes to lean on, the slight tremor in her voice, her breath, the silences between words, all move to the front. Critics have noted that her lyrics sometimes carry the texture of classical Chinese or Japanese poetry — saying little, implying a great deal. What sounds like an ordinary singer-songwriter tune can suddenly land a sharp little barb you didn't see coming.
A murmured delivery, lyrics that refuse to resolve — the two line up. That's why her music never sounds like preaching or comfort. It just sounds like someone talking to herself.
The songs were written in New York, but recorded at Sonic Ranch Studios in Tornillo, Texas. Words shaped by the city pass through a landscape nearly empty of people before becoming sound.
The record features Jade Guterman on bass, guitar, and piano; Adam Jones on drums and guitar; Adelyn Strei on clarinet and flute; and Miles Hewitt on piano. Jones has worked with Horn since her previous record, The Window Is the Dream (2023). Reviewers have described the band playing with a lightness that seems sympathetic to her writing, as if careful not to break the spell. Take “All in Bet” — it could easily have been just strummed guitar and a yearning vocal, but instead skittering percussion carries it forward, woodwinds sigh, and small bursts of piano trail glittering through the mix. At times, Horn steps out of the spotlight entirely, letting bass or drums take the lead while she whispers in from the shadows.
Behind that flat, unadorned guitar are collaborators quietly holding it up. The fact that the album was recorded in a near-empty desert, and the fact that it was shaped into something fuller by a handful of people gathered around her, aren't in tension. Solitude and being held up turn out to coexist, at the same time, in her music.
Horn's songs and her words are intensely personal, first-person. She isn't trying to lift anyone up or convince anyone of anything. Of her own process, she's described it as something close to meditation — sitting with a guitar, letting a few notes oscillate, and waiting for words and melody to pass through.
I read that as an enactment of the lyrics themselves. Moving your body even when you've lost the thread of what you're moving toward. Reaching for a hand despite the fear of reaching. She doesn't just sing these things — she lives them out in the act of writing a song with a guitar in her hands. In a city that doesn't interfere with anyone, the way she confirmed her own existence may simply have been to sing.
And that intensely personal monologue turns out to be something many of us, living now, carry in some form ourselves. Words murmured to no one in particular become, somehow, our own murmur. That quiet capacity for resonance might be the most honest strength in Jana Horn's music.
from What Inspired Me
この2本のビデオは、ジャナ・ホーンの3作目のアルバム『Jana Horn』からの楽曲だ。タイトルは彼女自身の名前そのもの。これから語っていくように、この作品の歌は終始一人称的で、独白に近い。アルバムに自分の名前をそのまま冠したことは、その歌い方ともすでに一致している。
「Go on, move your body」のミュージックビデオは、彼女がある男性の肩に乗ったまま眠り、そのまま地下鉄や街を漂う場面から始まる。周囲は誰一人として気に留めない。一方「Come On」では、風車の立つ草原と、ニューヨークの橋のたもとで、彼女はたった一人、同じ奇妙なダンスを繰り返す。何を意味する映像なのか、明確な答えはない。けれどこの奇妙さは、これから語る彼女のニューヨークでの孤独な経験と、どこかで静かに重なって見える。
ホーンは2026年1月、このアルバムをリリースした。収録曲の大半は、大学院修了後にニューヨークへ移り住んだ最初の一年間に書かれている。その移住について、彼女自身はこう振り返る。「決められた結婚のように、正しすぎるくらい正しく感じた」。けれど実際にはしばらく不幸で、生活の実態はまだヴァージニアの友人たちやテキサスの母のもとにあり、真昼間にパジャマ姿で街をあてもなく歩いていたという。
社会的に「正しい」とされるルートを辿った先にあったのは、誰もあなたの孤独に気づかない都市の無関心だった。この不協和が、アルバム冒頭曲「Go on, move your body」の核になっている。歌詞は”follow your bliss”(至福を追え)という自己啓発的な言葉を引きながら、その匂いすら感じられない時、何を追えばいいのかと問う。明確な答えは示されない。世界の終わりがざわめき出すのを聞きながら、「これで全てなのか」と問うだけだ。その問いに返されるのは結論ではなく、ただ一つの指示。
体を動かし続けろ。
もう一曲「Come On」では、対になる身振りが歌われる。手を取って、もしあなたがそうしたいなら――。強引にではなく、相手の意志を確認しながら、それでも繋がりを求める呟き。動くことと、手を取ろうとすること。この二つが、アルバム全体を貫くメッセージになっている。
ホーンは16歳の頃、兄のショーンと共にギターを弾き始めた。作曲のスタイルは今も独特で、彼女自身はギターの上の2弦だけを使い、まるでベースのように曲を書くという。共演するJade Gutermanは逆にベースでメロディックなリード的フレーズを弾くことが多く、二人は「ベースの装飾とギターの静的な持続音」という組み合わせで絡み合っているのだと、彼女自身が語っている。
つまり、彼女のギターが一本調子に聞こえるのは、技術的な制約の結果というより、最初から低音弦だけで持続音を保つという作曲上の選択に近い。コード進行がほとんど動かないのは、ギターという楽器の役割を意図的に「歌の土台」に絞り込んでいるからだ。だからこそベースが自由に動き回ることができ、彼女のギターは変わらない一点として、曲全体を下から支え続ける。
この一本調子のギターの上で際立つのが、ホーンの歌い方そのものだ。誰かに向けて声を張り上げるのではなく、独り言のように、自分自身に言い聞かせるように歌う。”move your body”という命令形の言葉も、誰かを鼓舞する号令ではなく、起き上がれない朝に自分自身へかける小さな呪文のように響く。
この内省性は、単調な曲調の中だからこそ際立つ。劇的な展開やコード変化がない分、声のかすかな揺れや息遣い、言葉と言葉の間の沈黙がそのまま前景化する。批評でも、彼女の言葉は時に古代の漢詩や和歌のような質感を持つと評され、説明を尽くさず最小限の言葉で多くを語る態度が指摘されている。一見ごく普通の弾き語りに聞こえる瞬間に、不意に鋭い言葉の棘が入り込んでくる、という指摘もある。
呟くような歌い方と、答えを出さない歌詞。この二つが一致しているからこそ、彼女の音楽は説教にも慰めにも聞こえない、ただの独白として届く。
歌詞はニューヨークで書かれたが、録音はテキサス州トルニーヨにあるSonic Ranch Studiosで行われた。都市の言葉が、人の気配の薄い土地を通過して音になっている。
今作にはベース・ギター・ピアノのJade Guterman、ドラム・ギターのAdam Jones、クラリネット/フルートのAdelyn Strei、ピアノのMiles Hewittが参加した。ドラムのAdam Jonesは前作『The Window Is The Dream』(2023年)から続く協力者でもある。演奏陣はホーンの作曲に共鳴するような軽いタッチで演奏しており、まるで魔法を壊さないよう慎重に踏み込んでいるかのようだという評がある。「All In Bet」を例に、ストラムするギターと歌声だけの普通のアコースティック曲にもできたはずが、代わりに軽快なパーカッションが曲を推進し、木管楽器がため息をつくように鳴り、ピアノの小さな連打がきらめく軌跡を残しながら通り抜けていく、と評されている。ホーン自身が時に主役を退き、ベースやドラムを前面に出して影からささやくように歌う瞬間もあるという。
一本調子に聞こえるギターの裏には、それを丁寧に支える共同制作者たちの存在がある。砂漠という人の気配のない場所で録音されたという事実と、彼女を囲んだ数人の手によって曲が立体化していったという事実は、矛盾していない。一人であることと、支えられていること。この二つは、彼女の音楽の中で同時に成り立っている。
ホーンの歌と言葉は、極めて個人的で一人称的だ。誰かを励まそうとも、説得しようともしていない。曲作りについて彼女自身、ギターを手にいくつかの音符を行き来させながら、言葉とメロディが通り抜けるのを待つ、瞑想に近い作業だと語っている。
私はこれを、歌詞そのものの実践だと解釈した。目的を見失っても体を動かしてみること、踏み出すことを恐れながらも手を取ろうとすること。彼女はそれを、ギターを弾きながら歌を作るという行為そのもので実践している。他人に干渉し合わない都会の孤独のなかで、自分を確かめる手段が、彼女にとっては歌うことだったのだろう。
そしてその個人的な独白は、現代を生きる私たちの多くが抱えている感覚そのものでもある。一人に向けて呟かれた言葉が、いつのまにか私たち自身の独白にもなっている。その静かな共感性こそが、ジャナ・ホーンの音楽が持つ、最も誠実な強さなのだと思う。
from
Roscoe's Quick Notes

My MLB Game tonight again has the Texas Rangers playing the Cleveland Guardians. This will be the second game in a set of three games these two teams are playing against each other. The Rangers won the first game last night by a score of 6 to 3. This game is scheduled to start at 5:40 PM CDT. As I usually do, I'll follow the game's score and stats in real time via MLB's Gameday Service where I'll also find a link to the radio-call of the game.
And the adventure continues.
from
not dead, fyi.
As I sat down to start pounding the keys and produce the words, I thought maybe this wouldn't be a post about death. “Ha, a short little entry about my life here and how things change, that'll be a novel effort for me.” But the more I thought about what I wanted to say, I realized it's still about death. In a way.
Maybe that's just how things go, though. Maybe anything can be contorted into being about death, depending on how deep one is willing to dive into subtext.
Or maybe it's just me.
This entry is about a store. Can a store die? Perhaps, but it's not even like this store is closing or anything like that. It's just changing names. At least, officially, that's all that is changing. But...
I have somewhat deliberately avoided sharing too many specific details about where on this planet I'm even located, although I think I have mentioned that I do not reside in my country of citizenship. I feel like the word “expatriate” often carries a lot of baggage with it that I'd rather keep distance from. But in the purest sense, the dictionary definition, “a person living in a foreign country” is a descriptor I cannot deny.
It wouldn't be too hard for an internet sleuth to figure out where I now live based on what I'm writing here, if anyone in the world were actually inclined. I don't think anyone will actually ever read this, much less try and dox me. But I'm reluctant to even share this little slice of my life, so apologies that you've had to slog through several paragraphs now of me trying to rationalize it to myself.
Anyhow, when I first visited here, almost eighteen years ago to the day (good lord), it was quite overwhelming. Everyone probably says something like this when they first experience a place radically different than their home, so nothing new, I know. But even in 2008, which doesn't feel super ancient or anything, it wasn't yet like the current era where smartphones and mobile data are ubiquitous. I didn't have a GPS-enabled device, it was still very possible to actually get truly lost within the confines of civilization, and around every corner there was the potential to run into something you'd never expect.
So, on the second or third day in the country, just bumbling around with my then-girlfriend and her brother, I first encountered this store. It was a name unfamiliar to me. The entrance was at street level, and it didn't give me much of an impression. We had to ride an escalator down into the basement of the building, which revealed a much larger store.
I asked my girlfriend, “What kind of place is this?” Trying to explain to a wide-eyed tourist, she compared it to Walmart. Her brother, who had spent a lot more time than her abroad, scoffed. “It's definitely not as big as a Walmart. Nothing is as big as a Walmart.”
Experience would prove her brother to be correct, at least in my opinion. This place was certainly no Walmart, not that I was looking for a Walmart anyway. I didn't buy anything at the store at that time, in fact I don't know if I ever did buy anything from that branch on that trip.
But five months later, in the midst of an economic slump and with zero job prospects, I packed up and moved here. “For a year or maybe two, tops,” I said. I ended up in a totally different city than the first visit. The small bits of familiarity that I had built up from the summer were wiped completely clean. But as chance would have it, my new apartment was within walking distance of another one of these stores.
I ended up finding out it was a European chain. Again, unable to hold a candle to Walmart, but maybe that was a good thing. It was big but not too big. It had everything I needed and, I will admit, had just enough touches of home that it helped stave off homesickness in those first few months and even years.
As time went on, I became a member. I guess I shopped enough there to become a VIP, which is just meaningless marketing nonsense, but still. I wasn't even aware of it, until one time a temporary holiday checkout cashier, perhaps not fully trained in politeness, said, “Whoa, you're a VIP.” And I kind of chuckled, “yeah, I guess I shop here a bit.”
“You have to spend a lot of money here to be a VIP, not just a bit,” she said.
The years went by, and one day there was news that the parent company was looking to exit the market here. Their local partner bought out their stake, and the writing was on the walls. Everyone knew that, at some point, the stores would no longer bear the same name or logo. The stores would eventually become something else. That day, as it turns out, is tomorrow, July first.
Today was the last day for me to visit my old favorite store with its classic signage. To be honest, long before the local company made the announcement about the name change, the feeling was already perceptible. They stopped carrying some of the goods from back home, overall product selection changed, I dunno, maybe just some of the magic was gone. Local products are good, don't get me wrong. But there were already “local” stores I could and did shop at. It's not that this place was an imported goods shop, either. It was still 98% domestic stuff, but there was just a vibe that set it apart.
The kind of vibe that could cause siblings to debate whether or not it was apt to compare it to a Walmart, perhaps.
By coincidence, the end of June is also the point at which my annual spending is tabulated to see if I retain my VIP membership for another year. For the first time since I became a VIP at least a decade ago, I didn't hit the threshold. I didn't even come close. So, the magic definitely was already gone.
Still, I visited the branch near my office, one last time this afternoon. A lot of the logos were already covered up, but the staff still wore vests with the name that tomorrow will just be a piece of history. I bought a small bottle of iced coffee, displaying my VIP membership card to the clerk for the final time. Just to say I did.
I know it's dumb to feel sad about a store changing its name, a giant corporation. But, I won't forget that debate about whether or not it was like Walmart. I won't forget that same girlfriend telling me how cool she thought their logo was from her childhood, and feeling disappointed when I revealed to her what the simple shapes were actually forming.
I won't forget discussing with my first boss here about how to pronounce the name that will now be a relic. I won't forget walking there to buy bottled water after a massive storm hit in my first year here and there was no running water for four days. I won't forget it being my only weekly outing for groceries during the worst of the COVID lockdowns. I won't forget going there on my second date with the person who would end up being my partner, after dinner, just wandering around and laughing. And somehow knowing at that point that she was the one.
The stores will still be there tomorrow. They will physically exist. I can go shop at one. But, it's just not the same. God, I feel stupid for even thinking this way about stores, about a place I go to spend money to buy toilet paper or salad dressing. Well I might be stupid and hopelessly a part of the capitalist machine. But I'm not dead, at least. FYI.
from
Ennui Vagaries
Chimeri standard dress watch (Photo by Unattributed, License CC BY-NC-SA)
“What are hobbies about?” is a question I started asking myself when I was watching YouTube videos about watches and fountain pens. The answer to that question showed that I have a fundamentally different view of hobbies than others. Worse, the things that I think of as hobbies aren't hobbies to a lot of people.
There are, at least three kinds of people that are interested in the areas that I consider to be hobbies. At least three kind of people that have a different type of interest than I have in the areas. I've been trying to come up with a way to define these people, and I think I have them down now.
The people I call “Luxurians” aren't interested in these hobbies because of genuine interest in the subject. They might learn about the subject, but that's a side effect of feeling that they need to feign interest to others.
Luxurians are the people that buy into these hobbies not from genuine interest. They buy into them because they have the money to blow. They are more interested in the brand, and the marketing over the quality of the product.
But, the top reason they buy into these hobbies is that they can spend a lot of money. The Luxurians are the “flexers” of the internet. They are buying symbols of their status, and couldn't really care about anything else.
This is a peculiar breed of hobbyist, and they are infecting a lot of hobbies, from watches and fountain pens, to LEGO, Pokémon trading cards, and anything Disney.
The Investors are the people that study the resale markets. They are looking for something to “invest” in. Many times it doesn't matter what it is, they will chase the trends of whatever market is the “hottest”. They are collecting items they believe will appreciate in value, and thus bring them a payday when they sell the stuff they've horded.
This is an interesting intersection of the Luxurians and The Investors. They are the people that are just interested in whatever is the trendiest at the moment. If they can buy something that will appreciate in value that is the best for them.
Depending on the hobby this might be acquiring the latest and greatest item on the market, the item that the majority of people will not be able to get their hands on. Whether this is due to outrageously inflated prices, or because of genuine scarcity is inconsequential. However, as soon as the novelty of the item wears off, it will quickly be replaced with something else.
There is, I feel, a massive level of distortion around hobbies in social media. That distortion comes from the types of people I listed above. There are a lot of them making content, and it's important to identify them in order to not kill your joy for your chosen hobbies.
Let me provide an example of how these types of people almost killed my joy for one of my hobbies: wristwatches.
Watching various “influencer” types, you encounter some extreme bias towards certain brands, like Rolex and Audemars Piguet, Tissot and several others. It was effective, I found myself wanting a Royal Oak, a PRX, and other high-end watches. (One I had my eyes on was over $100,000.)
And it was making me miserable. Then I realized some things about these “influencers”. They tended to have more involvement in the secondary market, and sometimes in the primary market for watches than they tended to disclose.
For example, one of them had an online shop for watches, and managed to turn that into their own boutique. Another one was a dealer who only presented watches he carried in his store. Several influencers started their own watch brands. And, even ones that didn't have a direct conflict would occasionally mention they had sold, or had listed watches for sale they had recently done videos on.
And there were two more things I noticed: (1) All of these types of people would dismiss the majority of watches that were quartz, solar, etc. (with the exception being Casio watches—but typically only specific models). (2) they had a focus on Swiss mechanical watches, and frequently dismissed watches from other regions.
Their reasoning? Well, they wanted to present watches that had “real” heritage. Watches that would mean “mean” something in the years to come. Yada-yada-yada.
In other words: they were full of Public Relations and Marketing terminology. That's when it clicked, I wasn't being informed by reputable and knowledgeable people. These were people that were using their knowledge to shape a narrative to promote a product, or influence a market.
The answer to this comes in two fairly simple parts:
For example, I tend to stay away from most of the wristwatch “influencers” these days. There is one that I will still watch because his values are pretty transparent:
So, how does he make money doing this? He understands the game. He has multiple income sources: advertising, channel memberships, Patreon, and a community app that offers a subscription level, and occasional “sponsored” reviews (those are typically the watches sent to him for review, which he is allowed to resell).
And the big thing I've learned from him: don't always take his comments as gospel. In one case, he couldn't recommend a watch because it didn't sit well on his wrist, even after resizing the bracelet. But, here's the thing: his wrist is 2.5 inches smaller in diameter than mine. The same watch fits me well with some adjustment. His other issues were minor aesthetic things that he didn't like, I didn't have an issue with those points. So, a watch that he couldn't recommend is one of my most frequently worn watches, and it brings me joy to wear it. (And no, it's not the one in the photo, but I enjoy that one too.)
And that's the bottom line: learn and remember the things that you enjoy. Don't let influencers drive you away from your values. Don't let them steal your joy.
from What Inspired Me
Tatsuo Minagawa, a pioneer of medieval music scholarship in Japan, reportedly received strange letters for years. The senders were young people who never listened to Mozart or Beethoven, yet wrote that medieval early music had moved them deeply, beyond any explanation.
I think I understand that feeling. Playing Trio Mediæval while reading a book, I was struck by how little it interrupted my concentration. And yet, when I paused to actually listen, the music turned out to be remarkably interesting. It matches, almost exactly, Brian Eno's famous definition of ambient music: “as ignorable as it is interesting.” An 800-year-old voice fits that description perfectly.
Why does this 12th-century sound feel so new to us now? Two landmark recordings hold the key. Three women's voices, and four men's voices. Music whose composer's name was lost, and music that entered history as the work of “the first composer.” Trio Mediæval and the Hilliard Ensemble — let these two recordings guide us on a journey into the acoustic revolution of 12th-century Paris.
In the age of monophony, epitomized by Gregorian chant, music was carried entirely by oral transmission — sung, and then gone.
Around the 9th century, the first attempts emerged to fix the voice on paper. According to Minagawa, the drone-like sustained lower voice that appears around this time may trace back to the liturgical practice of the Byzantine church. Given that the Frankish kingdom expanded its territory while in contact with the Byzantine sphere of influence, this is far from implausible.
One caution is worth raising here: the shift from monophony to polyphony should not be told as a simple story of “evolution.” Singing in multiple voices at once is not a European invention — it is a widespread human impulse found across popular and traditional musics around the world. What was distinctive about Europe was that this popular practice encountered the institution of the Church and the technology of notation, and was systematized there.
The stage eventually shifts as well — from the closed prayer of the monastery to the cathedral at the heart of the city. That center was Notre-Dame in Paris. Around the same time, church architecture itself was undergoing a parallel transformation, moving toward the Gothic style — ribbed vaults and flying buttresses lifting ceilings ever higher. The same desire to fill space was unfolding simultaneously in both architecture and music.
At the center of this transformation stand two names history remembers: Léonin and Pérotin. Léonin's Magnus Liber Organi was expanded by Pérotin into three- and four-voice polyphony. This is sometimes told as the moment the very concept of “the composer” was first attached to a name.
But within that same pile of 12th-century Parisian manuscripts lay countless other voices that were never named at all. Stella Maris, released by Trio Mediæval on ECM in 2005, shines light on precisely that unnamed side. Nearly all the pieces on the album are credited as anonymous. And crucially, these works were composed at a time when women were not expected to sing them — or even to hear them. This recording, then, fills a double absence: the anonymity that was never recorded, and the gender that was never given a voice.
The title track, “O Maria, stella maris,” embodies this. Over a low, sustained drone, a single voice begins, then divides, and multiple lines intertwine.
As the musicologist Akio Okada has noted, in early organum the newly added voice was merely a decorative accompaniment to the chant. But over time, this supporting voice came to carry equal weight with the principal melody, and the hierarchy between melody and accompaniment itself began to dissolve. What Trio Mediæval sings is music caught in the midst of that very dissolution.
Trio Mediæval also recorded two 12th-century Italian laude on their 2014 album Aquilonis.
Standing opposite this anonymity is Perotin, recorded by the Hilliard Ensemble for ECM in 1989. The four-voice male ensemble embodies the depth and force of the four-voice organa Pérotin pioneered — “Viderunt omnes” and “Sederunt principes.” If the verticality of Gothic architecture expressed the glory of God to the eye, this layered four-voice sound expressed the same thing to the ear: architecture made of sound. Within the constraint that liturgical music of the time could only be sung by men, this was also a question of how much grandeur could be drawn from those limited resources.
What is striking is that Perotin itself carefully distinguishes, in its credits, between works confidently attributed to Pérotin and those marked “Anonymus.” The outline of “the first named composer” turns out to rest on an uncertain sea where confirmed authorship, scholarly conjecture, and contemporary anonymity are all mixed together. The Hilliard recording, which reenacts an established authority, stands at its root on the same ground as the anonymous voices recovered by Trio Mediæval.
A recording that gives voice to the authority of an established composer, and a recording that recovers, for the first time, voices that were never recorded at all. That these two very different albums sit side by side in the same ECM catalogue may not be a coincidence.
What both share is the absence of a fixed hierarchy between melody and accompaniment, and the absence of any strong gravitational pull toward resolution. Beyond that, two further qualities link them to contemporary ambient music. The first is spatial: voices sung within stone cathedrals and monasteries carried long reverberation, repeating and dissolving into one another — the same expansive sound field that ambient music deliberately constructs today through reverb. The second is how the voices appear: the upper voices of organum rise unannounced from a single line and fade away just as silently. Rather than melodies with clear beginnings and endings, they behave more like sounds that surface briefly within a space, then sink back down. This is why, to ears worn thin by the human drama of joy and sorrow that 18th- and 19th-century “classical music” cultivated, the voices of the 12th century sound, paradoxically, new.
And in fact, when I played Trio Mediæval while reading, the voices never once interrupted me. They simply dissolved into the air of the room — and only when I looked up and listened closely did I notice the precision of what was there. That, unmistakably, was the feeling of listening to ambient music.
Put on headphones, and turn off the lights in the room. The reverberation that once filled a stone space 800 years ago, and the solitude we carry today, are connected by a voice that rises without warning, and fades just as quietly.
References
Tatsuo Minagawa, Chūsei, Runessansu no Ongaku (Kodansha Gakujutsu Bunko)
Akio Okada, Seiyō Ongaku-shi: “Kurashikku” no Tasogare (Chūkō Shinsho)
from What Inspired Me
日本の中世音楽研究の先駆者、皆川達夫氏のもとには長年、不思議な手紙が届いていたという。差出人はモーツァルトもベートーヴェンも聴かない若い世代。それなのに、中世の古楽には理屈抜きに感動したと書いてくる。
その感覚が分かる気がした。トリオ・メディアエヴァルを流しながら本を読んでいて、驚くほど邪魔にならなかった。それでいて耳を澄ませると、信じられないほど面白い。ブライアン・イーノがアンビエントを評した「興味深くもあるが、無視することもできる」という定義に、800年前の声がそのまま当てはまる。
なぜこの12世紀の音は、いま新しく響くのか。鍵となる二枚の名盤がある。女性三人の声と、男性四人の声。作者の名が残らなかった音楽と、「最初の作曲家」として歴史に名を刻んだ音楽。トリオ・メディアエヴァルとヒリアード・アンサンブル、この二枚を道しるべに、12世紀パリの音響革命へ旅をしたい。
グレゴリオ聖歌に代表される単旋律の時代、音楽は口承で受け継がれ、歌うたびに鳴り、消えていった。
9世紀ごろ、声を紙の上に固定する記譜法の萌芽が生まれる。皆川達夫氏によれば、この頃に見られる低声部のドローンは、ビザンツ教会の典礼に由来する可能性があるという。フランク王国がビザンツの勢力圏と接して領域を広げた歴史を踏まえれば、ありうる話だ。
ここで一つ注意したい。単旋律から多声音楽への移行を、単純な「進化」と語らないことだ。複数の声を重ねること自体は世界各地の大衆音楽に広く見られる、人類に普遍的な衝動である。ヨーロッパの特殊性は、その大衆の慣習が教会と記譜法に出会い、体系化された点にある。
舞台はやがて、修道院の閉じた祈りから、都市の大聖堂へと開かれていく。その中心地がパリのノートルダム大聖堂だった。同じ頃、教会建築もリブ・ヴォールトとフライング・バットレスによって天井を高く伸ばすゴシック様式へ転換しつつあった。空間を満たしたいという同じ欲求が、建築と音楽の両方で進んでいた。
この変容の中心人物が、レオニヌスとペロティヌスである。レオニヌスの『マグヌス・リベル・オルガニ』を、ペロティヌスが3声・4声へと拡張した。これは「作曲家」という概念が初めて記名された瞬間とも語られる。
だが同じ写本の山には、記名されないまま埋もれた無数の声も眠っていた。トリオ・メディアエヴァルが2005年にECMから出した『Stella Maris』は、その「記名されなかった側」に光を当てる。収録曲のほとんどは作者不詳。しかも当時、女性がこれを歌うことも聴くことも想定されていなかった。つまりこの録音は、記録に残らなかった匿名性と、声を与えられなかったジェンダーという、二重の不在を埋める行為である。
その象徴が、表題曲「O Maria, stella maris」だ。低く持続するドローンの上、一つの声が歌い始め、やがて分かれ、複数の旋律が絡み合っていく。
岡田暁生氏が指摘する通り、初期のオルガヌムでは新しい声部はあくまで聖歌を装飾する脇役だった。だがやがてこの脇役は主役と対等な比重を持ち始め、主旋律と伴奏という階層そのものが溶けていく。トリオ・メディアエヴァルが歌うのは、まさにその境界が溶けていく途中の音楽である。
トリオ・メディアエヴァルは2014年の『Aquilonis』でも、12世紀イタリアのラウデを2曲収録している。
この匿名性と対をなすのが、ヒリアード・アンサンブルが1989年にECMから出した『Perotin』である。男声4人の編成は、ペロティヌスが切り拓いた4声オルガヌム(「Viderunt omnes」「Sederunt principes」)の立体感と迫力を体現する。ゴシック建築の垂直性が視覚で神の威光を表したなら、男声4声の重層的な響きはそれを聴覚で体現する「音による建築」だった。当時の典礼が男声でしか歌われなかった制約の中で、どこまでの荘厳さを引き出せるかへの挑戦でもあった。
興味深いのは、この『Perotin』もまた、確実なペロティヌス作と、作者不詳(Anonymus)とを誠実に分けてクレジットしている点だ。「最初の記名された作曲家」の輪郭もまた、記名と推定と匿名性が入り混じった不確かな海の上にしか立っていない。権威を再演するヒリアードの録音は、根もとでトリオ・メディアエヴァルの匿名の声と地続きである。
確立された作曲家の権威を響かせる録音と、記録に残らなかった声を初めてすくい上げる録音。性格の異なる二枚が、同じECMのカタログに並んでいるのは偶然ではないのかもしれない。
両者に共通するのは、主旋律と伴奏という固定された階層も、結末への強い重力も持たないことだ。それに加えて、もう二つの共通点が現代のアンビエントとの間にある。一つは空間そのもの。石造りの大聖堂や修道院で歌われた声は、長い残響を伴って反復し、溶け合う。これは現代のアンビエントがリバーブによって意図的に作り出す、あの広がりのある音場と地続きだ。もう一つは声部の現れ方。オルガヌムの上声部は、予告なく一つの声から立ち上がり、また音もなく消えていく。明確な始まりと終わりを持つメロディというより、空間の中にふと立ち現れ、また沈んでいく音のふるまいに近い。だから18-19世紀の「クラシック」が育んだ喜怒哀楽の物語に疲れた耳に、12世紀の声はかえって新しく響く。
実際、トリオ・メディアエヴァルを流しながら本を読んでいたとき、声は一度も読書の邪魔をしなかった。むしろ部屋の空気そのものに溶け込んで、ふと顔を上げて耳を澄ませたときだけ、その響きの精緻さに気づく。あれはまぎれもなく、アンビエントを聴く時の感覚だった。
ヘッドホンをして、部屋の明かりを消してみる。800年前の石造りの空間に響いていた残響と、現代の私たちの孤独は、音もなく立ち上がり、また消えていく声によって繋がっている。
参考書籍
皆川達夫『中世・ルネサンスの音楽』(講談社学術文庫)
岡田暁生『西洋音楽史―「クラシック」の黄昏』(中公新書)
from Sprachabenteuer
Besuch im TIPI: 23. Juni
Heute durfte ich meine Chefin Imke zu einem Termin im TIPI begleiten. Dort hatte sie ein Treffen, weil im August dort ein Stück mit Audiodeskription aufgeführt wird. Das TIPI ist ein noch recht junges Theater – etwa zwanzig Jahre alt – und befindet sich in einem großen Zelt. Dort lernte ich auch Ania kennen, die die Audiodeskription für dieses Stück schreiben wird. Die Temperaturen wurden immer höher, und diesmal waren wir fast die ganze Zeit draußen. Deshalb musste ich wieder ordentlich schwitzen. Im Theaterhaus Berlin ist es dagegen angenehm kühl, weil das Gebäude alt ist und sehr dicke Wände hat. Eigentlich braucht man dort manchmal sogar eine zusätzliche Jacke, damit einem nicht kalt wird. Beim Treffen im TIPI war es dagegen wirklich heiß. Die Atmosphäre war trotzdem sehr schön. Ich konnte hören, wie die Bühne für „Cabaret“ aufgebaut wurde, und mir wurden die Dekorationen beschrieben. Das Gespräch drehte sich hauptsächlich um die Audiodeskription und die technische Vorbereitung der Vorstellung. Erstaunlich, wie viele Details besprochen werden müssen, bevor eine wirklich gute Audiodeskription entstehen kann! Außerdem ist das TIPI ein eher kleiner Theaterraum, sodass dort kein Platz für eine Audiodeskriptionskabine vorhanden ist. Deshalb wird die Audiodeskription aus einer anderen Kabine übertragen. Ich frage mich allerdings, ob dabei nicht eine kleine Verzögerung entsteht. Das TIPI liegt direkt am Kanzleramt, und Imke zeigte mir anschließend noch ein wenig die Umgebung.
Dieses Mal entstand allerdings eine ziemlich lustige Situation mit meinem Mann Mindaugas. Wir hatten vereinbart, dass er auf mich wartet und später gemeinsam mit mir nach Schöneweide zurückfährt. Irgendwie hatte er das aber falsch verstanden und war einfach nach Hause gefahren. Nach dem Termin rief ich ihn an und fragte, wo er sei. Seine Antwort war ganz trocken: „Ich bin zu Hause …“ Also musste ich auf ihn warten, bis er mit der S-Bahn zu mir kam. Leider zeigte uns die Fahrplanauskunft, dass wir mit Umsteigen bis zum Brandenburger Tor fahren müssten. Später stellten wir allerdings fest, dass wir auch direkt mit der U-Bahn hätten fahren können. Das Problem beim Umsteigen ist nämlich, dass man nicht überall problemlos einen Aufzug findet. Die Bahnsteige liegen auf verschiedenen Ebenen. Manchmal funktionieren die Aufzüge nicht, manchmal werden sie von vielen Menschen benutzt und man muss warten. Gut, zwei oder vier Minuten sind eigentlich nicht viel – aber bei dieser Hitze fühlen sie sich plötzlich ziemlich lang an. Und dann passiert es auch noch, dass man versehentlich auf der falschen Ebene aussteigt und wieder auf den nächsten Aufzug warten muss. Genau das ist uns passiert. Diese Reise hat mich wirklich erschöpft. Ich verstehe das Berliner Verkehrssystem noch nicht richtig, und die vielen Möglichkeiten sind im Moment einfach etwas zu viel für mich. Da freue ich mich fast wieder auf Vilnius, wo man sich nur zwischen Bussen und Oberleitungsbussen entscheiden muss. Als wir endlich wieder in Schöneweide ankamen, waren wir beide völlig erschöpft und durchgeschwitzt. Mindaugas hatte den ganzen Tag in Verkehrsmitteln und auf verschiedenen Höfen verbracht. Übrigens musste ich noch etwas über das Brandenburger Tor lernen. Ich hatte bisher gedacht, dass es direkt mit der Berliner Mauer verbunden sei. Das stimmt aber eigentlich nicht. Das Tor wurde bereits zwischen 1788 und 1791 als Stadttor erbaut und ist damit fast zweihundert Jahre älter als die Berliner Mauer. Erst während der deutschen Teilung verlief die Mauer direkt an diesem Ort. Deshalb wurde das Brandenburger Tor später zu einem Symbol der Teilung und nach 1989 zu einem Symbol der deutschen Wiedervereinigung. Alle diese Informationen über das Tor hat mir mein Freund ChatGPT aus Wikipedia zusammengefasst.
Zum Schluss noch ein paar Worte über unser wunderschönes Hotel. Auch heute wurden weder das Zimmer gereinigt noch die Handtücher gewechselt. Langsam verstehe ich wirklich nicht mehr, wie dieses System funktioniert. Ich fragte wieder an der Rezeption nach, und man erklärte mir, dass für morgen die komplette Reinigung vorgesehen sei. Wir werden sehen, was das diesmal bedeutet. Heute wurde jedenfalls nur unser Müll mitgenommen. Mindaugas meint inzwischen, vielleicht dürfe man hier immer nur um eine Sache auf einmal bitten …
from bios
After his arrest no-one mentioned him, he dropped out of our thoughts, except to mock that he had been arrested so easily. So dom. So fucking dom that Boyo.
Arrested in the golden afternoon sun clutching four meagre caps of smack, unga, nyaope whatever...
The problem with the Republic of Percy street is that all of us exist in an alternative world and we tend to forget that walking around barefoot openly holding our drug implements and vloeking and gaaning on sommer isn't normal, we tend to forget the neighbours have a whatsapp group.
In this let's say kilometre radius from the public swimming pool, the only world is a plethora of drug houses, lodges, brothels. Us interchangeable, shifting constant, shipwrecks of humanity.
Boyo does not seem to be a full human in any language. I assumed at first it was the language barrier. We bonded into long nights over how much drugs I could afford to give him for free.
A nondescript kind of broken, Boyo lurches from one degrading servitude to the next, his shit-eating grin an open deception self-facing, he's not noticed enough for any deception to mean anything to the customers here at 26 Percy.
The walls emanate rot. A milky green smell. Faded graffiti, new masonite doors newly kicked in. The larnie here, the bastard, the mafia is an ill-tempered Nigerian, adopted name Dave. An eagle eye for minor infractions and a weird over-scraping deference to the clients passing through the business room onto a fucked spring mattress, who pay, most often, less than R50 a fuck.
Dave deferentially closing the door on the smoking room that huffs clouds of various smoke: buttons, pieces, chrisstallion, caps, nyaope, stone, shit weed whatever – all the members here, a clutch of ruined floral shirts and grubby vests, other people's discards: car guards and traffic light hustlers, jumbled with young magosha still flushed enough with youth and naïveté to believe this is temporary, the walls of seeping green milky long-term evolutionary rot.
The older magosha, the Yolandas, the Tieties, the Nanas, they stay outside on the once posh ex-suburban streets all night maybe earning enough for a twenty ronds packet, and even maybe a biscuit.
The rain has penetrated these places so often, it rains permanently even when dry, indoors. A must chokes the back of the mouth.
Boyo drifts through all of this unpaid seeking opportunity: and an opportunity I often am nevermind.
He's arrested buying my afternoon drugs and I feel instantly guilty.
I seek to bail him out.
He sometimes appears as a shout in the background of calls to other people in prison, I recognize his yowl. But it's months of guilt before I get to speak to him.
I'm getting him a lawyer and need his full name and ID number.
It's a fruitless conversation.
He knows he was born in March or April or something like that.
I try to engage a lawyer. Burt. Even Burt laughs: The police called him over. He was on foot, they were inside the van, and he went over and they asked him what was in his hand and he opened his hand and told them and they told him to get in the van and he didn't even try to run.
The lawyer needs a name and maybe a date of arrest, I care so much, yet I can provide neither.
A week later Boyo has still not been found. Burt muses that arrests like that are probably a first offence. He will probably be out before we can figure out where he is.
Four months later he's out before we could figure out where he was.
“We couldn't find you on the prison records, what cell, what room were you in, what's your surname?”
He doesn't know. Boyo isn't his name either. Boyo is a generic like Ma-Eleven, Small, Studla.
He doesn't know his own name.
Or when he was born.
He drifts half formed through the many shades of smoke, the crack, the heroin, the buttons, the meth. User to user, seeking left over hits and favours, cleaning spit and vomit and running errands for a rand or two. Grabbing on to every step up to whatever approximation of high he can find.
He doesn't even know his own name.
He has the luxury of not having that much to forget.
A fucking lazy assumption if there ever was one.
So foking dom.
from
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Public space is not only made of streets.
It is also made of rooms.
Chairs facing a stage.
People sharing the same air.
A microphone waiting for someone to say the thing that may stay in another person’s head.
We painted holes to make people look down.
We made postcards to make people look up.
Now we are entering conferences.
Sending messages through ears and into brains.
Not only to inform.
To create a reaction.
Prague, October 2 to 4, 2026.
Accepted.
Decentralization only matters when people use it.
But most people do not begin with protocols, architecture diagrams, or cryptography.
They begin with meaning.
With a story.
With a feeling that something important is being taken away.
This talk starts with art as activism.
It looks at projects such as System Err 2052, where theatre turns privacy, autonomy, and technological control into something an audience can experience together.
The stage becomes a testing environment.
The audience becomes part of the system.
Abstract ideas become choices with consequences.
From there, the talk moves into cypherpunk culture, where code, art, resistance, and imagination have always worked together.
Building privacy technology is not enough.
People must understand it.
They must trust it.
They must be able to use it without becoming experts first.
Usability is not decoration added after the serious work is finished.
Usability is part of the resistance.
A privacy tool that nobody can understand protects nobody.
A decentralized network that nobody wants to enter remains an empty room.
Developers are not only building software.
They are shaping what kinds of freedom people can actually reach.
Big Time Sensuality: The Politics of Pleasure
Prague, November 4 and 5, 2026.
Proposal submitted.
Not yet accepted.
Mainstream platforms decide what people can publish, discover, support, and sometimes even imagine.
They decide through recommendation systems, moderation policies, payment restrictions, commercial priorities, and rules that can change overnight.
Lawful adult expression often disappears inside these systems.
Artists lose access to audiences.
Communities lose spaces they built.
People are told which desires are acceptable enough for an advertiser.
This proposal looks at decentralized erotic networks as another kind of public space.
A playground.
A gallery.
A stage.
A small bug inside a much larger system.
These networks can give artists more control over their work and their relationships with audiences.
They can make space for queer expression, fantasy, furry art, anime-inspired work, experimental media, and specific consensual interests that centralized platforms may suppress or hide.
People do not have to remain passive consumers.
They can become curators.
Supporters.
Collaborators.
They can help shape the culture around them instead of waiting for an algorithm to choose it for them.
Decentralization can also reduce dependence on companies that take large fees, block payments, demonetize adult creators, or remove accounts without warning.
Open protocols can help art travel while creators keep their identities, communities, and independence.
But freedom is not the absence of responsibility.
It requires consent.
Privacy.
Legality.
Age-appropriate access.
Accountable community governance.
Decentralization does not remove responsibility.
It asks more people to carry it.
The goal is not a network without rules.
It is a network where the rules are not controlled by a single invisible hand.
Erotic art should not have to wait quietly for institutional permission.
Neither should the communities growing around it.
Sofia, November 28, 2026.
Open data sounds technical.
It often looks like a file nobody opens.
A spreadsheet on a government portal.
A map hidden behind a difficult interface.
A public record published because somebody was required to publish it.
But data becomes powerful when someone takes it out of storage and puts it into motion.
A transport dataset can show which neighbourhoods are being left behind.
A public budget can reveal what a city values.
Environmental measurements can make invisible pollution visible.
A map can help people repair a street, protect a place, or organize a community.
Sharing is not the final step.
It is the beginning of another person’s work.
Open data allows journalists to investigate.
Artists to interpret.
Developers to build.
Researchers to connect patterns.
Citizens to ask better questions.
But publishing data is not enough.
It must be understandable.
Reusable.
Accessible.
People must be able to find it and know what they are allowed to do with it.
The talk is about moving from access to action.
From downloading a file to changing something outside the screen.
Open data cannot change the world by itself.
People change the world.
Data can help them see where to begin.
A conference is a temporary public space.
It has streets made of corridors.
Walls made of people.
Doors made of questions.
For a few minutes, everyone agrees to listen.
That creates an opening.
An idea can enter through the ears.
It can reach the brain.
Sometimes it stays there.
Sometimes it leaves the building inside another person and becomes a project, a conversation, a piece of code, a protest, or a different decision.
We are not entering these rooms only to describe the world.
We are entering them to disturb it a little.
Some people will listen and do nothing.
Speak anyway.
from
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In June, the cameras traveled.
Paint the Cameras Dead launched on Product Hunt and became Launch of the Day on June 26.
Paper postcards landed among apps, AI tools, and software.
Then IETM shared the campaign, inviting artists, venues, festivals, and community spaces to translate, print, and distribute it.
On June 30, CultureNet carried the campaign into Czech.
It did more than describe the postcards.
It told people to download them, adapt them, place them in public spaces, and act.
Anuj shared the project on X, and the message also travelled through LinkedIn.
Product Hunt Pickups carried it into Japanese.
HuntScreens, Mindber, StartupTile, and UIComet collected it into their directories.
A physical campaign about surveillance entered systems built to watch, sort, and circulate links.
The internet has a sense of humour.
A postcard is a link made of paper.
You hold it.
You pass it on.
You leave it for someone else to find.
Sometimes they look up.
from An Open Letter
I talked with her today, and she explained that she did want me to be there, but this was one of those Friend dynamics where it was intended to be just a girls trip. Is that she mentioned how she absolutely would invite me if men were allowed, and that she does want to go on a trip with me and that she understands where I’m coming from. The answer is still a no, but I feel better.
from Douglas Vandergraph

Chapter One
Anyone who later heard the full original Jesus in a TOPGUN Navy fighter aviation story might expect it to begin with afterburners, helmet visors, and the violent music of a jet tearing across desert sky, but it began before sunrise in a small chapel off a training command hallway, where Jesus knelt alone with His hands open and His head bowed. Outside, trucks moved along the wet pavement with their headlights soft in the Florida darkness. Somewhere beyond the chapel wall, young officers were already awake, shaving in tired silence, checking schedules, memorizing emergency procedures, trying to look calm before the day measured what was actually inside them.
On a side table near the entrance, the base chaplain had left a stack of printed reflections for students who came in before flights, one titled faith, humility, and responsibility under pressure. Jesus had not picked one up. He did not need paper to know the burden of a soul preparing to carry the lives of others. Yet He looked at the title for a moment, and in that look there was no disdain for human words, only tenderness for how badly people needed reminders when fear began dressing itself as confidence.
He prayed without display. He did not ask to be spared difficulty. He did not ask to be admired in it. His prayer was quieter than that, nearer to surrender than ambition, and when He rose, the knees of His flight suit were faintly marked by the floor. He smoothed the fabric with His palm, stepped into the hallway, and joined the line of students walking toward the first academic brief of the day.
The Navy did not open its doors gently to people who only wanted the idea of flight. It opened them with checklists, inspections, written exams, physiological training, weather, navigation, radio discipline, aircraft systems, emergency procedures, and the constant reminder that desire meant nothing if it could not become discipline. The students were not yet fighter pilots. Most had not earned anything close to that name. They were student naval aviators, tired and ambitious, trying to become worthy of wings that still belonged somewhere ahead of them.
Jesus entered that world without asking anyone to make room for Him.
In the classroom, He sat three rows from the front with a worn notebook open and a pen laid straight along the binding. Around Him, the others carried coffee, binders, and the restless energy of people who had been told all their lives that they were exceptional and had now arrived in a place where exceptional was only the starting line. Their instructors were not impressed by posture, athletic records, family military histories, or dreams of fast jets. The instructors cared about preparation, judgment, humility, and whether a student could receive correction before correction became wreckage.
Lieutenant Commander Mara Kline walked in at 0615 with a helmet bag in one hand and a stack of grade sheets in the other. She did not raise her voice. She did not need to.
“Good morning,” she said, setting the papers down. “This profession will punish whatever you pretend not to know. It will punish shortcuts. It will punish pride. It will punish silence when silence keeps your ego safe. If you are here to look fearless, you are in the wrong building.”
A few students shifted in their seats.
“If you are here to learn how to be afraid and still do exactly what is required,” she continued, “then we can begin.”
Jesus looked at her with calm attention. He had heard many kinds of truth spoken by many kinds of people. This was one of them.
Two seats to His right sat Ensign Ethan Vaughn, shoulders squared, jaw set, his pencil moving quickly though he already knew most of what was being said. Ethan had the look of a man determined not to be found lacking. He was lean, controlled, and watchful in a way that made conversation with him feel like entering a room where the lights were on but the door behind you had locked. He answered questions quickly. He kept his boots polished, his locker precise, his uniform clean. Nobody had to tell him to study. Nobody had to tell him to compete.
What they did have to tell him, often, was to breathe.
Ethan had arrived with a reputation that was part earned and part inherited. His older brother, Commander Noah Vaughn, had flown Super Hornets with a fleet squadron the Navy called the Watchmen, and his name still moved quietly through ready rooms and memorial conversations. Ethan never brought him up first. He did not need to. The last name did it for him. Some people softened when they heard it. Others measured him harder. Ethan hated both responses and had built an entire personality around not needing either.
In the front of his NATOPS binder, tucked behind a plastic sleeve, he carried a small photograph of his brother standing beside a jet on a gray flight deck, one hand resting on the ladder, face tired but smiling. The picture was creased at one corner from being touched too often. Ethan told himself he kept it there for motivation, but the truth was heavier. He kept it there because grief, if left without a mission, might ask him questions he did not want to answer.
That morning, Lieutenant Commander Kline started with emergency procedures in the T-6B. Engine failure after takeoff. Smoke in the cockpit. Electrical malfunction. Radio failure. Unusual attitudes. Spatial disorientation. Words that sounded clean on a slide but were not clean inside the body when the aircraft was moving, the warning lights were talking, the ground was closer than expected, and the voice in your head wanted either to freeze or to rush.
Kline called on students one at a time. They stood beside their desks and worked through boldface and immediate action items under the eyes of the room. Some were crisp. Some stumbled. One student began confidently, lost the sequence, flushed red, and had to start again.
When Jesus was called, He stood without hurry.
“Engine failure after takeoff,” Kline said. “You are below pattern altitude. Airspeed decreasing. What are you doing?”
Jesus answered clearly. Not dramatically. Not as if trying to win the room. He spoke the steps in order, then added what He would be looking for, what He would not waste time chasing, and when He would commit to landing ahead rather than trying to save an aircraft at the expense of a life. His voice remained steady, but not empty. It carried the seriousness of a man who understood that checklists were not little rituals of control. They were love made practical under pressure.
Kline watched Him for a moment after He finished.
“You missed one callout,” she said.
Several students looked up. Ethan’s pencil stopped.
Jesus did not defend Himself. “Yes, ma’am.”
“Which one?”
Jesus looked down once, not in shame, but in honest recall. “Airspeed, ma’am. I stated the correction, but I did not verbalize the cross-check.”
“That matters.”
“It does.”
“Why?”
“Because under pressure,” Jesus said, “what is not spoken can disappear.”
Kline held His gaze. “Good. Sit down.”
He sat.
Ethan stared at his own binder, irritated in a way he could not immediately explain. It was not that Jesus had made a mistake. Everyone did. It was the way He had received correction. No flinch. No performance of humility either. No small joke to soften the room. No tense explanation to prove He knew better. He had simply let the truth land and made room for it. Ethan found that almost offensive.
Correction, to Ethan, was a blade. It either cut you open in front of people or gave someone else the chance to decide you were not as good as your name required you to be. He had learned to avoid it, outrun it, or answer it with competence so overwhelming that no one could hold the blade long enough to draw blood. Watching Jesus accept it peacefully felt like watching a man step out from behind armor in a room full of arrows.
By midmorning they were in the simulator building, where the air smelled faintly of plastic, old coffee, electronics, and human nerves. The devices did not move like real aircraft, but they revealed enough. They revealed whether hands stayed useful when the mind got crowded. They revealed whether a student chased the wrong instrument. They revealed whether a person could be corrected through a headset without hearing humiliation in every word.
Jesus and Ethan were assigned adjacent periods. Ethan went first, climbing into the cockpit mock-up with the quick confidence of someone who had already rehearsed the entire profile in his head. The instructor, a Marine captain named Arturo Becerra, ran the event with a dry calm that made praise rare and silence meaningful.
The first part went well. Ethan’s scan was sharp. His radio calls were tight. He corrected altitude deviations almost before they formed. In basic instruments, he looked clean, controlled, almost bored. Then Becerra failed the attitude indicator, layered in rough weather, gave him a radio distraction, and watched Ethan’s right hand tighten on the stick.
“Confirm your backup instruments,” Becerra said.
“Confirming,” Ethan answered too quickly.
The aircraft began a slow bank that Ethan corrected late. His altitude drifted. He caught it, overcorrected, then snapped his scan back to the primary display as if the failed instrument might resurrect itself if he stared hard enough.
“Ethan,” Becerra said, still calm, “tell me what you trust.”
“My standby instruments.”
“You telling me, or yourself?”
Ethan’s jaw flexed. “Standby instruments.”
“Then fly them.”
Ethan stabilized the profile, but the error had already exposed something. Not lack of skill. Something beneath skill. A refusal to believe that what he had planned for could fail him. A hatred of needing anything secondary. A private war against surprise.
When the sim ended, Becerra did not soften the debrief.
“You can fly,” he said. “That is not the issue.”
Ethan stood with his helmet tucked beneath one arm, sweat darkening the collar of his undershirt. “Yes, sir.”
“The issue is you keep trying to win against the malfunction. You do not win against a malfunction. You recognize it, accept it, and fly the aircraft you actually have.”
“I recovered.”
“You recovered late.”
Ethan swallowed. “Yes, sir.”
“And you got quiet when you were task saturated. That is dangerous in a crewed aircraft and worse in a formation. You do not get to disappear inside your own head because you dislike the situation.”
The room seemed smaller. Jesus, waiting near the wall for His turn, lowered His eyes without pretending not to hear. Ethan hated that too, though he could not have explained why. He hated being seen by someone who did not seem eager to use what he saw.
Becerra tapped the grade sheet. “You will redo the partial panel profile tomorrow.”
“Yes, sir.”
“Bring less pride. It weighs too much in the cockpit.”
Ethan’s face hardened, but he said nothing.
Jesus climbed into the simulator after him. His own event was not perfect. Becerra gave Him turbulence, a generator failure, an unexpected divert, and a simulated bird strike on climb-out. Jesus worked carefully, spoke plainly, missed a frequency change, corrected it, and finished with a landing that was safe but not beautiful. When Becerra told Him so, Jesus nodded.
“Again, sir?” He asked.
Becerra leaned back in his chair, studying Him through the instructor station glass. “You want to repeat the last approach?”
“Yes, sir. I was behind the aircraft.”
Most students tried to leave a marginal pass alone when it was good enough to survive the grade sheet. Jesus did not appear interested in survival as a reputation. He seemed interested in truth.
Becerra reset the event.
Ethan remained in the back of the room longer than he needed to, pretending to review his notes while Jesus flew the approach again. This time the corrections came earlier. The radio call was clean. The descent stabilized. The landing still would not impress anyone in a ready room, but it no longer asked the aircraft to forgive the pilot.
When Jesus stepped out, Ethan was waiting by the hallway.
“You always do that?” Ethan asked.
Jesus removed His gloves slowly. “Do what?”
“Ask to repeat things people already passed you on.”
“If the pass hides what needs work, it is not finished.”
Ethan gave a short laugh with no humor in it. “That sounds exhausting.”
Jesus looked at him, not sharply, not softly enough to be avoided. “It is lighter than carrying what we refuse to learn.”
For a moment, Ethan had no answer. Down the hallway, students moved toward their next brief. Doors opened and closed. A phone rang in an office. Somewhere outside, an aircraft engine rose into the morning, steady and alive.
Ethan looked away first.
“You talk like a chaplain,” he said.
Jesus folded His gloves and placed them beneath His arm. “A chaplain might say it better.”
“No offense, but out here, better doesn’t matter. Correct matters.”
Jesus nodded once. “Then let it be correct.”
It should have sounded like surrender. It did not. It sounded like strength without the need to prove it was strong.
That afternoon, the class walked the flight line with an instructor who made them stop before they reached the aircraft. The T-6Bs sat in neat rows beneath a sky that had cleared into bright blue, their canopies catching sunlight, their propellers still, their paint clean enough to make the machines look simpler than they were. Maintenance crews moved around them with practiced focus. Nobody on the line seemed impressed by the students’ dreams. The aircraft did not belong to the students. The sky did not belong to them either. They were being invited into responsibility, not ownership.
Aviation Structural Mechanic First Class Renee Sato briefed them on what maintainers saw that pilots often missed. She spoke about panels, fasteners, leaks, tires, bird strikes, tool control, fatigue, and the insult of pilots who treated aircraft as if they appeared by magic.
“You will preflight like your life depends on it because it does,” she said. “But you will also respect the people who touched this aircraft before you ever strapped in. You are not the first person responsible for the flight. You are the last one who gets to act like it.”
Jesus listened with deep attention. When Sato pointed out a hydraulic stain and asked what they saw, He stepped closer, bent slightly, and answered with care. Ethan answered too, faster, more technical, wanting to be right. Sato nodded at Ethan’s accuracy, then looked at Jesus.
“And you?” she asked.
“I would ask who last worked this section,” Jesus said, “and whether they have seen this pattern before.”
Sato’s expression changed just a little. “Why?”
“Because metal can tell us something,” Jesus said, “but so can the person who has been kneeling beside it all morning.”
For the first time that day, Sato smiled.
Ethan looked at Jesus, then at the maintainer, then back at the aircraft. He had thought excellence meant seeing more than other pilots saw. Jesus seemed to believe it also meant seeing people whom ambition trained others to overlook.
The day ended with rain returning in the late light, soft at first, then harder against the barracks windows. Students sat at desks with binders open and dinner forgotten. Somewhere down the hall, someone cursed after failing an online quiz. Someone else called home and lied cheerfully about doing fine. Jesus sat alone in the common room with His notebook open, rewriting emergency procedures by hand, not because He did not know them, but because repetition was one way love prepared itself before danger arrived.
Ethan came in after 2100, carrying his binder and a paper cup of coffee gone cold. He stopped when he saw Jesus.
“You missed a frequency change today,” Ethan said.
Jesus looked up. “Yes.”
“You asked to do it again.”
“Yes.”
“Didn’t bother you?”
“It taught me.”
“That’s not what I asked.”
Jesus closed His notebook halfway, giving Ethan His full attention. “It did not shame me.”
Ethan stood there in the fluorescent light, rain tapping the glass behind him. For a second, something unguarded moved across his face, something younger than his uniform and more tired than his body. Then it vanished.
“Must be nice,” he said.
Jesus did not answer quickly. He seemed to understand that some sentences were not arguments. Some were doors opened by accident.
Ethan sat across from Him, though he had not meant to. He opened his binder, flipped to the emergency procedure he had mishandled, and stared at the page.
“My brother used to say the cockpit tells the truth,” Ethan said.
Jesus waited.
Ethan’s fingers pressed the edge of the paper until it bent. “He was good. Better than good. Everybody says that like it helps.”
“It does not always help.”
“No,” Ethan said. “It does not.”
The rain thickened. The common room hummed with old lights and distant voices. Jesus remained still, not reaching too soon for the wound, not covering it with holy words before Ethan had decided whether he was willing to uncover it himself.
After a while, Ethan stood abruptly. “I have to study.”
Jesus nodded. “So do I.”
Ethan gathered his binder, but before he left, he looked back. “You really think pride weighs something?”
Jesus looked at the photograph half-visible inside Ethan’s binder, the pilot on the gray deck, the hand on the ladder, the smile trying to cross a tired face.
“Yes,” He said. “And grief does too.”
Ethan’s expression closed.
“Good night,” he said.
“Good night, Ethan.”
When he was gone, Jesus remained at the table. He did not chase him. He did not force the moment to become more than Ethan could bear. He opened His notebook again, but His eyes rested for a while on the rain running down the window.
Then, quietly, beneath the hum of the lights and the low murmur of students trying to become aviators, Jesus prayed for the man who wanted the sky because the ground held too much sorrow.
Chapter Two
The first time Jesus flew the T-6B, the morning came in cold and clear, with a thin line of gold behind the hangars and dew gathered on the wings like the aircraft had been waiting in silence. The students moved through the flight room with the stiff economy of people trying not to appear nervous. They checked kneeboards, strapped watches tight, reviewed weather, signed forms, compared fuel loads, and tried to keep their voices low enough that fear would not hear its own name.
Flight training had a way of making the body honest. A student could memorize procedures until midnight, recite emergency steps without a pause, and still discover, once strapped into the seat with the canopy closed and the engine alive, that the body had its own opinion about danger. The cockpit was narrow. The straps were firm. The helmet pressed against the skull. The mask changed the sound of breathing. The propeller was not a picture in a manual anymore. It was vibration passing through bone.
Jesus sat in the rear cockpit for His first instructional flight while Lieutenant Commander Kline occupied the front. The aircraft moved from parking to taxi with small corrections, and Jesus followed every call, every hand movement, every scan. The runway stretched ahead under a sky that looked too wide for human confidence. Kline ran the last checks and paused at the hold short line.
“Any questions?” she asked over the intercom.
“No, ma’am.”
“You understand this flight is not about impressing me.”
“Yes, ma’am.”
“What is it about?”
“Learning what the aircraft is telling us and obeying what the training requires.”
Kline was quiet for half a second. “That will do.”
The tower cleared them, and the aircraft rolled onto the runway. When Kline advanced the power, the engine’s growl deepened into a force that seemed to gather the whole morning into one narrow demand. The T-6 accelerated, rudder inputs keeping it straight, runway markings passing faster, faster, faster, until the wheels lifted and the earth became something below rather than something holding them.
Jesus did not smile as if flight were entertainment. He looked out, breathed steadily, and received the moment with reverence. It was not that He did not feel the wonder of it. He did. The coast, the fields, the roads, the pale line of water in the distance all opened beneath Him with a beauty that could make a person forget gravity was still waiting. But He also felt the weight of the machine, the discipline behind it, the maintainers who had touched it before dawn, the controller’s voice, the instructor’s trust, the invisible structure that kept wonder from becoming disaster.
Kline gave Him control after the climb-out. “Your aircraft.”
“My aircraft,” Jesus answered, placing His hands and feet fully into the task.
At first the aircraft wandered. Not badly, but honestly. The nose moved more than He wanted. His altitude drifted. The trim was not quite right. He corrected, overcorrected slightly, then softened His touch. Kline let Him work. She said little. Her silence was not kindness exactly. It was room to learn.
“Eyes outside, then instruments,” she said when His scan tightened too long on the panel.
“Eyes outside, then instruments,” He repeated.
“Do not grip it. Fly it.”
Jesus loosened His right hand. “Yes, ma’am.”
They practiced turns, climbs, descents, stalls, and recoveries. The first stall break carried a sudden heaviness and then a drop that made the stomach speak before the mind could answer. Jesus recovered by the procedure, but His breathing changed afterward. Kline noticed.
“You good?”
“Yes, ma’am.”
“Truth.”
Jesus swallowed once. “My body did not enjoy that.”
Kline almost smiled. “Bodies rarely vote for training.”
“No, ma’am.”
They continued. On an aerobatic maneuver, as the aircraft rolled and the horizon turned in a way land was not supposed to turn, Jesus felt the strange human confusion of seeing sky where ground had been. It lasted only a moment. He corrected His scan, listened, followed, and let the training carry Him before instinct could argue. When the maneuver ended, He was quiet for several seconds.
“Talk to me,” Kline said.
“I see why a frightened hand can make a wrong correction feel right.”
“That is one reason we do this.”
“To teach the hand before fear teaches it.”
“To teach the whole person,” Kline said.
By the time they returned to the field, Jesus’s undershirt was damp and His legs carried the faint tremor of new strain. He flew the approach under Kline’s instruction, lined up slightly right, corrected late, and landed with a firmness that would have been generous to call graceful. The tires chirped. The aircraft settled. Kline took control on rollout, and Jesus exhaled once, slowly.
In the debrief, Kline did not flatter Him.
“You listened well. Your corrections got smaller as the flight went on. That is good. Your pattern work needs attention. You were late recognizing drift on final. You also held tension in your shoulders during aerobatics. That will fatigue you faster than you think.”
“Yes, ma’am.”
“You going to tell me you felt fine?”
“No, ma’am.”
“Good. What did you feel?”
“Wonder,” Jesus said. “Pressure. Some disorientation in the roll. And gratitude that the aircraft is more patient than pride.”
Kline looked at Him for a long moment, then wrote something on the grade sheet. “That is not an aviation term, but it may be accurate.”
Later that same morning, Ethan flew with Captain Becerra. He walked to the aircraft quickly, as if speed could prevent whatever waited inside him from arriving. He had studied until his eyes burned. He had run the procedures in his room, in the shower, in the hallway, in the silence before sleep. By every external measure he was prepared, yet beneath the preparation was something brittle. He did not want to learn the aircraft. He wanted to defeat the possibility that he might not belong in it.
The takeoff was clean. His radio calls were sharp. In the practice area, he flew basic maneuvers with more precision than most students could manage so early. Becerra gave him room. Then he pushed.
“Steep turns. Maintain altitude.”
Ethan entered aggressively, bank angle coming in fast, G building as he pulled. His first turn was within standards but tense. On the second, he chased altitude, tightened his pull, and let his scan narrow. The horizon slid. His breathing got shallow.
“Relax the pull,” Becerra said.
“Correcting.”
“Do it, don’t announce it.”
Ethan corrected, but the maneuver had become a contest now. He wanted it perfect. The harder he wanted it, the less smooth it became. In the next set, Becerra demonstrated an unusual attitude recovery and then gave the aircraft back. Ethan responded quickly, too quickly, pulling before confirming enough information. The recovery remained safe, but the instinct beneath it was wrong.
Back on the ground, Becerra let him sit in the cockpit for a moment after shutdown. The ticking heat of the engine softened into the background. The canopy remained closed. It was just the two of them inside the quiet shell of the aircraft.
“You are early on the wrong things and late on the honest ones,” Becerra said.
Ethan stared forward. “Sir?”
“You react before you have accepted what is happening. Then you delay admitting what that reaction cost you.”
Ethan’s gloved hand rested on his kneeboard. “I stayed within standards.”
“Barely. And that is not the point.”
“With respect, sir, standards are the point.”
“Standards are the minimum shape of safety. They are not proof that your judgment is clean.”
Ethan said nothing.
Becerra removed his mask and turned slightly. “You are not dangerous because you lack ability. You are concerning because you think ability can cover whatever you refuse to face.”
The words found the place Ethan guarded. He felt anger rise before he felt hurt, because anger was easier to use. He wanted to say that Becerra did not know him. He wanted to say that nobody in this building understood what it meant to carry a dead brother’s name through every grade sheet, every ready room glance, every instructor’s pause. He wanted to say that if he failed, people would not just say Ethan Vaughn was not good enough. They would wonder, quietly or loudly, what had happened to the bloodline.
Instead, he said, “Understood, sir.”
Becerra did not move. “I do not think you do.”
The debrief went on for forty-two minutes. Ethan counted because counting was easier than receiving. When it ended, he walked out with a passing grade and the humiliation of knowing it did not feel like a pass.
By the second week of flights, training had begun to peel away the easy parts of everyone. The students woke sore. They learned that airsickness did not care about confidence, that radio calls could evaporate under workload, that weather changed plans without apology, that a night spent studying did not guarantee a morning spent flying well. Some returned from flights pale and quiet. Some made jokes too loudly. Some stared at grade sheets like they were letters from a judge.
Jesus continued to work with a steadiness that did not make Him immune to strain. He had rough flights. He missed radio calls. He once taxied back after a weather divert with a headache behind His eyes and hands tired from turbulence. When another student quietly threw up in a trash can after aerobatics and then tried to apologize to the room, Jesus brought him water and stood beside him until the shaking passed. He did not tell the student it was nothing. It was not nothing when a person’s body betrayed his image of himself. Jesus simply said, “You are still here,” and the student cried harder because mercy had made room for what pride could not survive.
Ethan saw these things from a distance. He saw Jesus cleaning a table after a late brief though He had not made the mess. He saw Him ask a maintainer a question and then wait for the full answer, not the convenient version. He saw Him receive a below-average grade on a formation sortie and spend the evening drawing sight pictures until the page was crowded with angles and notes. None of it looked weak. That bothered Ethan more than he wanted to admit.
Formation flying changed the atmosphere. Up to that point, a student’s mistakes had mostly belonged to his own cockpit, his own instructor, his own grade sheet. Formation made another aircraft part of the same breath. It required trust, sight, geometry, discipline, and a humility so practical that it had no religious language attached to it. A wingman did not get to invent his own truth. He flew position. He kept sight. He made the required calls. He did not let personal drama become someone else’s hazard.
The first formation brief was led by Lieutenant Omar Delaney, a fleet aviator temporarily assigned to training command, with sun lines at the corners of his eyes and a manner that suggested he had seen enough overwater weather to respect silence.
“Formation is not a chance to prove you are aggressive,” Delaney said. “It is a chance to prove you can subordinate yourself to the flight. If lead turns, you turn. If lead climbs, you climb. If you lose sight, you say so. You say it immediately. Not after you fix it. Not after you decide whether it makes you look bad. Immediately.”
He looked around the room until the students stopped writing.
“Two aircraft become one problem. That only works if nobody lies.”
Jesus’s pen paused over His notebook. Ethan kept writing though he had already written the sentence.
The first few formation events were humbling for everyone. Sight pictures that looked simple on a slide became slippery in the air. Closure rates surprised them. Sun angle mattered. Wake turbulence mattered. A small delay became a large displacement. Jesus flew wing on His first event and struggled to hold position through turns. He drifted acute, corrected, fell slightly sucked, corrected again, and heard Delaney’s instruction through the radio with a calm that still stung because it was true.
“Small corrections. You are working too hard.”
Jesus answered, “Small corrections.”
After landing, He wrote the phrase at the top of a page and underlined it once. Small corrections. Not just in flight, though He did not say that to anyone. He simply practiced.
Ethan’s early formation work looked sharper. His hands were quick, his eyes strong, his tolerance for proximity higher than most. On the third event, he flew wing with Becerra in the lead aircraft and another instructor observing from the rear seat. The weather was clear, visibility wide, the air only lightly bumpy. It should have been a good day for him.
For the first half, it was. Ethan held parade position with clean corrections. His cross-under was tight. His radio calls were exact. Then they moved into turns, then extended trail. Becerra’s aircraft moved through the sky ahead of him, and Ethan followed, working geometry, power, lift vector, closure. The world narrowed to the aircraft in front of him and the demand to stay exactly where he was supposed to be.
During one maneuver, sun flashed across the canopy. Ethan blinked, shifted his sight line, and for a fraction of a moment lost clean visual reference. Not full lost sight, not unrecoverable, not even long. But long enough that the correct call should have come immediately.
He did not make it.
He adjusted, reacquired, and stayed in. Nobody died. No metal bent. The maneuver continued. But in the rear cockpit, the instructor saw the hesitation. Becerra saw the slight delay in the flight path. The sky had told the truth even though Ethan had not.
The debrief was held in a small room with a whiteboard, two chairs too many, and no place for pride to hide. Becerra let the tapes and notes speak first. Then he turned to Ethan.
“What happened here?”
“Sun angle caused momentary sight picture degradation,” Ethan said.
Becerra’s face did not change. “Did you lose sight?”
“No, sir. I maintained enough visual reference.”
The observing instructor, Lieutenant Hayes, glanced down at his notes but did not speak.
Becerra leaned back. “That was not my question. Did you lose sight?”
Ethan felt his throat tighten. The honest answer was small, but its cost felt enormous. He could already see the note on the grade sheet. He could feel the word judgment forming around him. He could hear, absurdly and painfully, his brother’s voice from years before, laughing in the driveway as he tossed Ethan a football: Tell the truth early. It only gets heavier.
Ethan looked at the screen frozen on the flight path.
“Yes, sir,” he said, barely above normal volume. “Momentarily.”
“When should you have called it?”
“Immediately.”
“Why didn’t you?”
The room held still.
Ethan could have said task saturation. He could have said he believed he had sufficient reference. He could have built a technically plausible shelter and stood under it until the debrief moved on. Instead, perhaps because exhaustion had weakened the wall, perhaps because Jesus’s quiet answer in the classroom had stayed with him like a stone in his boot, he said the thing beneath the thing.
“I did not want it on the tape, sir.”
Hayes stopped writing.
Becerra’s expression remained steady, but something in the room changed. The truth, once spoken, did not make Ethan feel clean. It made him feel exposed. His face burned. His hands were still.
Becerra nodded slowly. “That answer may be the safest thing you did today.”
Ethan looked up.
“The mistake was manageable. The hesitation is what concerns me. This community can train a student who loses sight and calls it. It cannot trust a pilot who loses sight and protects himself first.”
“Yes, sir.”
“You will repeat the event. You will also brief lost sight procedures before your next flight. Not because you are being punished. Because the thing you hid is the thing you need to learn.”
Ethan nodded once. The grade was unsatisfactory for that portion. It felt like a crack opening under him.
That evening, he found Jesus in the hangar bay beside one of the aircraft, speaking with Petty Officer Sato while she checked a panel with a flashlight. The day’s heat had settled into the concrete. The sky outside the open hangar doors was purple at the edges, and the sound of distant engines rolled low across the base.
Jesus looked up as Ethan approached. He did not ask what had happened. Somehow that made it easier.
“I lost sight today,” Ethan said.
Sato glanced at him, then back at the panel, giving him the mercy of work.
Jesus waited.
“I did not call it right away.”
Jesus’s face carried no surprise and no accusation. “You told them?”
“In the debrief.”
“That was costly.”
Ethan laughed once, bitterly. “It cost me the event.”
“It may have saved more than that.”
Ethan leaned against a workbench, then pushed himself off it when he remembered where he was. Sato noticed and said nothing.
“I hate that,” Ethan said.
“What do you hate?”
“That telling the truth late is somehow better than flying well early.”
Jesus stepped aside as Sato moved past Him with a tool in her hand. “Flying well and telling the truth are not enemies.”
“They feel like enemies when the truth is that you didn’t fly well.”
“Yes,” Jesus said. “They can feel that way.”
Ethan looked toward the aircraft. “My brother never seemed scared of any of this.”
“Did he tell you that?”
“No.”
“Then you may not know.”
The words were gentle, but they landed with force. Ethan looked at Him sharply, ready to defend a memory, but Jesus was not attacking it. He was making room for the humanity Ethan had not allowed his brother to keep.
Sato tightened a fastener and spoke without looking at either of them. “Good pilots have told me about fear. Bad ones usually tell me about talent.”
Ethan looked at her. “You always listen to conversations you’re not in?”
She straightened and gave him a flat look. “In my hangar, I am in every conversation.”
For the first time in days, Ethan almost smiled.
Jesus did smile, faintly, then turned back to the aircraft. “Tomorrow you will brief the procedure.”
“Yes.”
“And when you do, do not brief it like a man trying to erase what happened. Brief it like a man willing to protect the next person from it.”
Ethan looked at the floor. He wanted to reject the words because they sounded too much like mercy, and mercy was harder to manage than criticism. Criticism could be answered with improvement. Mercy asked him to stop pretending improvement could raise the dead.
“My brother died on a training range,” Ethan said, the sentence leaving him before he had fully permitted it.
Sato’s hand stilled.
Jesus’s gaze remained on Ethan, steady and full of sorrow.
“Not here,” Ethan continued. “Not in this aircraft. Fleet training. Different place, different jet, different everything. Everyone says that when they want me to understand it wasn’t connected to me. But every time an instructor says lost sight, or knock it off, or eject, or mishap, I hear his name without anyone saying it.”
The hangar seemed larger around them. The aircraft beside them looked suddenly less like a machine and more like a witness.
“I am sorry,” Jesus said.
Ethan shook his head once. “People say that too.”
“Yes,” Jesus said. “And sometimes it is still true.”
Ethan had no defense for that. His eyes shone, but he did not let the tears fall. Not there. Not yet.
After a moment, Sato picked up her flashlight again, but her voice was quieter when she spoke. “Commander Vaughn was a Watchman, right?”
Ethan nodded.
“I did a det with them years ago,” she said. “Different squadron for me then. They were hard on procedures. Hard on maintenance write-ups. Hard on each other sometimes too. But I remember one thing. They did not treat lost sight calls like weakness. They treated silence like poison.”
Ethan looked at her as if she had handed him something fragile.
Jesus let the words belong to Sato. He did not take them and turn them into a lesson. He did not need to. Truth had already entered the room wearing coveralls and holding a flashlight.
The next morning, Ethan stood in front of the formation brief with his notes in his hand. His face was pale, but his voice held.
“Lost sight procedures,” he began. “If wingman loses sight, wingman immediately transmits lost sight with position if known, maintains predictable flight path, deconflicts according to briefed procedures, and does not attempt to solve silently what has already become a flight safety issue.”
He paused. Everyone in the room knew why he was briefing it. Nobody said so.
“The purpose of the call,” Ethan continued, “is not to protect pride. It is to protect aircraft and lives.”
From the back row, Jesus listened with His hands folded over His notebook. He did not nod in a way that would draw attention. He simply received the moment as the beginning of obedience.
After the brief, as they walked toward the flight line, Ethan fell into step beside Him.
“I still hate it,” Ethan said.
Jesus looked ahead toward the aircraft waiting in the morning light. “Truth?”
“Yes.”
“You may hate it less when you discover it can carry what pride could not.”
Ethan breathed in, slowly, as if air had become something he had to learn again. The sky above the ramp was bright and empty, but it did not feel empty to him now. It felt like a place that had room for both danger and mercy, both failure and formation, both the living and the dead.
For the first time since he had arrived, Ethan wondered whether becoming a naval aviator might require him not to escape grief, but to stop letting grief fly the aircraft in his place.
Chapter Three
By the time the class reached advanced jet training, the softness had been worn off nearly everyone. The students who had once arrived with bright voices and new boots now moved with the quieter habits of people who had been measured by weather, instructors, grade sheets, and machines that did not negotiate. They had learned to brief before sunrise and fly after a bad night of sleep. They had learned that confidence was useful only when it could survive correction. They had learned that the sky could be beautiful without ever becoming safe.
The T-45 was less forgiving than the aircraft that had carried them through the first phases of training. It was not a fleet fighter, not yet the world of radar intercepts, weapons employment, electronic warfare, or high-end tactics, but it was fast enough to make poor decisions arrive sooner. It demanded more from the hands, more from the scan, more from the lungs and neck and judgment. It climbed in a way that made the horizon fall quickly. It descended with a seriousness that left little room for late thinking. It made students aware that they were not being taught to enjoy speed. They were being taught to remain human while speed tried to make them careless.
Jesus entered that phase as He had entered the first, with attention instead of performance. He studied engines, hydraulics, ejection seats, oxygen systems, navigation, low-level routes, formation, aerobatics, instruments, and emergency procedures until the material became not information but readiness. He did not romanticize the ejection seat. He practiced the motions because a person who might one day need to leave an aircraft had no right to treat survival procedures as theory. He listened when instructors spoke about G tolerance, hypoxia, spatial disorientation, bird strikes, compressor stalls, and the quiet chain of small mistakes that often formed before a large one finally became visible.
The classrooms became more demanding. The simulators became less patient. In the devices, instructors stacked failures in ways that felt unfair until the students understood that aviation did not ask permission to become unfair. Jesus once spent an entire simulator period fighting through a failed display, a divert, weather below forecast, and a radio that cut in and out at the worst moments. He landed at the alternate field with the proper fuel state and a list of imperfections long enough to fill most of a debrief. When the instructor told Him He had let task saturation delay one checklist, Jesus wrote the comment down and sat with it as if the truth had been handed to Him for safekeeping.
Ethan improved too. Nobody could deny that. His hands were quicker in the jet. His formation sight pictures sharpened. His radio calls became cleaner. He began calling mistakes sooner, not easily, but sooner. In the ready room, other students started trusting him because he no longer spent every brief trying to sound untouchable. When he did not know something, he learned to say so before an instructor dragged the admission out of him. That change did not feel like freedom at first. It felt like losing a protective layer of skin. But he kept doing it because somewhere between the hangar, the simulator, and the formation room, he had begun to understand that the truth did not destroy a pilot as quickly as hiding from it did.
Still, grief remained clever. When pride no longer worked in one form, it found another. Ethan stopped trying to look perfect, but he began trying to become useful enough that no one would notice how much of him was still built around a dead man. He volunteered for extra briefs. He helped younger students chair-fly patterns. He stayed late to redraw tactical diagrams. He became generous in ways that sometimes looked like service and sometimes looked like punishment. Jesus saw the difference, though He did not name it too early.
The air combat maneuvering phase brought out what everyone carried. Basic fighter maneuvering was taught with structure, safety rules, hard decks, training rules, knock-it-off calls, and disciplined progression, but even inside those boundaries the work reached into a person’s instincts. One aircraft against another, nose position, energy, turn rate, lift vector, closure, offensive advantage, defensive survival, mutual support, all of it happening while the body strained under G and the mind tried to stay ahead of the jet. It was not a game. It was the beginning of learning how quickly a wrong assumption could become fatal.
On Jesus’s first defensive set, the instructor took the advantage and made Him earn every second. The G came on hard enough that His legs and abdomen had to fight for blood the body wanted to lose. His breathing became deliberate, forced into the rhythm He had been taught. The world narrowed beneath the edge of the helmet. The attacking aircraft moved across the canopy, disappeared behind structure, then reappeared where He had expected it and still not soon enough. He made a good break turn, then lost energy through an overzealous pull and had to admit it in the debrief without hiding behind the fact that He had survived the set.
“You defended with discipline at first,” the instructor said. “Then you got greedy with the nose.”
Jesus nodded. “I wanted the aircraft to give what it did not have.”
“That sentence belongs in more than aviation.”
Jesus looked down at His kneeboard, and for one quiet second a smile touched His face, not amused by Himself, but grateful for truth wherever it appeared. “Yes, sir.”
Ethan’s early ACM sets were strong. He had a natural feel for angles and timing, and for a while the instructors saw what had always been true beneath his fear. He could fight. He could think in motion. He could anticipate. But the same hunger that sharpened him also tempted him. When he was winning, he wanted to finish the fight cleanly. When he was losing, he wanted to reverse the story before anyone could write it down.
During a defensive engagement late in the phase, that hunger nearly overtook his discipline. The set began within the training rules, with Ethan defensive and the instructor pressing from behind. Ethan’s break was timely. He managed his energy well at first, then saw a possible reversal forming if he pulled harder and accepted a thinner margin. The hard deck was below. The G was building. His breathing strained. His sight picture narrowed until the world became opponent, nose, lift, pride, and the unbearable need not to be the man who only survived by running away.
The instructor’s voice came sharp over the radio. “Knock it off. Knock it off.”
Ethan unloaded and separated. His breath sounded loud inside the mask. “Vaughn, knock it off.”
The reply caught in his throat for a fraction too long. “Two, knock it off.”
They returned to base under a silence that felt heavier than weather. In the debrief, the instructor did not accuse him of recklessness for drama’s sake. He walked through the geometry, the energy state, the floor, the timing, the moment the fight stopped being training and started becoming Ethan’s private argument with loss.
“You had a way out,” the instructor said.
“Yes, sir.”
“You also had a voice telling you not to take it.”
Ethan stared at the diagram on the board.
“What voice was that?”
Ethan could feel Jesus somewhere behind him in the debrief room, still in the same flight suit, still carrying His own notes, saying nothing. The silence did not press him, but it did not let him hide either.
“My own, sir,” Ethan said.
The instructor waited.
Ethan swallowed. “And maybe my brother’s, or what I keep pretending was his.”
No one moved.
The instructor lowered the marker. “That is the first useful thing you have said in this debrief.”
The words should have stung. Instead, they broke something open. Not completely, but enough that Ethan could breathe past the mask he had been wearing even after he took the real one off.
That evening, he found Jesus outside the barracks, sitting on a low wall where the heat of the day still lived in the concrete. Aircraft lights moved in the distance. The base had a nighttime rhythm unlike any civilian place Ethan had known, full of engines, radios, duty vans, and young people trying to become responsible without yet knowing what responsibility would cost.
“I heard him today,” Ethan said.
Jesus did not ask who.
“Not his actual voice. I know that. But when I was defensive, when I had a way out, all I could think was that Noah would not have given up the fight.”
Jesus looked toward the dark flight line. “Was separating giving up?”
“No.”
“What was it?”
“Obeying the training rules.”
“And why were they there?”
Ethan rubbed both hands over his face. “To keep us alive.”
Jesus let the answer stand.
Ethan leaned forward, elbows on knees. “I have turned him into someone who would have wanted me to risk more than I should. I do not even know if that is true. I do not think it is. But it helps me stay angry. Angry feels closer to him than sad does.”
The admission settled between them with the quiet weight of something sacred. Jesus did not rush to fix it. His compassion was not impatience dressed as kindness. It made room for the pain to speak plainly.
“At times,” Jesus said, “we keep the dead near us by carrying the part of them we can survive. Even if it is not the truest part.”
Ethan’s eyes filled, and this time he was too tired to force the tears back completely. “Then what am I supposed to carry?”
“What was true of him?”
Ethan breathed unevenly. “He was careful. More careful than people knew. He checked on younger pilots. He wrote letters home. He used to call me after flights and tell me the funniest part first, so Mom would not hear the strain in his voice if she picked up another phone. He hated showoffs. He said the aircraft did not care what your last name was.”
Jesus turned to him. “Then carry that.”
Ethan cried silently for several seconds, looking away toward the lights so the grief could have privacy without having to disappear. Jesus stayed beside him. He did not touch Ethan’s shoulder until Ethan leaned just slightly toward Him, and then He rested His hand there with the gentleness of someone holding not a pilot, not a student, not a reputation, but a son who had been trying to earn permission to mourn.
The next phase was carrier qualification, and no one who had watched videos in a classroom was prepared for the first true feeling of seeing a runway painted on a moving ship. Field carrier landing practice had already humbled them. At the outlying field, they flew pattern after pattern under the eyes of landing signal officers, working meatball, lineup, angle of attack, power corrections, and the habit of responding immediately to calls that existed to save their lives. The runway did not move at the field, and still it exposed them. Students who had seemed smooth elsewhere became stiff in the groove. Others chased the ball, overcontrolled lineup, landed flat, landed long, or arrived at the debrief with the drained expression of people who had just discovered how little ego could help them in the final seconds before touchdown.
Jesus struggled at first with being late on power. The jet, sinking toward the painted landing area, required trust in small timely corrections, not dramatic rescue. He boltered during practice more than once. He listened to the LSO tapes carefully, eyes lowered, hands folded. When told that He had waited too long to correct a low start, He did not explain that the picture had been changing quickly. Everyone knew the picture changed quickly. That was the work.
“Earlier with power,” the LSO said.
“Earlier,” Jesus answered.
“Trust the ball, not the feeling.”
“Yes, sir.”
Ethan’s patterns looked sharper, but his problem was different. He wanted every pass saved. If the start was ugly, he fought to make the finish respectable. If lineup drifted, he tightened his jaw and tried to repair it inside the same pass rather than accepting the waveoff as part of the profession. The LSOs saw it and warned him.
A commander named Paul Ansel, who had the worn patience of someone who had spent too many years watching young pilots scare themselves into learning, stopped Ethan after one long debrief.
“You keep treating waveoff like failure,” Ansel said.
“It means the pass was not safe to continue.”
“It means you get another chance to do it right.”
Ethan nodded, but Ansel did not let him go.
“No. Hear me. A waveoff is not shame. It is obedience. If you ever get to the fleet and bring that attitude to the ship at night, you will frighten people who have earned the right not to be frightened by your pride.”
Ethan stood very still. “Yes, sir.”
When the carrier qualification detachment finally came, the students boarded with gear, nerves, and the kind of silence that follows people onto a ship when the sea is no longer an idea. The carrier was immense and alive, all steel, steam, wind, chains, elevators, blast, and practiced human movement. On the flight deck, everything seemed too loud and too close, yet nothing was random. Colored jerseys moved with purpose. Directors signaled. Maintainers crouched beneath wings. Engines howled. The ship turned into the wind, and the ocean went on without concern for anyone’s ambition.
Jesus stood for a moment in the island’s shadow and watched the deck crew work. He saw young faces made old by concentration. He saw danger managed by discipline. He saw hands pointing, checking, signaling, trusting. The carrier was not a stage for pilots. It was a city of responsibility, and the jet was only one part of its burden.
His first launch from the carrier pressed Him back in the seat with a violence that left no room for ornament. One instant the jet strained against the catapult; the next, the ship fell away beneath Him and the ocean opened wide. His breathing stayed trained, but His heart beat hard. He climbed, joined the pattern, and came back toward the ship with the LSO’s voice waiting in His ears. The deck looked impossibly small. The lens glowed. The wake trailed behind the carrier like a white scar on the sea.
He called the ball.
The pass was not beautiful. He corrected lineup early, then came slightly low, added power, held, heard the call, obeyed, and touched down hard enough that the arresting gear’s violence snapped through the straps and stopped the jet as if the whole ocean had reached up and caught it. For a second after the stop, He sat breathing, alive, humbled, grateful. Then He followed instructions and cleared the landing area because no emotion, however deep, was permitted to block the next aircraft.
Ethan watched from the ready room monitor when Jesus trapped. He expected to feel competition. Instead he felt something else. Jesus had not made the landing about Himself. Even the way He taxied clear seemed obedient. That should not have mattered. Somehow it did.
When Ethan’s turn came, the catapult shot him into the air and every practiced word in him became necessary. He flew the pattern, turned in, rolled wings level, and saw the ship waiting. Wind over deck. Meatball. Lineup. Angle of attack. Small corrections. Trust the ball, not the feeling. His first pass went high at the start. He corrected, then drifted. The LSO’s voice came steady and firm. The pass became crowded.
“Power.”
Ethan added power.
“Right for lineup.”
He corrected.
“Waveoff, waveoff.”
His hand moved before his pride could stop it. Full power. Climb. Obey. Do not save it. Do not argue. Do not make the ship forgive what the LSO has already told you.
The jet roared away from the deck, and for a brief, terrible moment Ethan felt the old humiliation rise. Then something else rose with it, quieter but stronger. A waveoff is obedience. It is another chance to do it right.
He came around again. This time he flew the start with less anger. The ball moved; he corrected early. Lineup drifted; he fixed it without grabbing for perfection. The deck grew. The wires waited. He touched down, the hook caught, and the jet stopped with a force that threw him forward into the straps and then back against the seat. He had trapped aboard a carrier. He had also, in a way no grade sheet could fully record, allowed himself to live through not being perfect first.
The CQ debriefs were long, precise, and unsentimental. Jesus reviewed His passes with gratitude and notes. Ethan reviewed his waveoff without trying to bury it. When Commander Ansel asked what he had learned, Ethan looked down at the pass summary, then at the older man.
“I learned that obedience can look like leaving before you land.”
Ansel studied him, then nodded once. “Good. Remember it. The ship will ask you again.”
That night, after flight operations slowed and the sea moved black beyond the edge of the deck lights, Ethan found Jesus near a passageway where the noise softened enough for a man to hear himself think. Neither of them had much energy left. Carrier qualification did not leave room for grand speeches. It took the body’s strength, the mind’s sharpness, and most of a person’s illusions.
“I waved off,” Ethan said.
“I heard.”
“I hated it.”
Jesus looked at him. “And?”
“And I obeyed.”
The words came with no triumph. They sounded almost like confession. Jesus nodded, and for once Ethan did not look away.
“I thought finishing would heal something,” Ethan said. “Wings. Jets. The boat. Maybe someday the fleet. Maybe if I got far enough, people would stop seeing Noah when they looked at me, and I would stop seeing him every time I failed.”
“And now?”
Ethan leaned back against the bulkhead, the ship moving almost imperceptibly beneath his boots. “Now I think I have been using the sky to avoid standing still.”
Jesus was quiet for a long moment. “The sky can teach a man many things. But it cannot mourn for him.”
The sentence did not wound Ethan. It found the wound already there and told the truth about it. He closed his eyes, and the ship carried them both through the dark.
“What do I do when standing still feels worse than flying?” Ethan asked.
Jesus looked toward the narrow passage leading deeper into the carrier, where tired sailors were still working, still checking, still keeping watch over one another in the floating city of steel.
“You do not stand alone,” He said.
The next morning, before another cycle of qualifications, Ethan wrote his brother’s name on a small card and placed it behind the photograph in his binder. Beneath it he wrote three words, not as a slogan, not as a cure, but as the first honest instruction he had given himself in years.
Tell truth early.
He closed the binder and went to brief.
Chapter Four
Fleet life did not feel like arrival. It felt like being handed a heavier silence and told to carry it without complaint.
After wings were pinned, after the photographs and handshakes and brief hours of celebration, the work became more serious instead of less. Jesus and Ethan were assigned to the Watchmen, a strike fighter squadron preparing for deployment and working through the difficult rhythm of replacement pilots joining a team that already had its own scars, standards, jokes, griefs, habits, and unspoken tests. The name on Ethan’s chest meant something there. His brother had worn that same patch. Men and women in the ready room remembered Noah Vaughn in ways that were not clean enough for speeches. Some remembered his calm. Some remembered his laugh. Some remembered the mishap investigation and the long months after it, when every brief sounded more careful and every silence around his empty chair seemed to ask whether the community had missed something.
No one mistreated Ethan. That almost made it harder. Cruelty would have given him an enemy. Kindness gave him a mirror.
The squadron’s commanding officer, Commander Mara Kline, had returned to the fleet before them and now carried the same directness with more weight behind it. In training command she had been responsible for shaping students. In the squadron, she was responsible for people who might launch from a carrier at night, fly into bad weather, manage fuel and weapons and radios and threats, and return to a moving deck with tired hands and no room for vanity. Her office door was open most days, but no one mistook that for softness.
On their first morning as junior fleet aviators, Kline stood before the ready room while maintainers moved beyond the passageway and the smell of coffee mixed with hydraulic fluid drifting faintly from the hangar.
“You have earned wings,” she said. “You have not earned trust at this table yet. Trust is built by preparation, honesty, judgment, and the way you behave when no one is writing it down. Nobody here needs a hero. We need wingmen.”
Jesus sat near the side wall, attentive, hands folded over a kneeboard. Ethan sat two seats away, his brother’s old patch sewn inside his helmet bag where no one could see it. He felt the sentence settle against him. Nobody needs a hero. We need wingmen. He wanted to believe he had learned that already. Fleet life would ask whether the lesson had gone deeper than words.
Squadron integration was not glamorous. It was simulator events, tactical publications, secure briefings, maintenance meetings, emergency procedure reviews, and endless study of systems that became more complex now that the aircraft had teeth. They learned the Super Hornet’s radar modes, datalink symbology, sensor employment, air-to-air intercept mechanics, defensive systems, fuel ladders, weapons envelopes, tanker procedures, night carrier operations, and the sober art of mission planning. They learned how quickly a plan could be ruined by weather, tanker problems, radio confusion, threat reactions, fatigue, and one assumption no one challenged in the brief.
Jesus did not try to seem larger than the work. He sat with intelligence officers and asked careful questions. He listened to electronic warfare officers without pretending to understand more than He did. He thanked maintainers by name. When a young plane captain corrected Him for stepping too near a marked hazard while distracted by a question, Jesus stopped immediately, stepped back, and said, “You were right to stop me.” The plane captain looked startled, then nodded as if something in the day had shifted by an inch toward respect.
Ethan noticed. In the training command, Jesus’s humility had seemed personal, almost private. In the fleet, it became operational. A pilot who could receive correction from anyone became safer for everyone. Ethan began to understand that humility was not a mood. It was a structure strong enough to let truth enter from any direction.
The squadron’s advanced tactics phase took them west to Naval Air Station Fallon, where the land opened into desert, mountains, dry light, and ranges wide enough for pilots to discover how small they were. Fallon had a stripped-down honesty to it. The sky looked endless until the brief made it crowded with threats, timelines, contracts, fuel states, intercept geometry, communications plans, surface-to-air systems, adversary presentations, and the invisible consequences of being late.
The Watchmen trained hard there before sending a small group to the Navy Fighter Weapons School. TOPGUN was not spoken of like a trophy by the people who understood it. It was spoken of like a responsibility. The graduates would return to teach the fleet, and that meant the school was not looking for personalities who loved being admired. It was looking for aviators who could think, fly, debrief, teach, and tell the truth with precision even when the truth embarrassed them.
Jesus and Ethan were selected for the course after months of performance, recommendation, and scrutiny. Ethan felt the old pressure rise when his name appeared. For one breath, he wanted to dedicate it to Noah in the old way, the dangerous way, by turning the selection into proof. Then he opened his binder and saw the card behind the photograph.
Tell truth early.
He closed the binder and sat very still until the pressure lowered enough to become prayer, though he did not yet know whether to call it that.
The first weeks of TOPGUN stripped away any remaining romance. Days began before first light and ended after the mind had already gone dull from study. Students briefed, flew, debriefed, revised, rehearsed, and briefed again. Instructors pressed every assumption. They did not humiliate for sport. They demanded clarity because confusion in training became casualties later. A careless word in a brief mattered. A missed timeline mattered. A vague learning point mattered. The debrief room was not a courtroom, though it sometimes felt like one. It was more like an operating room after a wound had been opened and everyone present had agreed that pretending would be more cruel than cutting cleanly.
Jesus flew well, but not flawlessly. In a complex intercept event, He misprioritized a sensor picture for several seconds and allowed the instructor adversary to create a problem the flight had briefed against. The set was recovered, but the tape showed the delay. In the debrief, Commander Ansel let the recording run until the moment appeared in its plainness.
“What did you see?” Ansel asked.
Jesus looked at the screen. “I saw what I expected before I accepted what was there.”
“Cost?”
“Time, separation, and trust in the contract.”
“Learning point?”
Jesus took a breath. “Expectation can become blindness if it is not surrendered quickly.”
No one wrote that down as poetry. They wrote it down because it was tactically accurate.
Ethan’s difficulty was different. He had become better at admitting mistakes, but TOPGUN required him to teach from them. That was harder. The wound in him could tolerate confession when confession remained personal. Teaching meant allowing other pilots to stand near the place where he had failed and receive help from it. It meant his grief could not stay a private monument. It had to become service.
The test came during a high-pressure division mission against a skilled adversary presentation on the range. The plan was complex, with timing built around a coordinated push, mutual support, threat reactions, and a narrow window for simulated weapons employment. Jesus flew as lead of one element. Ethan flew as part of the supporting element, responsible for a communication relay and a sensor task that would help keep the larger picture coherent. The brief had been exact. The weather was clear. The desert below looked still enough to deceive anyone who forgot how fast trouble moved.
For the first part, the mission unfolded close to plan. Radios were disciplined. Fuel was on timeline. The adversaries appeared where intelligence had suggested they might, then maneuvered in a way that forced the flight to adapt. Jesus’s voice remained calm, not slow, not soothing, but clean. He adjusted the plan within the contracts they had briefed. Ethan worked his displays, cross-checked, transmitted, and felt the old pressure begin when the picture grew crowded.
A simulated threat appeared at the edge of the timeline. Another call stepped on his transmission. For several seconds, Ethan saw two possible interpretations of the sensor picture, one that preserved the plan and one that required admitting the supporting element was behind. The old instinct moved first. Save it. Fix it. Do not burden the flight with your uncertainty. Then the desert below seemed to go quiet beneath him, and he saw, with painful clarity, that silence was pride even when it was wearing the uniform of competence.
“Watchman Three,” Ethan transmitted, voice tight but controlled. “Picture uncertain. Supporting element is behind timeline. Recommend reset to briefed contingency.”
There was a brief pause, not long, but long enough for obedience to feel expensive.
Jesus answered, “Watchman One copies. Execute contingency. Flight, reset as briefed.”
The mission shifted. They lost the chance at the cleaner outcome. The adversaries gained space. The final engagement became harder and less elegant, but it remained controlled, teachable, and safe within the training rules. They returned to Fallon with fuel above minimums, no violated contracts, and no hidden confusion buried inside a false success.
The debrief lasted six hours.
No one praised Ethan quickly. That would have cheapened it. Ansel built the timeline on the board, second by second, call by call, decision by decision. When the uncertain picture appeared on the tape, he stopped it.
“Walk us through this,” he said.
Ethan stood, marker in hand, body tired enough that shame would have been easier than precision. He described what he saw, what he thought, what he wanted to do, and what he almost did not say. His voice wavered once when he admitted the desire to protect the plan from his own uncertainty. He kept going.
“I believed I could fix it silently,” he said. “That belief was wrong. Had I delayed, lead would have been making decisions from a picture I knew was compromised. The correct action was to transmit uncertainty and move the flight to the contingency.”
Ansel crossed his arms. “What did it cost?”
“The primary objective in that presentation.”
“What did it preserve?”
Ethan looked at the board, then at the pilots around the room, some exhausted, some expressionless, all listening because the answer mattered.
“Trust,” he said. “And the possibility of learning the truth before a worse mistake formed.”
Ansel nodded. “Teach it.”
Ethan turned back to the board. For a moment, he could not move. Teaching it meant stepping fully into the thing he had feared from the beginning. It meant letting the room see that the younger brother of Noah Vaughn had not become strong by outrunning weakness, but by finally allowing truth to stand in the cockpit with him. He glanced once toward Jesus.
Jesus did not rescue him. He did not speak. He held Ethan’s gaze with mercy, and mercy did not remove the cost of obedience. It gave him courage to pay it.
Ethan lifted the marker and began.
He taught the timeline. He taught the error chain. He taught the temptation to hide uncertainty inside task saturation. He taught the difference between confidence and arrogance, between tactical patience and fear, between courage and the reckless need to preserve an image. He taught without dramatizing himself and without pretending the lesson had been painless. By the end, the room was quiet in a way Ethan had heard before only after a trap aboard the carrier, when everyone knew the landing had mattered and nobody needed to make it theatrical.
After the debrief, Jesus found Ethan outside beneath the Nevada night. Fallon’s darkness was wide, and the stars seemed closer because the land offered so little softness between earth and sky. Ethan stood with his hands in his flight suit pockets, looking toward the ranges as if part of him were still out there among the calls he had made and the ones he had almost swallowed.
“I thought it would feel better,” Ethan said.
“Teaching the truth?”
“Obeying it.”
Jesus stood beside him. “Sometimes obedience feels less like victory and more like being emptied.”
Ethan let out a tired breath. “That is exactly what it felt like.”
“What was emptied?”
Ethan thought about it. The answer did not come quickly, and Jesus did not press him. A truck moved in the distance. Somewhere behind them, a door opened and laughter spilled out briefly before closing again.
“The need to make Noah proud by becoming untouchable,” Ethan said at last. “The need to make everyone see him when they look at me. The need to keep him alive by never needing help.”
Jesus looked out across the dark range. “And what remains?”
Ethan’s eyes lowered. “I do not know yet.”
“That is all right.”
“It does not feel all right.”
“No,” Jesus said. “But empty ground can receive seed.”
Ethan turned slightly, hearing the words not as a speech but as something placed gently into his hands.
“I do not know how to grieve him without becoming him,” Ethan said.
Jesus’s face carried the sorrow of the sentence. “Then begin by loving him as your brother, not as your burden.”
Ethan closed his eyes. The tears came again, quietly, without the violence of resisting them. This time he did not apologize. This time he did not turn away as quickly. Jesus stood near him under the desert sky, holy and human, silent enough to let grief become honest.
The final qualification events were still ahead. More briefs. More flights. More adversary sets. More debriefs where every vague thought would be pressed until it became either truth or correction. Graduation was not guaranteed. Nothing about that place allowed a person to borrow tomorrow’s honor.
But that night, as Ethan finally walked back toward the squadron spaces, he carried something different from ambition. It was smaller, quieter, and harder to lose. It was the beginning of peace, not because the pressure had ended, but because he no longer had to hide from the truth in order to survive it.
Jesus remained outside a little longer. He looked toward the ranges where young pilots learned the cost of decisions made at speed. He thought of carriers at night, of maintainers under floodlights, of instructors who spoke hard truths because lives depended on them, of students whose private wounds entered cockpits whether anyone named them or not.
Then He lowered His head, not in the final prayer of the story, but in the kind of prayer that belongs between one act of obedience and the next.
Chapter Five
The last week at Fallon did not feel like the end of anything while they were inside it. It felt like compression. Every lesson, every correction, every private fear that had survived earlier phases seemed to arrive at once and ask whether it had truly been surrendered or only managed for a season. The instructors did not become warmer because graduation was near. If anything, they became more exact. A pilot who could almost teach the fleet was still not ready to teach the fleet. Almost was not cruelty, but it could become danger if anyone confused it with enough.
The final mission planning cell began before sunrise in a room that had no patience for romance. Maps, threat rings, fuel ladders, timelines, comm plans, tanker tracks, weather, divert fields, adversary expectations, and contingency branches covered the tables and screens. The scenario was built to strain judgment without turning training into theater. It demanded discipline, communication, tactical clarity, and the humility to abandon the preferred plan when truth required another one.
Jesus stood at the front for part of the mission brief, not as a performer, not as a man trying to sound profound, but as a pilot responsible for making complicated danger understandable. He briefed the objective, the expected threat reactions, the communications contracts, the fuel plan, and the decision points where the flight would either continue, reset, or terminate. When an instructor challenged a timing assumption, Jesus did not defend it because He had written it. He looked at the numbers again, accepted the correction, and adjusted the plan in front of everyone.
Ethan watched Him do it with a steadiness that now felt familiar but still costly. Months earlier, he would have mistaken that kind of public correction for loss. Now he understood it as protection. The plan did not become weaker when truth entered it. The people became safer.
When Ethan briefed his section, his voice carried the fatigue of many long days, but not the old tightness. He spoke clearly about uncertainty triggers, lost communication procedures, sensor ambiguity, and the exact point at which he would call for a contingency rather than preserve a false picture. Commander Ansel interrupted twice, once to sharpen a definition and once to challenge a vague phrase.
“What does ‘late’ mean in seconds?” Ansel asked.
Ethan looked at his timeline. “Greater than fifteen seconds past the push contract without confirmed mutual support.”
“Then say that.”
“Yes, sir.” Ethan turned back to the room. “Greater than fifteen seconds past the push contract without confirmed mutual support requires an immediate call and reset to the briefed contingency.”
Ansel nodded. No praise. No softness. Just acceptance of clarity, which in that building meant more than applause.
The flight launched into a hard blue morning. The desert below appeared still, but the radios filled quickly with motion. Jesus led with a calm that did not remove urgency. Ethan worked his role with disciplined attention, not trying to force the mission into beauty. The adversary presentation pressed them almost immediately, drawing attention outward while another problem formed in the timing. A tanker delay shifted the fuel picture. One supporting aircraft had a simulated system degradation. A radio transmission stepped on a critical call. The scenario did what good training often did: it revealed whether people loved the plan more than the purpose.
Jesus saw the pressure forming and adjusted early. Ethan confirmed the picture, transmitted what he knew, and did not embellish what he did not know. The flight moved to the contingency before the situation became dramatic enough to flatter anyone afterward. That was the strange humility of the day. Their best decision made the mission look less heroic than it might have looked if they had waited too long.
Then the adversaries forced the fight anyway.
In the turning engagement that followed, the sky became crowded with geometry and strain. Jets moved against one another in disciplined violence, each maneuver governed by rules that kept training from becoming tragedy. Jesus’s body fought the G. His breathing stayed in the pattern He had been taught. Sweat gathered beneath His helmet. His neck and legs burned. He made one call early, another just in time, and when an instructor adversary created a picture that could have tempted Him to chase personal advantage, He held the contract instead. Not because He lacked courage, but because courage had learned obedience.
Ethan saw the same temptation from another angle. For a few seconds, he had a chance to press aggressively and perhaps turn the engagement in a way that would look impressive on tape. It would also pull him away from mutual support at the exact moment Jesus was counting on him to remain where the brief required him to be. The old hunger lifted in him, faint but recognizable. It did not arrive with Noah’s name this time. It arrived as the simpler human desire to be remembered.
He saw it. He named it inwardly. He let it pass.
“Three is anchored. Supporting,” he transmitted.
Jesus answered, “One copies.”
The fight continued. It was not clean. Real training rarely was. There were delayed calls, corrections, and one maneuver Jesus would later critique with the precision of a man unwilling to hide behind a passing result. But the flight stayed honest. No one protected a picture that was no longer true. No one turned uncertainty into silence. When the final knock-it-off call came, there was no triumph in the radio voices, only breathing, fuel checks, and the disciplined return to base.
The final debrief lasted until the light outside the building turned late and low. Ansel took them through every phase. He pressed Jesus on a targeting decision. He pressed Ethan on a support call. He pressed the whole flight on timing, clarity, and how quickly they recognized the tanker delay’s effect on the larger plan. The room was tired enough that no one had energy left for image management. That made the truth easier to find.
When they reached the moment Ethan had chosen to remain in support rather than chase advantage, Ansel stopped the tape.
“Why not press here?” he asked.
Ethan stood beside the board. The answer could have been tactical, and it was. But it was also more than tactical, and everyone in that room had been trained long enough to know the difference.
“Because the briefed contract mattered more than the chance to look effective alone,” Ethan said. “If I press there, lead loses the support I promised. The fight might look better for me for a few seconds, but the flight becomes weaker.”
Ansel looked at him. “Learning point?”
Ethan took a breath. He did not look toward Jesus this time. He did not need permission to tell the truth anymore.
“Arrogance tries to turn responsibility into a stage. Confidence stays where it is needed, even when no one notices.”
The room stayed silent. It was not the silence of discomfort. It was the silence of people letting a clean statement settle into professional memory.
Ansel finally nodded. “Good. Teach that exactly like that when you get back to the fleet.”
Those words did what applause could not have done. Ethan sat down carefully, as if he had been handed something heavier than praise and more useful.
Jesus’s own final evaluation came near the end of the debrief. Ansel challenged Him on the moment He had refused to chase personal advantage.
“You had a shot at changing the presentation,” Ansel said. “Why hold?”
Jesus stood with His hands behind His back. “Because the opportunity was not the assignment.”
A few pens moved across paper.
Ansel studied Him. “Explain.”
“If I took what appeared open to me, I would have broken what others were depending on. The mission required discipline more than display.”
“Cost?”
“We lost a chance to finish the engagement sooner.”
“Gain?”
“We preserved the flight’s integrity and kept decisions inside the truth of the brief.”
Ansel leaned back. The room waited.
“That,” he said, “is the difference between a talented pilot and a weapons school graduate who may be trusted to teach. Sit down.”
Jesus sat. His face did not change much, but Ethan saw the way His shoulders lowered slightly, not with pride, but with the quiet relief of work completed faithfully.
Graduation came without extravagance. There were uniforms, handshakes, photographs, certificates, and the formal recognition of a course that had demanded almost everything they could bring to it. Families and squadron representatives stood in the room. Instructors who had seemed carved from stone during debriefs now allowed small smiles. The graduates were congratulated, but the language remained careful. They were not being crowned. They were being sent back with responsibility.
When Ethan’s name was called, he walked forward and accepted the certificate. For a moment, with the room watching, he felt the old absence beside him. Noah should have been there. That thought did not crush him this time. It hurt, but it did not command him. He let it be true without letting it become his pilot.
After the ceremony, he stepped away from the crowd and found a quiet corner near a window looking out toward the Nevada light. The certificate felt strange in his hand. Not empty. Not enough to heal everything. Just real.
Jesus came beside him.
“He would have laughed at the formality,” Ethan said.
“Your brother?”
Ethan nodded, smiling through the sadness. “He hated ceremonies unless there was food.”
Jesus smiled gently.
For a while neither of them spoke. Outside, the desert wind moved dust across the pavement. Students from another class walked by carrying helmet bags, still early in their own long process, still unaware of which parts of themselves the training would uncover before it was done.
“I used to think graduating from here would prove I was not living in his shadow,” Ethan said. “Now I think I was never in his shadow. I was standing beside a grief I refused to turn and face.”
Jesus listened with the full attention that had unsettled Ethan at first and saved him later.
“I still miss him,” Ethan said.
“Yes.”
“I still want him to see this.”
“Yes.”
“But I do not think I need to become him anymore.”
Jesus looked at him with deep tenderness. “No. You need to become faithful with what has been given to you.”
Ethan closed his eyes. The sentence did not feel like a command. It felt like release. When he opened them, Commander Kline was standing a few paces away, not intruding, just present.
“Vaughn,” she said.
“Yes, ma’am.”
“Your brother was a good officer.”
Ethan’s throat tightened. “Yes, ma’am.”
“He was not perfect.”
Ethan looked at her, startled by the mercy of that truth.
Kline’s voice softened without losing its strength. “None of us needed him to be. We needed him to be honest, prepared, humble enough to keep learning, and brave enough to serve. That is what we need from you too.”
Ethan nodded, but the tears came before words did. He did not apologize for them. Kline gave him the dignity of not looking away and not making a display of comfort. She simply placed a hand on his shoulder for one brief moment, then stepped back.
“Return to the Watchmen ready to teach,” she said.
“Yes, ma’am,” Ethan said. “I will.”
Later, when the ceremony had thinned and people were leaving in pairs and small groups, Ethan walked outside with Jesus. The sky was wide, the mountains distant, the air dry enough to make every breath feel plain. Aircraft moved somewhere beyond sight, their engines faint against the afternoon. Ethan carried the certificate in one hand and the old photograph of Noah in the other. He had removed it from the binder for the first time in months.
He looked at it for a while, then tucked it carefully into his breast pocket instead of back behind plastic.
“I think I can carry him there,” he said.
Jesus looked at the pocket, then at Ethan. “Near your heart, not over your eyes.”
Ethan breathed out a laugh that was almost a sob. “Yes.”
There was no perfect ending waiting for him. He would still have hard flights. He would still feel the empty chair at family tables. He would still hear certain radio calls and remember what loss had taken. He would still need correction. He would still need mercy. But now his grief had been brought into the light, and what stood in the light no longer had to fly the aircraft from the dark.
That evening, after the last conversations faded and the training buildings settled into their nighttime quiet, Jesus walked alone to a small place beyond the edge of the parking lot where the desert opened and the base lights did not reach as strongly. He knelt there in the dust beneath the wide Nevada sky. His flight suit was creased from the day. His body was tired from weeks of pressure, study, G, heat, correction, and responsibility. He had entered the world of naval aviation without seeking honor from it, and He had passed through its demands without making Himself the center of them.
He prayed for the instructors who told the truth when students resented it. He prayed for the maintainers whose careful hands guarded lives they might never fully know. He prayed for the pilots who would launch from carriers into darkness. He prayed for the families who waited through deployments and phone calls and silences. He prayed for the Watchmen. He prayed for Ethan Vaughn, no longer trying to resurrect his brother through ambition, but learning to honor him through humility, courage, and truth.
The wind moved lightly across the desert.
Jesus remained there in quiet prayer.
Your friend, Douglas Vandergraph
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from
Roscoe's Story
In Summary: * A productive Monday is almost wrapped up. I did take care of the yard work I assigned myself in the back yard. Feel good about that.
And listened to my Rangers win their game vs the Gaurdians, final score 6 to 3. Feel pretty good about that.
Friday prayers are nearly wrapped up. When I've got them finished I'll be heading to bed.
Prayers, etc.: * I have a daily prayer regimen I try to follow throughout the day from early morning, as soon as I roll out of bed, until head hits pillow at night.
Health Metrics: * bw= 232.26 * bp= 148/87 (68)
Exercise: * morning stretches, balance exercises, kegel pelvic floor exercises, half squats, calf raises, wall push-ups, BP breathing exercises, pilates
Diet: * 06:30 – 1 ham & cheese sandwich * 10:00 – 3 boiled eggs * 13:30 – crispy oatmeal dunkin' cookies, cup of cold milk * 16:00 – 1 peanut butter sandwich
Activities, Chores, etc.: * 04:30 – listen to local news talk radio * 05:30 – bank accounts activity monitored. * 06:30 – read, write, pray, follow news reports from various sources, surf the socials, nap * 11:30 to 13:00 – yard work, hauling and cutting branches and foliage in the back yard, loading the big green organics bin * 13:10 – Prayerfully reading the Propers of the Roman Catholic Mass of today, 29 June 2026, SS. Apostolorum Petri et Pauli, according to the 1962 Ordo, as found in Sanctifica. * 16:30 -listening to general sports talk on 105.3 The Fan, DFW's #1 Sports Station, ahead of tonight's Rangers / Guardians game. I'll stay with this station to hear the radio call of that game. * 21:00 – and the Rangers win, 6 to 3.
Chess: * 17:00 – moved in all pending CC games