Want to join in? Respond to our weekly writing prompts, open to everyone.
Want to join in? Respond to our weekly writing prompts, open to everyone.
from
Hello From Juliet
Hi blog friends! Cute Snail and I published our back to school newsletter today. We put some things in there that we thought some of you might enjoy so we’re sharing. One is a back to school themed word search puzzle. The other are the links to the coloring pages we created for fall and back to school.
Skateboard Cruisin' Into My First Day | Snail-tastic School Year Learning Adventure | Beautiful, Bright Spec-tacular School Year | Colorful, Bright Spec-tacular School Year | Fresh Starts, Fall Leaves And Smiles | Beautiful Bright Spec-tacular Fall | Colorful, Bright Spec-tacular Fall
All coloring pages are easy print US letter size PDF’s and can be printed at any scale you like. Smaller scales give you more margin which makes the pages look like they came out of an old school story book. All pages are FREE to download with opportunities to contribute to help keep the coffee, cookies, smiles and SNAIL-TASTIC good cheer flowing if you like. Enjoy!
❤️ Juliet (And Cute Snail)
IMAGE ID: Picture of the Cute Snail back to school word search puzzle. Contains words that have to do with school and learning as well as a picture of Cute Snail wearing her disco ball shell and riding her skateboard.
from Lastige Gevallen in de Rede
Vandaag in VVA Lijfstijl hebben we ons zelf uitgenodigd bij Renee en Rene Anderthaler voor een complete remake van het door hun bewoonde hol. Renee en Rene zijn onduidelijk te verstaan en daarom hebben we ze die paar keer dat ze iets gromden ondertiteld, de ondertiteling is gebaseerd op wat wij wilden horen en maar hebben aangenomen dat ze dit op geheel eigen wijze ook tegen ons zeiden.
Na de wilde, supersnelle rit over de A1 met gemiddeld 160 km per uur en een tergend langzame wandeling door de woestenij kwamen we uit bij het jonge stel in hun grot, die hier ter plekke al een poosje samenwonen in zonde en helaas ook zonder de gemakken zo hard nodig voor succesvol samenkleven, vloerverwarming, een airfryer, kast ruimte, een esresso maker, de man cave in de grot, hobby kamers voor renee en schilderijen aan de wand met daar op abstracte kunst of hobo art afbeeldingen. We moesten hier aangekomen zomaar zonder wat dan ook pardoes binnen vallen, alles wat wonen zo'n unieke ervaring maakt ontbreekt hier, de deurbel met lichtje, anders een klopper met drakenkop, een mooie moderne zelfsluitende protiek deurkruk, de hele deur, lijst en al ontbrak, je moest er zo in, we zeiden 'klop, klop' pas na een poosje overleggen bij de hol ingang over het juiste woordje, waarbij het ging tussen 'tring', 'rinkel' en 'klop, klop' dus.
'Hallo, welkom team enthousiaste decorateurs' 'Leuk dat jullie er zijn om ons hol te verbeteren'
Gromden ze.
Wij keken rond en zeiden tegen de camera 'OMG! Hoe kun je zo leven, waar zijn de gordijntjes, kussentjes.. waar zit hier de lichtknop eigenlijk en waarom is het zo nat. Hier is een makeover een plicht geen overbodige luxe meer. Vree-se-luk! Dit kan echt niet, hoe moet u hier binnen de visite entertainen, waar is de feng shui, de balans tussen u energie en de objecten, de familie foto's. De inloopkast, de schuifdeuren, er is hier niet eens een onbewoond kook eiland!'
We liepen, de stijleur en wij, door de grot in het gezelschap van de Anderthalers, zij wezen hier en daar ergens heen, en gromden..
'Hier moet de inloopkast met schuifdeuren' 'Dit lijkt ons de plek voor de bank en de televisie, zodat we ook hier 'thuis' naar jullie programma kunnen kijken en niet alleen verder op in Anderthalistan Stad.' 'We willen wel graag leuke kussentjes' 'En Hobo Kunst'
We gingen voor zover mogelijk iets afzijdig staan en daar praten tegen de microfoon en in de camera. 'We moeten hier en nu ontzettend veel re-stylen en wel meteen. Niet alleen om u te plezieren, Rene, met u veel betekenende andere, maar Samen, met ons team want re-decorating doe je samen met een team experts. Samen, met ons en de sponsoren van deze serie, de leveranciers van schitterende plakhaakjes, plak vloerverwarming en plakjes voorgebakken cake en nog veel meer.'
'We geven u, Rene en Renee, natuurlijk ook het idee dat u echt iets bijdraagt aan het binnenste van u van god gekraakte grot en daarom gaat u met behulp van deze tijdschriften, lijm, schaar en kleur potloden een moodboard maken voor het bepalen van de sfeer in dit vochtige, duistere hol. Hier kijk, onze drie eigen beheer VVA lifestyle magazines, Grot Style, BC Wonen en de Lynda, knip er uit wat u het liefste in u leven wil zien, mode bewust als u van nature bent, kleur de binnenkant van u hol met de binnenzijde van u wat hoekige, zeer harige en noeste hoofd.
'Leuk' Gromden ze...
'... Eh, nee! Stop! verkeerd om, pas op! Niet in u zelf knippen en niet in Renee.. niet bevestigen aan u significante ander, dat spul krijg je nooit en te nimmer uit dat haar. Doe dat nou niet, alsjeblieft, hou op, hou op ... Ruim de potloden, lijm en schaar maar weer op schat, dit wordt niks. Pak de vingerverf maar weer. We laten ze hun moodboards bekliederen.'
'Ook leuk' Gromden ze...
We knippen in een ruk door naar de afgevingerverfde stemmingsplakaten
'Laten we even samen kijken welke stemming u graag wilt zien, hier, in dit nu nog zo grimmige overkomende hol, weliswaar is dit gegeven, dit kleine klieder kunst werkje, iets dat wij voor u eigen belang volkomen gaan negeren tijdens de gehele show en beyond. 'Goh, nou, schitterend. Dat is wel iets om ter kennisgeving aan te nemen!', 'Ik snap wel waarom u het samen niet eens wordt over verbetering in het leefklimaat alhier, het verfraaien van deze basic woning. Dat u hier samen zo zonder alles bent gaan holen is wat ons betreft een groot wonder.' Zo complimenteerden wij Renee en Rene met hun leven en levenskeuzes.
'Het is door de liefde dat wij hier, Renee en ik, in deze berg, in dit door wind en water ontstane gat samen zijn gaan wonen' Gromde Rene Anderthaler
'Bij dit stijl en bouwproject werken we samen met de meest geliefde stijl goeroe van dit moment, bij onze redactie tenminste, Josje Magda' Lena Xantstralia van Balen Nazaat Dribbelbips, meesteres van het eenvoudige, zij zal u grot in slechts twee a drie weken omtoveren tot een modern magisch leef paleis. Tot die tijd slaapt u op kosten van onze sponsor VVA reizen, eten en overnachten in Het VVA van der Aiolornis Incredibilis hotel en restaurant maar voor het zover is nemen wij u mee naar de grote VVA wonen op maat showroom waar wij u laten zien wat wij gaan inkopen, krijgen aangeboden voor in u grot, maar het is ook voor de kijker koper, zodat zij weten, en dan denken na het zien van deze uitzending 'Deze producten maken ook voor ons het verschil tussen een goede of een slecht relatie met ons huis, en dus ons zelf in deze standvastige relatie.'
In een wip monteren we met Rene en Renee naar de showroom, elk daar met in hun handen het gevingerverfde moodboard, stemmingsplakaat.
'Renee en Rene Anderthaler, welkom in het lifestijl etablissement van het establishment, deze schitterende winkel vol uitstallingen van spulletjes die de fabrikanten waarmee wij in c zijn gegaan, de artikelen die zij via ons kwijt moeten spelen aan goedgelovige en dus zeer bereidwillige kijker kopers. Zie hier bijvoorbeeld een grote collectie gordijnen, vitrages, kussentjes, boho kunst ornamenten, strak en simpel scandinavisch design meubilair, glazen schuifdeuren, open keukens, alleen op eenzame eilanden, kastjes met laadjes en laden met kastjes, de modernste apparatuur, hd ready, 4k 8k ready, 16k als het aan ons ligt, via wifi, google, bluetooth, alle kabels netjes weggewerkt achter het gebroken geel en zweverig groen behang op de muren van u gemoderniseerde grot. Allemaal hier te zien, elke uitzending weer. Deze stoel zit toch geweldig, ik zie u meteen onderuit zakken,
'Ja zit geweldig'
u wervels en overig gebeente passen zich rustig en gedwee aan aan het trendy meubelstuk, de tevredenheid straalt er vanaf.
'Ik ben tevreden, straal'
Het is ook exact in overeenstemming met de kleur in de linker bovenhoek van u eigen moodboard, ziet u.
'Ja, ja, ik zie het, alles klopt'
Van deze stoel zijn er maar twee miljoen verkocht van de vijftig miljoen geproduceerde, een exclusieve musthave. Staat geweldig schuin tegenover die nieuwe 4k hhhd ready voor Google geprepareerde P0k LED cinematisch breedbeeld televisie met sfeervolle backlighting.
En dan deze lampen uit de industrieel neo-modern PipeLijn serie zullen goed staan in iedere hoek van u dan inenen sfeer verlichte grot, en boven u platte schedel hangen we deze prachtige hang lampen, klassiek kandelaar model, maar een tikkeltje moderner dankzij op afstand bedienbare lampenpitten. De andere Anderthalers zullen u benijden om zoveel moois, zo schaars maar toch warm verlicht.
'Zeker weten'
Natuurlijk regelen we ook een deur voor u, met kijkvenster, inbraak veilige wentelkruk, u kunt vanaf nu veilig slapen, slot en sleutel, en een bel met uniek bel geluid, Da da da da, Trio daar geniet iedereen van. Ze, de buren, vrienden en bekenden, zullen alleen al hierom in drommen bij u langs komen, en u zult dan trots die mooie boho scandinavisch tribal stijl deur openen en hun de herboren grot tonen. Samen hand in hand met Renee paraderen in u betere lifestijl, uw primitieve stam al het moois laten zien een welke wij voor u hebben geregeld, ingekocht en voor zover mogelijk hebben aangesloten op een netwerk van stand alone nood aggregaten en kortstondig aanwezige, tijdens de uitzending, (want prijzige) sat verbinding voor de wifi. Wilt u dat internet houden en die aggregaten aan de praat houden adviseren wij u om te gaan zoeken naar een betaalde baan, mogelijk bij de kippenslachterij of in de tuinbouw kassen, daar zoeken ze eigenlijk altijd goedkope werkkrachten, fysiek sterk, niet kleinzerig of veeleisend, u lijkt me daarvoor zeer geschikt. Wij daarentegen allemaal niet, nee, nee,
'en Josje dan'
ook Josje niet.
We monteren hier weg, en terug naar de oorsprong, en terug in de tijd maar dan later en ..
'Huh'
Knip
Dan is er ook nog de onbewerkte buitenkant van deze grot, ook daar moet aardig wat aan gebeuren. U moet de aandacht vestigen op u, wonend en straks werkend voor aggregaten voeding in de kippenslacht, hier tussen die andere eenvoudiger ingerichte Anderthalers tiny huisjes. Een leuk tuintje met kleurrijke plantjes, standaard bistro setje, neergezet op zeer unieke keramische buitentegels waarvan te weinig zijn verkocht, met een mooie buiten verlichting, vooral rondom de deur, alles zegt kom maar niet KOM ogenblikkelijk, het is liefdevol, gastvrij maar nooit te.. u bent immers de vriendelijkheid zelve, aardig voor kinderen, huisdieren, vol liefde voor deze weerbarstige omgeving, een goede holbewoner. Dat laten wij voor u aan anderen zien, wij exposeren u zoals u bent, moet zijn volgens ons. Maar wel alleen met spullen op voorraad, ruim op voorraad. Honderd procent uniek materiaal, voor u op maat gefabriceerd. Die tuin laten we niet door Josje doen, hier is ze niet goed genoeg in, mag ook niet, de show en werk wet houdt het tegen, maar dit moet worden gedaan door onze eigen VVA Tuin en Huiswerk TV Show gast Kabouter Sjinkie Hekwerk, door onze talrijke kijkers zeer gewaardeerd vanwege zijn enorme kennis van tuin zaken doen en spontane manier van presenteren.
Laten we maar meteen aan de montage van het werk beginnen. Het studio aftreksel van twee weken schelden en tieren tijdens het mooi maken van dit donkere en koude gedrocht.
Josje wijst aan waar ze de eerste schuifdeur wil hebben, Josje wijst aan waar het kookeiland moet komen te staan, Josje wijst aan waar de inloopkast moet komen, Josje wijst aan waar haar statement komt te hangen, Josje lacht, de bouwers lachen, ze plakken behang, schilderen, timmeren, sjouwen, lachen, steken hun duim omhoog, slaan elkaar joviaal op de schouders, Josje wijst waar de lampen moeten hangen en hoe hoog, de spots en welke kant ze op moeten belichten, waar de tv aan de grot moet worden genageld, tegenover de bank, de meubel sjouwers lachen, zetten het spul met groot gemak en altijd volgens de CAO regels voor zwaar en lichter til werk neer, wat hebben ze het naar hun zin tijdens het decoreren van het hol van Renee en Rene Anderthaler, Josje wijst waar de klok moet hangen, waar de airfryer, smoothiemaker en het espresso apparaat moeten komen te staan, de techneuten sluiten alles met groot plezier en gemak aan op de beschikbare diesel aggregaten, Sjinkie wijst nogmaals aan waar het vijver ornament moet komen, graaft een gat, propt er een hoopje planten in, wijst waar het hekwerk komt te staan en daarmee dus bepalend hoe groot de tuin van de Andertalers is, het loopt allemaal op rolletjes, niemand schreeuwt tegen ondergeschikten, over aansluit problemen, moeilijk roterende schroefjes, uitvallende wifi, haperend licht, niemand verliest zijn geduld tijdens het behangen van de lastige ongelijke hobbelige onbewerkbare nog natte en bemoste rotswanden, het deert niemand dat de kastjes, trolleys, zelden waterpas staan, er water stroomt over het nieuwe lama wollen vloerkleedje, de grot is weliswaar totaal ongeschikt terrein voor dergelijke ingrijpende visuele stijl interventies maar voor dit perfecte stel show werknemers lijkt het een klusje van niks, heerlijk genieten, dollen en lachen, en dan is het opeens af, twee weken werk in vier minuten klaar, het show leven is gewoon heel monteerlijk.
Amper een snee later, staat onze Pre Centator klaar bij de deur met Josje, klaar om de twee Anderthalers liefdevol en enthousiast te begroeten.
Hier nog snel een paar rode kussentjes, daar twee blauwe en een witte langwerpige daar rechts naast het kokette bijzettafeltje. Schitterend, wat een verschil. Eerst al dat grauwe grijze steen, nu dit. Prachtig behang, voortreffelijke keuze, stijleur José. José glanst in het felle licht van de camera, in haar eigen gemaakte sfeer hol, klaar om haar creatie te tonen aan de Andertalers, aan Rene en Renee, wat zullen ze zeggen als ze dit allemaal zien...
Die fraai afgewerkte inloop kast met glazen schuifdeuren voor alle drie de berenvellen is effectief, fraai en heel trendy. In een oogopslag zie je alles wat je bezit hangen, de huiden, zoveel makkelijker om nu het juiste vel te kiezen voor het juiste moment. Mooie kledinghangertjes van Gandalf Woonstijl, afrikaanse motiefjes, echt tribaal, past zo goed in deze omgeving, onmisbaar voor iedereen met meer dan twee huiden om uit te kiezen, O en die nieuwe sjaaltjes, echt zijde, gemaakt door echt kleine handen in vreselijk lage lonen landen, maar ondanks dat mooi!
Hoor
Da da da da …
De bel! Daar zul je de Anderthalers hebben.
Bij de deur staan Renee en Rene onhandig te staan met de bel en de kruk, rondom de deur naar hun eigen hol, geen idee wat te doen. Ze grommen.
'Wat een schitterende deur, fraai hoor' 'Het is ongelooflijk, en kijk onze tuin eens, is dat niet ongelooflijk Rene Anderthaler'
Ze moeten zodra ze in beeld komen elkaars handen vasthouden. Dit gaat niet vanzelf, ze ontvangen meermaals de duidelijke instructies, de camera man en geluids man doen het ze voor, ze grommen hoog en laag iets.
'We zijn zo onder de indruk dat we zijn vergeten hoe we normaal altijd samen door de wildernis lopen' 'Inderdaad en hier in onze grot zitten zitten, altijd samen, altijd hand in hand'
Toch staan ze daar zo, handjes ineen, als wij de deur voor ze open doen omdat ze hebben gebeld om naar binnen te mogen gaan in hun zelf gekraakte hol. Welkom Renees, welkom terug, thuis.
'Ooooh wat mooi' 'Kijk nou toch Renee, die inloopkast en wat zijn dat, toch niet, sjaaltjes?'
Laat eens zien, doe eens om. Gut wat leuk. Echt een vooruitgang. Hier hebben we jullie zit en lig bank staan, dichtbij de televisie, het kijk altaar voor u zit offer, stereo set, hier de meterkast met alle meters nodig om zo mooi in luxe te wonen, daarin zit ook de modem, alle draden overal aan hebben we weggewerkt zodat u ongestoord door die duizenden draden kunt genieten van u heel erg verbeterde grot.
'Netjes hoor' 'Alle draden?'
Ja, niet eentje zie je nog zitten, zelfs de waslijn niet in de tuin, die trek je uit de berg, bevestig je aan de paal verderop in de tuin, en dan hang je de was op, tenzij je het wilt drogen in de droger dat kan ook, die hebben we hier, op de wasmachine, voor al uw huiden, en ernaast de kleine vaatwasser voor de stenen mokken, het nieuwe bestek, koffie, thee kopjes, servies werk en pannen voor bij het onbewoonde kookeiland, en aan de in de berg verstopte lijn hangt u ook het vers van de fabriekspers beddengoed ook al uit ontstaan in lage lonen landen, genaaid met de kleinste, fijnste handen die een klein beetje inkomen kan betalen en huisvesten en voeden, echt als een niet gezien zonne schijntje op de lange werkdag, ze verdienen per kwartaal, neen, per jaar minder dan wij per dag uitgeven aan sjaaltjes en leuke kussentjes.
'Uitbaten die lui' 'Hadden ze maar in de kippenslacht tak of in de tuinbouw kassen moeten gaan werken net zoals ik ga doen, zodat de aggregaten blijven stoken en de Sat connectie met Google behouden blijft, eigen bluetooth eerst'
Gromden Renee en Rene kortaf.
Magnistraal, fabulanties. Hier zien we een heel ander type holenmens, gewoon met de juiste stoffige decoratie om de beresterke schouders, het lijkt al bijna sjiek. We zijn blij dat we dit stel vooruit hebben geholpen naar onze vaart der volkeren, nu kunnen ze ook meepraten en weten waar wij het over hebben als we het er even over hebben voor we ergens anders over beginnen, want ook holen mensen hebben echte mensen wensen, zijn niet veel minder dan gewone huizen mensen zijn, voor je het weet willen ze een villa en dan worden het onze buren, maar eerst maar een flinke poos intens genieten van dit schitterend door ons team gerenoveerde hol, wat jullie Rene en Renee Anderthaler
'Enorm bedankt voor alles wat jullie voor ons hebben gedaan' 'We staan voor eeuwig bij jullie in het krijt'
Als je dat maar weet dan komt het allemaal goed. Dit was dan weer VVA Lijfstijl volgende week meer dan komen we voor het eerst in contact met buitenaardse wezens voor een make over. Tot dan
from
Roscoe's Quick Notes

Friday's MLB Game of Choice has the Pittsburgh Pirates playing the Cincinatti Reds in a game scheduled to start at 5:10 PM CDT. As I usually do, I'll follow the game's score and stats in real time via MLB's Gameday Service where we can also find links to the radio-call of the game provided by announcers of either team we choose.
And the adventure continues.
A description often arrives as if it were direct.
It says: c = a.
But very often something has happened in between. There is a missing term, a mediating frame, a typology through which the description has become possible. What has been presented as direct recognition may in fact be recognition through b. The danger is not only that b may be forgotten. It is that b may become so familiar that it disappears into the description itself.
This is where consensus has value. Consensus is not merely agreement about the final description. It is a shared knowledge of the character and necessity of the mediating term. We know, together, why c can be described as a, because we share some understanding of b. Consensus, then, is a kind of social memory. It remembers the typology that the description has hidden. It preserves the route by which the fact became legible.
But this also explains the danger. Consensus can keep b alive, or it can bury it more deeply. What everyone knows may become what no one thinks to examine.
So perhaps the question is not only whether we agree. It is whether our agreement still remembers what made agreement possible.
David Marshall
Skerries
What happens when a question stops asking for an answer and begins asking to be understood?
Perhaps that is the moment it ceases to be a problem and becomes an essay.
David Marshall
Skerries
Is poor education to blame for the fact that so many native English speakers can’t use bring and take correctly? Or have we collectively lost the ability to imagine where we are standing at any given moment?
Last week I read a piece in the Irish Independent in which a prominent journalist wrote something along the lines of: “an injured person was brought to the hospital.”
Really? Brought?
Was the journalist personally accompanying the ambulance? Were they clinging to the back bumper with a notebook and a sense of duty? Of course not. They were at their desk, probably eating a sandwich.
The correct verb is taken. As in: “the injured person was taken to the hospital, while the reporter remained safely at their keyboard.”
Where was the sub‑editor? Possibly also at lunch, – perhaps nibbling on the other half of that sandwich.
But, bring and take aren’t decorative. They contain actual information about location – a concept that, judging by modern usage, is now considered optional – like ironing, or basic geography.
Take these two sentences:
- “I will bring my laptop from home to the office.”
Translation: I am currently at the office, and I am promising to arrive tomorrow with my laptop and, presumably, a sense of purpose.
- “I will take my laptop from home to the office.”
Translation: I am not at the office. I might be at home. I might be in a café. I might be in a field. But I am definitely not at the office.
Now consider:
“I’m going to bring my colleague to the airport” versus
“I’m going to take my colleague to the airport.”
If you say bring, you are speaking from the airport. Perhaps you live there now. Perhaps you’ve set up a small tent beside Departures? Perhaps I need to contact Focus Ireland on your behalf?
If you say take, you are somewhere else – anywhere else – but not at the airport.
This is not advanced linguistics. This is not quantum mechanics. This is kindergarten‑level spatial reasoning. And yet, somehow, it’s evaporating.
Maybe it’s laziness. Maybe it’s the collapse of editorial standards. Maybe we’ve all become so dependent on GPS that we no longer know where we are unless a mobile phone tells us.
But the distinction matters. Language loses something when we stop caring about perspective. And frankly, if we can’t manage bring and take, I fear for the future of lend and borrow.
“Borrow me your blue pencil, will you – the chief already has a lend of mine.”
from hypocritepoet

Santa Monica – Everclear
Released in 1995, “Santa Monica” was the fourth track on Sparkle and Fade. I was twenty-three.
You'd think twenty-three would feel like standing at the edge of an open sky. Instead, I remember still looking for what I'm looking for now:
Freedom.
That's hard when you're built to believe you're responsible for everyone else's comfort.
Children of trauma, am I right?
Yeah. You know I am.
California represented escape. Freedom. Swim out past the breakers and watch the world die.
Ever since I was a child, I've wanted to slip the surly bonds of earth—not to disappear, but simply to be alone in the universe for a while. Somewhere no one needed anything from me.
Twenty years later, I finally moved to California.
It wasn't the promised Eden I'd imagined.
What I learned instead is that no matter how far you swim, no matter how far you run, you don't escape who you are. You simply meet yourself in a different place.
Maybe that's why “Father of Mine” and “Wonderful” landed so hard. Even now, “Wonderful” still makes me bleed a little.
Then, two years later, “I Will Buy You a New Life” became my anthem.
I'd been married five years by then, long enough to discover that marriage contains both beautiful victories and ordinary disappointments. Somewhere inside me was the quiet fear that my young wife had unknowingly married damaged goods.
So I made that song my promise.
I will buy you a garden where your flowers can bloom...
I wanted to give her a life that would make her happy.
I did the best I could.
I'm still doing the best I can.
It turns out I'm funny, creative, clever, passionate, romantic—a whole passel of good things.
What I'm not is good with money.
There will never be a big house in the West Hills.
And that's okay.
Because I've also learned that the house wouldn't have made either of us happy.
I know what does.
Respect.
Creativity.
Laughter.
Intimacy.
Loyalty.
Even knowing that, there's still a part of me that wants to swim out past the breakers and watch the world disappear behind me. To keep sailing until I reach whatever edge of the map my imagination has always believed was there.
But there's too much life.
Too much living.
Too much laughter.
I am a good man.
I love deeply.
I've been fortunate to walk through this life with many good people. Not all of them—but most.
Some of them I miss more than I know how to say.
As far as they're concerned, I'm already out past the breakers.
Some are probably relieved.
Others, I know, miss me.
I know because they are my mirror.
And maybe that's what I've been looking for all along.
Not California.
Not escape.
Just a place where I could finally stop swimming.
“Santa Monica”
I am still living with your ghost Lonely and dreaming of the east coast I don't wanna be your downtime I don't wanna be your stupid game
With my big black boots and an old suitcase I do believe I'll find myself a new place I don't wanna be the bad guy I don't want do your sleepwalk dance anymore
I just wanna see some palm trees I will try and shake away this disease
We could live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
We can live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
I am still dreaming of your face Hungry and hollow for all the things you took away I don't wanna be your good time I don't wanna be your fallback crutch anymore
Walk right out into a brand-new day Insane and rising in my own weird way I don't wanna be the bad guy I don't wanna do your sleepwalk dance anymore
I just wanna feel some sunshine I just wanna find some place to be alone
We could live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
We can live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
We could live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
We could live beside the ocean Leave the fire behind Swim out past the breakers Watch the world die
Oh, yeah, watch the world die Yeah, yeah, watch the world die Whoa, yeah, watch the world die Yeah, watch the world die
https://youtu.be/MW6E_TNgCsY?si=nUW0Sfm_fJ07xvVc
Photo by Zosia Szopka on Unsplash
Dear Aunt Martha,
I’ve been trying to keep a daily journal but writing to you is much easier. I used to tell my students in composition classes that they had to write to an audience, so you are mine now.
Keeping myself clean and fed has proved to be more of a job than I thought it would be. I didn’t realize how spoiled I am. Friends once paid big money to spend time at retreats doing what I have to do every day now.
I once had a dishwasher, now I wash everything by hand. I have to drive an hour and a half to a decent grocery store now and it’s too late in the year to put in a garden. Fresh vegetables are expensive and I am grateful for the overflow from Caleb and Ann’s garden, but what am I going to do with all of this squash and zucchini? Ann is teaching me to can. There isn’t much room in the freezer to store more than weekly groceries.
Samu practice at retreats was fun and exciting, largely because for many of us it was not things we had to perform every day and there was an “odor of sanctity” about it that made it feel special, as if we were earning spiritual brownie points for doing menial work. I had a housekeeper and reliable appliances at home and am reminded of Marie Antoinette playing at being a shepherdess. I wonder what my former retreat companions would do if they had to evict a 6-foot black snake from a chicken coop.
Speaking of chickens, they are not your original flock. They were dispersed by the hurricane. I stuck my head into Tractor Supply looking for cat food when they had chicks and fell for the cute little balls of peeping fluff. David, Caleb’s youngest, helped repair the coop and has taught me about caring for them as a 4-H project.
I never knew domesticated fowl could be so funny. There is no way I could sacrifice one for dinner, even if the preacher came to visit. I remember watching you do it and how you showed me the eggs inside the butchered hen. These are pets and are more entertainment than a television could ever be. The fresh eggs are a bonus and they lay enough that I can return Caleb and Ann’s generosity.
Caring for the flock and the lack of automation in the kitchen caused me to realize that I have romanticized rural life based on trialing after you and Uncle Bud as a child. You were always a safe place for a troubled kid and I never knew how much hard work it took for you to keep body and soul intact. Watching Uncle Bud do the milking twice a day was an adventure for a child, as an adult it would be part of the daily grind of responsibilities with no relief.
I think it’s human nature to romanticize our pasts as we search for parental figures to replace the ones we lost or never had. There are jokes among professors about student crushes and tales told at cocktail parties after a few drinks. I was privy to more than one student-teacher affair that went sour.
I had an embarrassing crush on my first Buddhist teacher and spent hours staring at his crotch during dharma talks. I will always appreciate his kindness and patience as he gracefully ignored my puppy eyes. Reality hit especially hard many years later when I tracked him down and he did not remember me. I shed too many tears over him during our association, but healed a great deal from the experience.
Roshi talks about having no preferences. That’s a tough one to swallow, especially as basic survival depends on our atavistic brains picking and choosing. We gravitate towards the pleasurable and reject the uncomfortable while Roshi instructs us to embrace both. We talk about the Sandokai, the Harmony of Sameness and Differences, and try to apply it to our lives. Meanwhile the Four Noble truths remind us that suffering arises when we want things to be different from what they are.
We put people, places, things, experiences, on pedestals and imbue them the qualities that we want for ourselves or are repelled by them. The flock of chickens are hilarious entertainment. Each has a name and a distinct personality. Perhaps somewhere in my psyche I see them as the toddlers I was never able to mother or grant them mental processes that they don’t really have as I compare their behavior to people I know. I wonder if that is what Roshi means when they talk about life as a mirror. Projection.
Maybe my next book will be about the chickens.
Love,
Geneva
My position as Ambassador Extraordinary for Unfinished Questions would, from time to time, generate social invitations of considerable variety. There were official state functions, garden parties, and “At Home” events attended by mayors, civic dignitaries, and various officials whose chief talent appeared to consist of congratulating one another on the efficiency of their offices.
At one such gathering I found myself trapped within a small circle of mid-level and senior civil servants who were enthusiastically comparing efficiencies. I might have escaped much sooner had it not been for the company of a young woman among them. She neither preened nor pontificated. She possessed a quick wit, an alert intelligence, and a refreshing tendency to laugh before speaking.
At one point I remarked that efficiency was a splendid thing, provided one had sufficient space in which to be efficient. “But,” I added, “I am attempting to conduct the affairs of Unfinished Questions from my home. The questions arrive faster than the rooms.” This observation produced smiles, sympathetic nods, and several anecdotes concerning storage. The young woman listened carefully. Before we parted she informed me that she understood my predicament and would mention it to her superiors. “There may be opportunities,” she said, “to improve your circumstances.” I thanked her sincerely. As the evening drew to a close she repeated her promise.
Only a week later I found myself in possession of an office. It occupied a modest room with a generous window in the building of the Office of Classification. There was a desk. There were shelves. There were cabinets. There was even a brass plaque on the door. It was, in every practical respect, precisely what I needed.
I set about my ambassadorial duties with renewed vigour. The questions still arrived in alarming quantities, but they no longer lurked beneath chairs or balanced precariously upon windowsills. They no longer migrated mysteriously between rooms or nested in teapots. Nor did they take up temporary employment as bookmarks, coasters, or table wedges. They continued, however, to arrive in a bewildering variety of forms, from sheets of paper and sealed envelopes to beer mats and the backs of restaurant menus. Unfinished Questions had never shown much regard for standardisation.
Even with shelves, cabinets, paperweights, and a collection of miscellaneous heavy objects pressed into service, the questions remained difficult to manage. A redundant one-pound weight, a half-used bag of sugar, and an empty tin of Irish fudge all found themselves recruited into the cause. Yet no sooner would a stack appear perfectly ordered than it would lose all commitment to organisation and spill across the floor.
The effect resembled the wind-scattered debris of feather-bed moss on an Irish mountainside. The slightest breeze from the narrowest crack in the window could lift dozens of questions into the air, where they wheeled and fluttered like enthusiastic competitors in a kite festival.
It seemed that more than a day each week was spent repairing the damage caused by these outbreaks of administrative freedom. Indeed, rather than the efficiency of the building improving my methods, my methods appeared to be infecting the efficiency of the building. During the weekly inspections I became, I suspected, less a model tenant than a cautionary example.
Then one morning I arrived to discover that someone had thoughtfully installed a cabinet containing dozens of labelled drawers. It appeared to have been built by someone who regarded right angles as a moral virtue. Its drawers aligned perfectly, its brass fittings matched exactly, and every surface carried the faint sheen associated with regular polishing and infrequent excitement. Merely looking at it gave one the reassuring impression that disorder was a temporary condition and that, with sufficient application, everything might eventually find its proper place. I took it as evidence that my work was valued.
Each drawer bore a large printed label written in the clear, unopinionated script favoured by the Office of Classification. The labels read like signposts through the landscape of inquiry: “Questions Concerning Location”, “Questions Concerning Identity”, “...Duration”, “...Ownership”, “...Origin”, and “...Purpose”, and many others besides. Several drawers remained unlabelled, standing ready for some species of unfinished question, not yet known. Across the top of the cabinet, worked neatly into the wood in a manner suggesting official doctrine, ran the words:
A Question Sorted Is A Question Managed
The sentiment seemed reasonable enough. And in all, the cabinet had the appearance of an object that knew precisely what everything was and where it ought to be kept. After moving the cabinet to a position where it might benefit from the morning light of the window, I began.
For several days I learned to work with growing satisfaction. Questions were read and sorted, and quickly disappeared into their allotted drawers. Space emerged upon the desk. Shelves became visible. Entire territories of floor were rediscovered. The improvised paperweights were retired from public service. The half-empty bag of sugar returned to the kitchen, and the tin of Irish fudge resumed its intended role of containing very little fudge. The goal of a tidy office seemed closer and closer
Better still, decisions became quicker. Questions which seemed at first to belong in several drawers usually settled into one if looked at firmly enough. Before long I could often identify a destination before reaching the end of the page. The cabinet approved of this sort of efficiency.
Even my home began to recover. A question still arrived there from time to time, but the great migrations had ceased. Evenings were no longer spent excavating dining tables or rescuing enquiries from beneath armchairs. The house gradually remembered that it was a home and not a branch office of unfinished thought.
Whilst my office progressively acquired the appearance and habit of industry and efficiency, I myself basked in the congratulatory compliments of my office neighbours, who clearly regarded themselves as my colleagues.
Occasionally a general office memo would arrive on my desk, from the young woman who had been so gracious as to assist me. And I noted that as time passed, her automated signature gave way to her own personal squiggle, which I read as “Daisy” and always with a prominent tittle over the lower case “i”. So it was with a little regret when the automated signature returned and I heard she had apparently transferred away. But still home was home, work was work and perhaps for the first time I inhabited a kind of contentment.
Still, I continued my work with vigour, humming to myself as I lifted each envelope and slit it open with my standard Office of Classification letter opener. I had come to enjoy the satisfying sound of the contents being released and the envelope at last being free to speak. “Efficiency is purpose, efficiency is sorting, a question sorted is a question managed...” I would improvise further verses as I worked. By now I had the whole operation perfected. Lift the next envelope with the left hand. Scan the face. Turn it over. Begin opening the flap with the letter opener held in the right hand whilst simultaneously scanning the reverse. Check the contents for any additional information. Clip envelope and question together. Reach for the appropriate drawer. More often than not the classification had already taken place in my mind before the envelope was fully opened.
I think I was doing precisely that when I picked up the next envelope. It was much like all the others. Reused. A little sparse on gum. Looking tired around the edges. Entirely ordinary, carrying its ordinary unfinished question inside. I slipped my fingers within and began to draw out the paper. But there, on the envelope reverse side, printed neatly across the bottom, were the words: What exactly is missing when something is absent?
I stopped. Everything about me stopped. No movement of the hands. No reaching for a drawer. No quiet decision already forming in the mind about where the question belonged. Nothing. What exactly is missing when something is absent? I read it again. And again. I placed it carefully upon the desk and walked away. Then I walked back. I read it aloud. “What exactly is missing when something is absent?” I crossed to the window and opened it. A few papers lifted from the desk. I opened another window, then another. Soon a breeze was wandering freely through the room. Questions stirred. Several departed from their piles entirely. I returned to my chair and sat down rather more heavily than intended.
What exactly is missing when something is absent? I was being judged. I looked towards the cabinet. How many questions had I understood merely well enough to know where to put them? How many had belonged partly in one drawer and partly in another, only to find themselves assigned permanently to whichever category happened to be largest? How many decisions had I mistaken for understanding?
What exactly is missing when something is absent? Anxious to have this letter classified and despatched, I looked at the drawers for inspiration: “Location.” “Identity.” “Duration.” None of them would do. So I created a new drawer. Later I created another. Then another. By the end of the week there were almost as many categories as questions. And still no solution. No tidly labelled drawer for the question.
The rapid proliferation of labelled drawers drew the attention of one particular ambitious Sorter. “You are having difficulty?” Telling me, rather than asking me. “Only with this one.” He studied the envelope. “It belongs somewhere.” “Yes.” “Then place it there.” I looked from the question to the cabinet and back again. “There is something odd,” I said. “What?” “The more precisely I classify it, the less I seem to understand it.” He frowned. “The purpose of classification is understanding. Only after classification can we assign meaning.” “I thought so too.” The Sorter pointed at the envelope. “What does the question mean?” I started to answer and then stopped. For I had realized that the question meant different things depending upon who read it. To a librarian it meant one thing. To a widow another. To a child searching for a lost toy something else entirely. Its category remained unchanged. Its meaning did not.
“The classification tells me where it belongs,” I said at last. “Exactly.” “Yes. But not why it matters.” The Sorter regarded me with the polite concern usually reserved for damaged furniture. After he departed I removed the question from the drawer and began to carry it in my pocket.
Unsorted.
✒️ Sigi
from
Notes I Won’t Reread
i dont have a fucking topic today, you can leave by now. i wouldnt give a single fuck about it. ive got a head full of noise and no patience left today, everything is irritating me. the sound of humans talking, the sound of humans breating too fucking loud. i cant stand it anymore. their fake laughs and smiles and pointless conversations. the same recycled bullshit every goddamn day like everyones reading from the exact same script. “how are youu! “ fuck off, you dont care, nor do i want to answer. Why are we wasting oxygen? lets stop pretending this little performance means anything. some people will spend twenty fucking minutes explaining something they could’ve said it in six words. they just keep talking and talking and talking. and oh my fucking god, they keep talking, just shut the fuck up, shut the fuck up. for god sake. not everything needs your opinion. not every silence needs to be fucking filled. sometimes the smartest thing you can contribute is fucking nothing, i swear half the world survives purely on confidence. Common sense packed its fucking bags years ago. Maybe I’m just in a shitty mood. or maybe you’re the problem. yeah, you. the one reading this, already thinking “damn, who pissed him off?” my fucking bad. i forgot humans need everything to be personal. you people cant read three sentences without assuming the universe revolves around you. Relax princess, this isnt about you. its about that wonderfully irritating habit humans have of turning every conversation into a performance, every opinion into a fucking whole damn lecture. you lot are exhausting, for gods sake. and before someone inevitably says, “not all humans.” No shit, congratulations you’ve discovered exceptions exist. would you like a fuck ass certificate? hang it in your little room, “Yay, im human.” nice. you wake up, complain, scroll for hours, chase things you dont even want, and somehow call it a life.
Oh, i cant wait for humanity to finally shut the fuck up. i cant even decide if humans are a masterpiece or a cosmic joke. so intelligent they say, yet somehow still this damn exhausting.
Sincerely, An angry witness
from
M.A.G. blog, signed by Lydia
Lydia's Weekly Lifestyle blog is for today's African girl, so no subject is taboo. My purpose is to share things that may interest today's African girl.
Latex in the Accra Rain? Yes, Sis—Here's How to Make It Work!
Accra's rainy season has officially entered the group chat. One minute you're serving CEO chic, the next you're dodging puddles on Oxford Street. But does that mean your fashion game has to hibernate? Absolutely not.
Enter latex—the bold, glossy fabric that's surprisingly perfect for making a statement, even in gloomy weather.
Shine Brighter Than the Clouds
Rainy days can make every outfit look a little dull. Latex naturally reflects light, giving you that “main character” glow, even under grey skies. Think of it as your built-in spotlight.
Keep It Smart
Instead of wearing head-to-toe latex (unless you're heading to a fashion editorial), choose one statement piece:
– A latex blazer over a fitted dress.
– Latex trousers paired with a soft knit top.
Balance is the secret to looking polished instead of overdone.
Rain-Friendly Accessories:
The Accra rain loves surprises, so pair your latex look with:
– Waterproof ankle boots or stylish loafers.
– A structured umbrella (because your umbrella is part of the outfit too!).
– A sleek tote that can handle unexpected showers.
Let Your Outfit Breathe:
Latex already makes a statement, so keep your makeup fresh and your accessories minimal. Gold jewelry, a neat hairstyle, and confidence will do the rest.
Rain and latex may seem like an unusual pairing, but confidence is what truly completes the look. Own it, walk carefully on those slippery pavements, and remember—fashion doesn't stop because the skies opened up.
This rainy season, don't just survive the weather. Shine through it—one glossy latex look at a time.
Radiance Fair and Summit Showcased Bridal Elegance and Luxury at Mövenpick Ambassador Hotel. I was invited to The Radiance Fair and Summit, held on 25 and 26 July 2026 at the Mövenpick Ambassador Hotel in Accra, organized by Events Debonair Afrik. It brought together fashion designers, exhibitors, entrepreneurs, media representatives, and fashion enthusiasts to celebrate creativity, craftsmanship, and innovation in Ghana's fashion industry.
An exhibition in the ballrooms of the hotel had 12 vendors displaying elegant wedding dresses and accessories and luxury table settings for wedding receptions, offering visitors plenty of inspiration for celebrating weddings in grand style.
The highlight of the event was the open-air Radiance Runway Show, staged beside the hotel's swimming pool. There was a slight delay due to a brief drizzle, (I really wonder how people dare organize open air fashion shows during the rainy season) but then the runway featured extravagant bridal wear with many garments showcasing elaborate embroidery, luxurious silk fabrics, and delicate lace detailing. The collections reflected both exceptional craftsmanship and contemporary bridal fashion trends.
It was a continuous extravaganza of impressive wedding dresses and accessories, highlighting the creativity and quality of Ghanaian designers. The event also provided valuable networking opportunities for industry professionals and fashion enthusiasts.
While the overall organization and atmosphere were commendable, the sound system during the runway presentations could have been better.
This Radiance Fair and Summit successfully celebrated bridal fashion, luxury, and local creativity while reinforcing Accra's growing reputation as a hub for fashion and creative industries in West Africa. Ayeeko Debonair.

Burn out and skincare. What is skin care for? More than you think. During your daily movements you may actually encounter lots of dirt, so to protect your skin from these before you set out is not a bad thing. But be careful what you put, the more natural the better. Like organic unprocessed shea butter or organic unprocessed coconut oil. Skin care products often also contain chemicals which do not care for your skin at all, rather damage it and create reactions like allergies, cancers or even sexual and reproductive problems (hormonal disruption). So washing it all off once you get back home is a good thing as well. But here’s the next snag. Apart from what you put on as a protector, your own body also produces a protective layer. So if you now wash everything off with soap, you touch that protective layer as well. Better just use water and a bit of scrubbing, and use soap only for underarms and things like that. Your skin may be dry, so again you want to put something, like a moisturizer. Same story, the more natural the better for the above mentioned reasons. Take your time and read what’s written on that bottle of moisturizer and you’ll realize you need a PhD in chemicals to understand it all. Same goes for deodorants, often used, seldom really needed. And now the stressy part. If you are stressed, your skin may start to show it, and if your skin shows it you get stressed. So it goes both ways, and scratching or creams mostly makes it worse. Some scrub so much that they damage the skin. So what to do? Relax. A nice long hot shower with some music on and a big towel and some perfume can do as much as a Spa at GHC 500-GHC 1000. Learn to unstress. Or try yoga and things like that. A few minutes a day can already make a big change to your skin.

HoneySuckle Airport (Shell Station (Opposite Alliance Française), Airport Residential Area, Accra). Packed full on a Friday evening with Gen Z and millenniums, complete with karaoke, which I think should be forbidden in public places, some people really should only hum hum hum, not try to sing. Their 4 pieces of samosa at 70 GHC were over fried and oily and had an Indian taste, no wonder, I am told all the honeysuckles in Accra (Labone, Fourth Dade Street and Osu, opposite the Fire Service Headquarters, Ring Road East, Accra) are owned by Indians.
A club draft is GHC44.99, an ordinary beefburger goes for 170 and was ok. We also had honey glazed chicken wings, spicy bbq chicken wings, yam chips and potato chips which were also good. Prices are all tax inclusive but they add a 5% non compulsory service tax (so you can tell them to take it off, even without complaining about the service). But the service was ok, I even had an apology for the late samosas, but I had to wait too long for my change which somehow spoilt the party.

Full Moon was last Wednesday, and today it will still be quite a full moon. Beach walk time, with the moon playing hide and seek with the clouds. Hold me tight.


For sci-fi adventure paperback fans, The Package Trilogy is out now on Lulu.
From August 14, 2026 to August 31, 2026, the book will be on sale for $3 off.
Don’t miss this deal!
https://www.lulu.com/shop/ernest-ortiz/the-package-trilogy/paperback/product-w42d9p2.html
#writing #book #Lulu #paperback #publishing #sale #selfpublishing
from hypocritepoet

I believe that there is one story in the world, and only one, that has been writing itself over and over again—one story. The story of good and evil.
Originally published 2025-04-08 13:24:24
There’s a farm road I take when I need to cross town and I’m not in a hurry. It skirts the city, wrapping around it gently, and deposits me where I need to be. There are many things on this farm road.
There’s an old sign shop with “JUNK” splashed across the yard. There’s a big red barn—metal and modern, but designed to look like something out of a North Carolina postcard. There’s a row of country homes, spaced so widely apart you couldn’t walk door-to-door without turning it into a day trip. You have to drive to visit all your neighbors out here.
One of those houses catches my eye every time. The yard is cluttered with used cars and trailers. The owner clearly sells trailers, maybe even builds them. I can see the large metal building way in the back of the property—his workshop. It reminds me of my father. He built trailers in his garage, too. He built railings, worked on cars, created things from scratch. His hands were never still.
But I think about this man now, the trailer-seller, and his neighbors. The homes flanking his are neat and manicured, with green lawns and white fences made of old oilfield pipe—a crude material turned elegant by effort and paint. The trailer man’s fence is rusted and brown, like the rest of his property. I wonder how his neighbors feel.
We can't choose our neighbors. We can only be patient with them. I try to be a good neighbor. I suppose that matters. After all, we wouldn’t want everyone to be exactly like us. The differences test our patience. They shape our character. No man is an island.
We need our culture. We need our people. We need our worker bees and queen bees. We need our ditch diggers and maybe even our politicians. More than anything, we need the Kingdom.
Under the Kingdom, people will learn to be kind. If someone builds trailers in their yard, they'll do it with care. And if they don’t, neighbors will speak with grace instead of letting resentment brew.
I’m passing a house now that’s under construction. The roof deck is up, felt paper waiting for shingles. I can see the toe boards nailed across the steep pitch—the same kind I used when I was a roofer.
I remember those days. It feels like yesterday. I knew the work so well. Even now, I could get out of the car, pick up a bundle of shingles and a hammer, and by afternoon I’d have a good-sized portion of roof done. And yet, I’m not a roofer anymore. We aren’t always what we once were, even if the knowledge never leaves us.
Some of us were once lost, and now try to do good. But we still hold the capacity for bad. We may still desire it. Sometimes it slips out in moments of passion. When does that make us wicked? Only if we willingly choose the wrong we know to be wrong. Perhaps that was Lot’s wife’s failure.
Maybe she didn’t look back out of weakness. Maybe she was simply honest. She didn’t want to leave. Her life was there. Her home. Her identity. Was it so wrong to mourn what she was being pulled from? The Bible says she became a pillar of salt. We think of that as punishment. But maybe it was mercy.
Maybe God knew she wouldn’t survive the wilderness. Maybe turning her to salt spared her a different kind of death. Maybe it was the kindest thing. The hand of flaming fire and hailstone never touched her. Maybe that was the best ending she could have. As a bonus, we get a lesson on faithfulness.
I think about that as I drive. I think about myself. I ask a question I wrote the other day: If I am becoming her. I keep looking back. I can’t seem to stop. I keep desiring, wanting. I’ve lost things—goals, faith, the hope of being someone respected. A man of standing. A man of God.
Can I reclaim those things?
No doubt—no doubt.
But the real question is:
do I want to?

Luke 19:29-44
29 And when he got near to Bethʹpha·ge and Bethʹa·ny at the mountain called Mount of Olives, he sent two of the disciples, 30 saying: “Go into the village that is within sight, and after you enter it, you will find a colt tied, on which no man has ever sat. Untie it and bring it here. 31 But if anyone asks you, ‘Why are you untying it?’ you must say, ‘The Lord needs it.’” 32 So those who were sent went away and found it just as he had said to them. 33 But as they were untying the colt, its owners said to them: “Why are you untying the colt?” 34 They said: “The Lord needs it.” 35 And they led it to Jesus, and they threw their outer garments on the colt and seated Jesus on it.36 As he moved along, they were spreading their outer garments on the road. 37 As soon as he got near the road down the Mount of Olives, the whole multitude of the disciples began to rejoice and to praise God with a loud voice because of all the powerful works they had seen, 38 saying: “Blessed is the one coming as the King in Jehovah’s name! Peace in heaven, and glory in the heights above!” 39 However, some of the Pharisees from the crowd said to him: “Teacher, rebuke your disciples.” 40 But in reply he said: “I tell you, if these remained silent, the stones would cry out.” 41 And when he got nearby, he viewed the city and wept over it, 42 saying: “If you, even you, had discerned on this day the things having to do with peace—but now they have been hidden from your eyes. 43 Because the days will come upon you when your enemies will build around you a fortification of pointed stakes and will encircle you and besiege you from every side. 44 They will dash you and your children within you to the ground, and they will not leave a stone upon a stone in you, because you did not discern the time of your being inspected.” 45 Then he entered the temple and started to throw out those who were selling, 46 saying to them: “It is written, ‘My house will be a house of prayer,’ but you have made it a cave of robbers.” 47 He continued teaching daily in the temple. But the chief priests and the scribes and the principal ones of the people were seeking to kill him; 48 but they did not find any way to do this, for the people one and all kept hanging on to him to hear him.
#essay #existentialcrisis #travel #thoughts #bible
English has rules, but English also has music. Most of the time the rules win, because they’re easier to print, easier to teach, and easier for software to enforce. But every so often the music insists on being heard.
Take the small matter of an hotel.
I was taught, in a school founded in 1180, by Oxford and Cambridge dons who cared about the shape of a sentence, that the indefinite article follows sound, not spelling. If a word begins with a weak or elided h, you avoid the hiatus and use an. That’s how I learned an historical, an heroic, an humble, and yes, an hotel.
Irish English makes this even more natural. We’re comfortable with a softened h, with liaison, with smoothing the vowel transitions. And we’re comfortable with prosody doing the work. When the stress of the sentence falls on the verb, the noun relaxes:
I am staying in an hotel.
The h weakens, the article shifts, and the phrase flows as one unit: in an‑hotel.
But when the emphasis moves, when the point is the location rather than the action, the aspiration returns:
I am staying, in a hotel.
The noun stands up straight, the h is sounded, and the article changes with it.
This is not archaism. It is not affectation. It is simply English behaving like a spoken language rather than a printed one. Modern editors and AI models flatten this distinction because they assume a fixed, fully aspirated h in all contexts. They enforce the majority usage, not the minority music.
But the minority music is still mine.
And in An Essayist’s Notebook, a place for noticing how language actually works in the mouth, not just on the page, it deserves to be written down.
David Marshall
Skerries
from engenetics.org
After years of persecution by governmental and corporate organizations, the writings of Dr. M. E. Tabyánan are being published again. This information is critical for our current times, and must be made available for everyone.
Because various governments and corporations—including that of the United States—are searching for the Doctor, he must remain in hiding. However, with the aid of courageous supporters, his voice can be heard again.
The writings of Dr. M. E. Tabyánan will be published at this Internet location as they are made available. Check back here regularly for articles that have previously been published—and will be again—as well as new information from this great man!
The Resistance
from AnOublietteofThought
Atop. Beneath. So grinds these teeth on morals written lacking. I chew. I spit. I choke in fits releasing while attracting. Accrued. In debt. Division kept with treatise sanctioned fiction. Diseased. Too clean. Prayed purely obscene I bleed in drowned remission.
Written July 31, 2026. © 2026 AnOublietteofThought.